Everybody Digs Bill Evans (Record Store Day 2024; 180g black vinyl; Limited to 7500 copies globally)

~ Release by Bill Evans Trio (see all versions of this release, 20 available)

Annotation

This limited-edition MONO release of legendary jazz pianist Bill Evans’ 1959 album “Everybody Digs Bill Evans” is available exclusively on 180-gram vinyl for Record Store Day. A landmark recording, the album features Sam Jones (bass) and Philly Joe Jones (drums) and is Evans’ second album on Riverside as leader.

This new pressing features (AAA) lacquers cut from the original master tapes by Kevin Gray at Cohearent Audio and is pressed at RTI on 180-gram black vinyl. It is housed in a Stoughton® Tip-On Jacket and limited to 7500 copies globally.

Tracklist

1▼12" Vinyl
#TitleLength
A1Minority
recorded in:
New York, New York, United States (on 1958-12-15)
recording engineer:
Jack Higgins (on 1958-12-15)
producer:
Orrin Keepnews
bass and double bass:
Sam Jones (on 1958-12-15)
drums (drum set):
Philly Joe Jones (on 1958-12-15)
piano:
Bill Evans (on 1958-12-15)
phonographic copyright (℗) by:
Milestone Records (in 1975)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-12-15)
cover recording of:
Minority (on 1958-12-15)
composer:
Gigi Gryce
publisher:
Jacogg Publications and Twenty-Eighth Street Music
5:20
A2Young and Foolish
recording engineer:
Jack Higgins (on 1958-12-15)
engineer:
Jack Higgins
producer:
Orrin Keepnews
bass and double bass:
Sam Jones (on 1958-12-15)
drums (drum set):
Philly Joe Jones (on 1958-12-15)
piano:
Bill Evans (on 1958-12-15)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-12-15)
instrumental cover recording of:
Young and Foolish (on 1958-12-15)
lyricist:
Arnold Horwitt
composer:
Albert Hague
publisher:
Chappell & Co. and Chappell Music
5:48
A3Lucky to Be Me
recording engineer:
Jack Higgins (on 1958-12-15)
producer:
Orrin Keepnews
piano:
Bill Evans (on 1958-12-15)
phonographic copyright (℗) by:
Milestone Records (in 1975)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-12-15)
instrumental cover recording of:
On the Town: Lucky to Be Me (on 1958-12-15)
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein
publisher:
Jalni Publications Inc., The Leonard Bernstein Music Publishing Co., LLC, Universal Music Publishing AB, Warner Bros. and Warner Bros. Music
part of:
On the Town
3:35
A4Night and Day
recording engineer:
Jack Higgins (on 1958-12-15)
producer:
Orrin Keepnews
double bass:
Sam Jones (on 1958-12-15)
drums (drum set):
Philly Joe Jones (on 1958-12-15)
piano:
Bill Evans (on 1958-12-15)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-12-15)
instrumental cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1958-12-15)
lyricist and composer:
Cole Porter (in 1932)
publisher:
Chappell & Co., Inc., Chappell Music Ltd., Warner Bros., Warner Bros. Music, Warner Bros., Inc., Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
7:12
A5Epilogue
recording engineer:
Jack Higgins (on 1958-12-15)
producer:
Orrin Keepnews
piano:
Bill Evans (on 1958-12-15)
phonographic copyright (℗) by:
Milestone Records (in 1975)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-12-15)
recording of:
Epilogue (on 1958-12-15)
composer:
Bill Evans
publisher:
Folkways Music and TRO-Acorn Music
0:38
B1Tenderly
recording engineer:
Jack Higgins (on 1958-12-15)
producer:
Orrin Keepnews
double bass:
Sam Jones (on 1958-12-15)
drums (drum set):
Philly Joe Jones (on 1958-12-15)
piano:
Bill Evans (on 1958-12-15)
phonographic copyright (℗) by:
Milestone Records (in 1975)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-12-15)
instrumental cover recording of:
Tenderly (on 1958-12-15)
lyricist:
Jack Lawrence (in 1946)
composer:
Walter Gross (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
3:29
B2Peace Piece
recording engineer:
Jack Higgins (on 1958-12-15)
producer:
Orrin Keepnews
piano:
Bill Evans (on 1958-12-15)
phonographic copyright (℗) by:
Milestone Records (in 1975)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1956-12-15)
recording of:
Peace Piece (on 1958-12-15)
composer:
Bill Evans
publisher:
Acorn Music Corp., Folkways Music and TRO-Acorn Music
6:37
B3What Is There to Say?
recording engineer:
Jack Higgins (on 1958-12-15)
producer:
Orrin Keepnews
double bass:
Sam Jones (on 1958-12-15)
drums (drum set):
Philly Joe Jones (on 1958-12-15)
piano:
Bill Evans (on 1958-12-15)
phonographic copyright (℗) by:
Milestone Records (in 1975)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-12-15)
instrumental cover recording of:
What Is There to Say? (on 1958-12-15)
lyricist:
Yip Harburg
composer:
Vernon Duke
publisher:
BMG Songs, Next Decade Entertainment and T.B. Harms Co.
4:49
B4Oleo
recording engineer:
Jack Higgins (on 1958-12-15)
producer:
Orrin Keepnews
double bass:
Sam Jones (on 1958-12-15)
drums (drum set):
Philly Joe Jones (on 1958-12-15)
piano:
Bill Evans (on 1958-12-15)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-12-15)
cover recording of:
Oleo (on 1958-12-15)
composer:
Sonny Rollins
publisher:
Jazz Horn Music Corporation, Prestige Music and Sony/ATV Songs
4:04
B5Epilogue
recording engineer:
Jack Higgins (on 1958-12-15)
producer:
Orrin Keepnews
piano:
Bill Evans (on 1958-12-15)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-12-15)
recording of:
Epilogue (on 1958-12-15)
composer:
Bill Evans
publisher:
Folkways Music and TRO-Acorn Music
0:38