Banda Sonora Original

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

1. Dirty Dancing

2. Bagdad Cafe

3. Calles De Fuego

4. Elegir un Amor

5. El Silencio de Los Corderos

6. Pretty Woman

7. Regreso Al Futuro

8. Superdetective en Hollywood

9. Cowboy De Medianoche

10. American Graffiti

11. Memorias De Africa

12. Nueve Semanas y Media

13. El rey Pescador

14. The Commitments

15. Tomates Verdes Fritos

16. Armas De Mujer

17. Thelma y Louise

18. Tacones Lejanos

19. Lily Was Here

20. Oficial y Caballero

21. What a Wonderful World

Tracklist

1▼CD
#TitleArtistLength
1The Time of My Life
recording of:
(I’ve Had) The Time of My Life
lyricist:
Franke Previte
composer:
John DeNicola and Donald Markowitz
publisher:
ヤマハミュージックEH(CM) (ended), Calspen Music, Copyright Control, EMI April Music Inc., Marcu Music Company, Inc., R U Cyrius Publishing, Sony Music Publishing (Japan) Inc., Sony/ATV Tunes LLC, ソニー・ミュージックパブリッシング A事業部, フジパシフィックミュージック, Donald Jay Music, Ltd. (in 1987), Jemava Music Corp. (in 1987), Knockout Music Inc. (in 1987) and R.U. Cyrius Publishing (in 1987)
part of:
The 60th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1987 winner)
Bill Medley4:40
2Calling You
producer:
Levi Seacer, Jr.
harmonica:
Bruce Kurnow
vocals:
Jevetta Steele
arranger:
Levi Seacer, Jr.
recording of:
Calling You (in 1988)
lyricist and composer:
Bob Telson
publisher:
Boodle Music (in 1987)
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
The 61st Academy Award for Best Original Song (number: 2)
Jevetta Steele5:20
3I Can Dream About You
Don Hartman4:07
4Theme From Dying Young
recording of:
Dying Young Theme
composer:
James Newton Howard
publisher:
Fox Film Music Corp. and Fox Film Music Corporation
Kenny G4:00
5Main Title
Howard Shore5:05
6It Must Have Been Love
programming:
Clarence Öfwerman (from 1987 until 1990)
engineer:
Anders Herrlin and Alar Suurna
producer:
Clarence Öfwerman
mixer:
Humberto Gatica
drums (drum set):
Pelle Alsing (from 1987 until 1990)
electric guitar [electric guitars]:
Jonas Isacsson (from 1987 until 1990)
keyboard [keyboards] and synclavier:
Clarence Öfwerman (from 1987 until 1990)
vocals:
Marie Fredriksson (from 1987 until 1990) and Per Gessle (from 1987 until 1990)
phonographic copyright (℗) by:
EMI Svenska AB (in 1990) and Parlophone Music Sweden AB (in 1990)
recorded at:
Audio Sweden in Stockholm, Stockholms län, Sweden (from 1987 until 1990) and EMI Studios in Stockholm, Stockholms län, Sweden (from 1987 until 1990)
mixed at:
Ground Control Studios in Santa Monica, California, United States
part of:
Billboard: The 500 Best Pop Songs (number: 466)
recording of:
It Must Have Been Love (from 1987 until 1990)
lyricist and composer:
Per Håkan Gessle
publisher:
EMI Music Publishing Australia Pty Ltd, EMI Music Publishing Ltd. and Jimmy Fun Music
Roxette4:16
7Johnny B. Goode
producer:
Bones Howe
solo guitar:
Tim May
vocals:
Mark Campbell
cover recording of:
Johnny B. Goode
lyricist and composer:
Chuck Berry (in 1955)
publisher:
Arc Music, Arc Music Corp., Isalee Music, Jewel Music Publishing Co. Ltd. and ロックンロール ミュージック
part of:
Back to the Future: the Musical
Marty McFly with the Starlighters3:03
8Axel F
producer:
Harold Faltermeyer
phonographic copyright (℗) by:
MCA Records, Inc. and Geffen Records (in 1984)
mixed at:
The Record Plant in Hollywood, Los Angeles, California, United States
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 70)
recording of:
Axel F (Beverly Hills Cop)
composer:
Harold Faltermeyer
Harold Faltermeyer3:01
9Everybody’s Talkin’
phonographic copyright (℗) by:
BMG Music (in 1967)
earliest release:
Everybody’s Talkin’ by Nilsson
part of:
New York Post: 100 Greatest Covers (2007) (number: 51)
cover recording of:
Everybody’s Talkin’
lyricist and composer:
Fred Neil
publisher:
Carlin Music Corporation, Coconut Grove Music, Copyright Control, Third Palm Music and Third Story Music, Inc.
Nilsson2:43
10That’ll Be the Day
recording of:
That’ll Be the Day
writer:
Jerry Allison, Buddy Holly and Norman Petty
publisher:
MPL Communications Inc., Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music, Wren Music Co. and MPL Communications (in 1976)
Buddy Holly2:16
11I Had a Farm in Africa
engineer:
Nicholas Basich and Mike Novitch
producer:
John Barry
mixer:
Dan Wallin
conductor and performer:
John Barry
arranger:
John Barry
phonographic copyright (℗) by:
Geffen Records (in 1985)
recorded at:
The Record Plant, Studio M in Hollywood, Los Angeles, California, United States
recording of:
I Had a Farm in Africa (Out of Africa, main title)
composer:
John Barry
publisher:
MCA Music Ltd.
part of:
Out of Africa (soundtrack of the 1985 film)
John Barry3:10
12You Can Leave Your Hat On
engineer:
Brian Reeves
producer:
Richie Zito
mixer:
Rik Pekkonen
bass and synthesizer:
Arthur Barrow
guitar:
Richie Zito
horn:
Dick Hyde, Steve Madaio and Joel Peskin
membranophone:
Michael Baird
background vocals:
Maxine Sharp, Julia Waters and Maxine Waters
lead vocals:
Joe Cocker
recorded at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States
cover recording of:
You Can Leave Your Hat On
lyricist and composer:
Randy Newman
publisher:
Warner–Tamerlane Publishing Corp., WC Music Corp., Randy Newman (in 1972), Randy Newman Music (in 1972, in 1976) and WB Music Corp. (in 1972, in 1976)
recording of:
You Can Leave Your Hat On
lyricist and composer:
Randy Newman
publisher:
Warner–Tamerlane Publishing Corp., WC Music Corp., Randy Newman (in 1972), Randy Newman Music (in 1972, in 1976) and WB Music Corp. (in 1972, in 1976)
Joe Cocker4:13
13I’m Sorry
recording of:
I’m Sorry (Brenda Lee song, 1960)
writer:
Dub Albritton and Ronnie Self
publisher:
Songs of Universal
Brenda Lee2:41
14Mustang Sally
background vocals:
Angeline Ball, Maria Doyle Kennedy and Bronagh Gallagher
vocals:
Andrew Strong
phonographic copyright (℗) by:
Geffen Records (in 1991) and MCA Records, Inc. (in 1991)
cover recording of:
Mustang Sally
lyricist and composer:
Sir Mack Rice
publisher:
EMI Music Publishing Ltd., EMI Songs Australia Pty. Ltd., Fourteenth Hour Music, Inc., Springtime Music, Inc. and フジパシフィックミュージック SBK事業部
Andrew Strong4:00
15Cherish
Jodeci2:21
16Let the River Run
engineer:
Tim Leitner
producer:
Rob Mounsey and Carly Simon
mixer:
Frank Filipetti
drums (drum set) [drums]:
Mickey Curry
guitar:
Jimmy Ryan
keyboard [keyboards]:
Rob Mounsey
background vocals [background singers]:
Vivian Cherry, Frank Floyd, Gordon Grody, Lani Groves, Kasey Cisyk, Frank Simms, Vaneese Thomas and Kurt Yaghjian
lead vocals:
Carly Simon
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (in 1988)
recorded at and mixed at:
Hit Factory, NYC in Manhattan, New York, New York, United States
recording of:
Let the River Run
lyricist and composer:
Carly Simon
publisher:
C’est Music and TCF Music Publishing, Inc.
part of:
The 61st Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1988 winner)
Carly Simon3:40
17Part of Me, Part of You
recording of:
Part of Me, Part of You
writer:
Glenn Frey and Jack Tempchin
Glenn Frey4:16
18Piensa en mi
cover recording of:
Piensa en mí
writer:
Agustín Lara (in 1935) and María Teresa Lara (in 1935)
Luz Casal4:27
19Lily Was Here
guest saxophone:
Candy Dulfer
recording of:
Lily Was Here
composer:
David A. Stewart
publisher:
BMG Music Publishing Ltd. and Eligible Music Ltd.
Dave Stewart feat. Candy Dulfer4:09
20Up Where We Belong
producer:
Stewart Levine
drums (drum set):
Leon Ndugu Chancler
guitar:
Louie Shelton
keyboard:
Robbie Buchanan and Bobby Lyle
percussion:
Paulinho da Costa
lead vocals:
Joe Cocker and Jennifer Warnes
phonographic copyright (℗) by:
Island Records, Inc. (in 1982) and The Island Def Jam Music Group (in 1982)
recording of:
Up Where We Belong (An Officer and a Gentleman)
lyricist:
Will Jennings
composer:
Jack Nitzsche and Buffy Sainte‐Marie
publisher:
Copyright Control, Ensign Music Corporation, Famous Chappell and Famous Music Corporation
part of:
The 55th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1982 winner)
Joe Cocker3:52
21What a Wonderful World
recorded in:
New York, United States (on 1967-08-16)
engineer:
Eddie Brackett and Bob Simpson
producer:
Bob Thiele
alto saxophone:
Sam Marowitz (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
baritone saxophone:
Raymond Stanfield (on 1967-08-16)
clarinet:
Sam Marowitz (on 1967-08-16) and Jerome Richardson (on 1967-08-16)
double bass:
Russ Savakus (on 1967-08-16)
drums (drum set):
Grady Tate (on 1967-08-16)
flute:
Sam Marowitz (on 1967-08-16), Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
guitar:
Allen Hanlon (on 1967-08-16), Art Ryerson (on 1967-08-16) and Willard Suyker (on 1967-08-16)
percussion:
Warren Hard (on 1967-08-16)
piano:
Hank Jones (on 1967-08-16)
tenor saxophone:
Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
trombone:
Urbie Green (on 1967-08-16) and J.J. Johnson (on 1967-08-16)
trumpet:
Louis Armstrong (on 1967-08-16), Clark Terry (on 1967-08-16) and Joe Wilder (on 1967-08-16)
lead vocals:
Louis Armstrong (on 1967-08-16)
orchestra:
Louis Armstrong’s Orchestra and Chorus (on 1967-08-16)
conductor and chorus master:
Tommy Goodman (on 1967-08-16)
phonographic copyright (℗) by:
MCA Records, Inc. (in 1968)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 171) and Billboard: The 500 Best Pop Songs (number: 283)
recording of:
What a Wonderful World (on 1967-08-16)
writer:
George Douglas and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control, Memory Lane Music, Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc., ヤマハミュージックエンタテインメントホールディングス, ワーナー・チャペル音楽出版 Synch事業部, フジパシフィック音楽出版 (until 2014-12-31) and フジパシフィックミュージック (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
Louis Armstrong2:17