Unforgettable Classics

~ Release by Stéphane Grappelli & Yehudi Menuhin (see all versions of this release, 3 available)

Tracklist

1CD
#TitleArtistLength
1Jealousy
producer:
Ronald Kinloch Anderson
bass:
Lennie Bush (from 1972-06-14 until 1972-06-15)
drums (drum set):
Chris Karan (from 1972-06-14 until 1972-06-15)
piano:
Alan Clare (from 1972-06-14 until 1972-06-15)
violin:
Stéphane Grappelli (from 1972-06-14 until 1972-06-15) and Yehudi Menuhin (from 1972-06-14 until 1972-06-15)
conductor:
Max Harris (from 1972-06-14 until 1972-06-15)
balance engineer:
Tony Clark
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1972-06-14 until 1972-06-15)
recording of:
Jalousie “Tango Tzigane” (catch-all for arrangements) (from 1972-06-14 until 1972-06-15)
composer:
Jacob Gade (in 1925)
arrangement of:
Jalousie “Tango Tzigane” (original orchestral version)
Jacob Gade3:09
2Blue Room
producer:
Ronald Kinloch Anderson
bass:
Lennie Bush (from 1972-06-14 until 1972-06-15)
drums (drum set):
Chris Karan (from 1972-06-14 until 1972-06-15)
piano:
Alan Clare (from 1972-06-14 until 1972-06-15)
violin:
Stéphane Grappelli (from 1972-06-14 until 1972-06-15) and Yehudi Menuhin (from 1972-06-14 until 1972-06-15)
conductor:
Max Harris (from 1972-06-14 until 1972-06-15)
arranger:
Max Harris
balance engineer:
Tony Clark
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (from 1972-06-14 until 1972-06-15) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1972-06-14 until 1972-06-15)
instrumental recording of:
Blue Room (from 1972-06-14 until 1972-06-15)
lyricist:
Lorenz Hart (in 1926)
composer:
Richard Rodgers (in 1926)
Richard Rogers2:22
3A Fine Romance
producer:
Ronald Kinloch Anderson
bass:
Lennie Bush (from 1972-06-14 until 1972-06-15)
drums (drum set):
Chris Karan (from 1972-06-14 until 1972-06-15)
piano:
Alan Clare (from 1972-06-14 until 1972-06-15)
violin:
Stéphane Grappelli (from 1972-06-14 until 1972-06-15) and Yehudi Menuhin (from 1972-06-14 until 1972-06-15)
conductor:
Max Harris (from 1972-06-14 until 1972-06-15)
arranger:
Max Harris
balance engineer:
Tony Clark
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1972-06-14 until 1972-06-15)
instrumental recording of:
A Fine Romance (from “Swing Time”) (from 1972-06-14 until 1972-06-15)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
Jerome Kern3:26
4Billy
producer:
Ronald Kinloch Anderson
bass:
Lennie Bush (from 1972-06-14 until 1972-06-15)
drums (drum set):
Chris Karan (from 1972-06-14 until 1972-06-15)
piano:
Alan Clare (from 1972-06-14 until 1972-06-15)
violin:
Stéphane Grappelli (from 1972-06-14 until 1972-06-15)
conductor:
Max Harris (from 1972-06-14 until 1972-06-15)
balance engineer:
Tony Clark
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1972-06-14 until 1972-06-15)
Stéphane Grappelli2:04
5Love is Here to Stay
producer:
Ronald Kinloch Anderson
bass:
Ken Baldock and Lennie Bush (from 1972-06-14 until 1972-06-15)
drums (drum set):
Tony Crombie and Chris Karan (from 1972-06-14 until 1972-06-15)
piano:
Alan Clare (from 1972-06-14 until 1972-06-15)
violin:
Stéphane Grappelli (from 1972-06-14 until 1972-06-15) and Yehudi Menuhin (from 1972-06-14 until 1972-06-15)
conductor:
Max Harris (from 1972-06-14 until 1972-06-15)
balance engineer:
Tony Clark
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1972-06-14 until 1972-06-15)
instrumental recording of:
