Pure… Jazz

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistLength
1So What
recorded in:
New York, New York, United States (on 1959-03-02)
recording engineer:
Fred Plaut (on 1959-03-02)
producer:
Irving Townsend
alto saxophone:
Cannonball Adderley (on 1959-03-02)
double bass:
Paul Chambers (on 1959-03-02)
drums (drum set):
Jimmy Cobb (on 1959-03-02)
piano:
Bill Evans (on 1959-03-02)
tenor saxophone:
John Coltrane (on 1959-03-02)
trumpet:
Miles Davis (on 1959-03-02)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1959-03-02)
remix of:
So What by Miles Davis
recording of:
So What (on 1959-03-02)
composer:
Miles Davis
publisher:
Jazz Horn Music
part of:
The Real Book (compilation of jazz standards, Volume I)
Miles Davis9:24
2Mack the Knife
cover recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill
translator:
Marc Blitzstein (in 1954)
publisher:
Universal Edition
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Louis Armstrong3:23
3The Brooklyn BridgeFrank Sinatra2:36
4I’m a Fool to Want You
bass:
Milt Hinton (on 1958-02-20)
bass trombone:
Tom Mitchell (on 1958-02-20)
cello:
Maurice Brown (on 1958-02-20) and David Soyer (on 1958-02-20)
drums (drum set):
Osie Johnson (on 1958-02-20)
flute:
Danny Bank (on 1958-02-20), Phil Bodner (on 1958-02-20), Thomas Parshley (on 1958-02-20) and Romeo Penque (on 1958-02-20)
guitar:
Barry Galbraith (on 1958-02-20)
harp:
Janet Putnam (on 1958-02-20)
piano:
Mal Waldron (on 1958-02-20)
solo trombone:
Urbie Green (on 1958-02-20)
trombone:
Jack Green (on 1958-02-20) and J.J. Johnson (on 1958-02-20)
trumpet:
Billy Butterfield (on 1958-02-20), Mel Davis (on 1958-02-20) and Bernie Glow (on 1958-02-20)
viola:
Sidney Brecher (on 1958-02-20) and Richard Dickler (on 1958-02-20)
violin:
Emmanual Green (on 1958-02-20), Harry Hoffman (on 1958-02-20), Harry Katzman (on 1958-02-20), Leo Kruczek (on 1958-02-20), Milton Lomask (on 1958-02-20), Harry Melnikoff (on 1958-02-20), George Ockner (on 1958-02-20) and Sam Rand (on 1958-02-20)
background vocals:
Elise Bretton (on 1958-02-20) and Miriam Workman (on 1958-02-20)
lead vocals:
Billie Holiday (on 1958-02-20)
orchestra:
Ray Ellis and His Orchestra (on 1958-02-20)
conductor:
Ray Ellis (on 1958-02-20)
cover recording of:
I’m a Fool to Want You (on 1958-02-20)
writer:
Joel Herron (in 1951), Frank Sinatra (in 1951) and Jack Wolf (in 1951)
publisher:
Barton Music Corp., Integrity Music Corp., Sergeant Music Co., The International Music Network and Warner Chappell Music Ltd.
Billie Holiday3:26
5After All
recording of:
After All
composer:
Billy Strayhorn
Duke Ellington & His Famous Orchestra3:52
6I Cover the Waterfront
Bud Powell Trio2:33
7What Is There to Say?
Gerry Mulligan4:05
8Bluesette
Toots Thielemans4:34
9Expectations
Keith Jarrett4:27
10Heart of Gold
Ellis Marsalis3:44
11Waltz for Debby
Bill Evans Trio7:43
12Ponteio
Astrud Gilberto with Stanley Turrentine3:53
13Somebody Stole My Gal
Jimmy Rushing3:46
14Bryant’s Folly
Ray Bryant4:51
15I Want a Little Sugar in My Bowl
recording engineer:
Mickey Crofford (on 1967-01-05) and Ray Hall (on 1967-01-05)
producer:
Danny Davis
performer:
Sam Ellis
phonographic copyright (℗) by:
BMG Music (in 1967)
recorded at:
RCA Studio B in New York, New York, United States (on 1967-01-05)
recording of:
I Want a Little Sugar in My Bowl (Nina Simone's version) (on 1967-01-05)
writer:
James “Tim” Brymn, Nina Simone, Dally Small and Clarence Williams
arranger:
Nina Simone
publisher:
Sam Fox Publishing Co.
