The Hawk In Hi-Fi

~ Release by Coleman Hawkins (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleLength
1Body and Soul
bass:
Jack Lesberg (on 1956-01-20)
bell:
Phil Kraus (on 1956-01-20)
celesta and piano:
Hank Jones (on 1956-01-20)
cello:
Eduardo Sodero (on 1956-01-20), Bernie Greenhouse (on 1956-01-20) and George Ricci (on 1956-01-20)
clarinet:
Sid Jekowsky (on 1956-01-20)
drums (drum set):
Osie Johnson (on 1956-01-20)
French horn:
Jimmy Buffington (on 1956-01-20)
glockenspiel and xylophone:
Marty Wilson (on 1956-01-20)
tenor saxophone:
Coleman Hawkins (on 1956-01-20)
viola:
Bert Fisch (on 1956-01-20)
violin:
Cy Miroff (on 1956-01-20), Arnold Eidus (on 1956-01-20), Stan Kraft (on 1956-01-20), Dave Newman (on 1956-01-20), Alvin Rudnitsky (on 1956-01-20) and Dave Sarser (on 1956-01-20)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-01-20)
instrumental recording of:
Body and Soul (on 1956-01-20)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc., WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
5:00
2Little Girl Blue (take 3)
bass:
Milt Hinton (on 1956-01-17)
cello:
Alan Shulman (on 1956-01-17)
drums (drum set):
Osie Johnson (on 1956-01-17)
flute:
Sid Jekowsky (on 1956-01-17)
guitar:
Barry Galbraith (on 1956-01-17)
piano:
Hank Jones (on 1956-01-17)
tenor saxophone:
Coleman Hawkins (on 1956-01-17)
trombone:
Urbie Green (on 1956-01-17), Fred Ohms (on 1956-01-17), Jack Satterfield (on 1956-01-17) and Thommy Mitchell (on 1956-01-17)
trumpet:
Jimmy Nottingham (on 1956-01-17)
tuba:
Don Butterfield (on 1956-01-17)
vibraphone:
Marty Wilson (on 1956-01-17)
viola:
Izzy Zir (on 1956-01-17)
violin:
Leo Kruczek (on 1956-01-17) and Harry Lookofsky (on 1956-01-17)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-01-17)
instrumental recording of:
Little Girl Blue (on 1956-01-17)
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc., Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス, ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
part of:
Jumbo
3:04
3I Never Knew (take 5)
bass:
Milt Hinton (on 1956-01-17)
cello:
Alan Shulman (on 1956-01-17)
drums (drum set):
Osie Johnson (on 1956-01-17)
flute:
Sid Jekowsky (on 1956-01-17)
guitar:
Barry Galbraith (on 1956-01-17)
piano:
Hank Jones (on 1956-01-17)
tenor saxophone:
Coleman Hawkins (on 1956-01-17)
trombone:
Urbie Green (on 1956-01-17), Fred Ohms (on 1956-01-17), Jack Satterfield (on 1956-01-17) and Thommy Mitchell (on 1956-01-17)
trumpet:
Jimmy Nottingham (on 1956-01-17)
tuba:
Don Butterfield (on 1956-01-17)
vibraphone:
Marty Wilson (on 1956-01-17)
viola:
Izzy Zir (on 1956-01-17)
violin:
Leo Kruczek (on 1956-01-17) and Harry Lookofsky (on 1956-01-17)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-01-17)
instrumental recording of:
I Never Knew (on 1956-01-17)
lyricist:
Gus Kahn
composer:
Ted Fio Rito
publisher:
Bourne Co. and Gilbert Keyes Music Company
3:07
4Dinner For One Please, James (take 3)
bass:
Milt Hinton (on 1956-01-17)
cello:
Alan Shulman (on 1956-01-17)
drums (drum set):
