Signature Collection

~ Release by Elvis Presley (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleLength
1That’s All Right (Mama)
engineer and producer:
Sam Phillips
bass:
Bill Black (on 1954-07-05)
electric guitar:
Scotty Moore (on 1954-07-05)
guitar and lead vocals:
Elvis Presley (on 1954-07-05)
phonographic copyright (℗) by:
BMG Music (in 1954) and Sony BMG Music Entertainment (in 2003)
recorded at:
Sun Studio in Memphis, Tennessee, United States (on 1954-07-05)
part of:
Rolling Stone: 500 Greatest Songs of All Time (number: 112)
cover recording of:
That’s All Right (on 1954-07-05)
lyricist and composer:
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc., Intersong GmbH, PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music and Unichappell Music, Inc.
1:59
2Heartbreak Hotel2:09
3Good Rockin’ Tonight
engineer and producer:
Sam Phillips
bass:
Bill Black (in 1954, from 1954-09-12 until 1954-09-16)
electric guitar:
Scotty Moore (from 1954-09-12 until 1954-09-16)
guitar:
Scotty Moore (in 1954) and Elvis Presley (in 1954, from 1954-09-12 until 1954-09-16)
vocals:
Elvis Presley (from 1954-09-12 until 1954-09-16)
phonographic copyright (℗) by:
BMG Music (in 1954) and BMG Entertainment (in 1955)
recorded at:
Sun Studio in Memphis, Tennessee, United States (in 1954, from 1954-09-12 until 1954-09-16)
cover recording of:
Good Rockin’ Tonight (on 1954-09-10)
lyricist and composer:
Roy Brown (in 1947-07)
publisher:
Brown Angel Music Publishing, Carlin Music Corporation, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Knox Music, Inc., Lark Music Ltd., Lois Music Publishing Co., Trio Music, Trio Music Co., Inc. and Wixen Music UK Ltd.
2:15
4Rip It Up
engineer:
Thorne Nogar
bass:
Bill Black (on 1956-09-03)
drums (drum set):
D.J. Fontana (on 1956-09-03)
guitar:
Scotty Moore (on 1956-09-03) and Elvis Presley (on 1956-09-03)
piano:
Gordon Stoker (on 1956-09-03)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1956-09-03)
cover recording of:
Rip It Up (on 1956-09-03)
writer:
Robert “Bumps” Blackwell and John Marascalco
publisher:
Peter Maurice Music Co. Ltd., Robin Hood Music Co., Sony/ATV Songs LLC and Venice Music
1:55
5I Was the One
bass:
Bill Black (on 1956-01-11)
drums (drum set):
D.J. Fontana (on 1956-01-11)
guitar:
Chet Atkins (on 1956-01-11), Scotty Moore (on 1956-01-11) and Elvis Presley (on 1956-01-11)
piano:
Floyd Cramer (on 1956-01-11)
vocals:
Brock Speer (on 1956-01-11), Ben Speer (on 1956-01-11) and Gordon Stoker (on 1956-01-11)
recorded at:
RCA Victor Studios in Nashville, Tennessee, United States (on 1956-01-11)
recording of:
I Was the One (on 1956-01-11)
writer:
Hal Blair, Claude Demetrius, Bill Peppers and Aaron Schroeder
publisher:
Anne-Rachel Music, Carlin Music Corporation, Chappell & Co., Inc., MCA Music Ltd. and Rachel’s Own Music
2:38
6Blue Moon of Kentucky
engineer and producer:
Sam Phillips
bass:
Bill Black (on 1954-07-05, on 1954-07-07)
electric guitar:
Scotty Moore (on 1954-07-05, on 1954-07-07)
guitar:
Elvis Presley (on 1954-07-05, on 1954-07-07)
vocals:
Elvis Presley (on 1954-07-05, on 1954-07-07)
phonographic copyright (℗) by:
BMG Music (in 1954)
recorded at:
Sun Studio in Memphis, Tennessee, United States (on 1954-07-05, on 1954-07-07)
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 49)
cover recording of:
Blue Moon of Kentucky (on 1954-07-05)
lyricist and composer:
Bill Monroe (in 1946)
publisher:
APRS, Peer International Corporation, Southern Music Publishing, Southern Music Publishing Company Limited and ピアーミュージック
