Ses films et ses chansons / Songs and Pictures

~ Release by Fred Astaire (see all versions of this release, 1 available)

Tracklist

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1▼CD
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1My One and Only
recorded in:
London, England, United Kingdom (on 1928-12-04)
piano:
Mario Braggiotti (on 1928-12-04) and Jack Frey (on 1928-12-04)
vocals:
Fred Astaire with piano duet accompaniment (on 1928-12-04)
orchestra:
Julian Jones and His Orchestra (on 1928-12-04)
recording of:
My One and Only (from “Funny Face”) (on 1928-12-04)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (in 1927)
publisher:
WB Music Corp. (until 2019-05-28)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
3:05
2The Babbit and the Bromide
recorded in:
London, England, United Kingdom (on 1928-11-26)
vocals:
Adele Astaire (on 1928-11-26) and Fred Astaire (on 1928-11-26)
orchestra:
Julian Jones and His Orchestra (on 1928-11-26) and Julian Jones’ Novelty Orchestra (on 1928-11-26)
recording of:
The Babbit and the Bromide (from “Funny Face”) (on 1928-11-26)
lyricist:
Ira Gershwin
composer:
George Gershwin
publisher:
New World Music Co. (in 1926)
3:08
3Puttin’ On the Ritz
recorded in:
London, England, United Kingdom (on 1930-03-26)
vocals and performer:
Fred Astaire (on 1930-03-26)
orchestra:
Columbia Studio Orchestra (on 1930-03-26) and Van Phillips and His Orchestra (on 1930-03-26)
recording of:
Puttin’ On the Ritz (on 1930-03-26)
lyricist and composer:
Irving Berlin (in 1929)
publisher:
Berlin Irving Music Corp and Universal Music Publishing Ltd.
part of:
Idiot’s Delight (film)
2:36
4Crazy Feet!
recorded in:
London, England, United Kingdom (on 1930-03-26)
vocals:
Fred Astaire (on 1930-03-26)
orchestra:
Columbia Studio Orchestra (on 1930-03-26) and Van Phillips and His Orchestra (on 1930-03-26)
recording of:
Crazy Feet (on 1930-03-26)
writer:
Con Conrad and Archie Gottler
composer:
Sidney Mitchell
2:54
5After You, Who?
recorded in:
New York, New York, United States (, on 1933-05-23)
vocals:
Fred Astaire (on 1933-05-23)
orchestra:
Leo Reisman and His Orchestra (on 1933-05-23)
recording of:
After You, Who? (Cole Porter; from “The Gay Divorcee”) (on 1933-05-23)
lyricist and composer:
Cole Porter (in 1932)
part of:
Gay Divorce
3:18
6Night and Day
recorded in:
New York, New York, United States (on 1933-06-22)
vocals:
Fred Astaire (on 1933-06-22)
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1933-06-22)
lyricist and composer:
Cole Porter (in 1932)
publisher:
Chappell & Co., Inc., Chappell Music Ltd., Warner Bros., Warner Bros. Music, Warner Bros., Inc., Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
3:14
7Music Makes Me
recorded in:
London, England, United Kingdom (on 1933-12-12)
vocals:
Fred Astaire (on 1933-12-12)
orchestra:
Van Phillips and His Orchestra (on 1933-12-12)
recording of:
Music Makes Me (from “Flying Down to Rio”) (on 1933-12-12)
lyricist:
Edward Eliscu and Gus Kahn
composer:
Vincent Youmans
2:30
8Flying Down to Rio
recorded in:
London, England, United Kingdom (on 1933-12-12)
vocals:
Fred Astaire (on 1933-12-12)
orchestra:
Van Phillips and His Orchestra (on 1933-12-12)
recording of:
Flying Down to Rio (from “Flying Down to Rio”) (on 1933-12-12)
lyricist:
Edward Eliscu and Gus Kahn
composer:
Vincent Youmans
2:49
9No Strings
recorded in:
New York, New York, United States (on 1935-06-26)
vocals:
Fred Astaire (on 1935-06-26)
orchestra:
Johnny Green and His Orchestra and Leo Reisman and His Orchestra (on 1935-06-26)
recording of:
No Strings (I’m Fancy Free) (from “Top Hat”) (on 1935-06-26)
lyricist and composer:
Irving Berlin (in 1935)
part of:
Top Hat (1935 film)
2:35
10Isn’t This a Lovely Day?
