| # | Title | Artist | Length |
|---|
| 1 | The Final Countdown- producer:
- Kevin Elson
- phonographic copyright (℗) by:
- CBS Records AB (in 1986), CBS, Inc. (in 1986), Sony Music Entertainment Inc. (in 1986), Epic Records (in 1987) and Sony Music Entertainment (in 1987)
- recording of:
- The Final Countdown
- lyricist and composer:
- Joey Tempest
- publisher:
- Copyright Control, EMI, EMI Music Publishing Australia Pty Ltd, EMI Music Publishing Ltd., EMI Music Sweden AB, Screen Gems–EMI Music, Inc. and Seven Doors Music
| Europe | 3:58 |
| 2 | Eye of the Tiger- assistant engineer:
- Hill Swimmer
- engineer:
- Phil Bonnano and Mike Clink
- producer:
- Jim Peterik and Frankie Sullivan
- phonographic copyright (℗) by:
- Scotti Bros. Industries Inc (in 1982), Volcano Entertainment III, L.L.C. (in 1982, in 1985) and Sony Music Entertainment UK Limited (in 2016)
- recorded at:
- Rumbo Recorders in Canoga Park, Los Angeles, California, United States
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 28) and VH1: 100 Greatest Hard Rock Songs (number: 63)
- recording of:
- Eye of the Tiger
- writer:
- Jim Peterik and Frankie Sullivan
- publisher:
- Copyright Control, Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music, Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited, Warner/Chappell North America Limited, WB Music Corp. (, until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- sub-publisher:
- Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division, Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (from 2017-04-01 to present)
- part of:
- The 55th Academy Award for Best Original Song (number: 2)
| Survivor | 4:07 |
| 3 | Walk This Way- producer:
- Rick Rubin and Russell Simmons
- guest guitar:
- Joe Perry
- guest vocals:
- Steven Tyler
- phonographic copyright (℗) by:
- Profile Records, Inc. (in 1986) and RCA Records (in 1986)
- recording of:
- Walk This Way
- writer:
- Joe Perry and Steven Tyler
- publisher:
- Daksel LLC, Daksel Music Corp., Music of Stage Three, Music of Stage Three Aerosmith Account, Song and Dance Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Ltd., Stage Three Music Ltd., Stage Three Music Publishing Limited and Vindaloo Productions, Inc.
| Run‐D.M.C. with Aerosmith | 3:41 |
| 4 | Danger Zone- synthesizer [synth] programming:
- Hans Zimmer
- engineer:
- Dave Concors, Dave Connors and Tom Whitlock
- executive producer:
- Michael Dilbeck
- producer:
- Giorgio Moroder and Tom Whitlock
- mixer:
- Giorgio Moroder and Brian Reeves
- drums (drum set):
- John Robinson
- guitar:
- Dann Huff and Kenny Loggins
- keyboard:
- Giorgio Moroder
- saxophone:
- Tom Scott
- synthesizer:
- Tom Whitlock
- lead vocals:
- Kenny Loggins
- phonographic copyright (℗) by:
- CBS Inc. (in 1986), Columbia Records (in 1986), Sony Music Entertainment (in 1986) and Sony Music Entertainment Inc. (in 1986)
- recorded at:
- Oasis Recording Studios in North Hollywood, Los Angeles, California, United States
- a cappella versions:
- Danger Zone by Tufts Beelzebubs
- recording of:
- Danger Zone
- lyricist:
- Thomas Whitlock
- composer:
- Giorgio Moroder
- publisher:
- Budde Music Inc., Neue Welt Musikverlag GmbH, Sony/ATV Harmony, Sony/ATV Harmony UK, Sony/ATV Music Publishing (Germany) GmbH, Warner Chappell Overseas Holdings Ltd., Warner/Chappell North America, WB Music Corp., ソニー・ミュージックパブリッシング A事業部, ヤマハミュージックエンタテインメントホールディングス, ワーナー・チャペル音楽出版 Synch事業部, Famous Music Corporation (in 1986) and GMPC (in 1986)
| Kenny Loggins | 3:37 |
| 5 | Poison- recording engineer:
- Sir Arthur Payson (from 1988 until 1989)
- synthesizer programming:
- Steve Deutsch
- assistant engineer:
- George Cowan, Ben Fowler, Lolly Grodner, Robert Hart, John Herman, Don Peterkofsky, Duane Seykora, Brian Sterber and Mark Tanzer
- producer:
- Desmond Child
- mixer:
- Michael Barbiero and Steve Thompson
- additional keyboard:
- Paul Chiten (from 1988 until 1989) and Gregg Mangiafico (from 1988 until 1989)
- additional other instruments [special effects]:
- Gregg Mangiafico (from 1988 until 1989)
- bass guitar:
- Hugh McDonald (from 1988 until 1989)
- drums (drum set):
- Bobby Chouinard (from 1988 until 1989)
- guitar:
- John McCurry (from 1988 until 1989)
- keyboard:
- Alan St. John (from 1988 until 1989)
- background vocals:
- Alan St. John (from 1988 until 1989), Michael Anthony (from 1988 until 1989), Desmond Child (from 1988 until 1989), Diana Grasselli (from 1988 until 1989), Jango (from 1988 until 1989), Louie Merlino (from 1988 until 1989), Hugh McDonald (from 1988 until 1989), Jamie Sever (from 1988 until 1989), Bernie Shanahan (from 1988 until 1989), Stiv Bator (from 1988 until 1989), Tom Teeley (from 1988 until 1989), Joe Turano (from 1988 until 1989), Myriam Valle (from 1988 until 1989) and Maria Vidal (from 1988 until 1989)
- lead vocals:
- Alice Cooper (from 1988 until 1989)
- phonographic copyright (℗) by:
- CBS Records Inc. (in 1989), Epic Records (in 1989), Sony BMG Music Entertainment (in 1989), Sony Music Entertainment (in 1989) and Sony Music Entertainment Inc. (in 1989)
- recorded at:
- Bearsville Studios in Bearsville, New York, United States (from 1988 until 1989), Blue Jay Recording Studios in Carlisle, Massachusetts, United States (from 1988 until 1989), Grog Kill Studio in Woodstock, New York, United States (from 1988 until 1989), Mediasound Studios in New York, New York, United States (from 1988 until 1989), Power Station Studios in Hell's Kitchen, New York, New York, United States (from 1988 until 1989), Right Track Recording in Manhattan, New York, New York, United States (from 1988 until 1989), Sigma Sound Studios in New York, New York, United States (from 1988 until 1989), The Complex Studios in Los Angeles, California, United States (from 1988 until 1989), The Record Plant in Hollywood, Los Angeles, California, United States (from 1988 until 1989) and The Village Recorder in Los Angeles, California, United States (from 1988 until 1989)
- recording of:
- Poison (from 1988 until 1989)
- writer:
- Desmond Child, Alice Cooper and John McCurry
- publisher:
- Desmobile Inc., Desmobile Music Co., Inc., EMI April Music Inc., EMI Music Publishing Australia Pty. Limited, EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, from 1989 to present), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, from 1989 to ????), SBK Songs Ltd., Songs of Universal, Inc., Sony Music Publishing, Sony Songs Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal, Universal Music Publishing, Universal Music Publishing Group, Universal Music Publishing Ltd., Universal PolyGram International Publishing, Inc., Universal/MCA Music Ltd., Universal/MCA Music Publishing Pty Ltd, Universal/MCA Music Publishing Scandinavia AB, Warner–Tamerlane Publishing Corp. and Ezra Music Corp. (from 1989 to present)
- sub-publisher:
- シンコーミュージック・エンタテイメント, ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
| Alice Cooper | 4:31 |
| 6 | More Than a Feeling- producer:
- John Boylan and Tom Scholz
- acoustic guitar, bass and electric guitar:
- Tom Scholz (from 1975-10 until 1976-04)
- drums (drum set):
- Sib Hashian (from 1975-10 until 1976-04)
- vocals:
- Brad Delp (from 1975-10 until 1976-04)
- phonographic copyright (℗) by:
- CBS, Inc. (in 1976), Epic Records (in 1976), Sony BMG Music Entertainment (in 1976), Sony Music Entertainment Inc. (in 1976) and Sony Music Entertainment (UK) Ltd. (in 2002)
- recording of:
- More Than a Feeling (from 1975-10 until 1976-04)
- lyricist and composer:
- Tom Scholz
- publisher:
- Copyright Control, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd., Warner Chappell Music, Warner Chappell Music Ltd., WB Music Corp. and Pure Songs (in 1976)
| Boston | 3:25 |
| 7 | Drops of Jupiter | Train | 4:21 |
| 8 | Wherever You Will Go- assistant recording engineer:
- Tiago Becker and Valente Torres
- recording engineer:
- Marc Greene and David Thoener
- producer:
- Marc Tanner
- mixer:
- Chris Lord‐Alge
- additional keyboard:
- Paul Mirkovich
- bass:
- Bob Glaub
- drums (drum set):
- Matt Laug
- guitar, mandolin, sampler [loops] and sitar:
- Aaron Kamin
- percussion:
- Aaron Kamin, Matt Laug and Satnam Ramgotra
- synthesizer [synth strings]:
- Ron Fair
- tabla:
- Satnam Ramgotra
- phonographic copyright (℗) by:
- BMG Entertainment (in 2001) and RCA Records (in 2001)
- recorded at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States
- mixed at:
- Image Recording in Los Angeles, California, United States
- part of:
- Billboard Year-End Hot 100 2002 (number: 5)
- recording of:
- Wherever You Will Go
- writer:
- Alex Band and Aaron Kamin
- publisher:
- Alex Band Music, Amedeo Music, BMG Music Publishing, Inc., BMG Platinum Songs US, BMG Rights Management (UK) Ltd., Copyright Control, Universal Music Careers and Universal Music Publishing MGB Ltd.
