Die kompletten Werke, Volume 13: Kantaten, BWV 161-175

~ Release by Johann Sebastian Bach; Helmuth Rilling (see all versions of this release, 43 available)

Annotation

CD1 Aufnahme: Gedächtniskirche Stuttgart. Dezember 1975, März/Mai 1976 (BWV 162); September 1976, Januar/April 1977 (BWV 163); November 1981, Oktober 1982 (BWV 164)
CD2 Aufnahme: Gedächtniskirche Stuttgart. Dezember 1975, April/Mai 1976 (BWV 165); September 1978 (BWV 166); Januar/Februar 1974 (BWV 167); Juni/Juli 1970 (BWV 168)
CD3 Aufnahme: Gedächtniskirche Stuttgart. Juni 1983 (BWV 169); Oktober 1982 (BWV 170); Juni/September 1983 (BWV 171)
CD4 Aufnahme: Gedächtniskirche Stuttgart. März/April 1975 (BWV 172); September 1976, Januar/April 1977 (BWV 173); Februar/Juli 1984 (BWV 174); Mai/November 1981 (BWV 175)

Tracklist

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1▼CD: BWV 161-164
#	Title	Artist	Length
1	Kantate, BWV 161 "Komm, du süße Todesstunde": I. Aria (Alt) "Komm, du süße Todesstunde" alto vocals: Hildegard Laurich orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-12 until 1976-05) recording of: Kantate, BWV 161 "Komm, du süße Todesstunde": I. Aria (Alt) "Komm, du süße Todesstunde" (from 1975-12 until 1976-05) premiered in: Weimar, Thüringen, Germany (on 1716-09-27) composer: Johann Sebastian Bach (in 1715) librettist: Salomon Franck part of: Kantate, BWV 161 "Komm, du süße Todesstunde"	Johann Sebastian Bach	5:11
2	Kantate, BWV 161 "Komm, du süße Todesstunde": II. Recitativo (Tenor) "Welt! deine Lust ist Last" tenor vocals: Adalbert Kraus orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-12 until 1976-05) recording of: Kantate, BWV 161 "Komm, du süße Todesstunde": II. Recitativo (Tenor) "Welt! deine Lust ist Last" (from 1975-12 until 1976-05) premiered in: Weimar, Thüringen, Germany (on 1716-09-27) composer: Johann Sebastian Bach (in 1715) librettist: Salomon Franck part of: Kantate, BWV 161 "Komm, du süße Todesstunde"	Johann Sebastian Bach	2:05
3	Kantate, BWV 161 "Komm, du süße Todesstunde": III. Aria (Tenor) "Mein Verlangen ist, den Heiland zu umfangen" tenor vocals: Adalbert Kraus orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-12 until 1976-05) recording of: Kantate, BWV 161 "Komm, du süße Todesstunde": III. Aria (Tenor) "Mein Verlangen ist, den Heiland zu umfangen" (from 1975-12 until 1976-05) premiered in: Weimar, Thüringen, Germany (on 1716-09-27) composer: Johann Sebastian Bach (in 1715) librettist: Salomon Franck part of: Kantate, BWV 161 "Komm, du süße Todesstunde"	Johann Sebastian Bach	4:49
4	Kantate, BWV 161 "Komm, du süße Todesstunde": IV. Recitativo (Alt) "Der Schluß ist schon gemacht" alto vocals: Hildegard Laurich orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-12 until 1976-05) recording of: Kantate, BWV 161 "Komm, du süße Todesstunde": IV. Recitativo (Alt) "Der Schluß ist schon gemacht" (from 1975-12 until 1976-05) premiered in: Weimar, Thüringen, Germany (on 1716-09-27) composer: Johann Sebastian Bach (in 1715) librettist: Salomon Franck part of: Kantate, BWV 161 "Komm, du süße Todesstunde"	Johann Sebastian Bach	3:04
5	Kantate, BWV 161 "Komm, du süße Todesstunde": V. Coro "Wenn es meines Gottes Wille" choir vocals: Frankfurter Kantorei orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-12 until 1976-05) recording of: Kantate, BWV 161 "Komm, du süße Todesstunde": V. Coro "Wenn es meines Gottes Wille" (from 1975-12 until 1976-05) premiered in: Weimar, Thüringen, Germany (on 1716-09-27) composer: Johann Sebastian Bach (in 1715) librettist: Salomon Franck part of: Kantate, BWV 161 "Komm, du süße Todesstunde"	Johann Sebastian Bach	4:07
6	Kantate, BWV 161 "Komm, du süße Todesstunde": VI. Choral "Der Leib zwar in der Erden" choir vocals: Frankfurter Kantorei orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-12 until 1976-05) recording of: Kantate, BWV 161 "Komm, du süße Todesstunde": VI. Choral "Der Leib zwar in der Erden" (from 1975-12 until 1976-05) premiered in: Weimar, Thüringen, Germany (on 1716-09-27) composer: Johann Sebastian Bach (in 1715) librettist: Christoph Knoll part of: Breitkopf 389 Choralgesänge (number: 161) part of: Kantate, BWV 161 "Komm, du süße Todesstunde"	Johann Sebastian Bach	1:20
7	Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": I. Aria (Bass) "Ach! ich sehe, itzt, da ich zur Hochzeit gehe" bass vocals: Wolfgang Schöne orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-12 until 1976-05) recording of: Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": I. Aria (Bass) "Ach! ich sehe, itzt, da ich zur Hochzeit gehe" (from 1975-12 until 1976-05) premiered in: Weimar, Thüringen, Germany (on 1716-10-25) composer: Johann Sebastian Bach (from 1715 until 1716) librettist: Salomon Franck (in 1715) part of: Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"	Johann Sebastian Bach	3:52
8	Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": II. Recitativo (Tenor) "O großes Hochzeitsfest" tenor vocals: Kurt Equiluz orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-12 until 1976-05) recording of: Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": II. Recitativo (Tenor) "O großes Hochzeitsfest" (from 1975-12 until 1976-05) premiered in: Weimar, Thüringen, Germany (on 1716-10-25) composer: Johann Sebastian Bach (from 1715 until 1716) librettist: Salomon Franck (in 1715) part of: Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"	Johann Sebastian Bach	1:44
9	Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": III. Aria (Sopran) "Jesu, Brunnquell aller Gnaden" soprano vocals: Arleen Augér orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-12 until 1976-05) recording of: Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": III. Aria (Sopran) "Jesu, Brunnquell aller Gnaden" (from 1975-12 until 1976-05) premiered in: Weimar, Thüringen, Germany (on 1716-10-25) composer: Johann Sebastian Bach (from 1715 until 1716) librettist: Salomon Franck (in 1715) part of: Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"	Johann Sebastian Bach	3:26
10	Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": IV. Recitativo (Alt) "Mein Jesu, laß mich nicht" alto vocals: Alyce Rogers orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-12 until 1976-05) recording of: Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": IV. Recitativo (Alt) "Mein Jesu, laß mich nicht" (from 1975-12 until 1976-05) premiered in: Weimar, Thüringen, Germany (on 1716-10-25) composer: Johann Sebastian Bach (from 1715 until 1716) librettist: Salomon Franck (in 1715) part of: Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"	Johann Sebastian Bach	1:51