cover recording of:
Blue Moon of Kentucky (on 1954-07-07)
lyricist and composer:
Bill Monroe (in 1946)
publisher:
APRS, Peer International Corporation, Southern Music Publishing, Southern Music Publishing Company Limited and ピアーミュージック
2:05
7I Want You, I Need You, I Love You
engineer:
Bob Ferris
bass:
Bill Black (on 1956-04-14)
drums (drum set):
D.J. Fontana (on 1956-04-14)
guitar:
Chet Atkins (on 1956-04-14) and Scotty Moore (on 1956-04-14)
piano:
Marvin Hughes (on 1956-04-14)
lead vocals:
Elvis Presley (on 1956-04-14)
vocals:
Brock Speer (on 1956-04-14), Ben Speer (on 1956-04-14), Lena Brock "Mom" Speer (on 1956-04-14) and Gordon Stoker (on 1956-04-14)
phonographic copyright (℗) by:
BMG Music (in 1956) and Sony BMG Music Entertainment (in 2003)
recorded at:
RCA Studios in Nashville, Tennessee, United States (on 1956-04-14)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 25)
recording of:
I Want You, I Need You, I Love You (on 1956-04-14)
writer:
Ira Kosloff and Maurice Mysels
publisher:
Carlin Music Corporation, Cherry Lane Music Publishing, Cherry River Music, Chrysalis Music, Elvis Presley Music, Elvis Presley Music Inc., Gladys Music and Williamson Music Company
2:41
8Poor Boy
recording of:
Poor Boy (for copyright reasons, originally credited to Vera Matson and Elvis Presley) (on 1956-08-24)
lyricist and composer:
Ken Darby
publisher:
Elvis Presley Music, Elvis Presley Music Inc. and R&H Music
recording of:
Poor Boy (for copyright reasons, originally credited to Vera Matson and Elvis Presley) (from 1956-08-24 until 1956-09-05)
lyricist and composer:
Ken Darby
publisher:
Elvis Presley Music, Elvis Presley Music Inc. and R&H Music
2:17
9Just Because2:36
10You’re a Heartbreaker
engineer and producer:
Sam Phillips
bass:
Bill Black (from 1954-11 until 1954-12)
electric guitar:
Scotty Moore (from 1954-11 until 1954-12)
guitar:
Elvis Presley (from 1954-11 until 1954-12)
vocals:
Elvis Presley (from 1954-11 until 1954-12)
phonographic copyright (℗) by:
BMG Music (in 1954)
recorded at:
Sun Studio in Memphis, Tennessee, United States (from 1954-11 until 1954-12)
recording of:
You’re a Heartbreaker (from 1954-11 until 1954-12)
writer:
Jack Sallee
cover recording of:
You’re a Heartbreaker (from 1954-12 until 1955-12)
writer:
Jack Sallee
2:13
11Money Honey
bass:
Bill Black (on 1956-01-10)
drums (drum set):
D.J. Fontana (on 1956-01-10)
guitar:
Chet Atkins (on 1956-01-10), Scotty Moore (on 1956-01-10) and Elvis Presley (on 1956-01-10)
piano:
Floyd Cramer (on 1956-01-10)
recorded at:
RCA Victor Studios in Nashville, Tennessee, United States (on 1956-01-10)
cover recording of:
Money Honey (on 1956-01-10)
lyricist and composer:
Jesse Stone
publisher:
Carlin Music Corporation, First Digital Music, Walden Music, Inc., Walden, Inc., WB Music Corp. and ZFC Music
2:37
12I’ll Never Let You Go (Little Darlin’)
engineer and producer:
Sam Phillips
bass:
Bill Black (on 1954-09-10, from 1954-09-12 until 1954-09-16)
electric guitar:
Scotty Moore (from 1954-09-12 until 1954-09-16)
guitar:
Scotty Moore (on 1954-09-10) and Elvis Presley (on 1954-09-10, from 1954-09-12 until 1954-09-16)
vocals:
Elvis Presley (from 1954-09-12 until 1954-09-16)
phonographic copyright (℗) by:
BMG Music (in 1956)
recorded at:
Sun Studio in Memphis, Tennessee, United States (on 1954-09-10, from 1954-09-12 until 1954-09-16)
cover recording of:
I’ll Never Let You Go Little Darlin’ (on 1954-09-10)
lyricist and composer:
Jimmy Wakely
publisher:
Gordon Music Company, Inc., Marlen Music Co., Sunshine Music and Sunshine Music Co., Inc. (on 1941-11-17)
cover recording of:
I’ll Never Let You Go Little Darlin’ (from 1954-09-12 until 1954-09-16)
lyricist and composer:
Jimmy Wakely
publisher:
Gordon Music Company, Inc., Marlen Music Co., Sunshine Music and Sunshine Music Co., Inc. (on 1941-11-17)
2:28
13When My Blue Moon Turns to Gold Again
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 21)
cover recording of:
When My Blue Moon Turns to Gold Again (on 1956-09-02)
writer:
Gene Sullivan (in 1940) and Wiley Walker (in 1940)
publisher:
APRS and Peer International Corporation (on 1941-12-03)
2:24
14Tutti Frutti
bass:
Bill Black (on 1956-01-31)
drums (drum set):
D.J. Fontana (on 1956-01-31)
guitar:
Scotty Moore (on 1956-01-31) and Elvis Presley (on 1956-01-31)
piano:
Shorty Long (on 1956-01-31)
phonographic copyright (℗) by:
BMG Music (in 1956)
recorded at:
RCA Studios in New York, New York, United States (on 1956-01-31)
cover recording of:
Tutti Frutti (on 1956-01-31)
lyricist:
Dorothy LaBostrie and Richard Wayne Penniman
composer:
Dorothy LaBostrie, Joe Lubin and Richard Wayne Penniman
publisher:
ATV Music Ltd., Sony/ATV Songs LLC, Venice, Venice Music, ソニー・ミュージックパブリッシング A事業部 and Phonogram GmbH (in 1983)
2:01
15Baby Let’s Play House
engineer and producer:
Sam Phillips
bass:
Bill Black (from 1955-01-30 until 1955-02-04)
electric guitar:
Scotty Moore (from 1955-01-30 until 1955-02-04)
guitar:
Elvis Presley (from 1955-01-30 until 1955-02-04)
vocals:
Elvis Presley (from 1955-01-30 until 1955-02-04)
phonographic copyright (℗) by:
BMG Music (in 1953, in 1955)
recorded at:
Sun Studio in Memphis, Tennessee, United States (from 1955-01-30 until 1955-02-04)
cover recording of:
Baby Let’s Play House (from 1955-01-30 until 1955-02-04)
lyricist and composer:
Arthur Gunter
publisher:
Campbell Connelly (Australia) P/L, Embassy Music Corp., J. Albert & Son Pty. Ltd. and LPGV Music
recording of:
Baby Let’s Play House
lyricist and composer:
Arthur Gunter
publisher:
Campbell Connelly (Australia) P/L, Embassy Music Corp., J. Albert & Son Pty. Ltd. and LPGV Music
2:19
16First in Line3:24
2CD
#TitleLength
1Don’t Be Cruel
bass:
Bill Black (on 1956-07-02)
drums (drum set):
D.J. Fontana (on 1956-07-02)
guitar:
Scotty Moore (on 1956-07-02) and Elvis Presley (on 1956-07-02)
piano:
Shorty Long (on 1956-07-02)
lead vocals:
Elvis Presley (on 1956-07-02)
vocals:
The Jordanaires (on 1956-07-02)
phonographic copyright (℗) by:
BMG Entertainment (in 1956), BMG Music (in 1956) and Sony BMG Music Entertainment (in 2002)
recorded at:
RCA Studios in New York, New York, United States (on 1956-07-02)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 11) and Rolling Stone: 500 Greatest Songs of All Time (number: 197)
recording of:
Don’t Be Cruel (on 1956-07-02)
writer:
Otis Blackwell and Elvis Presley
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp. and Williamson Music Company
2:05
2I’m Left, You’re Right, She’s Gone
engineer and producer:
Sam Phillips
bass:
Bill Black (in 1955-04)
drums (drum set):
Jimmie Lott (in 1955-04)
electric guitar:
Scotty Moore (in 1955-04)
guitar:
Elvis Presley (in 1955-04)
vocals:
Elvis Presley (in 1955-04)
phonographic copyright (℗) by:
BMG Music (in 1955)
recorded at:
Sun Studio in Memphis, Tennessee, United States (in 1955-04)
cover recording of:
I’m Left, You’re Right, She’s Gone (from 1954-07 until 1955-07)
writer:
Stan Kesler and Bill Taylor
publisher:
Hi Lo Music Inc.
