It’s Louis Armstrong

~ Release by Louis Armstrong (see all versions of this release, 1 available)

Annotation

10-CD set.

Tracklist

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6▶CD
7▶CD
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#TitleLength
1When the Saints Go Marching In
recorded in:
New York, New York, United States (on 1938-05-13)
alto saxophone:
Rupert Cole (on 1938-05-13) and Charlie Holmes (on 1938-05-13)
double bass:
George "Pops" Foster (on 1938-05-13)
drums (drum set):
Paul Barbarin (on 1938-05-13)
guitar:
Lee Blair (on 1938-05-13)
piano:
Luis Russell (on 1938-05-13)
tenor saxophone:
Bingie Madison (on 1938-05-13)
trombone:
J.C. Higginbotham (on 1938-05-13)
trumpet:
Louis Armstrong (on 1938-05-13) and Shelton "Scad" Hemphill (on 1938-05-13)
vocals:
Louis Armstrong (on 1938-05-13)
orchestra:
Louis Armstrong & His Orchestra (on 1938-05-13)
recording of:
When the Saints Go Marching In (Louis Armstrong’s version) (on 1938-05-13)
lyricist and composer:
[traditional]
arranger:
Louis Armstrong
version of:
When the Saints Go Marching In
2:43
2On the Sentimental Side
recorded in:
New York, New York, United States (on 1938-05-18)
alto saxophone:
Charlie Holmes (on 1938-05-18)
double bass:
George "Pops" Foster (on 1938-05-18)
drums (drum set):
Paul Barbarin (on 1938-05-18)
guitar:
Lee Blair (on 1938-05-18)
piano:
Luis Russell (on 1938-05-18)
reeds:
Rupert Cole (on 1938-05-18)
tenor saxophone:
Bingie Madison (on 1938-05-18)
trombone:
J.C. Higginbotham (on 1938-05-18)
trumpet:
Louis Armstrong (on 1938-05-18) and Shelton "Scad" Hemphill (on 1938-05-18)
vocals:
Louis Armstrong (on 1938-05-18)
orchestra:
Louis Armstrong & His Orchestra (on 1938-05-18)
recording of:
On the Sentimental Side (on 1938-05-18)
lyricist:
Johnny Burke
composer:
James V. Monaco
2:25
3It’s Wonderful
recorded in:
New York, New York, United States (on 1938-05-18)
alto saxophone:
Rupert Cole (on 1938-05-18) and Charlie Holmes (on 1938-05-18)
double bass:
George "Pops" Foster (on 1938-05-18)
drums (drum set):
Paul Barbarin (on 1938-05-18)
guitar:
Lee Blair (on 1938-05-18)
piano:
Luis Russell (on 1938-05-18)
tenor saxophone:
Bingie Madison (on 1938-05-18)
trombone:
J.C. Higginbotham (on 1938-05-18)
trumpet:
Louis Armstrong (on 1938-05-18) and Shelton "Scad" Hemphill (on 1938-05-18)
vocals:
Louis Armstrong (on 1938-05-18)
orchestra:
Louis Armstrong & His Orchestra (on 1938-05-18)
recording of:
It’s Wonderful (on 1938-05-18)
lyricist:
Mitchell Parish (in 1937)
composer:
Stuff Smith (in 1937)
2:36
4Something Tells Me
recorded in:
New York, New York, United States (on 1938-05-18)
alto saxophone:
Charlie Holmes (on 1938-05-18)
double bass:
George "Pops" Foster (on 1938-05-18)
drums (drum set):
Paul Barbarin (on 1938-05-18)
guitar:
Lee Blair (on 1938-05-18)
piano:
Luis Russell (on 1938-05-18)
reeds:
Rupert Cole (on 1938-05-18)
tenor saxophone:
Bingie Madison (on 1938-05-18)
trombone:
J.C. Higginbotham (on 1938-05-18)
trumpet:
Louis Armstrong (on 1938-05-18) and Shelton "Scad" Hemphill (on 1938-05-18)
vocals:
Louis Armstrong (on 1938-05-18)
orchestra:
Louis Armstrong & His Orchestra (on 1938-05-18)
recording of:
Something Tells Me (on 1938-05-18)
lyricist:
Johnny Mercer
composer:
Harry Warren
2:32
5Love Walked In
recorded in:
New York, New York, United States (on 1938-05-18)
alto saxophone:
Charlie Holmes (on 1938-05-18)
double bass:
George "Pops" Foster (on 1938-05-18)
drums (drum set):
Paul Barbarin (on 1938-05-18)
guitar:
Lee Blair (on 1938-05-18)
piano:
Luis Russell (on 1938-05-18)
reeds:
Rupert Cole (on 1938-05-18)
tenor saxophone:
Bingie Madison (on 1938-05-18)
trombone:
J.C. Higginbotham (on 1938-05-18)
trumpet:
Louis Armstrong (on 1938-05-18) and Shelton "Scad" Hemphill (on 1938-05-18)
vocals:
Louis Armstrong (on 1938-05-18)
orchestra:
Louis Armstrong & His Orchestra (on 1938-05-18)
recording of:
Love Walked In (on 1938-05-18)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (in 1930)
publisher:
Chappell & Co Ltd., Warner Chappell Music Ltd. and Gershwin Publishing Corp (in 1938)
part of:
The Goldwyn Follies
2:31
6Naturally
recorded in:
New York, New York, United States (on 1938-06-24)
clarinet:
Sid Stoneburn (on 1938-06-24)
double bass:
Haig Stephens (on 1938-06-24)
drums (drum set):
Sam Weiss (on 1938-06-24)
guitar:
Dave Barbour (on 1938-06-24)
piano:
Nat Jaffe (on 1938-06-24)
trumpet:
Louis Armstrong (on 1938-06-24), Bob Cusumano (on 1938-06-24) and Johnny McGee (on 1938-06-24)
valve trombone:
Al Philburn (on 1938-06-24)
vocals:
Louis Armstrong (on 1938-06-24)
orchestra:
Louis Armstrong & His Orchestra (on 1938-06-24)
recording of:
Naturally (1938 song) (on 1938-06-24)
lyricist and composer:
Harry Barris and Joseph McCarthy
publisher:
Larry Spier Music LLC
2:48
7I’ve Got a Pocketful of Dreams
recorded in:
New York, New York, United States (on 1938-06-24)
clarinet:
Sid Stoneburn (on 1938-06-24)
double bass:
Haig Stephens (on 1938-06-24)
drums (drum set):
Sam Weiss (on 1938-06-24)
guitar:
Dave Barbour (on 1938-06-24)
piano:
Nat Jaffe (on 1938-06-24)
trumpet:
Louis Armstrong (on 1938-06-24), Bob Cusumano (on 1938-06-24) and Johnny McGee (on 1938-06-24)
valve trombone:
Al Philburn (on 1938-06-24)
vocals:
Louis Armstrong (on 1938-06-24)
orchestra:
Louis Armstrong & His Orchestra (on 1938-06-24)
recording of:
I’ve Got a Pocketful of Dreams (on 1938-06-24)
lyricist:
Johnny Burke
composer:
James V. Monaco
publisher:
Santly Joy Select, Inc. (on 1938-05-07)
2:55
8I Can’t Give You Anything but Love
cover recording of:
I Can’t Give You Anything but Love, Baby
lyricist:
Dorothy Fields
composer:
Jimmy McHugh
publisher:
Aldi Music Company, Cotton Club Publishing and EMI Mills Music Inc.
sub-publisher:
EMI Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス, コンソーシアム音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (from 2021-07-01 to present)
2:56
9Ain’t Misbehavin’
recording of:
Ain’t Misbehavin’
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd., EMI Music, Redwood Music and Redwood Music Ltd.
2:57
10Jeepers Creepers
recording of:
Jeepers Creepers
lyricist:
Johnny Mercer (in 1938)
writer:
Richard A. Whiting
composer:
Harry Warren (in 1938)
publisher:
B. Feldman & Co. Ltd. and Copyright Control
part of:
The 11th Academy Award for Best Original Song (number: 2)
2:40
11What Is This Thing Called Swing?
recorded in:
New York, New York, United States (on 1939-01-18)
alto saxophone:
Rupert Cole (on 1939-01-18) and Charlie Holmes (on 1939-01-18)
bass:
George "Pops" Foster (on 1939-01-18)
drums (drum set):
Sid Catlett (on 1939-01-18)
guitar:
Lee Blair (on 1939-01-18)
instruments:
Louis Armstrong & His Orchestra (on 1939-01-18)
piano:
Luis Russell (on 1939-01-18)
tenor saxophone:
Bingie Madison (on 1939-01-18) and Albert Nicholas (on 1939-01-18)
trombone:
Wilbur de Paris (on 1939-01-18), J.C. Higginbotham (on 1939-01-18) and Bull City Red (on 1939-01-18)
trumpet:
Henry “Red” Allen (on 1939-01-18), Louis Armstrong (on 1939-01-18), Shelton "Scad" Hemphill (on 1939-01-18) and Otis Johnson (on 1939-01-18)
vocals:
Louis Armstrong (on 1939-01-18)
recording of:
What Is That Thing Called Swing (on 1939-01-18)
lyricist and composer:
Cole Porter
3:07
12Rockin’ Chair
recording of:
Rockin’ Chair (1929 Hoagy Carmichael song)
lyricist:
Hoagy Carmichael
composer:
Hoagy Carmichael (in 1929)
publisher:
Songs of Peer, Ltd.