version of:
Need a Little Sugar in My Bowl (Bessie Smith's version)
Nina Simone2:33
2CD
#TitleArtistLength
1Take Five
recorded in:
New York, New York, United States (on 1959-07-01)
alto saxophone:
Paul Desmond (on 1959-07-01)
double bass [bass]:
Eugene Wright (on 1959-07-01)
drums (drum set):
Joe Morello (on 1959-07-01)
piano:
Dave Brubeck (on 1959-07-01)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1959-07-01)
recording of:
Take Five (original instrumental version) (on 1959-07-01)
composer:
Paul Desmond
publisher:
Derry Music Company, Desmond Music Company, Valentine Music Group Ltd., Valentine Music Verlag and シンコーミュージック・パブリッシャーズ
part of:
The Real Book (compilation of jazz standards, Volume I)
Dave Brubeck5:26
2The ‘in’ Crowd
Ramsey Lewis5:51
3It’s You or No One
recorded in:
New York, New York, United States (on 1956-04-05)
recording engineer:
Tony Janick
producer:
George Avakian
double bass:
Doug Watkins (on 1956-04-05)
drums (drum set):
Art Blakey (on 1956-04-05)
piano:
Horace Silver (on 1956-04-05)
tenor saxophone:
Hank Mobley (on 1956-04-05)
trumpet:
Donald Byrd (on 1956-04-05)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1956-04-06 until 1956-05-05)
instrumental recording of:
It’s You or No One (on 1956-04-05)
lyricist:
Sammy Cahn
composer:
Sammy Cahn and Jule Styne
part of:
Romance on the High Seas
Art Blakey5:35
4Without a SongSonny Rollins7:26
5Four Brothers
recorded in:
New York, New York, United States (on 1957-02-11)
baritone saxophone:
Serge Chaloff (on 1957-02-11)
bass:
Buddy Jones (on 1957-02-11)
drums (drum set):
Don Lamond (on 1957-02-11)
piano:
Elliot Lawrence (on 1957-02-11)
tenor saxophone:
Al Cohn (on 1957-02-11), Zoot Sims (on 1957-02-11) and Herbie Steward (on 1957-02-11)
arranger:
Manny Albam and Elliot Lawrence
recording of:
Four Brothers (on 1957-02-11)
composer:
Jimmy Giuffre (in 1947)
The Four Brothers3:49
6The Girl From Ipanema
Charlie Byrd2:47
7One O’Clock Jump
Lambert, Hendricks & Bavan2:44
8Cheek to CheekCount Basie and His Orchestra3:20
9Silver’s Blue
Horace Silver7:45
10Summertime
vocals:
Sarah Vaughan (on 1949-12-21)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (in 1949)
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1949-12-21)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc., Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd., Warner/Chappell, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited, Ira Gershwin Music (in 1935), WB Music Corp. (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Sarah Vaughan3:17
11Stormy WeatherLena Horne3:22
12The Very Thought of You
Johnny Hodges2:50
13Girl Talk
conductor:
Neal Hefti
recording of:
Girl Talk
lyricist:
Bobby Troup
composer:
Neal Hefti
part of:
East Coast Music Association Song of the Year Nominees (number: 1991 (Holly Cole))
Neal Hefti Chorus & Orchestra2:53
14Me and You
alto saxophone:
Johnny Hodges (on 1956-01-23)
alto saxophone and clarinet:
Russell Procope (on 1956-01-23)
baritone saxophone:
Harry Carney (on 1956-01-23)
clarinet and tenor saxophone:
Jimmy Hamilton (on 1956-01-23)
double bass:
Jimmy Woode (on 1956-01-23)
drums (drum set):
Sam Woodyard (on 1956-01-23)
piano:
Duke Ellington (on 1956-01-23)
tenor saxophone:
Paul Gonsalves (on 1956-01-23)
trombone:
Quentin Jackson (on 1956-01-23) and Britt Woodman (on 1956-01-23)
trumpet:
William “Cat” Anderson (on 1956-01-23), Willie Cook (on 1956-01-23), Ray Nance (on 1956-01-23) and Cootie Williams (on 1956-01-23)
valve trombone:
John Sanders (on 1956-01-23)
lead vocals:
Rosemary Clooney (on 1956-01-23)
recording of:
Me and You (on 1956-01-23)
lyricist and composer:
Duke Ellington
Rosemary Clooney with Duke Ellington & His Orchestra2:29
15I Left My Heart in San Francisco
producer:
Ernie Altschuler
vocals:
Tony Bennett
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (in 1962)
part of:
Billboard: The 500 Best Pop Songs (number: 485)
cover recording of:
I Left My Heart in San Francisco (on 1962-01-23)
lyricist:
Douglass Cross
composer:
George Cory
publisher:
Colgems-EMI Music Inc., Dash Music Co. Ltd. and EMI April Music Inc.