Love Is Here to Stay (from 1972-06-14 until 1972-06-15)
lyricist:
Ira Gershwin
composer:
George Gershwin
publisher:
Chappell & Co Ltd., Chappell & Co., Inc., Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music, Warner Chappell Music Ltd., WB Music Corp. (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music, ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
The Goldwyn Follies
George Gershwin4:00
6Aurore
producer:
Ronald Kinloch Anderson
piano:
Stéphane Grappelli (from 1972-06-14 until 1972-06-15)
violin:
Yehudi Menuhin (from 1972-06-14 until 1972-06-15)
balance engineer:
Tony Clark
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1972-06-14 until 1972-06-15)
Stéphane Grappelli2:38
7Pick Yourself Up
producer:
Ronald Kinloch Anderson
bass:
Lennie Bush (from 1972-06-14 until 1972-06-15)
drums (drum set):
Chris Karan (from 1972-06-14 until 1972-06-15)
piano:
Alan Clare (from 1972-06-14 until 1972-06-15)
violin:
Stéphane Grappelli (from 1972-06-14 until 1972-06-15) and Yehudi Menuhin (from 1972-06-14 until 1972-06-15)
conductor:
Max Harris (from 1972-06-14 until 1972-06-15)
arranger:
Max Harris
balance engineer:
Tony Clark
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (from 1972-06-14 until 1972-06-15) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1972-06-14 until 1972-06-15)
instrumental recording of:
Pick Yourself Up (from “Swing Time”) (from 1972-06-14 until 1972-06-15)
lyricist:
Dorothy Fields
composer:
Jerome Kern
part of:
Swing Time (film)
Jerome Kern2:19
8Night and Day
producer:
Ronald Kinloch Anderson
bass:
Ken Baldock and Lennie Bush (from 1972-06-14 until 1972-06-15)
drums (drum set):
Tony Crombie and Chris Karan (from 1972-06-14 until 1972-06-15)
piano:
Alan Clare (from 1972-06-14 until 1972-06-15)
violin:
Stéphane Grappelli (from 1972-06-14 until 1972-06-15) and Yehudi Menuhin (from 1972-06-14 until 1972-06-15)
conductor:
Max Harris (from 1972-06-14 until 1972-06-15)
arranger:
Max Harris
balance engineer:
Tony Clark
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (from 1972-06-14 until 1972-06-15) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1972-06-14 until 1972-06-15)
instrumental cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (from 1972-06-14 until 1972-06-15)
lyricist and composer:
Cole Porter (in 1932)
publisher:
Chappell & Co., Inc., Chappell Music Ltd., Warner Bros., Warner Bros. Music, Warner Bros., Inc., Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Cole Porter4:09
9I Can't Believe That You're in Love With Me
producer:
Ronald Kinloch Anderson
bass:
Lennie Bush and Ken Baldock (from 1973-03-06 until 1973-03-07)
drums (drum set):
Chris Karan and Tony Crombie (from 1973-03-06 until 1973-03-07)
piano:
Alan Clare (from 1973-03-06 until 1973-03-07)
violin:
Stéphane Grappelli (from 1973-03-06 until 1973-03-07) and Yehudi Menuhin (from 1973-03-06 until 1973-03-07)
conductor:
Max Harris (from 1973-03-06 until 1973-03-07)
balance engineer:
Tony Clark
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1973-03-06 until 1973-03-07)
instrumental recording of:
I Can’t Believe That You’re in Love With Me (from 1973-03-06 until 1973-03-07)
lyricist:
Clarence Gaskill
composer:
Jimmy McHugh
publisher:
Mills Music, Inc.
Jimmy McHugh3:06
10These Foolish Things
producer:
Ronald Kinloch Anderson
bass:
Ken Baldock (from 1973-03-06 until 1973-03-07)