recorded in:
New York, New York, United States (on 1935-06-27)
vocals:
Fred Astaire (on 1935-06-27)
orchestra:
Johnny Green and His Orchestra (on 1935-06-27)
recording of:
Isn’t This a Lovely Day? (from “Top Hat”) (on 1935-06-27)
lyricist and composer:
Irving Berlin (in 1935)
part of:
Top Hat (1935 film)
3:16
11Top Hat, White Tie and Tails
recorded in:
New York, New York, United States (on 1935-06-27)
vocals:
Fred Astaire (on 1935-06-27)
orchestra:
Johnny Green and His Orchestra (on 1935-06-27)
recording of:
Top Hat, White Tie and Tails (from “Top Hat”) (on 1935-06-27)
lyricist and composer:
Irving Berlin (in 1935)
part of:
Top Hat (1935 film)
2:41
12Cheek to Cheek
recorded in:
New York, New York, United States (on 1935-06-26)
vocals:
Fred Astaire (on 1935-06-26)
orchestra:
Leo Reisman and His Orchestra (on 1935-06-26)
recording of:
Cheek to Cheek (from “Top Hat”) (on 1935-06-26)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
3:21
13The Piccolino
recorded in:
New York, New York, United States (on 1935-07-15)
vocals:
Fred Astaire (on 1935-07-15)
orchestra:
Leo Reisman and His Orchestra (on 1935-07-15)
recording of:
The Piccolino (from “Top Hat”) (on 1935-07-15)
composer:
Irving Berlin
part of:
Top Hat (1935 film)
3:19
14We Saw the Sea
recorded in:
Los Angeles, California, United States (on 1936-01-30)
vocals:
Fred Astaire (on 1936-01-30)
orchestra:
Johnny Green and His Orchestra with Chorus (on 1936-01-30)
recording of:
We Saw the Sea (from “Follow the Fleet”) (on 1936-01-30)
lyricist and composer:
Irving Berlin
2:24
15Let Yourself Go
recorded in:
Los Angeles, California, United States (on 1936-01-30)
vocals:
Fred Astaire (on 1936-01-30)
orchestra:
Johnny Green and His Orchestra with Chorus (on 1936-01-30)
recording of:
Let Yourself Go (from “Follow the Fleet”) (on 1936-01-30)
lyricist and composer:
Irving Berlin (in 1936)
2:38
16I’d Rather Lead a Band
recorded in:
Los Angeles, California, United States (on 1936-01-30)
vocals:
Fred Astaire (on 1936-01-30)
orchestra:
Johnny Green and His Orchestra (on 1936-01-30)
recording of:
I’d Rather Lead a Band (from “Follow the Fleet”) (on 1936-01-30)
lyricist and composer:
Irving Berlin (in 1936)
2:33
17I’m Putting All My Eggs in One Basket
recorded in:
Los Angeles, California, United States (on 1936-01-30)
vocals:
Fred Astaire (on 1936-01-30)
orchestra:
Johnny Green and His Orchestra (on 1936-01-30)
recording of:
I’m Putting All My Eggs in One Basket (from “Follow the Fleet”) (on 1936-01-30)
lyricist and composer:
Irving Berlin (in 1936)
2:51
18Let’s Face the Music and Dance
recorded in:
Los Angeles, California, United States (on 1936-01-30)
vocals:
Fred Astaire (on 1936-01-30)
orchestra:
Johnny Green and His Orchestra (on 1936-01-30)
recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”) (on 1936-01-30)
lyricist and composer:
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. and Williamson Music Company
part of:
Follow the Fleet (1936 film)
2:30
19I’m Building Up to an Awful Let-Down
recorded in:
Los Angeles, California, United States (on 1936-01-30)
vocals:
Fred Astaire (on 1936-01-30)
orchestra:
Johnny Green and His Orchestra (on 1936-01-30)
recording of:
I'm Building Up to an Awful Letdown (on 1936-01-30)
writer:
Fred Astaire and Johnny Mercer
3:05
2▼CD
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1Pick Yourself Up
recorded in:
Los Angeles, California, United States (on 1936-07-26)
vocals:
Fred Astaire (on 1936-07-26)
orchestra:
Johnny Green and His Orchestra (on 1936-07-26)
recording of:
Pick Yourself Up (from “Swing Time”) (on 1936-07-26)
lyricist:
Dorothy Fields
composer:
Jerome Kern
part of:
Swing Time (film)
2:59
2The Way You Look Tonight
recorded in:
Los Angeles, California, United States (on 1936-07-26)
vocals:
Fred Astaire (on 1936-07-26)
orchestra:
Johnny Green and His Orchestra (on 1936-07-26)
recording of:
The Way You Look Tonight (from “Swing Time”) (on 1936-07-26)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc., Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
part of:
Swing Time (film)
3:12
3A Fine Romance
recorded in:
Los Angeles, California, United States (on 1936-07-28)
vocals:
Fred Astaire (on 1936-07-28)
orchestra:
Johnny Green and His Orchestra (on 1936-07-28)
recording of:
A Fine Romance (from “Swing Time”) (on 1936-07-28)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
2:55
4Bojangles of Harlem
recorded in:
Los Angeles, California, United States (on 1936-07-28)
vocals:
Fred Astaire (on 1936-07-28)
orchestra:
Johnny Green and His Orchestra (on 1936-07-28)
recording of:
Bojangles of Harlem (from “Swing Time”) (on 1936-07-28)
lyricist:
Dorothy Fields
composer:
Jerome Kern
part of:
Swing Time (film)
3:08
5Never Gonna Dance
recorded in:
Los Angeles, California, United States (on 1936-07-26)
vocals:
Fred Astaire (on 1936-07-26)
orchestra:
Johnny Green and His Orchestra (on 1936-07-26)
recording of:
Never Gonna Dance (from “Swing Time”) (on 1936-07-26)
lyricist:
Dorothy Fields
composer:
Jerome Kern
part of:
Swing Time (film)
3:12
6I’ve Got Beginner’s Luck
recorded in:
Los Angeles, California, United States (on 1937-03-18)
vocals:
Fred Astaire (on 1937-03-18)
orchestra:
Johnny Green and His Orchestra (on 1937-03-18)
recording of:
(I’ve Got) Beginner’s Luck (from “Shall We Dance”) (on 1937-03-18)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
part of:
An American in Paris (2015 Broadway musical)
part of:
Shall We Dance (1937 film soundtrack)
2:55
7Slap That Bass
recorded in:
Los Angeles, California, United States (on 1937-03-21)
vocals:
Fred Astaire (on 1937-03-21)
orchestra:
Johnny Green and His Orchestra (on 1937-03-21)
recording of:
Slap That Bass (from “Shall We Dance”) (on 1937-03-21)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
2:56
8They All Laughed
recorded in:
Los Angeles, California, United States (on 1937-03-18)
vocals:
Fred Astaire (on 1937-03-18)
orchestra:
Johnny Green and His Orchestra (on 1937-03-18)
recording of:
They All Laughed (from “Shall We Dance”) (on 1937-03-18)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (in 1937)
publisher:
Chappell & Co., Inc., Chappell Music and Gershwin Publishing Corp (in 1937)
part of:
Shall We Dance (1937 film soundtrack)
2:49
9Let’s Call the Whole Thing Off
recorded in:
Los Angeles, California, United States (on 1937-03-03)
vocals:
Fred Astaire (on 1937-03-03)
orchestra:
Johnny Green and His Orchestra (on 1937-03-03)
recording of:
Let’s Call the Whole Thing Off (from “Shall We Dance”) (on 1937-03-03)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
translated version of:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
part of:
Shall We Dance (1937 film soundtrack)
3:14
10They Can’t Take That Away from Me
recorded in:
Los Angeles, California, United States (on 1937-03-14)
vocals:
Fred Astaire (on 1937-03-14)
orchestra:
Johnny Green and His Orchestra (on 1937-03-14)
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (on 1937-03-14)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (in 1937)
publisher:
Chappell & Co., Inc., Chappell Music, Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited, WB Music Corp. (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
3:05
11Shall We Dance
recorded in:
Los Angeles, California, United States (on 1937-03-21)
vocals:
Fred Astaire (on 1937-03-21)
orchestra:
Johnny Green and His Orchestra (on 1937-03-21)
recording of:
