Bach og Mozart

~ Recording by Sally Matthews, Sinfóníuhljómsveit Íslands, Jonathan Cohen

Appears on releases

#TitleLengthTrack artistRelease titleCountry/Date
Official
1.1Bach og Mozart1:31:25Johann Sebastian Bach, Wolfgang Amadeus Mozart2017-12-07: Harpa, Reykjavík, Iceland
  • 2017-12-07 XW

Relationships

soprano vocals:Sally Matthews (on 2017-12-07)
orchestra:Sinfóníuhljómsveit Íslands (on 2017-12-07)
conductor:Jonathan Cohen (on 2017-12-07)
recorded at:Bach og Mozart
recorded at:Harpa: Eldborg in Reykjavík, Höfuðborgarsvæðið, Iceland (on 2017-12-07)
recording of:Così fan tutte: Ouvertura (on 2017-12-07: live)
Die Entführung aus dem Serail, K. 384: Akt II, Szene III. No. 11 Arie "Introduktion - Martern aller Arten - Doch du bist entschlossen" (Konstanze) (on 2017-12-07: live)
Exsultate, jubilate, K. 158a/165 (on 2017-12-07: live)
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa) (on 2017-12-07: live)
Orchestersuite Nr. 3 D-Dur, BWV 1068 (on 2017-12-07: live)
Symphony no. 31 in D major, K. 300a/297 "Paris" (on 2017-12-07: live)

Related works

Così fan tutte: Ouvertura

composer:Wolfgang Amadeus Mozart (in 1790)
part of:Così fan tutte ossia La scuola degli amanti, K. 588 (number) (order: 1)
arrangements:Così fan tutte: Ouvertura

Die Entführung aus dem Serail, K. 384: Akt II, Szene III. No. 11 Arie "Introduktion - Martern aller Arten - Doch du bist entschlossen" (Konstanze)

composer:Wolfgang Amadeus Mozart
additional librettist:Johann Gottlieb Stephanie
librettist:Christoph Friedrich Bretzner
later translated versions:Die Entführung aus dem Serail / Il ratto dal seraglio: “Tutte le torture”
part of:Die Entführung aus dem Serail, K. 384: Akt II (order: 12)
arrangements:Die Entführung aus dem Serail: Nr. 7. “Martern aller Arten”

Exsultate, jubilate, K. 158a/165

composer:Wolfgang Amadeus Mozart (in 1773)
parts:1. Exsultate, jubilate, K. 158a/165: I. Exsultate, jubilate (movement)
2. Exsultate, jubilate, K. 158a/165: II. Fulget amica dies (movement)
3. Exsultate, jubilate, K. 158a/165: III. Tu virginum corona (movement)
4. Exsultate, jubilate, K. 158a/165: IV. Alleluia (movement)
has revision:Exsultate, jubilate, K. 158a/165

Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa)

composer:Wolfgang Amadeus Mozart
librettist:Lorenzo Da Ponte
later translated versions:Die Hochzeit des Figaro: Akt II. Nr. 10 Kavatine „Hör mein Fleh’n“ (Gräfin)
part of:Le nozze di Figaro, K. 492: Atto II (order: 1)
arrangements:Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa)
Le nozze di Figaro: 6. Porgi amor. Aria

Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)

composer:Johann Sebastian Bach
parts:1. Orchestersuite Nr. 3 D-Dur, BWV 1068: I. Ouverture
2. Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air
3. Orchestersuite Nr. 3 D-Dur, BWV 1068: III. Gavotte I & II
4. Orchestersuite Nr. 3 D-Dur, BWV 1068: IV. Bourrée
5. Orchestersuite Nr. 3 D-Dur, BWV 1068: V. Gigue
is the basis for:True
arrangements:Orchestersuite Nr. 3 D-Dur, BWV 1068

Symphony no. 31 in D major, K. 300a/297 "Paris"

composer:Wolfgang Amadeus Mozart (in 1778)
parts:1. Symphony no. 31 in D major, K. 300a/297 "Paris": I. Allegro assai (movement)
2. Symphony no. 31 in D major, K. 300a/297 "Paris": II. Andante (movement)
3. Symphony no. 31 in D major, K. 300a/297 "Paris": III. Allegro (movement)
arrangements:Symphony no. 31 in D major, K. 300a/297 "Paris"