| # | Title | Length |
|---|
| 1 | To Be Young Gifted & Black | 5:05 |
| 2 | Ain’t No Use | 2:45 |
| 3 | You’ll Never Walk Alone- recorded in:
- New York, New York, United States (in 1957-12)
- bass:
- Jimmy Bond (in 1957-12)
- drums (drum set):
- Albert “Tootie” Heath (in 1957-12)
- piano:
- Nina Simone (in 1957-12)
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1998)
- recorded at:
- Beltone Studios in New York, New York, United States (in 1957-12)
- instrumental cover recording of:
- You’ll Never Walk Alone (in 1957-12)
- lyricist:
- Oscar Hammerstein II
- composer:
- Richard Rodgers
- publisher:
- Chappell Music Ltd., EMI Music Publishing, EMI Music Publishing Ltd., T.B. Harms Company, The Welk Music Group, Williamson Music Company and Williamson Music, Inc.
- part of:
- Carousel
| 3:46 |
| 4 | Zungo | 2:34 |
| 5 | Little Girl Blue- bass:
- Jimmy Bond (in 1957-12)
- drums (drum set):
- Albert “Tootie” Heath (in 1957-12)
- piano and lead vocals:
- Nina Simone (in 1957-12)
- phonographic copyright (℗) by:
- Bethlehem Records (in 1958)
- recorded at:
- Beltone Studios in New York, New York, United States (in 1957-12)
- cover recording of:
- Little Girl Blue (in 1957-12)
- lyricist:
- Lorenz Hart (in 1935)
- composer:
- Richard Rodgers (in 1935)
- arranger:
- Sarah Latto
- publisher:
- Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc., Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス, ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
- part of:
- Jumbo
| 4:18 |
| 6 | African Mailman | 3:09 |
| 7 | He Needs Me | 2:30 |
| 8 | Cotton Eyed Joe | 3:44 |
| 9 | Good Bait | 5:27 |
| 10 | It’s Cold Out Here | 5:30 |
| 11 | Plain Gold Ring | 3:50 |
| 12 | The Assignment Song | 4:55 |
| 13 | I Sing Just to Know I’m Alive | 2:32 |
| 14 | Gin House Blues | 4:56 |
| 15 | The Other Woman | 4:17 |
| 16 | Four Women | 8:54 |
| 17 | You Took My Teeth | 1:09 |
| 18 | Pirate Jenny | 4:45 |