11	Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": V. Aria (Duetto Alt, Tenor) "In meinem Gott bin ich erfreut" alto vocals: Alyce Rogers tenor vocals: Kurt Equiluz orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-12 until 1976-05) recording of: Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": V. Aria (Duetto Alt, Tenor) "In meinem Gott bin ich erfreut" (from 1975-12 until 1976-05) premiered in: Weimar, Thüringen, Germany (on 1716-10-25) composer: Johann Sebastian Bach (from 1715 until 1716) librettist: Salomon Franck (in 1715) part of: Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"	Johann Sebastian Bach	4:36
12	Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": VI. Choral "Ach, ich habe schon erblicket" choir vocals: Frankfurter Kantorei orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-12 until 1976-05) recording of: Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": VI. Choral "Ach, ich habe schon erblicket" (from 1975-12 until 1976-05) premiered in: Weimar, Thüringen, Germany (on 1716-10-25) composer: Johann Sebastian Bach (from 1715 until 1716) librettist: Johann Rosenmüller (in 1652) part of: Breitkopf 389 Choralgesänge (number: 18) part of: Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"	Johann Sebastian Bach	1:07
13	Kantate, BWV 163 "Nur jedem das Seine": I. Aria (Tenor) "Nur jedem das Seine" tenor vocals: Adalbert Kraus orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-04) recording of: Kantate, BWV 163 "Nur jedem das Seine": I. Aria (Tenor) "Nur jedem das Seine" (from 1976-09 until 1977-04) premiered in: Weimar, Thüringen, Germany (on 1715-11-24) composer: Johann Sebastian Bach (in 1715) librettist: Salomon Franck (in 1715) part of: Kantate, BWV 163 "Nur jedem das Seine"	Johann Sebastian Bach	4:34
14	Kantate, BWV 163 "Nur jedem das Seine": II. Recitativo (Bass) "Du bist, mein Gott, der Geber aller Gaben" bass vocals: Niklaus Tuller orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-04) recording of: Kantate, BWV 163 "Nur jedem das Seine": II. Recitativo (Bass) "Du bist, mein Gott, der Geber aller Gaben" (from 1976-09 until 1977-04) premiered in: Weimar, Thüringen, Germany (on 1715-11-24) composer: Johann Sebastian Bach (in 1715) librettist: Salomon Franck (in 1715) part of: Kantate, BWV 163 "Nur jedem das Seine"	Johann Sebastian Bach	1:38
15	Kantate, BWV 163 "Nur jedem das Seine": III. Aria (Bass) "Laß mein Herz die Münze sein" bass vocals: Niklaus Tuller orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-04) recording of: Kantate, BWV 163 "Nur jedem das Seine": III. Aria (Bass) "Laß mein Herz die Münze sein" (from 1976-09 until 1977-04) composer: Johann Sebastian Bach (in 1715) part of: Kantate, BWV 163 "Nur jedem das Seine"	Johann Sebastian Bach	3:40
16	Kantate, BWV 163 "Nur jedem das Seine": IV. Recitativo (Sopran, Alt) "Ich wollte dir, o Gott, das Herze" alto vocals: Helen Watts soprano vocals: Arleen Augér orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-04) recording of: Kantate, BWV 163 "Nur jedem das Seine": IV. Recitativo (Sopran, Alt) "Ich wollte dir, o Gott, das Herze" (from 1976-09 until 1977-04) premiered in: Weimar, Thüringen, Germany (on 1715-11-24) composer: Johann Sebastian Bach (in 1715) librettist: Salomon Franck (in 1715) part of: Kantate, BWV 163 "Nur jedem das Seine"	Johann Sebastian Bach	3:07
17	Kantate, BWV 163 "Nur jedem das Seine": V. Aria (Duetto Sopran, Alt) "Nimm mich mir und gib mich dir!" alto vocals: Helen Watts soprano vocals: Arleen Augér orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-04) recording of: Kantate, BWV 163 "Nur jedem das Seine": V. Aria (Duetto Sopran, Alt) "Nimm mich mir und gib mich dir!" (from 1976-09 until 1977-04) premiered in: Weimar, Thüringen, Germany (on 1715-11-24) composer: Johann Sebastian Bach (in 1715) librettist: Salomon Franck (in 1715) part of: Kantate, BWV 163 "Nur jedem das Seine"	Johann Sebastian Bach	3:01
18	Kantate, BWV 163 "Nur jedem das Seine": VI. Choral "Führ auch mein Herz und Sinn" choir vocals: Gächinger Kantorei Stuttgart orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-04) recording of: Kantate, BWV 163 "Nur jedem das Seine": VI. Choral "Führ auch mein Herz und Sinn" (from 1976-09 until 1977-04) premiered in: Weimar, Thüringen, Germany (on 1715-11-24) composer: Johann Sebastian Bach (in 1715) librettist: Johann Heermann (in 1630) part of: Kantate, BWV 163 "Nur jedem das Seine"	Johann Sebastian Bach	0:51
19	Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet": I. Aria (Tenor) "Ihr, die ihr euch von Christo nennet" tenor vocals: Lutz-Michael Harder orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-11 until 1982-10) recording of: Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet": I. Aria (Tenor) "Ihr, die ihr euch von Christo nennet" (from 1981-11 until 1982-10) premiered in: Leipzig, Sachsen, Germany (on 1725-08-26) composer: Johann Sebastian Bach (in 1725) librettist: Salomon Franck (in 1715) part of: Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet"	Johann Sebastian Bach	4:31
20	Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet": II. Recitativo (Bass) "Wir hören zwar, was selbst die Liebe spricht" bass vocals: Walter Heldwein orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-11 until 1982-10) recording of: Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet": II. Recitativo (Bass) "Wir hören zwar, was selbst die Liebe spricht" (from 1981-11 until 1982-10) premiered in: Leipzig, Sachsen, Germany (on 1725-08-26) composer: Johann Sebastian Bach (in 1725) librettist: Salomon Franck (in 1715) part of: Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet"	Johann Sebastian Bach	2:02
21	Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet": III. Aria (Alt) "Nur durch Lieb und durch Erbarmen" alto vocals: Júlia Hamari orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-11 until 1982-10) recording of: Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet": III. Aria (Alt) "Nur durch Lieb und durch Erbarmen" (from 1981-11 until 1982-10) premiered in: Leipzig, Sachsen, Germany (on 1725-08-26) composer: Johann Sebastian Bach (in 1725) librettist: Salomon Franck (in 1715) part of: Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet"	Johann Sebastian Bach	4:05
