Jazz Piano Masters

~ Release by Bud Powell (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleLength
1Bud's Bubble
recording of:
Bud's Bubble
composer:
Bud Powell
2:37
2I'll Remember April
double bass:
Curley Russell (on 1947-01-10)
drums (drum set):
Max Roach (on 1947-01-10)
piano:
Bud Powell (on 1947-01-10)
instrumental recording of:
I’ll Remember April (on 1947-01-10)
lyricist:
Patricia Johnston and Don Raye
composer:
Gene de Paul
publisher:
Hub Music Co Inc, Leeds Music Co., MCA Music Ltd., Rytvoc, Inc. and Universal Music Corp.
2:53
3Nice Work If You Can Get It
instrumental recording of:
Nice Work If You Can Get It
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (in 1937)
publisher:
Chappell & Co., Inc. and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
2:19
4All God's Chillun Got Rhythmn
3:00
5Sonny Side
2:22
6Bud's Blues
2:35
7Sunset
3:48
8Tempus Fugit
double bass:
Ray Brown (on 1949-02-23)
drums (drum set):
Max Roach (on 1949-02-23)
piano:
Bud Powell (on 1949-02-23)
recording of:
Tempus Fugit (on 1949-02-23)
composer:
Bud Powell
publisher:
Music Sales Corporation
2:28
9Celia
double bass:
Ray Brown (on 1949-02-23)
drums (drum set):
Max Roach (on 1949-02-23)
piano:
Bud Powell (on 1949-02-23)
recording of:
Celia (on 1949-02-23)
composer:
Bud Powell
3:00
10Cherokee
recorded in:
New York, New York, United States (on 1949-02-23)
producer:
Norman Granz
double bass:
Ray Brown (on 1949-02-23)
drums (drum set):
Max Roach (on 1949-02-23)
piano:
Bud Powell (on 1949-02-23)
recording of:
Cherokee (on 1949-02-23)
lyricist and composer:
Ray Noble
publisher:
Peter Maurice Music Co., Redwood Music Ltd. and Shapiro, Bernstein & Co., Inc.
3:38
11I'll Keep Loving You
recorded in:
New York, New York, United States (on 1949-02-23)
producer:
Norman Granz
piano:
Bud Powell (on 1949-02-23)
recording of:
I'll Keep Loving You (on 1949-02-23)
composer:
Bud Powell
publisher:
Groove Music
2:42
12Strictly Confidential
recorded in:
New York, New York, United States (on 1949-02-23)
producer:
Norman Granz
double bass:
Ray Brown (on 1949-02-23)
drums (drum set):
Max Roach (on 1949-02-23)
piano:
Bud Powell (on 1949-02-23)
recording of:
Strictly Confidential (on 1949-02-23)
composer:
Bud Powell
3:08
13All God's Chillun Got Rhythm
double bass:
Ray Brown (on 1949-02-23)
drums (drum set):
Max Roach (on 1949-02-23)
piano:
Bud Powell (on 1949-02-23)
recording of:
All God’s Chillun Got Rhythm (on 1949-02-23)
lyricist:
Gus Kahn
composer:
Walter Jurmann and Bronisław Kaper
3:01
14Afternoon in Paris
recording of:
Afternoon in Paris
composer:
John Lewis
3:07
15Elora
3:04
16Teapot
2:44
17Ornithology
recording engineer:
Doug Hawkins
producer:
Alfred Lion
double bass:
Tommy Potter (on 1949-08-08)
drums (drum set):
Roy Haynes (on 1949-08-08)
piano:
Bud Powell (on 1949-08-08)
recorded at:
WOR Studios in New York, New York, United States (on 1949-08-08)
recording of:
Ornithology (on 1949-08-08)
composer:
Benny Harris and Charlie Parker
publisher:
Marada Music Ltd.
2:24
18Un Poco Loco
recording engineer:
Doug Hawkins
producer:
Alfred Lion
double bass:
Curley Russell (on 1951-05-01)
drums (drum set):
Max Roach (on 1951-05-01)
piano:
Bud Powell (on 1951-05-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-05-01)
recording of:
Un poco loco (on 1951-05-01)
composer:
Bud Powell
publisher:
Patricia Music Publishing Corp
4:46
19A Night in Tunisia
recording engineer:
Doug Hawkins
producer:
Alfred Lion
double bass:
Curley Russell (on 1951-05-01)
drums (drum set):
Max Roach (on 1951-05-01)
piano:
Bud Powell (on 1951-05-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-05-01)
recording of:
Night in Tunisia (instrumental) (on 1951-05-01)
composer:
Dizzy Gillespie and Frank Paparelli
publisher:
Universal‐MCA Music Publishing
4:16
20Over the Rainbow
recording engineer:
Doug Hawkins
producer:
Alfred Lion
piano:
Bud Powell (on 1951-05-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-05-01)
instrumental recording of:
Over the Rainbow (The Wizard of Oz) (on 1951-05-01)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music, EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell
sub-publisher:
香港商百代音樂股份有限公司台灣分公司, フジパシフィック音楽出版 SBK事業部 (until 2014-12-31), ヤマハミュージックパブリッシング (until 2017-03-31), フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1939 winner)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
2:54
2CD
#TitleLength
1So Sorry Please
recorded in:
New York, New York, United States (in 1950-02)
producer:
Norman Granz
double bass:
Curley Russell (in 1950-02)
drums (drum set):
Max Roach (in 1950-02)
piano:
Bud Powell (in 1950-02)
recording of:
So Sorry Please (in 1950-02)
composer:
Bud Powell
3:16
2Get Happy
recorded in:
New York, New York, United States (in 1950-02)
producer:
Norman Granz
double bass:
Curley Russell (in 1950-02)
drums (drum set):
Max Roach (in 1950-02)
piano:
Bud Powell (in 1950-02)
instrumental recording of:
Get Happy (in 1950-02)
lyricist:
Ted Koehler (in 1929)
composer:
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc., Francis, Day & Hunter Ltd., Redwood Music Ltd., Remick Music Corp., S.A. Music Co. and Warner Bros. Music
part of:
Summer Stock
part of:
The Nine‐Fifteen Revue (1930)
2:52
3Sometimes I'm Happy
recorded in:
New York, New York, United States (in 1950-02)
producer:
Norman Granz
double bass:
Curley Russell (in 1950-02)
drums (drum set):
Max Roach (in 1950-02)
piano:
Bud Powell (in 1950-02)
instrumental recording of:
Sometimes I’m Happy (in 1950-02)
lyricist:
Vincent Youmans
composer:
Irving Caesar
publisher:
Harms, Inc.