cover recording of:
I’m Left, You’re Right, She’s Gone (in 1955-04)
writer:
Stan Kesler and Bill Taylor
publisher:
Hi Lo Music Inc.
2:40
3Hound Dog
bass:
Bill Black (on 1956-07-02)
drums (drum set):
D.J. Fontana (on 1956-07-02)
guitar:
Scotty Moore (on 1956-07-02) and Elvis Presley (on 1956-07-02)
piano:
Shorty Long (on 1956-07-02)
lead vocals:
Elvis Presley (on 1956-07-02)
vocals:
The Jordanaires (on 1956-07-02)
additional performer:
The Jordanaires
phonographic copyright (℗) by:
BMG Entertainment (in 1956, in 1972), BMG Music (in 1956) and Sony BMG Music Entertainment (in 2002)
recorded at:
RCA Studios in New York, New York, United States (on 1956-07-02)
cover recording of:
Hound Dog (on 1956-07-02)
lyricist:
Jerry Leiber (on 1952-08-12)
composer:
Mike Stoller (on 1952-08-12)
previously attributed to:
Johnny Otis
publisher:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc., MCA Music Ltd., MCA Music Publishing, Sony/ATV Songs LLC, Universal Music Publishing, Universal/MCA Music, Williamson Music Company and Williamson Music, Inc.
2:19
4Lawdy Miss Clawdy
bass:
Bill Black (on 1956-02-03)
drums (drum set):
D.J. Fontana (on 1956-02-03)
guitar:
Scotty Moore (on 1956-02-03) and Elvis Presley (on 1956-02-03)
piano:
Shorty Long (on 1956-02-03)
recorded at:
RCA Studios in New York, New York, United States (on 1956-02-03)
cover recording of:
Lawdy Miss Clawdy (on 1956-02-03)
lyricist and composer:
Lloyd Price (in 1952-03)
publisher:
ATV Music, Carlin Music Corporation, Sony/ATV Songs LLC and Venice Music
2:12
5Love Me
engineer:
Thorne Nogar
bass:
Bill Black (on 1956-09-01, from 1956-09-01 until 1956-09-03)
drums (drum set):
D.J. Fontana (on 1956-09-01, from 1956-09-01 until 1956-09-03)
guitar:
Scotty Moore (on 1956-09-01, from 1956-09-01 until 1956-09-03) and Elvis Presley (on 1956-09-01, from 1956-09-01 until 1956-09-03)
piano:
Gordon Stoker (on 1956-09-01, from 1956-09-01 until 1956-09-03) and Elvis Presley (from 1956-09-01 until 1956-09-03)
additional vocals:
The Jordanaires (on 1956-09-01)
lead vocals:
Elvis Presley (on 1956-09-01)
vocals:
The Jordanaires (from 1956-09-01 until 1956-09-03)
phonographic copyright (℗) by:
BMG Entertainment (in 1956) and Sony BMG Music Entertainment (in 2003)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1956-09-01, from 1956-09-01 until 1956-09-03)
cover recording of:
Love Me (from 1956-09-01 until 1956-09-03)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Hornall Brothers Music Ltd., Jerry Leiber Music, Mike Stoller Music, Quintet Music and Sony/ATV Songs LLC
recording of:
Love Me, Love Me
writer:
George Richey and Glenn Sutton
2:46
6Ready Teddy1:57
7We’re Gonna Move2:33
8I Got a Woman2:27
9Anyplace Is Paradise
engineer:
Thorne Nogar
bass:
Bill Black (on 1956-09-03)
drums (drum set):
D.J. Fontana (on 1956-09-03)
guitar:
Scotty Moore (on 1956-09-03) and Elvis Presley (on 1956-09-03)
piano:
Gordon Stoker (on 1956-09-03)
additional performer:
The Jordanaires (on 1956-09-03)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1956-09-03)
recording of:
Anyplace Is Paradise (on 1956-09-03)
lyricist and composer:
Joe Thomas
publisher:
Elvis Presley Music and Elvis Presley Music Inc.
2:29
10My Baby Left Me
bass:
Bill Black (on 1956-01-30, from 1956-01-30 until 1956-02-03)
drums (drum set):
D.J. Fontana (on 1956-01-30, from 1956-01-30 until 1956-02-03)
guitar:
Elvis Presley (on 1956-01-10, from 1956-01-30 until 1956-02-03) and Scotty Moore (on 1956-01-30, from 1956-01-30 until 1956-02-03)
piano:
Shorty Long (on 1956-01-30, from 1956-01-30 until 1956-02-03)
phonographic copyright (℗) by:
BMG Entertainment (in 1956) and BMG Music (in 1956)
recorded at:
RCA Studios in New York, New York, United States (on 1956-01-30, from 1956-01-30 until 1956-01-31, on 1956-02-03)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 29)
cover recording of:
My Baby Left Me (from 1956-01-30 until 1956-02-03)
lyricist and composer:
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Cherry River Music, Crudup Music, Elvis Presley Music, Elvis Presley Music Inc., R&H Music, Unichappell Music, Unichappell Music, Inc. and Williamson Music Company
recording of:
My Baby Left Me
lyricist and composer:
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Cherry River Music, Crudup Music, Elvis Presley Music, Elvis Presley Music Inc., R&H Music, Unichappell Music, Unichappell Music, Inc. and Williamson Music Company
2:14
11I Love You Because
engineer and producer:
Sam Phillips
bass:
Bill Black (on 1954-07-05)
electric guitar:
Scotty Moore (on 1954-07-05)
guitar:
Scotty Moore (on 1954-07-05) and Elvis Presley (on 1954-07-05)
vocals:
Elvis Presley (on 1954-07-05)
phonographic copyright (℗) by:
BMG Music (in 1954, in 1956, in 1957)
recorded at:
Sun Studio in Memphis, Tennessee, United States (on 1954-07-05)
cover recording of:
I Love You Because (on 1954-07-05)
lyricist and composer:
Leon Payne
publisher:
Sony/ATV Acuff Rose Music and Acuff-Rose Publications, Inc. (on 1949-10-12)
2:44
12One‐Sided Love Affair
bass:
Bill Black (on 1956-01-30)
drums (drum set):
D.J. Fontana (on 1956-01-30)
guitar:
Elvis Presley (on 1956-01-10) and Scotty Moore (on 1956-01-30)
piano:
Shorty Long (on 1956-01-30)
phonographic copyright (℗) by:
BMG Music (in 1957)
recorded at:
RCA Studios in New York, New York, United States (on 1956-01-30)
recording of:
One-Sided Love Affair (on 1956-01-30)
lyricist and composer:
Bill Campbell
publisher:
EMI Unart Catalog Inc. and Sheldon Music
2:13
13So Glad You’re Mine
bass:
Bill Black (on 1956-01-30)
drums (drum set):
D.J. Fontana (on 1956-01-30)
guitar:
Elvis Presley (on 1956-01-10) and Scotty Moore (on 1956-01-30)
piano:
Shorty Long (on 1956-01-30)
recorded at:
RCA Studios in New York, New York, United States (on 1956-01-30)
cover recording of:
So Glad You’re Mine (on 1956-01-30)
lyricist and composer:
Arthur “Big Boy” Crudup
publisher:
Elvis Presley Music and Elvis Presley Music Inc.