3:17
13Lazy Bones
recorded in:
New York, New York, United States (on 1939-02-20)
alto saxophone:
Glen Gray (on 1939-02-20), Clarence Hutchenrider (on 1939-02-20), Murray McEachern (on 1939-02-20), Art Ralston (on 1939-02-20) and Kenny Sargent (on 1939-02-20)
baritone saxophone:
Kenny Sargent (on 1939-02-20)
double bass:
Stanley Dennis (on 1939-02-20)
drums (drum set):
Tony Briglia (on 1939-02-20)
guitar:
Jack Blanchette (on 1939-02-20)
piano:
Joe "Horse" Hall (on 1939-02-20)
reeds:
Art Ralston (on 1939-02-20)
tenor saxophone:
Dan D’Andrea (on 1939-02-20) and Pat Davis (on 1939-02-20)
trombone:
Pee Wee Hunt (on 1939-02-20), Murray McEachern (on 1939-02-20) and Billy Rauch (on 1939-02-20)
trumpet:
Louis Armstrong (on 1939-02-20), Sonny Dunham (on 1939-02-20), Frank Ryerson (on 1939-02-20) and Grady Watts (on 1939-02-20)
vocals:
Pee Wee Hunt (on 1939-02-20) and Louis Armstrong (on 1939-04-05)
orchestra:
Glen Gray & the Casa Loma Orchestra (on 1939-02-20)
recording of:
Lazy Bones (on 1939-02-20)
lyricist:
Johnny Mercer
composer:
Hoagy Carmichael
publisher:
Songs of Peer, Ltd.
3:16
14Hear Me Talkin’ to Ya?
recorded in:
New York, New York, United States (on 1939-04-05)
double bass:
George "Pops" Foster (on 1939-04-05)
drums (drum set):
Sid Catlett (on 1939-04-05)
guitar:
Lee Blair (on 1939-04-05)
piano:
Luis Russell (on 1939-04-05)
reeds:
Rupert Cole (on 1939-04-05), Joe Garland (on 1939-04-05), Charlie Holmes (on 1939-04-05) and Bingie Madison (on 1939-04-05)
trombone:
Wilbur de Paris (on 1939-04-05), J.C. Higginbotham (on 1939-04-05) and George Washington (on 1939-04-05)
trumpet:
Henry “Red” Allen (on 1939-04-05), Louis Armstrong (on 1939-04-05), Shelton "Scad" Hemphill (on 1939-04-05) and Otis Johnson (on 1939-04-05)
vocals:
Louis Armstrong (on 1939-04-05)
orchestra:
Louis Armstrong & His Orchestra (on 1939-04-05)
recording of:
Hear Me Talkin' to Ya (on 1939-04-05)
lyricist and composer:
Louis Armstrong
3:06
15Save It, Pretty Mama
recorded in:
New York, New York, United States (on 1939-04-05)
double bass:
George "Pops" Foster (on 1939-04-05)
drums (drum set):
Sid Catlett (on 1939-04-05)
guitar:
Lee Blair (on 1939-04-05)
piano:
Luis Russell (on 1939-04-05)
reeds:
Rupert Cole (on 1939-04-05), Joe Garland (on 1939-04-05), Charlie Holmes (on 1939-04-05) and Bingie Madison (on 1939-04-05)
trombone:
Wilbur de Paris (on 1939-04-05), J.C. Higginbotham (on 1939-04-05) and George Washington (on 1939-04-05)
trumpet:
Henry “Red” Allen (on 1939-04-05), Louis Armstrong (on 1939-04-05), Shelton "Scad" Hemphill (on 1939-04-05) and Otis Johnson (on 1939-04-05)
vocals:
Louis Armstrong (on 1939-04-05)
orchestra:
Louis Armstrong & His Orchestra (on 1939-04-05)
recording of:
Save It, Pretty Mama (on 1939-04-05)
writer:
Paul Denniker, Joseph M. Davis and Don Redman
2:59
16West End Blues
recorded in:
New York, New York, United States (on 1939-04-05)
double bass:
George "Pops" Foster (on 1939-04-05)
drums (drum set):
Sid Catlett (on 1939-04-05)
guitar:
Lee Blair (on 1939-04-05)
piano:
Luis Russell (on 1939-04-05)
reeds:
Rupert Cole (on 1939-04-05), Joe Garland (on 1939-04-05), Charlie Holmes (on 1939-04-05) and Bingie Madison (on 1939-04-05)
trombone:
Wilbur de Paris (on 1939-04-05), J.C. Higginbotham (on 1939-04-05) and George Washington (on 1939-04-05)