part of:
Hit the Deck (1927 musical)
part of:
Hit the Deck (1955 movie)
3:38
4Sweet Georgia Brown
recorded in:
New York, New York, United States (in 1950-02)
producer:
Norman Granz
double bass:
Curley Russell (in 1950-02)
drums (drum set):
Max Roach (in 1950-02)
piano:
Bud Powell (in 1950-02)
instrumental recording of:
Sweet Georgia Brown (in 1950-02)
lyricist:
Kenneth Casey (in 1925)
composer:
Ben Bernie (in 1925) and Maceo Pinkard (in 1925)
publisher:
Remick Music Corp. and Warner Bros. Music
2:50
5Yesterdays
2:48
6April in Paris
recorded in:
New York, New York, United States (in 1950-02)
producer:
Norman Granz
double bass:
Curley Russell (in 1950-02)
drums (drum set):
Max Roach (in 1950-02)
piano:
Bud Powell (in 1950-02)
recording of:
April in Paris (in 1950-02)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
instrumental recording of:
April in Paris (in 1950-02)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
3:08
7Fine and Dandy (take 1)
recorded in:
New York, New York, United States (on 1950-01-26)
double bass:
Curley Russell (on 1950-01-26)
drums (drum set):
Max Roach (on 1950-01-26)
piano:
Bud Powell (on 1950-01-26)
tenor saxophone:
Sonny Stitt (on 1950-01-26)
instrumental recording of:
Fine and Dandy (on 1950-01-26)
lyricist:
Paul James
composer:
Kay Swift
publisher:
Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp.
2:43
8Fine and Dandy (take 2)
recorded in:
New York, New York, United States (on 1950-01-26)
double bass:
Curley Russell (on 1950-01-26)
drums (drum set):
Max Roach (on 1950-01-26)
piano:
Bud Powell (on 1950-01-26)
tenor saxophone:
Sonny Stitt (on 1950-01-26)
instrumental recording of:
Fine and Dandy (on 1950-01-26)
lyricist:
Paul James
composer:
Kay Swift
publisher:
Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp.
2:42
9Strike Up the Band
3:27
10I Want to Be Happy
3:12
11Taking a Chance on Love
2:35
12Tea for Two4:15
13Hallelujah
recorded in:
New York, New York, United States (on 1950-07-01)
producer:
Norman Granz
double bass:
Ray Brown (on 1950-07-01)
drums (drum set):
Buddy Rich (on 1950-07-01)
piano:
Bud Powell (on 1950-07-01)
recording of:
Hallelujah! (on 1950-07-01)
lyricist:
Clifford Grey (in 1927) and Leo Robin (in 1927)
composer:
Vincent Youmans (in 1927)
part of:
Hit the Deck (1955 movie)
3:01
14Parisian
recorded in:
New York, New York, United States (in 1951-02)
producer:
Norman Granz
piano:
Bud Powell (in 1951-02)
recording of:
Parisian Thoroughfare (in 1951-02)
composer:
Bud Powell
2:30
15Oblivion
recorded in:
New York, New York, United States (in 1951-02)
producer:
Norman Granz
piano:
Bud Powell (in 1951-02)
recording of:
Oblivion (in 1951-02)
composer:
Bud Powell
2:10
16Dusk in Sand
2:15
17Hallucinations
recorded in:
New York, New York, United States (in 1951-02)
solo piano:
Buddy Rich (in 1951-02)
recording of:
Hallucinations (in 1951-02)
composer:
Bud Powell
publisher:
Embassy Music Corporation
2:25
18The Fruit
recorded in:
New York, New York, United States (in 1951-02)
producer:
Norman Granz
piano:
Bud Powell (in 1951-02)
recording of:
The Fruit (in 1951-02)
composer:
Bud Powell
3:19
19A Nightingale in Berkeley Square3:41
20Just One of Those Things
recorded in:
New York, New York, United States (in 1951-02)
producer:
Norman Granz
piano:
Bud Powell (in 1951-02)
instrumental recording of:
Just One of Those Things (in 1951-02)
lyricist and composer:
Cole Porter (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell and Warner Bros., Inc. (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
3:52
21The Last Time I Saw Paris
recorded in:
New York, New York, United States (in 1951-02)
producer:
Norman Granz
piano:
Bud Powell (in 1951-02)
recording of:
The Last Time I Saw Paris (in 1951-02)
lyricist:
Oscar Hammerstein II
composer:
Jerome Kern
part of:
The 14th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1941 winner)
3:16