Tony Bennett2:51
3CD
#TitleArtistLength
1Goodbye Pork Pie Hat
recorded in:
New York, New York, United States (on 1959-05-12)
double bass [bass]:
Charles Mingus (on 1959-05-12)
drums (drum set):
Dannie Richmond (on 1959-05-12)
piano:
Horace Parlan (on 1959-05-12)
tenor saxophone:
Booker Ervin (on 1959-05-12) and John Handy (on 1959-05-12)
edit of:
Goodbye Pork Pie Hat by Charles Mingus
recording of:
Goodbye Pork Pie Hat (instrumental) (on 1959-05-12)
composer:
Charles Mingus
publisher:
Adams Avenue, Flying Red Rhino, Jazz Workshop, Inc., Songs of Kobalt Music Publishing and The Mingus Music Werkshop
Charles Mingus4:48
2Over the Rainbow
recorded in:
Roma, Roma, Lazio, Italy (on 1962-01-05)
engineer:
Jean‐Pierre Chalbos
producer:
Daniel Baumgarten
double bass:
Benoît Quersin (on 1962-01-05)
drums (drum set):
Daniel Humair (on 1962-01-05)
guitar:
René Thomas (on 1962-01-05)
piano:
Amedeo Tommasi (on 1962-01-05)
reeds:
Bobby Jaspar (on 1962-01-05)
trumpet:
Chet Baker (on 1962-01-05)
instrumental cover recording of:
Over the Rainbow (The Wizard of Oz) (on 1962-01-05)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music, EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell
sub-publisher:
香港商百代音樂股份有限公司台灣分公司, フジパシフィック音楽出版 SBK事業部 (until 2014-12-31), ヤマハミュージックパブリッシング (until 2017-03-31), フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1939 winner)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
Chet Baker3:29
3Let’s Fall in Love
engineer:
Harold Chapman
drums (drum set):
Osie Johnson (on 1956-04-25)
piano:
Hank Jones (on 1956-04-25)
saxophone:
Danny Bank (on 1956-04-25), Al Cohn (on 1956-04-25), Seldon Powell (on 1956-04-25) and Sam Markowitz (on 1956-04-25)
trombone:
Jimmy Cleveland (on 1956-04-25) and Urbie Green (on 1956-04-25)
trumpet:
Conte Candoli (on 1956-04-25), Joe Ferrante (on 1956-04-25), Bernie Glow (on 1956-04-25) and Nick Travis (on 1956-04-25)
vocals:
Betty Carter (on 1956-04-25)
conductor:
Gigi Gryce (on 1956-04-25)
arranger:
Gigi Gryce
recorded at:
Columbia Studios in New York, New York, United States (on 1956-04-25)
cover recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical) (on 1956-04-25)
lyricist and composer:
Cole Porter (in 1928)
part of:
Can‐Can (1960 musical film)
part of:
Paris (1928 musical)
Betty Carter1:59
4There Will Never Be Another You
cello:
Alan Shulman (on 1956-01-17)
double bass:
Milt Hinton (on 1956-01-17)
drums (drum set):
Osie Johnson (on 1956-01-17)
flute:
Julius Baker (on 1956-01-17) and Sid Jekowsky (on 1956-01-17)
guitar:
Barry Galbraith (on 1956-01-17)
oboe:
Phil Bodner (on 1956-01-17)
piano:
Hank Jones (on 1956-01-17)
tenor saxophone:
Coleman Hawkins (on 1956-01-17)
trombone:
Urbie Green (on 1956-01-17), Tom Mitchell (on 1956-01-17), Fred Ohms (on 1956-01-17) and Jack Satterfield (on 1956-01-17)
trumpet:
Jimmy Nottingham (on 1956-01-17)
vibraphone:
Marty Wilson (on 1956-01-17)
viola:
Isadore Zir (on 1956-01-17)
violin:
Paul Gershman (on 1956-01-17), Leo Kruczek (on 1956-01-17), Harry Lookofsky (on 1956-01-17), Gene Orloff (on 1956-01-17) and Tosha Samaroff (on 1956-01-17)
recorded at:
RCA Studios in New York, New York, United States (on 1956-01-17)
instrumental recording of:
There Will Never Be Another You (on 1956-01-17)
lyricist:
Mack Gordon
composer:
Harry Warren
publisher:
Morley Music Corp.