Shall We Dance (on 1937-03-21)
lyricist:
Ira Gershwin
composer:
George Gershwin
publisher:
Gershwin Publishing Corp (in 1937)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
2:35
12I Can’t Be Bothered Now
recorded in:
Los Angeles, California, United States (on 1937-10-19)
vocals:
Fred Astaire (on 1937-10-19)
orchestra:
Ray Noble and His Orchestra with Chorus (on 1937-10-19)
recording of:
I Can’t Be Bothered Now (on 1937-10-19)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
2:26
13Things Are Looking Up
recorded in:
Los Angeles, California, United States (on 1937-10-17)
vocals:
Fred Astaire (on 1937-10-17)
orchestra:
Ray Noble and His Orchestra (on 1937-10-17)
recording of:
Things Are Looking Up (A Damsel in Distress) (on 1937-10-17)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
3:12
14A Foggy Day
recorded in:
Los Angeles, California, United States (on 1937-10-17)
vocals:
Fred Astaire (on 1937-10-17)
orchestra:
Ray Noble and His Orchestra (on 1937-10-17)
recording of:
A Foggy Day (in London Town) (on 1937-10-17)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (in 1937)
publisher:
Chappell & Co., Inc., Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
2:54
15Nice Work If You Can Get It
recorded in:
Los Angeles, California, United States (on 1937-10-19)
vocals:
Fred Astaire (on 1937-10-19)
orchestra:
Ray Noble and His Orchestra (on 1937-10-19)
recording of:
Nice Work If You Can Get It (on 1937-10-19)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (in 1937)
publisher:
Chappell & Co., Inc. and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
2:44
16I Used to Be Color Blind
recorded in:
Los Angeles, California, United States (on 1938-03-24)
vocals:
Fred Astaire (on 1938-03-24)
orchestra:
Ray Noble and His Orchestra (on 1938-03-24)
recording of:
I Used to Be Color Blind (from "Carefree") (on 1938-03-24)
lyricist and composer:
Irving Berlin (in 1938)
3:08
17The Yam
recorded in:
Los Angeles, California, United States (on 1938-03-26)
vocals:
Fred Astaire (on 1938-03-26)
orchestra:
Ray Noble and His Orchestra (on 1938-03-26)
recording of:
The Yam (from "Carefree") (on 1938-03-26)
lyricist and composer:
Irving Berlin
2:48
18The Yam Step Explained
recorded in:
Los Angeles, California, United States (on 1938-03-26)
vocals:
Fred Astaire (on 1938-03-26)
orchestra:
Ray Noble and His Orchestra (on 1938-03-26)
recording of:
The Yam Step (Explained) (on 1938-03-26)
lyricist and composer:
Irving Berlin
2:55
19Change Partners
recorded in:
Los Angeles, California, United States (on 1938-03-24)
vocals:
Fred Astaire (on 1938-03-24)
orchestra:
Ray Noble and His Orchestra (on 1938-03-24)
recording of:
Change Partners (from “Carefree”) (on 1938-03-24)
lyricist and composer:
Irving Berlin (in 1938)
publisher:
Irving Berlin Music Corp. and Williamson Music Company
part of:
The 11th Academy Award for Best Original Song (number: 2)
3:09
20Just Like Taking Candy from a Baby
recorded in:
Los Angeles, California, United States (on 1940-05-09)
clarinet:
Benny Goodman (on 1940-05-09)
vibraphone:
Lionel Hampton (on 1940-05-09)
vocals:
Fred Astaire (on 1940-05-09)
orchestra:
Benny Goodman and His Orchestra (on 1940-05-09)
recording of:
It’s Like Taking Candy From a Baby (on 1940-05-09)
lyricist:
Bob Russell
composer:
Joel Cowan and Al Russell
2:50
21Who Cares?
recorded in:
Los Angeles, California, United States (on 1940-05-09)
clarinet:
Benny Goodman (on 1940-05-09)
vocals:
Fred Astaire (on 1940-05-09)
orchestra:
Benny Goodman and His Orchestra (on 1940-05-09)
recording of:
Who Cares? (Of Thee I Sing) (on 1940-05-09)
lyricist:
Ira Gershwin (in 1931)
composer:
George Gershwin (in 1931)
publisher:
New World Music and WB Music Corp.
