Catch Me If You Can

~ Release by John Williams (see all versions of this release, 6 available)

Tracklist

1CD
#TitleArtistLength
1Catch Me If You Can
recording engineer and mixer:
Shawn Murphy
miscellaneous support:
Sandy De Crescent (task: music contractor)
assistant engineer:
Sue McLean
producer:
John Williams
editor:
Kenneth Wannberg
solo saxophone:
Dan Higgins
solo vibraphone:
Alan Estes
conductor:
John Williams
recorded at and mixed at:
Sony Pictures Scoring Stage in Culver City, California, United States
recording of:
Catch Me If You Can (title theme)
composer:
John Williams
John Williams2:41
2The "Float"
recording engineer and mixer:
Shawn Murphy
miscellaneous support:
Sandy De Crescent (task: music contractor)
assistant engineer:
Sue McLean
producer:
John Williams
editor:
Kenneth Wannberg
solo saxophone:
Dan Higgins
solo vibraphone:
Alan Estes
conductor:
John Williams
recorded at and mixed at:
Sony Pictures Scoring Stage in Culver City, California, United States
John Williams4:56
3Come Fly With MeFrank Sinatra3:19
4Recollections (The Father’s Theme)
recording engineer and mixer:
Shawn Murphy
miscellaneous support:
Sandy De Crescent (task: music contractor)
assistant engineer:
Sue McLean
producer:
John Williams
editor:
Kenneth Wannberg
solo saxophone:
Dan Higgins
solo vibraphone:
Alan Estes
conductor:
John Williams
recorded at and mixed at:
Sony Pictures Scoring Stage in Culver City, California, United States
John Williams5:16
5The Airport Scene
recording engineer and mixer:
Shawn Murphy
miscellaneous support:
Sandy De Crescent (task: music contractor)
assistant engineer:
Sue McLean
producer:
John Williams
editor:
Kenneth Wannberg
solo saxophone:
Dan Higgins
solo vibraphone:
Alan Estes
conductor:
John Williams
recorded at and mixed at:
Sony Pictures Scoring Stage in Culver City, California, United States
John Williams2:27
6The Girl From Ipanema
recording engineer:
Phil Ramone
producer:
Creed Taylor
bass guitar:
Tommy Williams (from 1963-03-18 until 1963-03-19)
double bass [bass]:
Tommy Williams (in 1963-03)
drums (drum set):
Milton Banana (from 1963-03-18 until 1963-03-19)
drums (drum set) [drums]:
Milton Banana (in 1963-03)
guest piano and piano:
Antônio Carlos Jobim (from 1963-03-18 until 1963-03-19)
guitar:
João Gilberto (from 1963-03-18 until 1963-03-19)
tenor saxophone:
Stan Getz (from 1963-03-18 until 1963-03-19)
vocals:
Astrud Gilberto (from 1963-03-18 until 1963-03-19) and João Gilberto (from 1963-03-18 until 1963-03-19)
performer:
João Gilberto and Antônio Carlos Jobim
recorded at:
A&R Recording Studio in New York, New York, United States (from 1963-03-18 until 1963-03-19)
part of:
Billboard: The 500 Best Pop Songs (number: 461)
recording of:
The Girl From Ipanema (from 1963-03-18 until 1963-03-19)
lyricist:
Vinicius de Moraes
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Copyright Control, Corcovado Music Corp., Duchess Music Corporation, MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc., Universal Duchess Music Corp., Universal Music Publishing Ltd., Windswept Music (London) Ltd. and Words West LLC
sub-publisher:
Universal Music Publishing Ltd.
translated version of:
Garota de Ipanema
part of:
The Real Book (compilation of jazz standards, Volume I)
Stan Getz & João Gilberto feat. Antonio Carlos Jobim5:15
7Learning the Ropes
recording engineer and mixer:
Shawn Murphy
miscellaneous support:
Sandy De Crescent (task: music contractor)
assistant engineer:
Sue McLean
producer:
John Williams
editor:
Kenneth Wannberg
solo saxophone:
Dan Higgins
solo vibraphone:
Alan Estes
conductor:
John Williams
recorded at and mixed at:
Sony Pictures Scoring Stage in Culver City, California, United States
John Williams8:44
8Father and Son
recording engineer and mixer:
Shawn Murphy
miscellaneous support:
Sandy De Crescent (task: music contractor)
assistant engineer:
Sue McLean
producer:
John Williams
editor:
Kenneth Wannberg
solo saxophone:
Dan Higgins
solo vibraphone:
Alan Estes
conductor:
John Williams
recorded at and mixed at:
Sony Pictures Scoring Stage in Culver City, California, United States
John Williams3:15
9Embraceable You
vocals:
Judy Garland (on 1939-10-16)
orchestra:
Victor Young and His Orchestra (on 1939-10-16)
recording of:
Embraceable You (on 1939-10-16)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (in 1928)
publisher:
Ira Gershwin Music, New World Music, New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd., WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
Judy Garland2:50
10The Flash Comics Clue
recording engineer and mixer:
Shawn Murphy
miscellaneous support:
Sandy De Crescent (task: music contractor)
assistant engineer:
Sue McLean
producer:
John Williams
editor:
Kenneth Wannberg
solo saxophone:
Dan Higgins
solo vibraphone:
Alan Estes
conductor:
John Williams
recorded at and mixed at:
Sony Pictures Scoring Stage in Culver City, California, United States
John Williams1:47
11Deadheading
recording engineer and mixer:
Shawn Murphy
miscellaneous support:
Sandy De Crescent (task: music contractor)
assistant engineer:
Sue McLean
producer:
John Williams
editor:
Kenneth Wannberg
solo saxophone:
Dan Higgins
solo vibraphone:
Alan Estes
conductor:
John Williams
recorded at and mixed at:
Sony Pictures Scoring Stage in Culver City, California, United States
John Williams2:25
12The Christmas Song
producer:
Lee Gillette
piano:
Nat King Cole (on 1961-03-30)
vocals:
Nat King Cole (on 1961-03-30)
conductor:
Ralph Carmichael (on 1961-03-30)
orchestrator:
Charles R. Grean and Pete Rugolo
part of:
Billboard Hot 100: 2025-12-20 (number: 8), Billboard Hot 100: 2025-12-13 (number: 9), Billboard Hot 100: 2025-12-06 (number: 18) and Billboard Hot 100: 2025-11-29 (number: 29)
cover recording of:
The Christmas Song (Chestnuts Roasting on an Open Fire) (on 1961-03-30)
lyricist:
Mel Tormé and Robert Wells (from 1944 until 1945)
composer:
Mel Tormé (from 1944 until 1945)
publisher:
Chappell/Morris Ltd., MPL Music Publishing Inc., Sony/ATV Music Publishing Australia Pty Ltd., Sony/ATV Tunes LLC, Warner Chappell, Warner Chappell Ltd., Warner Chappell Music, Warner/Chappell Music Australia Pty. Ltd. and Edwin H. Morris & Co., Inc. (from 1946 to present)
Nat King Cole3:10
13A Broken Home
recording engineer and mixer:
Shawn Murphy
miscellaneous support:
Sandy De Crescent (task: music contractor)
assistant engineer:
Sue McLean
producer:
John Williams
editor:
Kenneth Wannberg
solo saxophone:
Dan Higgins
solo vibraphone:
Alan Estes
conductor:
John Williams
recorded at and mixed at:
Sony Pictures Scoring Stage in Culver City, California, United States
John Williams4:25
14Doctor, Lawyer, Lutheran
recording engineer and mixer:
Shawn Murphy
miscellaneous support:
Sandy De Crescent (task: music contractor)
assistant engineer:
Sue McLean
producer:
John Williams
editor:
Kenneth Wannberg
solo saxophone:
Dan Higgins
solo vibraphone:
Alan Estes
conductor:
John Williams
recorded at and mixed at:
Sony Pictures Scoring Stage in Culver City, California, United States
John Williams3:12
15The Look of LoveDusty Springfield3:31
16Catch Me If You Can (reprise and end credits)
recording engineer and mixer:
Shawn Murphy
miscellaneous support:
Sandy De Crescent (task: music contractor)
assistant engineer:
Sue McLean
producer:
John Williams
editor:
Kenneth Wannberg
solo saxophone:
Dan Higgins
solo vibraphone:
Alan Estes
conductor:
John Williams
recorded at and mixed at:
Sony Pictures Scoring Stage in Culver City, California, United States
John Williams5:14