| # | Title | Artist | Length |
|---|
| 1 | This Cat's on a Hot Tin Roof | Brian Setzer Orchestra | 2:20 |
| 2 | Lipstick | Rocket From the Crypt | 3:23 |
| 3 | Holiday | Unwritten Law | 2:58 |
| 4 | Black Hole | Girls Against Boys | 4:19 |
| 5 | Beautiful Turnback Time Machine | dada | 4:19 |
| 6 | Independence Day | Elliott Smith | 3:05 |
| 7 | Prophesy | Remy Zero | 3:26 |
| 8 | Daydream Believer | Shonen Knife | 2:51 |
| 9 | Easy Way Down | Snowpony | 4:03 |
| 10 | Stride | Hayden | 2:49 |
| 11 | Panic Wreck | John Bottomley | 5:10 |
| 12 | Big Wheel | Plastiscene | 4:01 |
| 13 | I Was Better Off | Phantom Planet | 2:45 |
| 14 | Imaginary Love | Rufus Wainwright | 3:30 |
| 15 | Please God | Ana Voog | 3:43 |
| 16 | Joints & Jam- engineer:
- David Haines, Brian Lapin and Lou Michaels
- co-producer:
- Will Adams
- producer:
- Paul Poli
- mixer:
- Tim Latham
- bass guitar [bass]:
- Mike Fratantuno
- sampler [M.P.C. 3000]:
- will.i.am
- turntable [turntables]:
- Motive8 and Paul Poli
- additional vocals:
- Ingrid Dupree
- recorded at:
- Paramount Recording Studios in Hollywood, Los Angeles, California, United States
- mixed at:
- Encore Studios in Dayton, Ohio, United States
- samples:
- Love Till the End of Time by Paulinho da Costa and One, Two, S**t by A Tribe Called Quest feat. Busta Rhymes
- recording of:
- Joints and Jam
- writer:
- Allan Pineda, Barry Gibb, Jaime Gomez, Kamaal Ibn John Fareed, Malik Isaac Taylor, Ali Shaheed Muhammad, P. Poli, Greg Phillinganes, Trevor Tahiem Smith, Jr. and William Adams
- publisher:
- Arice Music, Careers–BMG Music Publishing, Inc., Gibb Brothers Music, King Arthur Music, Paul Poli Music and will.i.am Music
- is based on:
- Grease
| Black Eyed Peas | 3:38 |
| 17 | Clap Ya Hands/Turn It Out (radio edit) | Maestro | 3:41 |