drums (drum set):
Tony Crombie (from 1973-03-06 until 1973-03-07)
piano:
Alan Clare (from 1973-03-06 until 1973-03-07)
violin:
Stéphane Grappelli (from 1973-03-06 until 1973-03-07) and Yehudi Menuhin (from 1973-03-06 until 1973-03-07)
conductor:
Max Harris (from 1973-03-06 until 1973-03-07)
balance engineer:
Tony Clark
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1973-03-06 until 1973-03-07)
instrumental recording of:
These Foolish Things (Remind Me of You) (from 1973-03-06 until 1973-03-07)
lyricist:
Holt Marvell (in 1935)
additional composer:
Harry Link
composer:
Jack Strachey (in 1935)
publisher:
Boosey & Co., Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc., Bourne Co., Bourne, Inc., E.G. Music Inc. and Lafleur Music Ltd.
Jack Strachey4:25
11Errol
producer:
Ronald Kinloch Anderson
bass:
Ken Baldock (from 1973-03-06 until 1973-03-07)
drums (drum set):
Tony Crombie (from 1973-03-06 until 1973-03-07)
piano:
Alan Clare (from 1973-03-06 until 1973-03-07)
violin:
Stéphane Grappelli (from 1973-03-06 until 1973-03-07)
conductor:
Max Harris (from 1973-03-06 until 1973-03-07)
balance engineer:
Tony Clark
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1973-03-06 until 1973-03-07)
Stéphane Grappelli3:21
12Oh, Lady, Be Good!George Gershwin3:40
13Jermyn Street
producer:
Ronald Kinloch Anderson
piano:
Stéphane Grappelli (from 1973-03-06 until 1973-03-07)
violin:
Yehudi Menuhin (from 1973-03-06 until 1973-03-07)
balance engineer:
Tony Clark
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1973-03-06 until 1973-03-07)
Stéphane Grappelli4:08
14Cheek to Cheek
producer:
Ronald Kinloch Anderson
bass:
Ken Baldock (from 1973-03-06 until 1973-03-07)
drums (drum set):
Tony Crombie (from 1973-03-06 until 1973-03-07)
piano:
Alan Clare (from 1973-03-06 until 1973-03-07)
violin:
Stéphane Grappelli (from 1973-03-06 until 1973-03-07) and Yehudi Menuhin (from 1973-03-06 until 1973-03-07)
conductor:
Max Harris (from 1973-03-06 until 1973-03-07)
performer:
Alan Clare Trio (from 1973-03-06 until 1973-03-07)
arranger:
Max Harris
balance engineer:
Tony Clark
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (from 1973-03-06 until 1973-03-07) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1973-03-06 until 1973-03-07)
instrumental recording of:
Cheek to Cheek (from “Top Hat”) (from 1973-03-06 until 1973-03-07)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
Irving Berlin3:48
15The Lady is a Tramp
producer:
Ronald Kinloch Anderson
bass:
Ken Baldock (from 1973-03-06 until 1973-03-07)
drums (drum set):
Tony Crombie (from 1973-03-06 until 1973-03-07)
piano:
Alan Clare (from 1973-03-06 until 1973-03-07)
violin:
Stéphane Grappelli (from 1973-03-06 until 1973-03-07) and Yehudi Menuhin (from 1973-03-06 until 1973-03-07)
conductor:
Max Harris (from 1973-03-06 until 1973-03-07)
arranger:
Max Harris
balance engineer:
Tony Clark
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (from 1973-03-06 until 1973-03-07) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1973-03-06 until 1973-03-07)
instrumental recording of:
The Lady Is a Tramp (from “Babes in Arms”) (from 1973-03-06 until 1973-03-07)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. and Warner Chappell Music Ltd.
part of:
Babes in Arms (full musical)
part of:
Pal Joey
Richard Rogers4:26

Credits

Release

ASIN:UK: B000024Y59 [info]