part of:
The Real Book (compilation of jazz standards, Volume I)
Coleman Hawkins2:58
5Heart and Soul
Larry Clinton & His Orchestra3:57
6My Heart Stood StillOscar Peterson Trio3:25
7’round MidnightThelonious Monk3:50
8Gutbucket Steepy
Branford Marsalis6:19
9When Love Has Grown
engineer:
Rudy van Gelder (on 1973-07-18)
producer:
Creed Taylor
double bass [bass]:
Ron Carter (on 1973-07-18)
drums (drum set):
Jack DeJohnette (on 1973-07-18)
electric bass guitar:
Gary King (on 1973-07-18)
electric piano:
Harold Mabern (on 1973-07-18)
guitar:
George Benson (on 1973-07-18) and Earl Klugh (on 1973-07-18)
percussion:
Mobutu (on 1973-07-18)
tenor saxophone:
Frank Foster (on 1973-07-18)
trombone:
Gerald Chamberlain (on 1973-07-18) and Dick Griffin (on 1973-07-18)
trumpet:
Jon Faddis (on 1973-07-18), John Gatchell (on 1973-07-18) and Waymon Reed (on 1973-07-18)
conductor:
Pee Wee Ellis (on 1973-07-18)
arranger:
Pee Wee Ellis
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1973-07-18)
George Benson5:03
10Blue Serge
Stan Getz3:40
11Embarcadero
Paul Desmond3:59
12I’ve Got You Under My SkinMel Tormé2:54
13Blue Trombone
J.J. Johnson9:09
14Swing Is Here
Gene Krupa’s Swing Band2:56
15Get HappyBenny Goodman and His Orchestra3:08
4CD
#TitleArtistLength
1Meeting of the SpiritsMahavishnu Orchestra6:53
2Birdland
assistant engineer:
Jerry Hudgins and Brian Risner
engineer:
Ron Malo
assistant producer:
Wayne Shorter
co-producer:
Jaco Pastorius
producer:
Jaco Pastorius, Wayne Shorter and Joe Zawinul
analog synthesizer [Arp 2600]:
Joe Zawinul
analog synthesizer [Oberheim Polyphonic], grand piano [acoustic piano] and melodica:
Joe Zawinul (from 1976 until 1977)
drums (drum set):
Alex Acuña (from 1976 until 1977)
electric bass guitar [bass] and mandocello:
Jaco Pastorius (from 1976 until 1977)
soprano saxophone and tenor saxophone:
Wayne Shorter (from 1976 until 1977)
tambourine:
Manolo Badrena (from 1976 until 1977)
vocals:
Jaco Pastorius (from 1976 until 1977) and Joe Zawinul (from 1976 until 1977)
orchestrator:
Joe Zawinul
recorded at:
Devonshire Sound Studios in North Hollywood, Los Angeles, California, United States (from 1976 until 1977)
recording of:
Birdland (instrumental) (from 1976 until 1977)
composer:
Joe Zawinul
publisher:
Mulatto Music, Songs of Universal, Inc., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Weather Report5:58
3Angel
recorded in:
New York, New York, United States (on 1974-06-13)
engineer:
Gus Mossler and Bob Simpson
producer:
Gil Evans and Mike Lipskin
mixer:
Dick Baxter (in 1974) and Bob Simpson (in 1974)
alto flute and soprano saxophone:
David Sanborn (on 1974-06-13)
bass:
Michael Moore (on 1974-06-13) and Don Pate (on 1974-06-13)
clarinet:
Howard Johnson (on 1974-06-13)
congas and membranophone:
Sue Evans (on 1974-06-13)
drums (drum set):
Bruce Ditmas (on 1974-06-13)
electric guitar:
John Abercrombie (on 1974-06-13) and 川崎燎 (on 1974-06-13)
electric piano and synthesizer and keyboard [keyboards]:
David Horowitz (on 1974-06-13)
flute and saxophone:
Tom “Bones” Malone (on 1974-06-13)
flute and tenor saxophone:
Billy Harper (on 1974-06-13)
French horn:
Peter Gordon (on 1974-06-13)
guitar:
Keith Loving (on 1974-06-13)
keyboard and piano:
Gil Evans (on 1974-06-13)
