Box Set

~ Release by AC/DC (see all versions of this release, 4 available)

Annotation

17 Cd Australian Collectors Box

Tracklist

1CD: ’74 Jailbreak (remastered)
2CD: High Voltage (remastered)
3CD: Dirty Deeds Done Dirt Cheap (remastered)
4CD: Let There Be Rock (remastered)
5CD: Powerage (remastered)
6CD: If You Want Blood You’ve Got It (remastered)
7CD: Highway to Hell (remastered)
8CD: Back in Black (remastered)
#TitleLength
1Hells Bells
assistant engineer:
Benjamin Armbrister and Jack Nuber
engineer:
Tony Platt (from 1980-04 until 1980-05)
producer:
Robert John “Mutt” Lange
mixer:
Brad Samuelsohn
bass guitar:
Cliff Williams (from 1980-04 until 1980-05)
drums (drum set):
Phil Rudd (from 1980-04 until 1980-05)
guitar [lead guitar]:
Angus Young (from 1980-04 until 1980-05)
guitar [rhythm guitar]:
Malcolm Young (from 1980-04 until 1980-05)
lead vocals:
Brian Johnson (from 1980-04 until 1980-05)
phonographic copyright (℗) by:
Albert Productions (in 1980) and Leidseplein Presse B.V. (in 1980)
recorded at:
Compass Point Studios in Nassau, Bahamas (from 1980-04 until 1980-05)
part of:
SWR1 Hitparade 2011 (number: 8), SWR1 Hitparade 2012 (number: 8), SWR1 Hitparade 2013 (number: 9) and SWR1 Hitparade 2010 (number: 10)
recording of:
Hells Bells (from 1980-04 until 1980-05)
writer:
Brian Johnson, Angus Young and Malcolm Young
publisher:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) and Zomba Management and Publishers Ltd. (in 1980)
5:12
2Shoot to Thrill
assistant engineer:
Benjamin Armbrister and Jack Nuber
engineer:
Tony Platt (from 1980-04 until 1980-05)
producer:
Robert John “Mutt” Lange
mixer:
Brad Samuelsohn
bass guitar:
Cliff Williams (from 1980-04 until 1980-05)
drums (drum set):
Phil Rudd (from 1980-04 until 1980-05)
guitar [lead guitar]:
Angus Young (from 1980-04 until 1980-05)
guitar [rhythm guitar]:
Malcolm Young (from 1980-04 until 1980-05)
lead vocals:
Brian Johnson (from 1980-04 until 1980-05)
phonographic copyright (℗) by:
Albert Productions (in 1980) and Leidseplein Presse B.V. (in 1980)
recorded at:
Compass Point Studios in Nassau, Bahamas (from 1980-04 until 1980-05)
music videos:
Shoot to Thrill by AC/DC
recording of:
Shoot to Thrill (from 1980-04 until 1980-05)
writer:
Brian Johnson, Angus Young and Malcolm Young
publisher:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) and Zomba Management and Publishers Ltd. (in 1980)
5:17
3What Do You Do for Money Honey
assistant engineer:
Benjamin Armbrister and Jack Nuber
engineer:
Tony Platt (from 1980-04 until 1980-05)
producer:
Robert John “Mutt” Lange
mixer:
Brad Samuelsohn
bass guitar:
Cliff Williams (from 1980-04 until 1980-05)
drums (drum set):
Phil Rudd (from 1980-04 until 1980-05)
guitar [lead guitar]:
Angus Young (from 1980-04 until 1980-05)
guitar [rhythm guitar]:
Malcolm Young (from 1980-04 until 1980-05)
lead vocals:
Brian Johnson (from 1980-04 until 1980-05)
phonographic copyright (℗) by:
Albert Productions (in 1980) and Leidseplein Presse B.V. (in 1980)
recorded at:
Compass Point Studios in Nassau, Bahamas (from 1980-04 until 1980-05)
recording of:
What Do You Do for Money Honey (from 1980-04 until 1980-05)
writer:
Brian Johnson, Angus Young and Malcolm Young
publisher:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) and Zomba Management and Publishers Ltd. (in 1980)
3:36
4Givin the Dog a Bone
assistant engineer:
Benjamin Armbrister and Jack Nuber
engineer:
Tony Platt (from 1980-04 until 1980-05)
producer:
Robert John “Mutt” Lange
mixer:
Brad Samuelsohn
bass guitar:
Cliff Williams (from 1980-04 until 1980-05)
drums (drum set):
Phil Rudd (from 1980-04 until 1980-05)
guitar [lead guitar]:
Angus Young (from 1980-04 until 1980-05)
guitar [rhythm guitar]:
Malcolm Young (from 1980-04 until 1980-05)
lead vocals:
Brian Johnson (from 1980-04 until 1980-05)
phonographic copyright (℗) by:
Albert Productions (in 1980) and Leidseplein Presse B.V. (in 1980)
recorded at:
Compass Point Studios in Nassau, Bahamas (from 1980-04 until 1980-05)
recording of:
Given the Dog a Bone (from 1980-04 until 1980-05)
writer:
Brian Johnson, Angus Young and Malcolm Young
publisher:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) and Zomba Management and Publishers Ltd. (in 1980)
3:32
5Let Me Put My Love Into You
assistant engineer:
Benjamin Armbrister and Jack Nuber
engineer:
Tony Platt (from 1980-04 until 1980-05)
producer:
Robert John “Mutt” Lange
mixer:
Brad Samuelsohn
bass guitar:
Cliff Williams (from 1980-04 until 1980-05)
drums (drum set):
Phil Rudd (from 1980-04 until 1980-05)
guitar [lead guitar]:
Angus Young (from 1980-04 until 1980-05)
guitar [rhythm guitar]:
Malcolm Young (from 1980-04 until 1980-05)
lead vocals:
Brian Johnson (from 1980-04 until 1980-05)
phonographic copyright (℗) by:
Albert Productions (in 1980) and Leidseplein Presse B.V. (in 1980)
recorded at:
Compass Point Studios in Nassau, Bahamas (from 1980-04 until 1980-05)
recording of:
Let Me Put My Love Into You (from 1980-04 until 1980-05)
writer:
Brian Johnson, Angus Young and Malcolm Young
publisher:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) and Zomba Management and Publishers Ltd. (in 1980)
part of:
“The Filthy Fifteen” (number: 6)
4:15
6Back in Black
assistant engineer:
Benjamin Armbrister and Jack Nuber
engineer:
Tony Platt (from 1980-04 until 1980-05)
producer:
Robert John “Mutt” Lange
mixer:
Brad Samuelsohn
bass guitar:
Cliff Williams (from 1980-04 until 1980-05)
drums (drum set):
Phil Rudd (from 1980-04 until 1980-05)
guitar [lead guitar]:
Angus Young (from 1980-04 until 1980-05)
guitar [rhythm guitar]:
Malcolm Young (from 1980-04 until 1980-05)
lead vocals:
Brian Johnson (from 1980-04 until 1980-05)
phonographic copyright (℗) by:
Albert Productions (in 1980) and Leidseplein Presse B.V. (in 1980)
recorded at:
Compass Point Studios in Nassau, Bahamas (from 1980-04 until 1980-05)
part of:
NME: 50 Greatest Guitar Riffs of All Time (number: 1), VH1: 100 Greatest Hard Rock Songs (number: 2), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 17), BILLIONS CLUB, The Downloader’s Music Source Book (number: 102) and Rolling Stone: 500 Greatest Songs of All Time (number: 187)
recording of:
Back in Black (from 1980-04 until 1980-05)
writer:
Brian Johnson, Angus Young and Malcolm Young
publisher:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) and Zomba Management and Publishers Ltd. (in 1980)
4:16
7You Shook Me All Night Long
assistant engineer:
Benjamin Armbrister and Jack Nuber
engineer:
Tony Platt (from 1980-04 until 1980-05)
producer:
Robert John “Mutt” Lange
mixer:
Brad Samuelsohn
bass guitar:
Cliff Williams (from 1980-04 until 1980-05)
drums (drum set):
Phil Rudd (from 1980-04 until 1980-05)
guitar [lead guitar]:
Angus Young (from 1980-04 until 1980-05)
guitar [rhythm guitar]:
Malcolm Young (from 1980-04 until 1980-05)
lead vocals:
Brian Johnson (from 1980-04 until 1980-05)
phonographic copyright (℗) by:
Albert Productions (in 1980) and Leidseplein Presse B.V. (in 1980)
recorded at:
Compass Point Studios in Nassau, Bahamas (from 1980-04 until 1980-05)
