Messiah, K. 572: Aria: Warum entbrennen die Heiden (Bass)
~ Recording by Alastair Miles, Bach‐Collegium Stuttgart, Helmuth Rilling
Appears on releases
| # | Title | Length | Track artist | Release title | Country/Date | ||||
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| 2.17 | Messiah, K. 572: Aria: Warum entbrennen die Heiden (Bass) | 4:53 | Wolfgang Amadeus Mozart, George Frideric Handel | Messiah (Der Messias) |
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| 2.17 | Der Messias: Zweiter Teil. Arie: Warum entbrennen die Heiden | 4:52 | Wolfgang Amadeus Mozart, George Frideric Handel | Der Messias |
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| 2.17 | Der Messias, K. 572: Zweier Teil, Nr. 29. Arie (Bass): Warum entbrennen die Heiden | 4:53 | Wolfgang Amadeus Mozart | Sacred Works: Masses / Messiah / Missa Solemnis / Requiem / Kyrie |
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Relationships
| recorded in: | Stuttgart, Baden-Württemberg, Germany (in 1991) |
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| producer: | Joachim Augustin |
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| bass vocals: | Alastair Miles (in 1991) |
| orchestra: | Bach‐Collegium Stuttgart (in 1991) |
| conductor: | Helmuth Rilling (in 1991) |
| recording of: | Der Messias, K. 572: Teil II, Nr. 29. Aria: “Warum entbrennen die Heiden” (in 1991) |
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Related works
Der Messias, K. 572: Teil II, Nr. 29. Aria: “Warum entbrennen die Heiden” (bass)
| orchestrator: | Wolfgang Amadeus Mozart |
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| composer: | George Frideric Handel |
| arranger: | Wolfgang Amadeus Mozart (in 1789) |
| version of: | Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass) |
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| part of: | Der Messias, K. 572: Teil II (order: 17) |