2:24
14I’m Gonna Sit Right Down and Cry (Over You)
bass:
Bill Black (on 1956-01-31)
drums (drum set):
D.J. Fontana (on 1956-01-31)
guitar:
Scotty Moore (on 1956-01-31) and Elvis Presley (on 1956-01-31)
piano:
Shorty Long (on 1956-01-31)
cover recording of:
I’m Gonna Sit Right Down and Cry (Over You) (on 1956-01-31)
lyricist and composer:
Howard Biggs and Joe Thomas
publisher:
Angle Music, Coblin Music Co., Copyright Records and EMI Music Publishing Ltd.
2:06
15Mystery Train
engineer and producer:
Sam Phillips
bass:
Bill Black (in 1955-07)
electric guitar:
Scotty Moore (in 1955-07)
guitar:
Elvis Presley (in 1955-07)
vocals:
Elvis Presley (in 1955-07)
phonographic copyright (℗) by:
BMG Music (in 1955)
recorded at:
Sun Studio in Memphis, Tennessee, United States (in 1955-07)
part of:
Rolling Stone: 500 Greatest Songs of All Time (number: 77)
cover recording of:
Mystery Train (on 1955-07-11)
writer:
Junior Parker and Sam Phillips
publisher:
Carlin Music Corporation, Hi Lo Music, Mijac Music, MJ Publishing Trust, Sony/ATV Songs LLC, Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. and Hilo Music Inc. (in 1953)
2:31
16How’s the World Treating You
bass:
Bill Black (from 1956-09-01 until 1956-09-03)
drums (drum set):
D.J. Fontana (from 1956-09-01 until 1956-09-03)
guitar:
Scotty Moore (from 1956-09-01 until 1956-09-03) and Elvis Presley (from 1956-09-01 until 1956-09-03)
piano:
Elvis Presley (from 1956-09-01 until 1956-09-03) and Gordon Stoker (from 1956-09-01 until 1956-09-03)
vocals:
The Jordanaires (from 1956-09-01 until 1956-09-03)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (from 1956-09-01 until 1956-09-03)
cover recording of:
How’s the World Treating You (on 1956-09-01)
composer:
Chet Atkins and Boudleaux Bryant
publisher:
Acuff-Rose Publications, Inc.
2:26
3CD
#TitleLength
1Blue Suede Shoes
assistant engineer:
Dror Mohar
mixer:
Ray Bardani
double bass:
Bill Black (on 1956-01-30)
drums (drum set):
D.J. Fontana (on 1956-01-30)
guitar:
Scotty Moore (on 1956-01-30) and Elvis Presley (on 1956-01-30)
lead vocals:
Elvis Presley (on 1956-01-30)
phonographic copyright (℗) by:
BMG Entertainment (in 1956), BMG Music (in 1956) and Sony BMG Music Entertainment (in 2003)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
part of:
Rolling Stone: 500 Greatest Songs of All Time (number: 423)
cover recording of:
Blue Suede Shoes (on 1956-01-30)
lyricist and composer:
Carl Perkins (in 1955)
publisher:
Aberbach (London), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing, Hi Lo Music, Hill and Range Songs, Inc., Unichappell Music, Unichappell Music, Inc. and Wren Music Co.