22	Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet": IV. Recitativo (Tenor) "Ach, schmelze doch dein Liebesstrahl" tenor vocals: Lutz-Michael Harder orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-11 until 1982-10) recording of: Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet": IV. Recitativo (Tenor) "Ach, schmelze doch dein Liebesstrahl" (from 1981-11 until 1982-10) premiered in: Leipzig, Sachsen, Germany (on 1725-08-26) composer: Johann Sebastian Bach (in 1725) librettist: Salomon Franck (in 1715) part of: Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet"	Johann Sebastian Bach	1:33
23	Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet": V. Aria (Duetto Sopran, Bass) "Händen, die sich nicht verschließen" soprano vocals: Edith Wiens vocals: Walter Heldwein orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-11 until 1982-10) recording of: Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet": V. Aria (Duetto Sopran, Bass) "Händen, die sich nicht verschließen" (from 1981-11 until 1982-10) premiered in: Leipzig, Sachsen, Germany (on 1725-08-26) composer: Johann Sebastian Bach (in 1725) librettist: Salomon Franck (in 1715) part of: Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet"	Johann Sebastian Bach	4:32
24	Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet": VI. Choral "Ertöt uns durch deine Güte" choir vocals: Gächinger Kantorei Stuttgart orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-11 until 1982-10) recording of: Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet": VI. Choral "Ertöt uns durch deine Güte" (from 1981-11 until 1982-10) premiered in: Leipzig, Sachsen, Germany (on 1725-08-26) composer: Johann Sebastian Bach (in 1725) librettist: Elisabeth Creuziger (in 1524) part of: Breitkopf 389 Choralgesänge (number: 127) part of: Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet"	Johann Sebastian Bach	1:10

2▼CD: BWV 165-168
#	Title	Artist	Length
1	Kantate, BWV 165 "O heilges Geist- und Wasserbad": I. Aria (Sopran) "O heilges Geist- und Wasserbad" soprano vocals: Arleen Augér orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-12 until 1976-05) recording of: Kantate, BWV 165 "O heilges Geist- und Wasserbad": I. Aria (Sopran) "O heilges Geist- und Wasserbad" (from 1975-12 until 1976-05) premiered in: Weimar, Thüringen, Germany (on 1715-06-16) composer: Johann Sebastian Bach (in 1715) librettist: Salomon Franck (in 1715) part of: Kantate, BWV 165 "O heilges Geist- und Wasserbad"	Johann Sebastian Bach	3:45
2	Kantate, BWV 165 "O heilges Geist- und Wasserbad": II. Recitativo (Bass) "Die sündige Geburt verdammter Adamserben" bass vocals: Wolfgang Schöne orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-12 until 1976-05) recording of: Kantate, BWV 165 "O heilges Geist- und Wasserbad": II. Recitativo (Bass) "Die sündige Geburt verdammter Adamserben" (from 1975-12 until 1976-05) premiered in: Weimar, Thüringen, Germany (on 1715-06-16) composer: Johann Sebastian Bach (in 1715) librettist: Salomon Franck (in 1715) part of: Kantate, BWV 165 "O heilges Geist- und Wasserbad"	Johann Sebastian Bach	1:36
3	Kantate, BWV 165 "O heilges Geist- und Wasserbad": III. Aria (Alt) "Jesu, der aus großer Liebe" alto vocals: Alyce Rogers orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-12 until 1976-05) recording of: Kantate, BWV 165 "O heilges Geist- und Wasserbad": III. Aria (Alt) "Jesu, der aus großer Liebe" (from 1975-12 until 1976-05) premiered in: Weimar, Thüringen, Germany (on 1715-06-16) composer: Johann Sebastian Bach (in 1715) librettist: Salomon Franck (in 1715) part of: Kantate, BWV 165 "O heilges Geist- und Wasserbad"	Johann Sebastian Bach	2:04
4	Kantate, BWV 165 "O heilges Geist- und Wasserbad": IV. Recitativo (Bass) "Ich habe ja, mein Seelenbräutigam" bass vocals: Wolfgang Schöne orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-12 until 1976-05) recording of: Kantate, BWV 165 "O heilges Geist- und Wasserbad": IV. Recitativo (Bass) "Ich habe ja, mein Seelenbräutigam" (from 1975-12 until 1976-05) premiered in: Weimar, Thüringen, Germany (on 1715-06-16) composer: Johann Sebastian Bach (in 1715) librettist: Salomon Franck (in 1715) part of: Kantate, BWV 165 "O heilges Geist- und Wasserbad"	Johann Sebastian Bach	2:14
5	Kantate, BWV 165 "O heilges Geist- und Wasserbad": V. Aria (Tenor) "Jesu, meines Todes Tod" tenor vocals: Kurt Equiluz orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-12 until 1976-05) recording of: Kantate, BWV 165 "O heilges Geist- und Wasserbad": V. Aria (Tenor) "Jesu, meines Todes Tod" (from 1975-12 until 1976-05) premiered in: Weimar, Thüringen, Germany (on 1715-06-16) composer: Johann Sebastian Bach (in 1715) librettist: Salomon Franck (in 1715) part of: Kantate, BWV 165 "O heilges Geist- und Wasserbad"	Johann Sebastian Bach	2:39
6	Kantate, BWV 165 "O heilges Geist- und Wasserbad": VI. Choral "Sein Wort, sein Tauf, sein Nachtmahl" choir vocals: Frankfurter Kantorei orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-12 until 1976-05) recording of: Kantate, BWV 165 "O heilges Geist- und Wasserbad": VI. Choral "Sein Wort, sein Tauf, sein Nachtmahl" (from 1975-12 until 1976-05) premiered in: Weimar, Thüringen, Germany (on 1715-06-16) composer: Johann Sebastian Bach (in 1715) librettist: Ludwig Helmbold (in 1575) part of: Breitkopf 389 Choralgesänge (number: 266) part of: Kantate, BWV 165 "O heilges Geist- und Wasserbad"	Johann Sebastian Bach	0:43
7	Kantate, BWV 166 "Wo gehest du hin": I. Aria (Bass) "Wo gehst du hin?" bass vocals: Wolfgang Schöne orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09) recording of: Kantate, BWV 166 "Wo gehest du hin": I. Aria (Bass) "Wo gehst du hin?" (in 1978-09) premiered in: Leipzig, Sachsen, Germany (on 1724-05-07) composer: Johann Sebastian Bach (in 1724) part of: Kantate, BWV 166 "Wo gehest du hin"	Johann Sebastian Bach	1:58
8	Kantate, BWV 166 "Wo gehest du hin": II. Aria (Tenor) "Ich will an den Himmel denken" vocals: Aldo Baldin orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09) recording of: Kantate, BWV 166 "Wo gehest du hin": II. Aria (Tenor) "Ich will an den Himmel denken" (in 1978-09) premiered in: Leipzig, Sachsen, Germany (on 1724-05-07) composer: Johann Sebastian Bach (in 1724) librettist: [anonymous] part of: Kantate, BWV 166 "Wo gehest du hin"	Johann Sebastian Bach	6:05
9	Kantate, BWV 166 "Wo gehest du hin": III. Choral (Coro Sopran) "Ich bitte dich, Herr Jesu Christ" soprano vocals: Gächinger Kantorei Stuttgart orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09) recording of: Kantate, BWV 166 "Wo gehest du hin": III. Choral (Coro Sopran) "Ich bitte dich, Herr Jesu Christ" (in 1978-09) premiered in: Leipzig, Sachsen, Germany (on 1724-05-07) composer: Johann Sebastian Bach (in 1724) librettist: Bartholomäus Ringwaldt (in 1582) part of: Kantate, BWV 166 "Wo gehest du hin"	Johann Sebastian Bach	3:16