trumpet:
Henry “Red” Allen (on 1939-04-05), Louis Armstrong (on 1939-04-05), Shelton "Scad" Hemphill (on 1939-04-05) and Otis Johnson (on 1939-04-05)
vocals:
Louis Armstrong (on 1939-04-05)
orchestra:
Louis Armstrong and His Orchestra (in 1939) and Louis Armstrong & His Orchestra (on 1939-04-05)
recording of:
West End Blues (Armstrong recording) (on 1939-04-05)
composer:
King Oliver (in 1928)
arranger:
Louis Armstrong (in 1928)
arrangement of:
West End Blues (original instrumental)
3:11
17Savoy Blues
recorded in:
New York, New York, United States (on 1939-04-05)
double bass:
George "Pops" Foster (on 1939-04-05)
drums (drum set):
Sid Catlett (on 1939-04-05)
guitar:
Lee Blair (on 1939-04-05)
piano:
Luis Russell (on 1939-04-05)
reeds:
Rupert Cole (on 1939-04-05), Joe Garland (on 1939-04-05), Charlie Holmes (on 1939-04-05) and Bingie Madison (on 1939-04-05)
trombone:
Wilbur de Paris (on 1939-04-05), J.C. Higginbotham (on 1939-04-05) and George Washington (on 1939-04-05)
trumpet:
Henry “Red” Allen (on 1939-04-05), Louis Armstrong (on 1939-04-05), Shelton "Scad" Hemphill (on 1939-04-05) and Otis Johnson (on 1939-04-05)
orchestra:
Louis Armstrong & His Orchestra (on 1939-04-05)
recording of:
Savoy Blues (on 1939-04-05)
writer:
Kid Ory
3:14
18Confessin’
recording of:
I’m Confessin’ (That I Love You)
lyricist:
Al J. Neiburg (in 1930)
composer:
Doc Daugherty (in 1930) and Ellis Reynolds (in 1930)
publisher:
Bourne Music Ltd.
version of:
Lookin’ for Another Sweetie
3:15
19Our Monday Date
recorded in:
New York, New York, United States (on 1939-04-25)
bass:
George "Pops" Foster (on 1939-04-25)
drums (drum set):
Sid Catlett (on 1939-04-25)
guitar:
Lee Blair (on 1939-04-25)
piano:
Luis Russell (on 1939-04-25)
reeds:
Rupert Cole (on 1939-04-25), Joe Garland (on 1939-04-25), Charlie Holmes (on 1939-04-25) and Bingie Madison (on 1939-04-25)
trombone:
Wilbur de Paris (on 1939-04-25), J.C. Higginbotham (on 1939-04-25) and George Washington (on 1939-04-25)
trumpet:
Henry “Red” Allen (on 1939-04-25), Louis Armstrong (on 1939-04-25), Bernard Flood (on 1939-04-25) and Shelton "Scad" Hemphill (on 1939-04-25)
vocals:
Louis Armstrong (on 1939-04-25)
orchestra:
Louis Armstrong & His Orchestra (on 1939-04-25)
recording of:
My Monday Date (on 1939-04-25)
composer:
Earl Hines
publisher:
MCA Music
adaptations:
My Monday Date (with lyrics)
2:29
20If It’s Good (Then I Want It)
recorded in:
New York, New York, United States (on 1939-04-25)
bass:
George "Pops" Foster (on 1939-04-25)
drums (drum set):
Sid Catlett (on 1939-04-25)
guitar:
Lee Blair (on 1939-04-25)
piano:
Luis Russell (on 1939-04-25)
reeds:
Rupert Cole (on 1939-04-25), Joe Garland (on 1939-04-25), Charlie Holmes (on 1939-04-25) and Bingie Madison (on 1939-04-25)
trombone:
Wilbur de Paris (on 1939-04-25), J.C. Higginbotham (on 1939-04-25) and George Washington (on 1939-04-25)
trumpet:
Henry “Red” Allen (on 1939-04-25), Louis Armstrong (on 1939-04-25), Bernard Flood (on 1939-04-25) and Shelton "Scad" Hemphill (on 1939-04-25)
vocals:
Louis Armstrong (on 1939-04-25)
orchestra:
Louis Armstrong & His Orchestra (on 1939-04-25)
recording of:
If It’s Good (Then I Want It) (on 1939-04-25)
writer:
Walter Hirsch and Gerald Marks
2:35
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