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
2:03
2Trying to Get to You2:36
3Paralyzed
engineer:
Thorne Nogar
bass:
Bill Black (on 1956-09-02)
drums (drum set):
D.J. Fontana (on 1956-09-02)
guitar:
Scotty Moore (on 1956-09-02) and Elvis Presley (on 1956-09-02)
piano:
Gordon Stoker (on 1956-09-02)
additional performer:
The Jordanaires (on 1956-09-02)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1956-09-02)
recording of:
Paralyzed (on 1956-09-02)
composer:
Otis Blackwell and Elvis Presley
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp., Unichappell Music and Williamson Music Company
2:27
4Long Tall Sally1:53
5Blue Moon2:43
6Let Me
accordion:
Carl Fortina (from 1956-08-24 until 1956-09-04) and Dominic Frontiere (from 1956-08-24 until 1956-09-04)
banjo:
Luther "Red" Roundtree (from 1956-08-24 until 1956-09-04)
bass:
Meyer "Mike" Rubin (from 1956-08-24 until 1956-09-04)
drums (drum set):
Richard Cornell (from 1956-08-24 until 1956-09-04)
guitar:
Vito Mumolo (from 1956-08-24 until 1956-09-04)
vocals:
Jon Dodson (from 1956-08-24 until 1956-09-04), Charles Prescott (from 1956-08-24 until 1956-09-04) and Rad Robinson (from 1956-08-24 until 1956-09-04)
recorded at:
20th Century Fox Music Stage 1 in Los Angeles, California, United States (on 1956-08-24, on 1956-09-04)
recording of:
Let Me (from 1956-08-24 until 1956-09-04)
writer:
Vera Matson and Elvis Presley
publisher:
Elvis Presley Music Inc. and R&H Music
2:12
7Shake, Rattle and Roll2:31
8I Forgot to Remember to Forget
engineer and producer:
Sam Phillips
bass:
Bill Black (in 1955-07)
drums (drum set):
Johnny Bernero (in 1955-07)
electric guitar:
Scotty Moore (in 1955-07)
guitar:
Elvis Presley (in 1955-07)
lead vocals:
Elvis Presley (on 1955-07-11)
vocals:
Elvis Presley (in 1955-07)
phonographic copyright (℗) by:
BMG Music (in 1955) and Sony BMG Music Entertainment (in 2003)
recorded at:
Sun Studio in Memphis, Tennessee, United States (in 1955-07, on 1955-07-11)
cover recording of:
I Forgot to Remember to Forget (on 1955-07-11)
writer:
Charlie Feathers and Stan Kesler
publisher:
Carlin Music Corporation and Edward B. Marks Music Co.
cover recording of:
I Forgot to Remember to Forget (in 1955-07)
writer:
Charlie Feathers and Stan Kesler
publisher:
Carlin Music Corporation and Edward B. Marks Music Co.
2:32
9Old Shep
bass:
Bill Black (from 1956-09-01 until 1956-09-03)
drums (drum set):
D.J. Fontana (from 1956-09-01 until 1956-09-03)
guitar:
Scotty Moore (from 1956-09-01 until 1956-09-03) and Elvis Presley (from 1956-09-01 until 1956-09-03)
piano:
Elvis Presley (from 1956-09-01 until 1956-09-03) and Gordon Stoker (from 1956-09-01 until 1956-09-03)
vocals:
The Jordanaires (from 1956-09-01 until 1956-09-03)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (from 1956-09-01 until 1956-09-03)
cover recording of:
Old Shep (from 1956-09-01 until 1956-09-03)
publisher:
Clyde Julian Foley (on 1935-06-24)
lyricist:
Willis Arthur
composer:
Clyde Julian Foley
publisher:
Westpar Music
4:11
10I Don’t Care If the Sun Don’t Shine
producer:
Sam Phillips
phonographic copyright (℗) by:
BMG Music (in 1954)
cover recording of:
I Don’t Care If the Sun Don’t Shine (from 1954-07 until 1955-07)
lyricist and composer:
Mack David
publisher:
PolyGram International Publishing, Inc.