10	Kantate, BWV 166 "Wo gehest du hin": IV. Recitativo (Bass) "Gleichwie die Regenwasser bald verfließen" bass vocals: Wolfgang Schöne orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09) recording of: Kantate, BWV 166 "Wo gehest du hin": IV. Recitativo (Bass) "Gleichwie die Regenwasser bald verfließen" (in 1978-09) premiered in: Leipzig, Sachsen, Germany (on 1724-05-07) composer: Johann Sebastian Bach (in 1724) librettist: [anonymous] part of: Kantate, BWV 166 "Wo gehest du hin"	Johann Sebastian Bach	0:58
11	Kantate, BWV 166 "Wo gehest du hin": V. Aria (Alt) "Man nehme sich in acht" alto vocals: Helen Watts orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09) recording of: Kantate, BWV 166 "Wo gehest du hin": V. Aria (Alt) "Man nehme sich in acht" (in 1978-09) premiered in: Leipzig, Sachsen, Germany (on 1724-05-07) composer: Johann Sebastian Bach (in 1724) librettist: [anonymous] part of: Kantate, BWV 166 "Wo gehest du hin"	Johann Sebastian Bach	3:28
12	Kantate, BWV 166 "Wo gehest du hin": VI. Choral "Wer weiß, wie nahe mir mein Ende" choir vocals: Gächinger Kantorei Stuttgart orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09) recording of: Kantate, BWV 166 "Wo gehest du hin": VI. Choral "Wer weiß, wie nahe mir mein Ende" (in 1978-09) premiered in: Leipzig, Sachsen, Germany (on 1724-05-07) composer: Johann Sebastian Bach (in 1724) librettist: Ämilie Juliane von Schwarzburg-Rudolstadt (in 1686) part of: Breitkopf 389 Choralgesänge (number: 372) part of: Kantate, BWV 166 "Wo gehest du hin"	Johann Sebastian Bach	0:58
13	Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe": I. Aria (Tenor) "Ihr Menschen, rühmet Gottes Liebe" tenor vocals: Adalbert Kraus orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02) recording of: Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe": I. Aria (Tenor) "Ihr Menschen, rühmet Gottes Liebe" (from 1974-01 until 1974-02) premiered in: Leipzig, Sachsen, Germany (on 1723-06-24) composer: Johann Sebastian Bach (in 1723) librettist: [anonymous] part of: Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe"	Johann Sebastian Bach	4:29
14	Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe": II. Recitativo (Alt) "Gelobet sei der Herr Gott Israel" alto vocals: Helrun Gardow orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02) recording of: Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe": II. Recitativo (Alt) "Gelobet sei der Herr Gott Israel" (from 1974-01 until 1974-02) premiered in: Leipzig, Sachsen, Germany (on 1723-06-24) composer: Johann Sebastian Bach (in 1723) librettist: [anonymous] part of: Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe"	Johann Sebastian Bach	1:59
15	Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe": III. Aria (Duetto Sopran, Alt) "Gottes Wort, das trüget nicht" alto vocals: Helrun Gardow soprano vocals: Kathrin Graf orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02) recording of: Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe": III. Aria (Duetto Sopran, Alt) "Gottes Wort, das trüget nicht" (from 1974-01 until 1974-02) premiered in: Leipzig, Sachsen, Germany (on 1723-06-24) composer: Johann Sebastian Bach (in 1723) librettist: [anonymous] part of: Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe"	Johann Sebastian Bach	6:44
16	Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe": IV. Recitativo (Bass) "Des Weibes Samen kam" bass vocals: Niklaus Tuller orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02) recording of: Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe": IV. Recitativo (Bass) "Des Weibes Samen kam" (from 1974-01 until 1974-02) premiered in: Leipzig, Sachsen, Germany (on 1723-06-24) composer: Johann Sebastian Bach (in 1723) librettist: [anonymous] part of: Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe"	Johann Sebastian Bach	1:29
17	Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe": V. Choral "Sei Lob und Preis mit Ehren" choir vocals: Figuralchor der Gedächtniskirche Stuttgart orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02) recording of: Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe": V. Choral "Sei Lob und Preis mit Ehren" (from 1974-01 until 1974-02) premiered in: Leipzig, Sachsen, Germany (on 1723-06-24) composer: Johann Sebastian Bach (in 1723) librettist: Johann Gramann (in 1530) part of: Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe"	Johann Sebastian Bach	3:20
18	Kantate, BWV 168 "Tue Rechnung! Donnerwort": I. Aria (Bass) "Tue Rechnung, Donnerwort" bass vocals: Siegmund Nimsgern orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07) recording of: Kantate, BWV 168 "Tue Rechnung! Donnerwort": I. Aria (Bass) "Tue Rechnung, Donnerwort" (from 1970-06 until 1970-07) premiered in: Leipzig, Sachsen, Germany (on 1725-07-29) composer: Johann Sebastian Bach (in 1725) librettist: Salomon Franck (in 1715) part of: Kantate, BWV 168 "Tue Rechnung! Donnerwort"	Johann Sebastian Bach	4:04
19	Kantate, BWV 168 "Tue Rechnung! Donnerwort": II. Recitativo (Tenor) "Es ist nur fremdes Gut" tenor vocals: Theo Altmeyer orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07) recording of: Kantate, BWV 168 "Tue Rechnung! Donnerwort": II. Recitativo (Tenor) "Es ist nur fremdes Gut" (from 1970-06 until 1970-07) premiered in: Leipzig, Sachsen, Germany (on 1725-07-29) composer: Johann Sebastian Bach (in 1725) librettist: Salomon Franck (in 1715) part of: Kantate, BWV 168 "Tue Rechnung! Donnerwort"	Johann Sebastian Bach	2:13
20	Kantate, BWV 168 "Tue Rechnung! Donnerwort": III. Aria (Tenor) "Kapital und Interessen" tenor vocals: Theo Altmeyer orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07) recording of: Kantate, BWV 168 "Tue Rechnung! Donnerwort": III. Aria (Tenor) "Kapital und Interessen" (from 1970-06 until 1970-07) premiered in: Leipzig, Sachsen, Germany (on 1725-07-29) composer: Johann Sebastian Bach (in 1725) librettist: Salomon Franck (in 1715) part of: Kantate, BWV 168 "Tue Rechnung! Donnerwort"	Johann Sebastian Bach	3:55
21	Kantate, BWV 168 "Tue Rechnung! Donnerwort": IV. Recitativo (Bass) "Jedoch, erschrocknes Herz" bass vocals: Siegmund Nimsgern orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07) recording of: Kantate, BWV 168 "Tue Rechnung! Donnerwort": IV. Recitativo (Bass) "Jedoch, erschrocknes Herz" (from 1970-06 until 1970-07) premiered in: Leipzig, Sachsen, Germany (on 1725-07-29) composer: Johann Sebastian Bach (in 1725) librettist: Salomon Franck (in 1715) part of: Kantate, BWV 168 "Tue Rechnung! Donnerwort"	Johann Sebastian Bach	2:03