| The Calling | 3:29 |
| 9 | Hold the Line- engineer and mixer:
- Tom Knox
- producer:
- Toto
- bass guitar:
- David Hungate (in 1978-08)
- drums (drum set):
- Jeffrey Porcaro (in 1978-08)
- electric guitar:
- Steve Lukather (in 1978-08)
- keyboard:
- David Paich (in 1978-08) and Steve Porcaro (in 1978-08)
- percussion:
- Lenny Castro (in 1978-08)
- piano:
- David Paich (in 1978-08)
- background vocals:
- Bobby Kimball (in 1978-08), Steve Lukather (in 1978-08) and David Paich (in 1978-08)
- lead vocals:
- Bobby Kimball (in 1978-08)
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 1977, in 1978), CBS Records Inc. (in 1978), CBS, Inc. (in 1978), Columbia Records (in 1978), Sony BMG Music Entertainment (in 1978) and Sony Music Entertainment (in 1978)
- recorded at:
- Studio 55 in Los Angeles, California, United States (in 1978-08)
- part of:
- BILLIONS CLUB
- recording of:
- Hold the Line (in 1978-08)
- lyricist and composer:
- David Paich
- publisher:
- Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd., Sony/ATV Music Publishing Ltd. and Spirit Two Music
- sub-publisher:
- Sony/ATV Music Publishing (UK) Ltd. and ソニー・ミュージックパブリッシング A事業部
| Toto | 3:57 |
| 10 | Mr. Blue Sky- engineer:
- Mack
- producer:
- Jeff Lynne
- bass:
- Kelly Groucutt (in 1977)
- drums (drum set), other instruments [fire extinguisher] and percussion:
- Bev Bevan (in 1977)
- guitar, synthesizer and lead vocals:
- Jeff Lynne (in 1977)
- keyboard:
- Richard Tandy (in 1977)
- background vocals:
- Bev Bevan (in 1977) and Kelly Groucutt (in 1977)
- conductor:
- Louis Clark (in 1977)
- arranger:
- Louis Clark, Jeff Lynne and Richard Tandy
- phonographic copyright (℗) by:
- Jet Records (in 1977), Sony Music Entertainment (in 1977, in 2005), Sony Music Entertainment Inc. (in 1977) and United Artists Music and Records Group, Inc. (in 1977)
- recorded at:
- Musicland Studios in München, Bayern, Germany (in 1977)
- mixed at:
- Musicland Studios in München, Bayern, Germany
- part of:
- TV Cream: Real 100 Best Singles Ever (number: 17) and Q50 – December 2005 (number: 33)
- recording of:
- Mr. Blue Sky (in 1977)
- lyricist and composer:
- Jeff Lynne
- publisher:
- EMI April Music Inc., EMI Blackwood Music Inc., EMI Music Publishing Ltd., EMI Songs Ltd. and Polygon Publishing Ltd.
- sub-publisher:
- イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
- part of:
- Concerto for a Rainy Day
| Electric Light Orchestra | 5:03 |
| 11 | (Don’t Fear) The Reaper- recording engineer:
- Andy Abrams (in 1976-03) and Shelly Yakus (in 1976-03)
- engineer:
- Andy Abrams and Shelly Yakus
- producer:
- Murray Krugman, David Lucas and Sandy Pearlman
- mixer:
- Andy Abrams (from 1975 until 1976) and Shelly Yakus (from 1975 until 1976)
- phonographic copyright (℗) by:
- CBS, Inc. (in 1976), Sony BMG Music Entertainment (in 1976) and Sony Music Entertainment Inc. (in 1976)
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (in 1976-03)
- mixed at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (from 1975 until 1976)
- part of:
- VH1: 100 Greatest Hard Rock Songs (number: 55)
- recording of:
- (Don’t Fear) The Reaper (in 1976-03)
- lyricist and composer:
- Donald Roeser
- publisher:
- Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC and Sony/ATV Tunes LLC (in 1976)
- sub-publisher:
- ソニー・ミュージックパブリッシング A事業部
| Blue Öyster Cult | 5:10 |
| 12 | Breaking the Law- recording of:
- Breaking the Law
- writer:
- Kenneth Downing, Rob Halford and Glenn Tipton
- publisher:
- Crewglen Ltd., Ebonytree Ltd, EMI April Music Inc., EMI Music Publishing France, EMI Music Publishing Ltd., EMI Songs Ltd., Geargate Ltd., Reach Global (UK) Limited, Reach Music Publishing, Inc., Round Hill Songs II and Warner Chappell Music France
- sub-publisher:
- ソニー・ミュージックパブリッシング EMI外国事業部, ワーナー・チャペル音楽出版 Synch事業部 and 日音 Synch事業部
| Judas Priest | 2:37 |
| 13 | Two Princes | Spin Doctors | 4:19 |
| 14 | Runaway Train | Soul Asylum | 4:28 |
| 15 | Place Your Hands | Reef | 3:40 |
| 16 | Hush | Kula Shaker | 2:58 |
| 17 | Modern Girl | Meat Loaf | 4:26 |
| 18 | Take It on the Run | REO Speedwagon | 4:02 |
| 19 | Black Betty | Ram Jam | 2:32 |
| 20 | All Day and All of the Night | The Stranglers | 2:34 |