Osie Johnson (on 1956-01-17)
flute:
Sid Jekowsky (on 1956-01-17)
guitar:
Barry Galbraith (on 1956-01-17)
piano:
Hank Jones (on 1956-01-17)
tenor saxophone:
Coleman Hawkins (on 1956-01-17)
trombone:
Urbie Green (on 1956-01-17), Fred Ohms (on 1956-01-17), Jack Satterfield (on 1956-01-17) and Thommy Mitchell (on 1956-01-17)
trumpet:
Jimmy Nottingham (on 1956-01-17)
tuba:
Don Butterfield (on 1956-01-17)
vibraphone:
Marty Wilson (on 1956-01-17)
viola:
Izzy Zir (on 1956-01-17)
violin:
Leo Kruczek (on 1956-01-17) and Harry Lookofsky (on 1956-01-17)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-01-17)
instrumental recording of:
Dinner for One Please, James (on 1956-01-17)
lyricist and composer:
Michael Carr
3:12
5The Bean Stalks Again
alto saxophone:
Sam Marowitz (on 1956-01-18) and Hal McKusick (on 1956-01-18)
baritone saxophone:
Sol Schlinger (on 1956-01-18)
bass:
Milt Hinton (on 1956-01-18)
drums (drum set):
Osie Johnson (on 1956-01-18)
guitar:
Barry Galbraith (on 1956-01-18)
piano:
Hank Jones (on 1956-01-18)
tenor saxophone:
Al Cohn (on 1956-01-18), Coleman Hawkins (on 1956-01-18) and Zoot Sims (on 1956-01-18)
trombone:
Urbie Green (on 1956-01-18), Fred Ohms (on 1956-01-18), Jack Satterfield (on 1956-01-18) and Chauncey Welsch (on 1956-01-18)
trumpet:
Bernie Glow (on 1956-01-18), Lou Oles (on 1956-01-18), Ernie Royal (on 1956-01-18), Charlie Shavers (on 1956-01-18) and Nick Travis (on 1956-01-18)
vibraphone:
Marty Wilson (on 1956-01-18)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-01-18)
3:25
6His Very Own Blues
alto saxophone:
Sam Marowitz (on 1956-01-18) and Hal McKusick (on 1956-01-18)
baritone saxophone:
Sol Schlinger (on 1956-01-18)
double bass:
Milt Hinton (on 1956-01-18)
drums (drum set):
Osie Johnson (on 1956-01-18)
guitar:
Barry Galbraith (on 1956-01-18)
piano:
Hank Jones (on 1956-01-18)
tenor saxophone:
Al Cohn (on 1956-01-18), Coleman Hawkins (on 1956-01-18) and Zoot Sims (on 1956-01-18)
trombone:
Urbie Green (on 1956-01-18), Fred Ohms (on 1956-01-18), Jack Satterfield (on 1956-01-18) and Chauncey Welsch (on 1956-01-18)
trumpet:
Bernie Glow (on 1956-01-18), Lou Oles (on 1956-01-18), Ernie Royal (on 1956-01-18), Charlie Shavers (on 1956-01-18) and Nick Travis (on 1956-01-18)
vibraphone:
Marty Wilson (on 1956-01-18)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-01-18)
3:03
7The Day You Came Along
bass:
Jack Lesberg (on 1956-01-20)
bell:
Phil Kraus (on 1956-01-20)
celesta and piano:
Hank Jones (on 1956-01-20)
cello:
Eduardo Sodero (on 1956-01-20), Bernie Greenhouse (on 1956-01-20) and George Ricci (on 1956-01-20)
clarinet:
Sid Jekowsky (on 1956-01-20)
drums (drum set):
Osie Johnson (on 1956-01-20)
French horn:
Jimmy Buffington (on 1956-01-20)
glockenspiel and xylophone:
Marty Wilson (on 1956-01-20)
tenor saxophone:
Coleman Hawkins (on 1956-01-20)
viola:
Bert Fisch (on 1956-01-20)
violin:
Cy Miroff (on 1956-01-20), Arnold Eidus (on 1956-01-20), Stan Kraft (on 1956-01-20), Dave Newman (on 1956-01-20), Alvin Rudnitsky (on 1956-01-20) and Dave Sarser (on 1956-01-20)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-01-20)