22	Kantate, BWV 168 "Tue Rechnung! Donnerwort": V. Aria (Sopran, Alt) "Herz, zerreiß des Mammons Kette" alto vocals: Verena Gohl soprano vocals: Nancy Burns orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07) recording of: Kantate, BWV 168 "Tue Rechnung! Donnerwort": V. Aria (Sopran, Alt) "Herz, zerreiß des Mammons Kette" (from 1970-06 until 1970-07) premiered in: Leipzig, Sachsen, Germany (on 1725-07-29) composer: Johann Sebastian Bach (in 1725) librettist: Salomon Franck (in 1715) part of: Kantate, BWV 168 "Tue Rechnung! Donnerwort"	Johann Sebastian Bach	2:56
23	Kantate, BWV 168 "Tue Rechnung! Donnerwort": VI. Choral "Stärk mich mit deinem Freudengeist" choir vocals: Gächinger Kantorei Stuttgart orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07) recording of: Kantate, BWV 168 "Tue Rechnung! Donnerwort": VI. Choral "Stärk mich mit deinem Freudengeist" (from 1970-06 until 1970-07) premiered in: Leipzig, Sachsen, Germany (on 1725-07-29) composer: Johann Sebastian Bach (in 1725) librettist: Bartholomäus Ringwaldt (in 1588) part of: Breitkopf 389 Choralgesänge (number: 143) part of: Kantate, BWV 168 "Tue Rechnung! Donnerwort"	Johann Sebastian Bach	1:17

3▼CD: BWV 169-171
#	Title	Artist	Length
1	Kantate, BWV 169 "Gott soll allein mein Herze haben": I. Sinfonia orchestra: Württembergisches Kammerorchester Heilbronn conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1983-06) recording of: Kantate, BWV 169 "Gott soll allein mein Herze haben": I. Sinfonia (in 1983-06) premiered in: Leipzig, Sachsen, Germany (on 1726-10-26) composer: Johann Sebastian Bach (in 1726) part of: Kantate, BWV 169 "Gott soll allein mein Herze haben"	Johann Sebastian Bach	7:40
2	Kantate, BWV 169 "Gott soll allein mein Herze haben": II. Arioso (Alt) "Gott soll allein mein Herze haben" alto vocals: Carolyn Watkinson orchestra: Württembergisches Kammerorchester Heilbronn conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1983-06) recording of: Kantate, BWV 169 "Gott soll allein mein Herze haben": II. Arioso (Alt) "Gott soll allein mein Herze haben" (in 1983-06) premiered in: Leipzig, Sachsen, Germany (on 1726-10-26) composer: Johann Sebastian Bach (in 1726) librettist: [anonymous] part of: Kantate, BWV 169 "Gott soll allein mein Herze haben"	Johann Sebastian Bach	2:35
3	Kantate, BWV 169 "Gott soll allein mein Herze haben": III. Aria (Alt) "Gott soll allein mein Herze haben" alto vocals: Carolyn Watkinson orchestra: Württembergisches Kammerorchester Heilbronn conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1983-06) recording of: Kantate, BWV 169 "Gott soll allein mein Herze haben": III. Aria (Alt) "Gott soll allein mein Herze haben" (in 1983-06) premiered in: Leipzig, Sachsen, Germany (on 1726-10-26) composer: Johann Sebastian Bach (in 1726) librettist: [anonymous] part of: Kantate, BWV 169 "Gott soll allein mein Herze haben"	Johann Sebastian Bach	5:08
4	Kantate, BWV 169 "Gott soll allein mein Herze haben": IV. Recitativo (Alt) "Was ist die Liebe Gottes?" alto vocals: Carolyn Watkinson orchestra: Württembergisches Kammerorchester Heilbronn conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1983-06) recording of: Kantate, BWV 169 "Gott soll allein mein Herze haben": IV. Recitativo (Alt) "Was ist die Liebe Gottes?" (in 1983-06) premiered in: Leipzig, Sachsen, Germany (on 1726-10-26) composer: Johann Sebastian Bach (in 1726) librettist: [anonymous] part of: Kantate, BWV 169 "Gott soll allein mein Herze haben"	Johann Sebastian Bach	1:05
5	Kantate, BWV 169 "Gott soll allein mein Herze haben": V. Aria (Alt) "Stirb in mir, Welt" alto vocals: Carolyn Watkinson orchestra: Württembergisches Kammerorchester Heilbronn conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1983-06) recording of: Kantate, BWV 169 "Gott soll allein mein Herze haben": V. Aria (Alt) "Stirb in mir, Welt" (in 1983-06) premiered in: Leipzig, Sachsen, Germany (on 1726-10-26) composer: Johann Sebastian Bach (in 1726) librettist: [anonymous] part of: Kantate, BWV 169 "Gott soll allein mein Herze haben"	Johann Sebastian Bach	5:31
6	Kantate, BWV 169 "Gott soll allein mein Herze haben": VI. Recitativo (Alt) "Doch meint es auch dabei" alto vocals: Carolyn Watkinson orchestra: Württembergisches Kammerorchester Heilbronn conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1983-06) recording of: Kantate, BWV 169 "Gott soll allein mein Herze haben": VI. Recitativo (Alt) "Doch meint es auch dabei" (in 1983-06) premiered in: Leipzig, Sachsen, Germany (on 1726-10-26) composer: Johann Sebastian Bach (in 1726) librettist: [anonymous] part of: Kantate, BWV 169 "Gott soll allein mein Herze haben"	Johann Sebastian Bach	0:29
7	Kantate, BWV 169 "Gott soll allein mein Herze haben": VII. Choral "Du süße Liebe, schenk uns deine Gunst" choir vocals: Gächinger Kantorei Stuttgart orchestra: Württembergisches Kammerorchester Heilbronn conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1983-06) recording of: Kantate, BWV 169 "Gott soll allein mein Herze haben": VII. Choral "Du süße Liebe, schenk uns deine Gunst" (in 1983-06) premiered in: Leipzig, Sachsen, Germany (on 1726-10-26) composer: Johann Sebastian Bach (in 1726) librettist: Martin Luther (in 1524) part of: Breitkopf 389 Choralgesänge (number: 256) part of: Kantate, BWV 169 "Gott soll allein mein Herze haben"	Johann Sebastian Bach	1:07
8	Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": I. Aria (Alt) "Vergnügte Ruh! beliebte Seelenlust!" vocals: Júlia Hamari orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1982-10) recording of: Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": I. Aria (Alt) "Vergnügte Ruh! beliebte Seelenlust!" (in 1982-10) premiered in: Leipzig, Sachsen, Germany (on 1726-07-28) composer: Johann Sebastian Bach (in 1726) librettist: Georg Christian Lehms (in 1711) part of: Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“	Johann Sebastian Bach	6:13
9	Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": II. Recitativo (Alt) "Die Welt, das Sündenhaus" vocals: Júlia Hamari orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1982-10) recording of: Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": II. Recitativo (Alt) "Die Welt, das Sündenhaus" (in 1982-10) premiered in: Leipzig, Sachsen, Germany (on 1726-07-28) composer: Johann Sebastian Bach (in 1726) librettist: Georg Christian Lehms (in 1711) part of: Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“	Johann Sebastian Bach	1:48