2:32
11I’m Counting on You
bass:
Bill Black (on 1956-01-11)
drums (drum set):
D.J. Fontana (on 1956-01-11)
guitar:
Chet Atkins (on 1956-01-11), Scotty Moore (on 1956-01-11) and Elvis Presley (on 1956-01-11)
recording of:
I’m Counting on You (on 1956-01-11)
lyricist and composer:
Don Robertson
publisher:
Carlin Music Corporation, Don Robertson Music Corp. and Ross Jungnickel, Inc.
2:27
12How Do You Think I Feel
cover recording of:
How Do You Think I Feel
composer:
Webb Pierce and Wiley Walker
2:13
13Any Way You Want Me (That’s How I Will Be)
bass:
Bill Black (on 1956-07-02)
drums (drum set):
D.J. Fontana (on 1956-07-02)
guitar:
Scotty Moore (on 1956-07-02) and Elvis Presley (on 1956-07-02)
piano:
Shorty Long (on 1956-07-02)
vocals:
The Jordanaires (on 1956-07-02)
recorded at:
RCA Studios in New York, New York, United States (on 1956-07-02)
recording of:
Any Way You Want Me (on 1956-07-02)
writer:
Cliff Owens and Aaron Schroeder
publisher:
Chappell & Co., Chappell & Co., Inc., Rachel’s Own Music and Ross Jungnickel, Inc.
2:18
14Milkcow Blues Boogie
engineer and producer:
Sam Phillips
bass:
Bill Black (from 1954-11 until 1954-12)
electric guitar:
Scotty Moore (from 1954-11 until 1954-12)
guitar:
Elvis Presley (from 1954-11 until 1954-12)
vocals:
Elvis Presley (from 1954-11 until 1954-12)
phonographic copyright (℗) by:
BMG Music (in 1953)
recorded at:
Sun Studio in Memphis, Tennessee, United States (from 1954-11 until 1954-12)
cover recording of:
Milk Cow Blues (Kokomo Arnold's version) (from 1954-11 until 1954-12)
lyricist and arranger:
Kokomo Arnold
composer:
[traditional] and Kokomo Arnold
publisher:
MCA Music Ltd., MCA, Inc., State Street Music Publ. Co. Inc., Universal and Universal Music Corp.
version of:
Milk Cow Blues
2:41
15Love Me Tender
accordion:
Carl Fortina (from 1956-08-24 until 1956-09-04) and Dominic Frontiere (from 1956-08-24 until 1956-09-04)
banjo:
Luther "Red" Roundtree (from 1956-08-24 until 1956-09-04)
bass:
Meyer "Mike" Rubin (from 1956-08-24 until 1956-09-04)
drums (drum set):
Richard Cornell (from 1956-08-24 until 1956-09-04)
guitar:
Vito Mumolo (from 1956-08-24 until 1956-09-04)
lead vocals:
Elvis Presley (on 1956-09-01)
vocals:
Jon Dodson (from 1956-08-24 until 1956-09-04, on 1956-09-01), Charles Prescott (from 1956-08-24 until 1956-09-04, on 1956-09-01) and Rad Robinson (from 1956-08-24 until 1956-09-04, on 1956-09-01)
phonographic copyright (℗) by:
BMG Entertainment (in 1956), BMG Music (in 1956), RCA/Ariola International (in 1956) and Sony BMG Music Entertainment (in 2002)
recorded at:
20th Century Fox Music Stage 1 in Los Angeles, California, United States (on 1956-08-24, on 1956-09-04)
part of:
Rolling Stone: 500 Greatest Songs of All Time (number: 437)
recording of:
Love Me Tender (from 1956-08-24 until 1956-09-04)
lyricist:
Ken Darby (in 1956)
additional writer:
Vera Matson (in 1956) and Elvis Presley (in 1956)
composer:
George R. Poulton (in 1861)
publisher:
ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company and Elvis Presley Music (from 1956 to present)
sub-publisher:
フジパシフィックミュージック and 日音 Synch事業部
is based on:
Aura Lea
2:45