4:10
8Have You Met Miss Jones (take 7)
bass:
Jack Lesberg (on 1956-01-20)
bell:
Phil Kraus (on 1956-01-20)
celesta and piano:
Hank Jones (on 1956-01-20)
cello:
Eduardo Sodero (on 1956-01-20), Bernie Greenhouse (on 1956-01-20) and George Ricci (on 1956-01-20)
clarinet:
Sid Jekowsky (on 1956-01-20)
drums (drum set):
Osie Johnson (on 1956-01-20)
French horn:
Jimmy Buffington (on 1956-01-20)
glockenspiel and xylophone:
Marty Wilson (on 1956-01-20)
tenor saxophone:
Coleman Hawkins (on 1956-01-20)
viola:
Bert Fisch (on 1956-01-20)
violin:
Cy Miroff (on 1956-01-20), Arnold Eidus (on 1956-01-20), Stan Kraft (on 1956-01-20), Dave Newman (on 1956-01-20), Alvin Rudnitsky (on 1956-01-20) and Dave Sarser (on 1956-01-20)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-01-20)
instrumental recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (on 1956-01-20)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (in 1937)
publisher:
Chappell & Co., Inc. and Williamson Music Company
part of:
I’d Rather Be Right
3:06
9The Essence of You
bell and tubular bells [bells]:
Phil Kraus (on 1956-01-20)
celesta and piano:
Hank Jones (on 1956-01-20)
cello:
Eduardo Sodero (on 1956-01-20), Bernie Greenhouse (on 1956-01-20), George Ricci (on 1956-01-20) and Edgardo Sodero (on 1956-01-20)
clarinet:
Sid Jekowsky (on 1956-01-20)
double bass:
Jack Lesberg (on 1956-01-20)
drums (drum set):
Osie Johnson (on 1956-01-20)
flute:
Julius Baker (on 1956-01-20)
French horn:
Jimmy Buffington (on 1956-01-20)
glockenspiel and vibraphone:
Marty Wilson (on 1956-01-20)
oboe:
Phil Bodner (on 1956-01-20)
tenor saxophone:
Coleman Hawkins (on 1956-01-20)
viola:
Bert Fisch (on 1956-01-20)
violin:
Max Cahn (on 1956-01-20), Cy Miroff (on 1956-01-20), Arnold Eidus (on 1956-01-20), Max Hollander (on 1956-01-20), Stan Kraft (on 1956-01-20), Dave Newman (on 1956-01-20), Alvin Rudnitsky (on 1956-01-20) and Dave Sarser (on 1956-01-20)
orchestra:
Billy Byers & His Orchestra (on 1956-01-20)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-01-20)
3:30
10There Will Never Be Another You
bass:
Milt Hinton (on 1956-01-17)
cello:
Alan Shulman (on 1956-01-17)
drums (drum set):
Osie Johnson (on 1956-01-17)
flute:
Sid Jekowsky (on 1956-01-17)
guitar:
Barry Galbraith (on 1956-01-17)
piano:
Hank Jones (on 1956-01-17)
tenor saxophone:
Coleman Hawkins (on 1956-01-17)
trombone:
Urbie Green (on 1956-01-17), Fred Ohms (on 1956-01-17), Jack Satterfield (on 1956-01-17) and Thommy Mitchell (on 1956-01-17)
trumpet:
Jimmy Nottingham (on 1956-01-17)
tuba:
Don Butterfield (on 1956-01-17)
vibraphone:
Marty Wilson (on 1956-01-17)
viola:
Izzy Zir (on 1956-01-17)
violin:
Leo Kruczek (on 1956-01-17) and Harry Lookofsky (on 1956-01-17)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-01-17)
recording of:
There Will Never Be Another You (on 1956-01-17)
lyricist:
Mack Gordon
composer:
Harry Warren
publisher:
Morley Music Corp.
