| # | Title | Artist | Length |
|---|
| A1 | Call Me (remastered 2002)- engineer:
- Harold Faltermeyer
- producer:
- Giorgio Moroder
- additional synthesizer:
- Giorgio Moroder (in 1980-01)
- bass guitar [bass]:
- Nigel Harrison (in 1980-01)
- drums (drum set) [drums]:
- Clem Burke (in 1980-01)
- electric piano:
- Jimmy Destri (in 1980-01)
- guitar:
- Frank Infante (in 1980-01) and Chris Stein (in 1980-01)
- lead vocals:
- Debbie Harry (in 1980-01)
- phonographic copyright (℗) by:
- Chrysalis Records (in 1980, in 1981), Chrysalis Records Ltd. (in 1980), Chrysalis Records, Inc. (in 1980, in 2002), Capitol Records (in 1998), Capitol Records, Inc. (in 1998) and Capitol Records, LLC (in 2002)
- recorded at:
- Westlake Audio in Los Angeles, California, United States (in 1979) and The Power Station in Hell's Kitchen, New York, New York, United States (in 1980-01)
- mixed at:
- Allen Zentz Mastering in San Clemente, California, United States
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 64), VH1: 100 Greatest Songs of the 80’s (number: 78) and Billboard: The 500 Best Pop Songs (number: 157)
- recording of:
- Call Me (in 1980-01)
- lyricist:
- Deborah Harry
- composer:
- Giorgio Moroder
- publisher:
- BMG Monarch, Chrysalis Music, Chrysalis Music Ltd., Copyright Control, EMI Music Publishing Ltd., Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody and Sony/ATV Music Publishing Australia Pty Ltd.
- sub-publisher:
- Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
| Blondie | 3:33 |
| A2 | My Girl (2009 remaster) | Madness | 2:45 |
| A3 | Army Dreamers (2018 remaster) | Kate Bush | 2:54 |
| A4 | Oh Yeah! (2003 digital remaster) | Roxy Music | 4:51 |
| A5 | Private Life (single version) | Grace Jones | 4:37 |
| A6 | Christine | Siouxsie and the Banshees | 2:59 |
| A7 | Breaking the Law- engineer:
- Louis Austin
- producer:
- Tom Allom
- drums (drum set):
- Dave Holland (from 1980-01 until 1980-02)
- electric bass guitar:
- Ian Hill (from 1980-01 until 1980-02)
- electric guitar:
- Kenneth Downing (from 1980-01 until 1980-02) and Glenn Tipton (from 1980-01 until 1980-02)
- lead vocals:
- Rob Halford (from 1980-01 until 1980-02)
- phonographic copyright (℗) by:
- CBS Records (in 1980), Sony BMG Music Entertainment (UK) Ltd. (in 1980), Sony Music Entertainment (UK) Ltd. (in 1980) and Sony Music Entertainment UK Limited (in 1980)
- recorded at:
- Startling Studios in Ascot, Windsor and Maidenhead, England, United Kingdom (from 1980-01 until 1980-02)
- music videos:
- Breaking the Law by Judas Priest
- part of:
- Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 4), VH1: 100 Greatest Hard Rock Songs (number: 12) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- recording of:
- Breaking the Law (from 1980-01 until 1980-02)
- writer:
- Kenneth Downing, Rob Halford and Glenn Tipton
- publisher:
- Crewglen Ltd., Ebonytree Ltd, EMI April Music Inc., EMI Music Publishing France, EMI Music Publishing Ltd., EMI Songs Ltd., Geargate Ltd., Reach Global (UK) Limited, Reach Music Publishing, Inc., Round Hill Songs II and Warner Chappell Music France
- sub-publisher:
- ソニー・ミュージックパブリッシング EMI外国事業部, ワーナー・チャペル音楽出版 Synch事業部 and 日音 Synch事業部
| Judas Priest | 2:34 |
| A8 | Ace of Spades | Motörhead | 2:46 |
| B1 | On the Radio | Donna Summer | 4:05 |
| B2 | I’m Coming Out (single version) | Diana Ross | 3:56 |
| B3 | Searching (single edit) | Change | 8:03 |
| B4 | Never Knew Love Like This Before (single version) | Stephanie Mills | 3:32 |
| B5 | If You’re Lookin’ for a Way Out (7″ single version) | Odyssey | 4:22 |
| B6 | Everybody’s Got to Learn Sometime | The Korgis | 4:19 |
| B7 | Take That Look Off Your Face - “Tell Me on a Sunday” (original cast recording) | Andrew Lloyd Webber & Marti Webb | 2:59 |
| B8 | Stop the Cavalry | Jona Lewie | 3:02 |