percussion:
Susan Evans (on 1974-06-13) and Warren Smith,Jr (on 1974-06-13)
saxophone:
Trevor Koehler (on 1974-06-13) and David Sanborn (on 1974-06-13)
synthesizer:
Pete Levin (on 1974-06-13)
trumpet:
Hannibal Marvin Peterson (on 1974-06-13) and Lew Soloff (on 1974-06-13)
wind instruments:
Tom Malone (on 1974-06-13)
woodwind:
Billy Harper (on 1974-06-13), Trevor Koehler (on 1974-06-13) and David Sanborn (on 1974-06-13)
orchestra:
The Gil Evans Orchestra (on 1974-06-13)
conductor:
Gil Evans (on 1974-06-13)
remixer:
Tony May
arranger:
Gil Evans
phonographic copyright (℗) by:
Sony Music Entertainment
recorded at:
RCA Studio B in New York, New York, United States (on 1974-06-13)
cover recording of:
Angel (on 1974-06-13)
lyricist and composer:
Jimi Hendrix
publisher:
Bella Godiva Music, Experience Hendrix, L.L.C., Warner Chappell Music and ユニバーサル・ミュージック・パブリッシング Synch事業部
Gil Evans4:10
4Law Years
Ornette Coleman5:22
5The Moontrane
recording of:
The Moontrane
composer:
Woody Shaw
Dexter Gordon6:38
6La Cuna
phonographic copyright (℗) by:
Sony Music Entertainment (France) S.A. (in 2002)
Ray Barretto5:29
7Sky Dive
recording engineer:
Rudy van Gelder (from 1972-10-04 until 1972-10-05)
engineer:
Rudy van Gelder
producer:
Creed Taylor
bass:
Ron Carter (from 1972-10-04 until 1972-10-05)
bass trombone:
Paul Faulise (from 1972-10-04 until 1972-10-05)
clarinet:
George Marge (from 1972-10-04 until 1972-10-05)
drums (drum set):
Billy Cobham (from 1972-10-04 until 1972-10-05)
flugelhorn and trumpet:
Al Rubin (from 1972-10-04 until 1972-10-05) and Marvin Stamm (from 1972-10-04 until 1972-10-05)
flute:
Hubert Laws (from 1972-10-04 until 1972-10-05)
guitar:
George Benson (from 1972-10-04 until 1972-10-05)
percussion:
Ray Barretto (from 1972-10-04 until 1972-10-05) and Airto Moreira (from 1972-10-04 until 1972-10-05)
piano:
Keith Jarrett (from 1972-10-04 until 1972-10-05)
trombone:
Wayne Andre (from 1972-10-04 until 1972-10-05) and Garnett Brown (from 1972-10-04 until 1972-10-05)
trumpet:
Freddie Hubbard (from 1972-10-04 until 1972-10-05)
tuba:
Tony Price (from 1972-10-04 until 1972-10-05)
woodwind:
Phil Bodner (from 1972-10-04 until 1972-10-05) and Romeo Penque (from 1972-10-04 until 1972-10-05)
conductor:
Don Sebesky (from 1972-10-04 until 1972-10-05)
arranger:
Don Sebesky
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (from 1972-10-04 until 1972-10-05)
recording of:
Sky Dive
composer:
Freddie Hubbard
publisher:
Hubtones Music Co.
Freddie Hubbard7:36
8My Foolish Heart
John McLaughlin3:27
9Continuum
recorded in:
New York, New York, United States (in 1975-10)
producer:
Bobby Colomby
bell:
Don Alias (in 1975-10)
drums (drum set):
Lenny White (in 1975-10)
electric bass guitar:
Jaco Pastorius (in 1975-10)
Rhodes piano and electric piano:
Alex Darqui (in 1975-10) and Herbie Hancock (in 1975-10)
phonographic copyright (℗) by:
CBS, Inc.
mixed at:
Camp Colomby Studio in New York, New York, United States
recording of:
Continuum (in 1975-10)
composer:
Jaco Pastorius
Jaco Pastorius4:35
10Vera Cruz
Stanley Turrentine5:14
11ExpansionsLonnie Liston Smith6:02
12Dancing on AirJack Bruce3:54
13Race With the Devil on Spanish HighwayAl Di Meola6:17

Credits

Release group

part of:Pure… (order: 15)