part of:
An American in Paris (2015 Broadway musical)
part of:
Of Thee I Sing: Act II
2:51
3▼CD
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1I Dig It (I Ain’t Hep to That Step But I’ll …)
drums (drum set):
Spike Jones (on 1940-09-22)
vocals:
Fred Astaire (on 1940-09-22)
orchestra:
Perry Botkin & His Orchestra (on 1940-09-22)
recording of:
(I Ain’t Hep to That Step but I’ll) Dig It (on 1940-09-22)
lyricist:
Johnny Mercer
composer:
Hal Borne
2:25
2Love of My Life
recorded in:
Los Angeles, California, United States (on 1940-09-22)
drums (drum set):
Spike Jones (on 1940-09-22)
vocals:
Fred Astaire (on 1940-09-22)
orchestra:
Perry Botkin & His Orchestra (on 1940-09-22)
recording of:
Love of My Life (Shaw/Mercer song) (on 1940-09-22)
lyricist:
Johnny Mercer
composer:
Artie Shaw
part of:
The 13th Academy Award for Best Original Song (number: 2)
2:22
3Poor Mister Chisholm
recorded in:
Los Angeles, California, United States (on 1940-09-22)
drums (drum set):
Spike Jones (on 1940-09-22)
vocals:
Fred Astaire (on 1940-09-22)
orchestra:
Perry Botkin & His Orchestra (on 1940-09-22)
recording of:
Poor Mister Chisholm (from "Second Chorus") (on 1940-09-22)
lyricist:
Johnny Mercer
composer:
Bernie Hanighen
2:44
4Me and the Ghost Upstairs
drums (drum set):
Spike Jones (on 1940-09-22)
vocals:
Fred Astaire (on 1940-09-22)
orchestra:
Perry Botkin & His Orchestra (on 1940-09-22)
recording of:
Me and the Ghost Upstairs (on 1940-09-22)
lyricist:
Johnny Mercer
composer:
Bernie Hanighen
2:33
5Dream Dancing
recorded in:
New York, New York, United States (on 1941-09-10)
vocals:
Fred Astaire (on 1941-09-10)
orchestra:
Harry Sosnik and His Orchestra (on 1941-09-10)
recording of:
Dream Dancing (from “You’ll Never Get Rich”) (on 1941-09-10)
lyricist and composer:
Cole Porter (in 1941)
publisher:
Chappell & Co., Inc.
2:47
6Since I Kissed My Baby Goodbye
recorded in:
New York, New York, United States (on 1941-09-10)
background vocals:
The Delta Rhythm Boys (on 1941-09-10)
vocals:
Fred Astaire (on 1941-09-10)
orchestra:
Harry Sosnik and His Orchestra (on 1941-09-10)
recording of:
Since I Kissed My Baby Goodbye (from “You’ll Never Get Rich”) (on 1941-09-10)
lyricist and composer:
Cole Porter
part of:
The 14th Academy Award for Best Original Song (number: 2)
2:59
7So Near and Yet So Far
recorded in:
New York, New York, United States (on 1941-09-10)
vocals:
Fred Astaire (on 1941-09-10)
orchestra:
Harry Sosnik and His Orchestra (on 1941-09-10)
recording of:
So Near and Yet So Far (from “You’ll Never Get Rich”) (on 1941-09-10)
lyricist and composer:
Cole Porter (in 1941)
3:09
8The Wedding Cakewalk
recorded in:
New York, New York, United States (on 1941-09-10)
background vocals:
The Delta Rhythm Boys (on 1941-09-10)
vocals:
Fred Astaire (on 1941-09-10)
orchestra:
Harry Sosnik and His Orchestra (on 1941-09-10)
recording of:
The Wedding Cake Walk (from “You’ll Never Get Rich”) (on 1941-09-10)
lyricist and composer:
Cole Porter
2:33
9I’ll Capture Your Heart
recorded in:
Los Angeles, California, United States (on 1942-05-27)
vocals:
Fred Astaire (on 1942-05-27), Bing Crosby (on 1942-05-27) and Margaret Lenhardt (on 1942-05-27)
orchestra:
Bob Crosby and His Orchestra (on 1942-05-27)
recording of:
I'll Capture Your Heart (from “Holiday Inn”) (on 1942-05-27)
lyricist and composer:
Irving Berlin
2:26
10You’re Easy to Dance With
recorded in:
Los Angeles, California, United States (on 1942-05-27)