part of:
The Real Book (compilation of jazz standards, Volume I)
3:01
11I'm Shooting High
alto saxophone:
Sam Marowitz (on 1956-01-18) and Hal McKusick (on 1956-01-18)
baritone saxophone:
Sol Schlinger (on 1956-01-18)
bass:
Milt Hinton (on 1956-01-18)
drums (drum set):
Osie Johnson (on 1956-01-18)
guitar:
Barry Galbraith (on 1956-01-18)
piano:
Hank Jones (on 1956-01-18)
tenor saxophone:
Al Cohn (on 1956-01-18), Coleman Hawkins (on 1956-01-18) and Zoot Sims (on 1956-01-18)
trombone:
Urbie Green (on 1956-01-18), Fred Ohms (on 1956-01-18), Jack Satterfield (on 1956-01-18) and Chauncey Welsch (on 1956-01-18)
trumpet:
Bernie Glow (on 1956-01-18), Lou Oles (on 1956-01-18), Ernie Royal (on 1956-01-18), Charlie Shavers (on 1956-01-18) and Nick Travis (on 1956-01-18)
vibraphone:
Marty Wilson (on 1956-01-18)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-01-18)
instrumental recording of:
I’m Shooting High (on 1956-01-18)
writer:
Ted Koehler and Jimmy McHugh
2:36
12Bean and the Boys (issued as "39-25-39")
alto saxophone:
Sam Marowitz (on 1956-01-18) and Hal McKusick (on 1956-01-18)
baritone saxophone:
Sol Schlinger (on 1956-01-18)
bass:
Milt Hinton (on 1956-01-18)
drums (drum set):
Osie Johnson (on 1956-01-18)
guitar:
Barry Galbraith (on 1956-01-18)
piano:
Hank Jones (on 1956-01-18)
tenor saxophone:
Al Cohn (on 1956-01-18), Coleman Hawkins (on 1956-01-18) and Zoot Sims (on 1956-01-18)
trombone:
Urbie Green (on 1956-01-18), Fred Ohms (on 1956-01-18), Jack Satterfield (on 1956-01-18) and Chauncey Welsch (on 1956-01-18)
trumpet:
Bernie Glow (on 1956-01-18), Lou Oles (on 1956-01-18), Ernie Royal (on 1956-01-18), Charlie Shavers (on 1956-01-18) and Nick Travis (on 1956-01-18)
vibraphone:
Marty Wilson (on 1956-01-18)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-01-18)
recording of:
Bean and the Boys (on 1956-01-18)
composer:
Coleman Hawkins
2:52
13There Will Never Be Another You (alternate take)
bass:
Milt Hinton (on 1956-01-17)
cello:
Alan Shulman (on 1956-01-17)
drums (drum set):
Osie Johnson (on 1956-01-17)
flute:
Sid Jekowsky (on 1956-01-17)
guitar:
Barry Galbraith (on 1956-01-17)
piano:
Hank Jones (on 1956-01-17)
tenor saxophone:
Coleman Hawkins (on 1956-01-17)
trombone:
Urbie Green (on 1956-01-17), Fred Ohms (on 1956-01-17), Jack Satterfield (on 1956-01-17) and Thommy Mitchell (on 1956-01-17)
trumpet:
Jimmy Nottingham (on 1956-01-17)
tuba:
Don Butterfield (on 1956-01-17)
vibraphone:
Marty Wilson (on 1956-01-17)
viola:
Izzy Zir (on 1956-01-17)
violin:
Leo Kruczek (on 1956-01-17) and Harry Lookofsky (on 1956-01-17)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-01-17)
instrumental recording of:
There Will Never Be Another You (on 1956-01-17)
lyricist:
Mack Gordon
composer:
Harry Warren
publisher:
Morley Music Corp.
part of:
The Real Book (compilation of jazz standards, Volume I)
3:23
14There Will Never Be Another You (alternate take)
bass:
Milt Hinton (on 1956-01-17)
cello:
Alan Shulman (on 1956-01-17)
drums (drum set):
Osie Johnson (on 1956-01-17)
flute:
Sid Jekowsky (on 1956-01-17)
guitar:
Barry Galbraith (on 1956-01-17)
piano:
Hank Jones (on 1956-01-17)
tenor saxophone:
Coleman Hawkins (on 1956-01-17)
trombone:
Urbie Green (on 1956-01-17), Fred Ohms (on 1956-01-17), Jack Satterfield (on 1956-01-17) and Thommy Mitchell (on 1956-01-17)
trumpet:
Jimmy Nottingham (on 1956-01-17)
tuba:
Don Butterfield (on 1956-01-17)
vibraphone:
Marty Wilson (on 1956-01-17)
viola:
Izzy Zir (on 1956-01-17)
violin:
Leo Kruczek (on 1956-01-17) and Harry Lookofsky (on 1956-01-17)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-01-17)
instrumental recording of:
There Will Never Be Another You (on 1956-01-17)
lyricist:
Mack Gordon
composer:
Harry Warren
publisher:
Morley Music Corp.