10	Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": III. Aria (Alt) "Wie jammern mich doch die verkehrten Herzen" vocals: Júlia Hamari orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1982-10) recording of: Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": III. Aria (Alt) "Wie jammern mich doch die verkehrten Herzen" (in 1982-10) premiered in: Leipzig, Sachsen, Germany (on 1726-07-28) composer: Johann Sebastian Bach (in 1726) librettist: Georg Christian Lehms (in 1711) part of: Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“	Johann Sebastian Bach	6:57
11	Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": IV. Recitativo (Alt) "Wer sollte sich demnach" vocals: Júlia Hamari orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1982-10) recording of: Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": IV. Recitativo (Alt) "Wer sollte sich demnach" (in 1982-10) premiered in: Leipzig, Sachsen, Germany (on 1726-07-28) composer: Johann Sebastian Bach (in 1726) librettist: Georg Christian Lehms (in 1711) part of: Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“	Johann Sebastian Bach	1:32
12	Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": V. Aria (Alt) "Mir ekelt mehr zu leben" vocals: Júlia Hamari orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1982-10) recording of: Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": V. Aria (Alt) "Mir ekelt mehr zu leben" (in 1982-10) premiered in: Leipzig, Sachsen, Germany (on 1726-07-28) composer: Johann Sebastian Bach (in 1726) librettist: Georg Christian Lehms (in 1711) part of: Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“	Johann Sebastian Bach	6:42
13	Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm" choir vocals: Gächinger Kantorei Stuttgart orchestra: Württembergisches Kammerorchester Heilbronn conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-06 until 1983-09) recording of: Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm" (in 1983-06) premiered in: Leipzig, Sachsen, Germany composer: Johann Sebastian Bach (in 1729) part of: Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"	Johann Sebastian Bach	2:03
14	Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": II. Aria (Tenor) "Herr, so weit die Wolken gehen" tenor vocals: Aldo Baldin orchestra: Württembergisches Kammerorchester Heilbronn conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-06 until 1983-09) recording of: Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": II. Aria (Tenor) "Herr, so weit die Wolken gehen" (in 1983-06) premiered in: Leipzig, Sachsen, Germany composer: Johann Sebastian Bach (in 1729) librettist: Christian Friedrich Henrici (in 1728) part of: Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"	Johann Sebastian Bach	3:50
15	Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": III. Recitativo (Alt) "Du süßer Jesus-Name du" alto vocals: Júlia Hamari orchestra: Württembergisches Kammerorchester Heilbronn conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-06 until 1983-09) recording of: Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": III. Recitativo (Alt) "Du süßer Jesus-Name du" (in 1983-06) premiered in: Leipzig, Sachsen, Germany composer: Johann Sebastian Bach (in 1729) librettist: Christian Friedrich Henrici (in 1728) part of: Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"	Johann Sebastian Bach	1:25
16	Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": IV. Aria (Sopran) "Jesus soll mein erstes Wort" soprano vocals: Arleen Augér orchestra: Württembergisches Kammerorchester Heilbronn conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-06 until 1983-09) recording of: Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": IV. Aria (Sopran) "Jesus soll mein erstes Wort" (in 1983-06) premiered in: Leipzig, Sachsen, Germany composer: Johann Sebastian Bach (in 1729) librettist: Christian Friedrich Henrici (in 1728) part of: Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"	Johann Sebastian Bach	4:03
17	Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": V. Recitativo (Bass) "Und da du, Herr, gesagt" bass vocals: Walter Heldwein orchestra: Württembergisches Kammerorchester Heilbronn conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-06 until 1983-09) recording of: Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": V. Recitativo (Bass) "Und da du, Herr, gesagt" (in 1983-06) premiered in: Leipzig, Sachsen, Germany composer: Johann Sebastian Bach (in 1729) librettist: Christian Friedrich Henrici (in 1728) part of: Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"	Johann Sebastian Bach	2:08
18	Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": VI. Choral "Laß uns das Jahr vollbringen" choir vocals: Gächinger Kantorei Stuttgart orchestra: Württembergisches Kammerorchester Heilbronn conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-06 until 1983-09) recording of: Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": VI. Choral "Laß uns das Jahr vollbringen" (in 1983-06) premiered in: Leipzig, Sachsen, Germany composer: Johann Sebastian Bach (in 1729) librettist: Johannes Herman (in 1593) part of: Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"	Johann Sebastian Bach	2:12

4▼CD: BWV 172-175
#	Title	Artist	Length
1	Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": I. Coro "Erschallet, ihr Lieder, erklinget, ihr Saiten" choir vocals: Frankfurter Kantorei orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-03 until 1975-04) recording of: Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": I. Coro "Erschallet, ihr Lieder, erklinget, ihr Saiten" (from 1975-03 until 1975-04) premiered in: Weimar, Thüringen, Germany (on 1714-05-20) composer: Johann Sebastian Bach (in 1714) librettist: [anonymous] part of: Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"	Johann Sebastian Bach	4:10
2	Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": II. Recitativo (Bass) "Wer mich liebet, der wird mein Wort halten" bass vocals: Wolfgang Schöne orchestra and performer: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-03 until 1975-04) recording of: Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": II. Recitativo (Bass) "Wer mich liebet, der wird mein Wort halten" (from 1975-03 until 1975-04) premiered in: Weimar, Thüringen, Germany (on 1714-05-20) composer: Johann Sebastian Bach (in 1714) part of: Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"	Johann Sebastian Bach	0:55