vocals:
Fred Astaire (on 1942-05-27)
orchestra:
Bob Crosby and His Orchestra (on 1942-05-27)
recording of:
You’re Easy to Dance With (from “Holiday Inn”) (on 1942-05-27)
lyricist and composer:
Irving Berlin
2:50
11I Can’t Tell a Lie
recorded in:
Los Angeles, California, United States (on 1942-05-27)
vocals:
Fred Astaire (on 1942-05-27)
orchestra:
Bob Crosby and His Orchestra (on 1942-05-27)
recording of:
I Can’t Tell a Lie (from “Holiday Inn”) (on 1942-05-27)
lyricist and composer:
Irving Berlin
2:43
12Dearly Beloved
recorded in:
Los Angeles, California, United States (on 1942-07-26)
vocals:
Fred Astaire (on 1942-07-26)
orchestra:
John Scott Trotter and His Orchestra (on 1942-07-26)
recording of:
Dearly Beloved (from “You Were Never Lovelier”) (on 1942-07-26)
lyricist:
Johnny Mercer
composer:
Jerome Kern
part of:
The 15th Academy Award for Best Original Song (number: 2)
2:39
13I’m Old Fashioned
recorded in:
Los Angeles, California, United States (on 1942-07-27)
vocals:
Fred Astaire (on 1942-07-27)
orchestra:
John Scott Trotter and His Orchestra (on 1942-07-27)
recording of:
I’m Old Fashioned (from “You Were Never Lovelier”) (on 1942-07-27)
lyricist:
Johnny Mercer (in 1942)
composer:
Jerome Kern (in 1942)
publisher:
T.B. Harms Co., The Johnny Mercer Foundation and Universal PolyGram International Publishing, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
2:28
14The Shorty George
recorded in:
Los Angeles, California, United States (on 1942-07-27)
vocals:
Fred Astaire (on 1942-07-27)
orchestra:
John Scott Trotter and His Orchestra (on 1942-07-27)
recording of:
The “Shorty George” (from “You Were Never Lovelier”) (on 1942-07-27)
lyricist:
Johnny Mercer
composer:
Jerome Kern
3:06
15Wedding in the Spring
recorded in:
Los Angeles, California, United States (on 1942-07-26)
vocals:
Fred Astaire (on 1942-07-26)
orchestra:
John Scott Trotter and His Orchestra (on 1942-07-26)
recording of:
Wedding in the Spring (from “You Were Never Lovelier”) (on 1942-07-26)
lyricist:
Johnny Mercer (in 1942)
composer:
Jerome Kern (in 1942)
3:03
16You Were Never Lovelier
recorded in:
Los Angeles, California, United States (on 1942-07-27)
vocals:
Fred Astaire (on 1942-07-27)
orchestra:
John Scott Trotter and His Orchestra (on 1942-07-27)
recording of:
You Were Never Lovelier (from “You Were Never Lovelier”) (on 1942-07-27)
lyricist:
Johnny Mercer
composer:
Jerome Kern
publisher:
Chappell Music Ltd.
2:44
17On the Beam
recorded in:
Los Angeles, California, United States (on 1942-07-27)
vocals:
Fred Astaire (on 1942-07-27)
orchestra:
John Scott Trotter and His Orchestra (on 1942-07-27)
recording of:
On the Beam (from “You Were Never Lovelier”) (on 1942-07-27)
lyricist:
Johnny Mercer
composer:
Jerome Kern
2:41
18This Heart of Mine
recorded in:
Los Angeles, California, United States (on 1944-12-13)
vocals:
Fred Astaire (on 1944-12-13)
orchestra:
Albert Sack and His Orchestra (on 1944-12-13)
recording of:
This Heart of Mine (on 1944-12-13)
lyricist:
Arthur Freed
composer:
Harry Warren
3:07
19If Swing Goes, I Go Too
recorded in:
Los Angeles, California, United States (on 1944-12-13)
vocals:
Fred Astaire (on 1944-12-13)
orchestra:
Albert Sack and His Orchestra (on 1944-12-13)
recording of:
If Swing Goes, I Go Too (Outtake from “Ziegfeld Follies”, 1946) (on 1944-12-13)
lyricist:
Fred Astaire (in 1944)
composer:
Harry Warren (in 1944)
2:33

Credits

Release

liner notes:Jacques Lubin