part of:
The Real Book (compilation of jazz standards, Volume I)
3:26
15Little Girl Blue (take 1)
bass:
Milt Hinton (on 1956-01-17)
cello:
Alan Shulman (on 1956-01-17)
drums (drum set):
Osie Johnson (on 1956-01-17)
flute:
Sid Jekowsky (on 1956-01-17)
guitar:
Barry Galbraith (on 1956-01-17)
piano:
Hank Jones (on 1956-01-17)
tenor saxophone:
Coleman Hawkins (on 1956-01-17)
trombone:
Urbie Green (on 1956-01-17), Fred Ohms (on 1956-01-17), Jack Satterfield (on 1956-01-17) and Thommy Mitchell (on 1956-01-17)
trumpet:
Jimmy Nottingham (on 1956-01-17)
tuba:
Don Butterfield (on 1956-01-17)
vibraphone:
Marty Wilson (on 1956-01-17)
viola:
Izzy Zir (on 1956-01-17)
violin:
Leo Kruczek (on 1956-01-17) and Harry Lookofsky (on 1956-01-17)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-01-17)
instrumental recording of:
Little Girl Blue (on 1956-01-17)
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc., Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス, ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
part of:
Jumbo
3:09
16Dinner For One Please, James (take 2)
bass:
Milt Hinton (on 1956-01-17)
cello:
Alan Shulman (on 1956-01-17)
drums (drum set):
Osie Johnson (on 1956-01-17)
flute:
Sid Jekowsky (on 1956-01-17)
guitar:
Barry Galbraith (on 1956-01-17)
piano:
Hank Jones (on 1956-01-17)
tenor saxophone:
Coleman Hawkins (on 1956-01-17)
trombone:
Urbie Green (on 1956-01-17), Fred Ohms (on 1956-01-17), Jack Satterfield (on 1956-01-17) and Thommy Mitchell (on 1956-01-17)
trumpet:
Jimmy Nottingham (on 1956-01-17)
tuba:
Don Butterfield (on 1956-01-17)
vibraphone:
Marty Wilson (on 1956-01-17)
viola:
Izzy Zir (on 1956-01-17)
violin:
Leo Kruczek (on 1956-01-17) and Harry Lookofsky (on 1956-01-17)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-01-17)
instrumental recording of:
Dinner for One Please, James (on 1956-01-17)
lyricist and composer:
Michael Carr
3:17
17I Never Knew (take 2)
bass:
Milt Hinton (on 1956-01-17)
cello:
Alan Shulman (on 1956-01-17)
drums (drum set):
Osie Johnson (on 1956-01-17)
flute:
Sid Jekowsky (on 1956-01-17)
guitar:
Barry Galbraith (on 1956-01-17)
piano:
Hank Jones (on 1956-01-17)
tenor saxophone:
Coleman Hawkins (on 1956-01-17)
trombone:
Urbie Green (on 1956-01-17), Fred Ohms (on 1956-01-17), Jack Satterfield (on 1956-01-17) and Thommy Mitchell (on 1956-01-17)
trumpet:
Jimmy Nottingham (on 1956-01-17)
tuba:
Don Butterfield (on 1956-01-17)
vibraphone:
Marty Wilson (on 1956-01-17)
viola:
Izzy Zir (on 1956-01-17)
violin:
Leo Kruczek (on 1956-01-17) and Harry Lookofsky (on 1956-01-17)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-01-17)
instrumental recording of:
I Never Knew (on 1956-01-17)
lyricist:
Gus Kahn
composer:
Ted Fio Rito
publisher:
Bourne Co. and Gilbert Keyes Music Company
3:18
18Have You Met Miss Jones (take 1)
bass:
Jack Lesberg (on 1956-01-20)
bell:
Phil Kraus (on 1956-01-20)
celesta and piano:
Hank Jones (on 1956-01-20)
cello:
Eduardo Sodero (on 1956-01-20), Bernie Greenhouse (on 1956-01-20) and George Ricci (on 1956-01-20)
clarinet:
Sid Jekowsky (on 1956-01-20)
drums (drum set):
Osie Johnson (on 1956-01-20)
French horn:
Jimmy Buffington (on 1956-01-20)
glockenspiel and xylophone:
Marty Wilson (on 1956-01-20)
tenor saxophone:
Coleman Hawkins (on 1956-01-20)
viola:
Bert Fisch (on 1956-01-20)
violin:
Cy Miroff (on 1956-01-20), Arnold Eidus (on 1956-01-20), Stan Kraft (on 1956-01-20), Dave Newman (on 1956-01-20), Alvin Rudnitsky (on 1956-01-20) and Dave Sarser (on 1956-01-20)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-01-20)
instrumental recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (on 1956-01-20)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (in 1937)
publisher:
Chappell & Co., Inc. and Williamson Music Company
part of:
I’d Rather Be Right
3:10
19Have You Met Miss Jones (alternate take)
bass:
Jack Lesberg (on 1956-01-20)
bell:
Phil Kraus (on 1956-01-20)
celesta and piano:
Hank Jones (on 1956-01-20)
cello:
Eduardo Sodero (on 1956-01-20), Bernie Greenhouse (on 1956-01-20) and George Ricci (on 1956-01-20)
clarinet:
Sid Jekowsky (on 1956-01-20)
drums (drum set):
Osie Johnson (on 1956-01-20)
French horn:
Jimmy Buffington (on 1956-01-20)
glockenspiel and xylophone:
Marty Wilson (on 1956-01-20)
tenor saxophone:
Coleman Hawkins (on 1956-01-20)
viola:
Bert Fisch (on 1956-01-20)
violin:
Cy Miroff (on 1956-01-20), Arnold Eidus (on 1956-01-20), Stan Kraft (on 1956-01-20), Dave Newman (on 1956-01-20), Alvin Rudnitsky (on 1956-01-20) and Dave Sarser (on 1956-01-20)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-01-20)
instrumental recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (on 1956-01-20)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (in 1937)
publisher:
Chappell & Co., Inc. and Williamson Music Company
part of:
I’d Rather Be Right
3:20
20Have You Met Miss Jones (alternate take)
bass:
Jack Lesberg (on 1956-01-20)
bell:
Phil Kraus (on 1956-01-20)
celesta and piano:
Hank Jones (on 1956-01-20)
cello:
Eduardo Sodero (on 1956-01-20), Bernie Greenhouse (on 1956-01-20) and George Ricci (on 1956-01-20)
clarinet:
Sid Jekowsky (on 1956-01-20)
drums (drum set):
Osie Johnson (on 1956-01-20)
French horn:
Jimmy Buffington (on 1956-01-20)
glockenspiel and xylophone:
Marty Wilson (on 1956-01-20)
tenor saxophone:
Coleman Hawkins (on 1956-01-20)
viola:
Bert Fisch (on 1956-01-20)
violin:
Cy Miroff (on 1956-01-20), Arnold Eidus (on 1956-01-20), Stan Kraft (on 1956-01-20), Dave Newman (on 1956-01-20), Alvin Rudnitsky (on 1956-01-20) and Dave Sarser (on 1956-01-20)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-01-20)
recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (on 1956-01-20)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (in 1937)
publisher:
Chappell & Co., Inc. and Williamson Music Company
part of:
I’d Rather Be Right
2:38
21The Day You Came Along (alternate take)
bass:
Jack Lesberg (on 1956-01-20)
bell:
Phil Kraus (on 1956-01-20)
celesta and piano:
Hank Jones (on 1956-01-20)
cello:
Eduardo Sodero (on 1956-01-20), Bernie Greenhouse (on 1956-01-20) and George Ricci (on 1956-01-20)
clarinet:
Sid Jekowsky (on 1956-01-20)
drums (drum set):
Osie Johnson (on 1956-01-20)
French horn:
Jimmy Buffington (on 1956-01-20)
glockenspiel and xylophone:
Marty Wilson (on 1956-01-20)
tenor saxophone:
Coleman Hawkins (on 1956-01-20)
viola:
Bert Fisch (on 1956-01-20)
violin:
Cy Miroff (on 1956-01-20), Arnold Eidus (on 1956-01-20), Stan Kraft (on 1956-01-20), Dave Newman (on 1956-01-20), Alvin Rudnitsky (on 1956-01-20) and Dave Sarser (on 1956-01-20)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-01-20)
3:15