3	Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": III. Aria (Bass) "Heiligste Dreieinigkeit" bass vocals: Wolfgang Schöne orchestra and performer: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-03 until 1975-04) recording of: Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": III. Aria (Bass) "Heiligste Dreieinigkeit" (from 1975-03 until 1975-04) premiered in: Weimar, Thüringen, Germany (on 1714-05-20) composer: Johann Sebastian Bach (in 1714) librettist: [anonymous] part of: Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"	Johann Sebastian Bach	1:59
4	Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": IV. Aria (Tenor) "O Seelenparadies" tenor vocals: Adalbert Kraus orchestra and performer: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-03 until 1975-04) recording of: Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": IV. Aria (Tenor) "O Seelenparadies" (from 1975-03 until 1975-04) premiered in: Weimar, Thüringen, Germany (on 1714-05-20) composer: Johann Sebastian Bach (in 1714) librettist: [anonymous] part of: Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"	Johann Sebastian Bach	4:31
5	Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": V. Aria (Duetto Sopran, Alt) "Komm, laß mich nicht länger warten" alto vocals: Doris Soffel soprano vocals: Eva Csapó orchestra and performer: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-03 until 1975-04) recording of: Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": V. Aria (Duetto Sopran, Alt) "Komm, laß mich nicht länger warten" (from 1975-03 until 1975-04) premiered in: Weimar, Thüringen, Germany (on 1714-05-20) composer: Johann Sebastian Bach (in 1714) librettist: [anonymous] part of: Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"	Johann Sebastian Bach	3:36
6	Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": VI. Choral "Von Gott kömmt mir ein Freudenschein" choir vocals: Frankfurter Kantorei orchestra and performer: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-03 until 1975-04) recording of: Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": VI. Choral "Von Gott kömmt mir ein Freudenschein" (from 1975-03 until 1975-04) premiered in: Weimar, Thüringen, Germany (on 1714-05-20) composer: Johann Sebastian Bach (in 1714) librettist: Philipp Nicolai (in 1599) part of: Breitkopf 389 Choralgesänge (number: 376) part of: Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"	Johann Sebastian Bach	1:30
7	Kantate, BWV 173 "Erhöhtes Fleisch und Blut": I. Recitativo (Tenor) "Erhöhtes Fleisch und Blut" tenor vocals: Adalbert Kraus orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-04) recording of: Kantate, BWV 173 "Erhöhtes Fleisch und Blut": I. Recitativo (Tenor) "Erhöhtes Fleisch und Blut" (from 1976-09 until 1977-04) premiered in: Leipzig, Sachsen, Germany (on 1724-05-29) composer: Johann Sebastian Bach (in 1724) librettist: [anonymous] part of: Kantate, BWV 173 "Erhöhtes Fleisch und Blut"	Johann Sebastian Bach	0:43
8	Kantate, BWV 173 "Erhöhtes Fleisch und Blut": II. Aria (Tenor) "Ein geheiligtes Gemüte" tenor vocals: Adalbert Kraus orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-04) recording of: Kantate, BWV 173 "Erhöhtes Fleisch und Blut": II. Aria (Tenor) "Ein geheiligtes Gemüte" (from 1976-09 until 1977-04) premiered in: Leipzig, Sachsen, Germany (on 1724-05-29) composer: Johann Sebastian Bach (in 1724) librettist: [anonymous] part of: Kantate, BWV 173 "Erhöhtes Fleisch und Blut"	Johann Sebastian Bach	4:51
9	Kantate, BWV 173 "Erhöhtes Fleisch und Blut": III. Aria (Alt) "Gott will, o! ihr Menschenkinder" alto vocals: Helen Watts orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-04) recording of: Kantate, BWV 173 "Erhöhtes Fleisch und Blut": III. Aria (Alt) "Gott will, o! ihr Menschenkinder" (from 1976-09 until 1977-04) premiered in: Leipzig, Sachsen, Germany (on 1724-05-29) composer: Johann Sebastian Bach (in 1724) librettist: [anonymous] part of: Kantate, BWV 173 "Erhöhtes Fleisch und Blut"	Johann Sebastian Bach	1:48
10	Kantate, BWV 173 "Erhöhtes Fleisch und Blut": IV. Aria (Duetto Bass, Sopran) "So hat Gott die Welt geliebt" bass vocals: Niklaus Tuller soprano vocals: Judith Beckman orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-04) recording of: Kantate, BWV 173 "Erhöhtes Fleisch und Blut": IV. Aria (Duetto Bass, Sopran) "So hat Gott die Welt geliebt" (from 1976-09 until 1977-04) premiered in: Leipzig, Sachsen, Germany (on 1724-05-29) composer: Johann Sebastian Bach (in 1724) librettist: [anonymous] part of: Kantate, BWV 173 "Erhöhtes Fleisch und Blut"	Johann Sebastian Bach	4:29
11	Kantate, BWV 173 "Erhöhtes Fleisch und Blut": V. Recitativo (Sopran, Tenor) "Unendlichster, den man doch Vater nennt" soprano vocals: Judith Beckman tenor vocals: Adalbert Kraus orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-04) recording of: Kantate, BWV 173 "Erhöhtes Fleisch und Blut": V. Recitativo (Sopran, Tenor) "Unendlichster, den man doch Vater nennt" (from 1976-09 until 1977-04) premiered in: Leipzig, Sachsen, Germany (on 1724-05-29) composer: Johann Sebastian Bach (in 1724) librettist: [anonymous] part of: Kantate, BWV 173 "Erhöhtes Fleisch und Blut"	Johann Sebastian Bach	1:22
12	Kantate, BWV 173 "Erhöhtes Fleisch und Blut": VI. Coro "Rühre, Höchster, unsern Geist" choir vocals: Gächinger Kantorei Stuttgart orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-04) recording of: Kantate, BWV 173 "Erhöhtes Fleisch und Blut": VI. Coro "Rühre, Höchster, unsern Geist" (from 1976-09 until 1977-04) premiered in: Leipzig, Sachsen, Germany (on 1724-05-29) composer: Johann Sebastian Bach (in 1724) librettist: [anonymous] part of: Kantate, BWV 173 "Erhöhtes Fleisch und Blut"	Johann Sebastian Bach	2:35
13	Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte": I. Sinfonia orchestra: Württembergisches Kammerorchester Heilbronn conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1984-02 until 1984-07) recording of: Kantate, BWV 174 „Ich liebe den Höchsten von ganzem Gemüte“: I. Sinfonia (from 1984-02 until 1984-07) premiered in: Leipzig, Sachsen, Germany (on 1729-06-06) composer: Johann Sebastian Bach (in 1729) librettist: Christian Friedrich Henrici (in 1728) is based on: Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro part of: Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte"	Johann Sebastian Bach	6:27
14	Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte": II. Aria (Alt) "Ich liebe den Höchsten von ganzem Gemüte" alto vocals: Júlia Hamari orchestra: Württembergisches Kammerorchester Heilbronn conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1984-02 until 1984-07) recording of: Kantate, BWV 174 „Ich liebe den Höchsten von ganzem Gemüte“: II. Aria (Alt) „Ich liebe den Höchsten von ganzem Gemüte“ (from 1984-02 until 1984-07) premiered in: Leipzig, Sachsen, Germany (on 1729-06-06) composer: Johann Sebastian Bach (in 1729) librettist: Christian Friedrich Henrici (in 1728) part of: Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte"	Johann Sebastian Bach	8:20
