A Midsummer Night’s Dream

~ Release by Britten; McNair, Asawa, Lloyd, London Symphony Orchestra, Sir Colin Davis (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistLength
1A Midsummer Night’s Dream: Act One. "Over hill, over dale" (Fairies, Puck)
producer:
Ursula Singer
choir vocals [Fairies]:
New London Children’s Choir (in 1995-12)
soprano vocals [Mustardseed (Fairy)]:
Sara Rey (in 1995-12)
soprano vocals [Peaseblossom (Fairy)]:
Claudia Conway (in 1995-12)
spoken vocals [Puck]:
Carl Ferguson (in 1995-12)
treble vocals [Cobweb (Fairy)]:
David Newman (in 1995-12)
treble vocals [Moth]:
Matthew Long (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London, England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act I. "Over hill, over dale" (Fairies, Puck) (in 1995-12)
composer:
Benjamin Britten (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act I
Benjamin Britten3:51
2A Midsummer Night’s Dream: Act One. "Oberon is passing fell and wrath" (Fairies, Oberon, Tytania)
producer:
Ursula Singer
choir vocals [Fairies]:
New London Children’s Choir (in 1995-12)
countertenor vocals [Oberon]:
Brian Asawa (in 1995-12)
soprano vocals [Tytania]:
Sylvia McNair (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London, England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act I. "Oberon is passing fell and wrath" (Fairies, Oberon, Tytania) (in 1995-12)
composer:
Benjamin Britten (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act I
Benjamin Britten3:18
3A Midsummer Night’s Dream: Act One. "Well, go thy way" (Oberon, Puck)
producer:
Ursula Singer
countertenor vocals [Oberon]:
Brian Asawa (in 1995-12)
spoken vocals [Puck]:
Carl Ferguson (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London, England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act I. "Well, go thy way" (Oberon, Puck) (in 1995-12)
composer:
Benjamin Britten (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act I
Benjamin Britten3:39
4A Midsummer Night’s Dream: Act One. "How now, my love?" (Lysander, Hermia)
producer:
Ursula Singer
mezzo-soprano vocals [Hermia]:
Ruby Philogene (in 1995-12)
tenor vocals [Lysander]:
John Mark Ainsley (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London, England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act I. "How now, my love" (Lysanda, Hermia) (in 1995-12)
composer:
Benjamin Britten (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act I
Benjamin Britten4:26
5A Midsummer Night’s Dream: Act One. "Be it on lion, bear, or wolf, or bull" (Oberon, Demetrius, Helena)
producer:
Ursula Singer
baritone vocals:
Paul Whelan (in 1995-12)
countertenor vocals [Oberon]:
Brian Asawa (in 1995-12)
soprano vocals:
Janice Watson (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London, England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act I. "Be it on lion, bear, or wolf, or bull" (Oberon, Demetrius, Helena) (in 1995-12)
composer:
Benjamin Britten (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act I
Benjamin Britten3:40
6A Midsummer Night’s Dream: Act One. "Welcome, wanderer!" (Oberon)
producer:
Ursula Singer
countertenor vocals [Oberon]:
Brian Asawa (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London, England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act I. "Welcome, wanderer!" (Oberon) (in 1995-12)
composer:
Benjamin Britten (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act I
Benjamin Britten5:45
7A Midsummer Night’s Dream: Act One. "Is all our company here?" (Rustics)
producer:
Ursula Singer
baritone vocals:
Neil Davies (in 1995-12)
bass vocals:
Gwynne Howell (in 1995-12) and Stephen Richardson (in 1995-12)
bass-baritone vocals:
Robert Lloyd (in 1995-12)
tenor vocals:
Ian Bostridge (in 1995-12) and Mark Tucker (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London, England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act I. "Is all our company here?" (Rustics)
composer:
Benjamin Britten (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act I
Benjamin Britten6:35
8A Midsummer Night’s Dream: Act One. "Fair love, you faint with wand’ring in the wood" (Lysander, Hermia)
producer:
Ursula Singer
mezzo-soprano vocals:
Ruby Philogene (in 1995-12)
tenor vocals:
John Mark Ainsley (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London, England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act I. "Fair love, you faint with wand'ring in the wood" (Lysander, Hermia)
composer:
Benjamin Britten (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act I
Benjamin Britten3:21
9A Midsummer Night’s Dream: Act One. "Through the forest I have gone" (Puck)
producer:
Ursula Singer
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London, England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act I. "Through the forest I have gone" (Puck)
composer:
Benjamin Britten (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act I
Benjamin Britten1:38
10A Midsummer Night’s Dream: Act One. "Stay, though thou kill me, sweet Demetrius" (Helena, Demetrius, Lysanda, Hermia)
producer:
Ursula Singer
baritone vocals:
Paul Whelan (in 1995-12)
mezzo-soprano vocals:
Ruby Philogene (in 1995-12)
soprano vocals:
Janice Watson (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London, England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act I. "Stay, though thou kill me, sweet Demetrius" (Helena, Demetrius, Lysanda, Hermia)
composer:
Benjamin Britten (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act I
Benjamin Britten5:13
11A Midsummer Night’s Dream: Act One. "Come, now a roundel, and a fairy song" (Tytania)
producer:
Ursula Singer
soprano vocals:
Sylvia McNair (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London, England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act I. "Come, now a roundel, and a fairy song" (Tytania)
composer:
Benjamin Britten (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act I
Benjamin Britten2:12
12A Midsummer Night’s Dream: Act One. "You spotted snakes with double tongue" (Fairies)
producer:
Ursula Singer
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London, England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act I. "You spotted snakes with double tongue" (Yaogd;)
composer:
Benjamin Britten (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act I
Benjamin Britten2:21
13A Midsummer Night’s Dream: Act One. "What thou seest when thou dost awake" (Oberon)
producer:
Ursula Singer
countertenor vocals:
Brian Asawa (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London, England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act I. "What thou seest when thou dost awake" (Oberon)
composer:
Benjamin Britten (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act I
Benjamin Britten2:35
14A Midsummer Night’s Dream: Act Two. Introduction: The Wood
producer:
Ursula Singer
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London, England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act II. Introduction: the Wood
composer:
Benjamin Britten (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act II
Benjamin Britten3:21
15A Midsummer Night’s Dream: Act Two. "Are we all met?" (Rustics, Puck)
producer:
Ursula Singer
baritone vocals:
Neil Davies (in 1995-12)
bass vocals:
Gwynne Howell (in 1995-12) and Stephen Richardson (in 1995-12)
bass-baritone vocals:
Robert Lloyd (in 1995-12)
tenor vocals:
Ian Bostridge (in 1995-12) and Mark Tucker (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London, England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act II. "Are we all met?" (Rustics, Puck)
composer:
Benjamin Britten (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act II
Benjamin Britten6:48
16A Midsummer Night’s Dream: Act Two. "I see their knavery" (Bottom, Tytania, Fairies)
producer:
Ursula Singer
bass-baritone vocals:
Robert Lloyd (in 1995-12)
soprano vocals:
Sylvia McNair (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London, England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act II. "I see their knavery" (Bottom, Tytania, Fairies)
composer:
Benjamin Britten (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act II
Benjamin Britten3:11
17A Midsummer Night’s Dream: Act Two. "Be kind and courteous to this gentleman" (Tytania)
producer:
Ursula Singer
soprano vocals:
Sylvia McNair (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London, England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act II. "Be kind and courteous to this gentleman" (Tytania)
composer:
Benjamin Britten (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act II
Benjamin Britten1:34
18A Midsummer Night’s Dream: Act Two. "Hail, mortal, hail!" (Fairies, Bottom, Tytania)
producer:
Ursula Singer
bass-baritone vocals:
Robert Lloyd (in 1995-12)
soprano vocals:
Sylvia McNair (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London, England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act II. "Hail, mortal, hail!" (Fairies, Bottom, Tytania)
composer:
Benjamin Britten (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act II
Benjamin Britten5:09
19A Midsummer Night’s Dream: Act Two. "I have a reas’nable good ear in music" (Bottom, Tytania)
producer:
Ursula Singer
bass-baritone vocals:
Robert Lloyd (in 1995-12)
soprano vocals:
Sylvia McNair (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London, England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act II. "I have a reas'nable good ear in music" (Bottom, Tytania)
composer:
Benjamin Britten (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act II
Benjamin Britten5:00
20A Midsummer Night’s Dream: Act Two. "How now, mad spirit" (Oberon, Puck, Demetrius, Hermia)
producer:
Ursula Singer
baritone vocals:
Paul Whelan (in 1995-12)
countertenor vocals:
Brian Asawa (in 1995-12)
mezzo-soprano vocals:
Ruby Philogene (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London, England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act II. "How now, mad spirit" (Oberon, Puck, Demetrius, Hermia)
composer:
Benjamin Britten (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act II
Benjamin Britten2:49
2▶CD