part of:
VH1: 100 Greatest Songs of the 80’s (number: 10), The Downloader’s Music Source Book (number: 120), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 287) and BILLIONS CLUB
recording of:
You Shook Me All Night Long (from 1980-04 until 1980-05)
writer:
Brian Johnson, Angus Young and Malcolm Young
publisher:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) and Zomba Management and Publishers Ltd. (in 1980)
3:30
8Have a Drink on Me
assistant engineer:
Benjamin Armbrister and Jack Nuber
engineer:
Tony Platt (from 1980-04 until 1980-05)
producer:
Robert John “Mutt” Lange
mixer:
Brad Samuelsohn
bass guitar:
Cliff Williams (from 1980-04 until 1980-05)
drums (drum set):
Phil Rudd (from 1980-04 until 1980-05)
guitar [lead guitar]:
Angus Young (from 1980-04 until 1980-05)
guitar [rhythm guitar]:
Malcolm Young (from 1980-04 until 1980-05)
lead vocals:
Brian Johnson (from 1980-04 until 1980-05)
phonographic copyright (℗) by:
Albert Productions (in 1980) and Leidseplein Presse B.V. (in 1980)
recorded at:
Compass Point Studios in Nassau, Bahamas (from 1980-04 until 1980-05)
recording of:
Have a Drink on Me (from 1980-04 until 1980-05)
writer:
Brian Johnson, Angus Young and Malcolm Young
publisher:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) and Zomba Management and Publishers Ltd. (in 1980)
3:58
9Shake a Leg
assistant engineer:
Benjamin Armbrister and Jack Nuber
engineer:
Tony Platt (from 1980-04 until 1980-05)
producer:
Robert John “Mutt” Lange
mixer:
Brad Samuelsohn
bass guitar:
Cliff Williams (from 1980-04 until 1980-05)
drums (drum set):
Phil Rudd (from 1980-04 until 1980-05)
guitar [lead guitar]:
Angus Young (from 1980-04 until 1980-05)
guitar [rhythm guitar]:
Malcolm Young (from 1980-04 until 1980-05)
lead vocals:
Brian Johnson (from 1980-04 until 1980-05)
phonographic copyright (℗) by:
Albert Productions (in 1980) and Leidseplein Presse B.V. (in 1980)
recorded at:
Compass Point Studios in Nassau, Bahamas (from 1980-04 until 1980-05)
recording of:
Shake a Leg (from 1980-04 until 1980-05)
writer:
Brian Johnson, Angus Young and Malcolm Young
publisher:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) and Zomba Management and Publishers Ltd. (in 1980)
4:06
10Rock and Roll Ain’t Noise Pollution
assistant engineer:
Benjamin Armbrister and Jack Nuber
engineer:
Tony Platt (from 1980-04 until 1980-05)
producer:
Robert John “Mutt” Lange
mixer:
Brad Samuelsohn
bass guitar:
Cliff Williams (from 1980-04 until 1980-05)
drums (drum set):
Phil Rudd (from 1980-04 until 1980-05)
guitar [lead guitar]:
Angus Young (from 1980-04 until 1980-05)
guitar [rhythm guitar]:
Malcolm Young (from 1980-04 until 1980-05)
lead vocals:
Brian Johnson (from 1980-04 until 1980-05)
phonographic copyright (℗) by:
Albert Productions (in 1980) and Leidseplein Presse B.V. (in 1980)
recorded at:
Compass Point Studios in Nassau, Bahamas (from 1980-04 until 1980-05)
part of:
The Downloader’s Music Source Book (number: 112)
recording of:
Rock and Roll Ain’t Noise Pollution (from 1980-04 until 1980-05)
writer:
Brian Johnson, Angus Young and Malcolm Young
publisher:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) and Zomba Management and Publishers Ltd. (in 1980)
4:26
9CD: For Those About to Rock… (remastered)
10CD: Flick of the Switch (remastered)
11CD: Fly on the Wall (remastered)
12CD: Who Made Who (remastered)
13CD: Blow Up Your Video (remastered)
14CD: The Razor’s Edge (remastered)
15CD: AC/DC Live (remastered)
16CD: Ballbreaker
17CD: Stiff Upper Lip