15	Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte": III. Recitativo (Tenor) "O! Liebe, welche keiner gleich" tenor vocals: Aldo Baldin orchestra: Württembergisches Kammerorchester Heilbronn conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1984-02 until 1984-07) recording of: Kantate, BWV 174 „Ich liebe den Höchsten von ganzem Gemüte“: III. Recitativo (Tenor) „O! Liebe, welche keiner gleich“ (from 1984-02 until 1984-07) premiered in: Leipzig, Sachsen, Germany (on 1729-06-06) composer: Johann Sebastian Bach (in 1729) librettist: Christian Friedrich Henrici (in 1728) part of: Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte"	Johann Sebastian Bach	1:29
16	Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte": IV. Aria (Bass) "Greifet zu!" bass vocals: Wolfgang Schöne orchestra: Württembergisches Kammerorchester Heilbronn conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1984-02 until 1984-07) recording of: Kantate, BWV 174 „Ich liebe den Höchsten von ganzem Gemüte“: IV. Aria (Bass) „Greifet zu!“ (from 1984-02 until 1984-07) premiered in: Leipzig, Sachsen, Germany (on 1729-06-06) composer: Johann Sebastian Bach (in 1729) librettist: Christian Friedrich Henrici (in 1728) part of: Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte"	Johann Sebastian Bach	4:09
17	Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte": V. Choral "Herzlich lieb hab ich dich, O Herr" choir vocals: Gächinger Kantorei Stuttgart orchestra: Württembergisches Kammerorchester Heilbronn conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1984-02 until 1984-07) recording of: Kantate, BWV 174 „Ich liebe den Höchsten von ganzem Gemüte“: V. Choral „Herzlich lieb hab ich dich, O Herr“ (from 1984-02 until 1984-07) premiered in: Leipzig, Sachsen, Germany (on 1729-06-06) composer: Johann Sebastian Bach (in 1729) librettist: Martin Schalling (in 1569) part of: Breitkopf 389 Choralgesänge (number: 153) part of: Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte"	Johann Sebastian Bach	1:47
18	Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": I. Recitativo (Tenor) "Er rufet seinen Schafen mit Namen" tenor vocals: Peter Schreier orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-05 until 1981-11) recording of: Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": I. Recitativo (Tenor) "Er rufet seinen Schafen mit Namen" (from 1981-05 until 1981-11) premiered in: Leipzig, Sachsen, Germany (on 1725-05-22) composer: Johann Sebastian Bach (in 1725) part of: Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”	Johann Sebastian Bach	0:26
19	Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": II. Aria (Alt) "Komm, leite mich" alto vocals: Carolyn Watkinson orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-05 until 1981-11) recording of: Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": II. Aria (Alt) "Komm, leite mich" (from 1981-05 until 1981-11) premiered in: Leipzig, Sachsen, Germany (on 1725-05-22) composer: Johann Sebastian Bach (in 1725) librettist: Christiana Mariana von Ziegler (in 1728) part of: Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”	Johann Sebastian Bach	4:05
20	Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": III. Recitativo (Tenor) "Wo find ich dich" tenor vocals: Peter Schreier orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-05 until 1981-11) recording of: Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": III. Recitativo (Tenor) "Wo find ich dich" (from 1981-05 until 1981-11) premiered in: Leipzig, Sachsen, Germany (on 1725-05-22) composer: Johann Sebastian Bach (in 1725) librettist: Christiana Mariana von Ziegler (in 1728) part of: Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”	Johann Sebastian Bach	0:34
21	Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": IV. Aria (Tenor) "Es dünket mich, ich seh dich kommen" tenor vocals: Peter Schreier orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-05 until 1981-11) recording of: Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": IV. Aria (Tenor) "Es dünket mich, ich seh dich kommen" (from 1981-05 until 1981-11) premiered in: Leipzig, Sachsen, Germany (on 1725-05-22) composer: Johann Sebastian Bach (in 1725) librettist: Christiana Mariana von Ziegler (in 1728) part of: Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”	Johann Sebastian Bach	3:21
22	Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": V. Recitativo (Alt, Bass) "Sie vernahmen aber nicht" alto vocals: Carolyn Watkinson bass vocals: Philippe Huttenlocher orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-05 until 1981-11) recording of: Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": V. Recitativo (Alt, Bass) "Sie vernahmen aber nicht" (from 1981-05 until 1981-11) premiered in: Leipzig, Sachsen, Germany (on 1725-05-22) composer: Johann Sebastian Bach (in 1725) part of: Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”	Johann Sebastian Bach	1:17
23	Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": VI. Aria (Bass) "Öffnet euch, ihr beiden Ohren" bass vocals: Philippe Huttenlocher orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-05 until 1981-11) recording of: Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": VI. Aria (Bass) "Öffnet euch, ihr beiden Ohren" (from 1981-05 until 1981-11) premiered in: Leipzig, Sachsen, Germany (on 1725-05-22) composer: Johann Sebastian Bach (in 1725) librettist: Christiana Mariana von Ziegler (in 1728) part of: Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”	Johann Sebastian Bach	3:55
24	Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": VII. Choral "Nun, werter Geist, ich folge dir" choir vocals: Gächinger Kantorei Stuttgart orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-05 until 1981-11) recording of: Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": VII. Choral "Nun, werter Geist, ich folge dir" (from 1981-05 until 1981-11) premiered in: Leipzig, Sachsen, Germany (on 1725-05-22) composer: Johann Sebastian Bach (in 1725) librettist: Johann von Rist (in 1651) part of: Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”	Johann Sebastian Bach	1:59

Die kompletten Werke, Volume 13: Kantaten, BWV 161-175

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