| # | Title | Length |
|---|
| 1 | Every Day I Have the Blues- recorded at:
- Sankei Hall in Kōjimachi, Chiyoda, Tokyo, Japan (from 1971-03-04 until 1971-03-07)
- cover recording of:
- Everyday I Have the Blues (from 1971-03-04 until 1971-03-07)
- writer:
- Aaron ‘Pinetop’ Sparks (in 1935) and Milton Sparks (in 1935)
- revised by:
- Peter Chatman
- publisher:
- Arc Music, Arc Music Corp., BMG Platinum Songs, Fort Knox Music Co, Fort Knox Music Inc., Golden State Songs, Jewel Music Publishing Co. Ltd., Trio Music Co., Inc., Trio Music Company and Tristan Music Ltd.
| 2:10 |
| 2 | How Blue Can You Get? | 5:18 |
| 3 | Eyesight to the Blind | 4:04 |
| 4 | Niji Baby | 6:27 |
| 5 | You’re Still My Woman | 5:56 |
| 6 | Chains and Things | 5:42 |
| 7 | Sweet Sixteen | 6:01 |
| 8 | Hummingbird | 4:08 |
| 9 | Darlin’ You Know I Love You | 4:26 |
| 10 | Japanese Boogie | 9:18 |
| 11 | Jamming at Sankei Hall | 9:36 |
| 12 | The Thrill Is Gone- recorded at:
- Sankei Hall in Kōjimachi, Chiyoda, Tokyo, Japan (from 1971-03-04 until 1971-03-07)
- live recording of:
- The Thrill Is Gone (from 1971-03-04 until 1971-03-07)
- writer:
- Roy Hawkins (in 1951) and Rick Darnell (in 1951)
- publisher:
- BMG Music Publishing, Inc., Carlin Music Corporation, Grosvenor House Music, Modern Music Publishing Co., Inc., Pamco Music Inc., Powerforce Music, Sounds Of Lucille, Inc. and Universal Music Careers
| 5:37 |
| 13 | Hikari #88 | 7:57 |
