The Complete Albums Collection (Mastered for itunes)

~ Release by Billy Joel (see all versions of this release, 2 available)

Tracklist

1Digital Media: Cold Spring Harbor
#TitleLength
1She’s Got a Way
recording engineer:
Bob Hughes (in 1971-07)
assistant engineer:
Gordon Watanabe
engineer:
Larry Elliott, Michael Stone and Artie Ripp
producer:
Artie Ripp
mixer and editor:
Larry Elliott and Artie Ripp
piano:
Billy Joel (in 1971)
vocals:
Billy Joel (in 1971)
arranger:
Jimmie Haskell and Artie Ripp
phonographic copyright (℗) by:
Sony BMG Music Entertainment (in 1981) and CBS, Inc. (in 1983)
produced for:
Family Productions, Inc. and Just Sunshine, Inc.
recorded at:
The Record Plant West in Hollywood, Los Angeles, California, United States (in 1971-07)
mixed at and edited at:
Fidelity Studios in North Hollywood, Los Angeles, California, United States (from 1983-07 until 1983-09)
recording of:
She’s Got a Way (in 1971-07)
lyricist and composer:
Billy Joel (in 1970)
publisher:
April Music Inc. and Impulsive Music (in 1971)
2:52
2You Can Make Me Free
recording engineer:
Bob Hughes (in 1971-07)
assistant engineer:
Gordon Watanabe
engineer:
Larry Elliott, Michael Stone and Artie Ripp
producer:
Artie Ripp
mixer and editor:
Larry Elliott and Artie Ripp
arranger:
Jimmie Haskell and Artie Ripp
phonographic copyright (℗) by:
CBS, Inc. (in 1983)
recorded at:
The Record Plant West in Hollywood, Los Angeles, California, United States (in 1971-07)
mixed at and edited at:
Fidelity Studios in North Hollywood, Los Angeles, California, United States (from 1983-07 until 1983-09)
recording of:
You Can Make Me Free (in 1971-07)
writer:
Billy Joel
publisher:
April Music Inc. and Impulsive Music
2:58
3Everybody Loves You Now
recording engineer:
Bob Hughes (in 1971-07), Larry Elliott (from 1983-07 until 1983-09) and Artie Ripp (from 1983-07 until 1983-09)
assistant engineer:
Gordon Watanabe
engineer:
Larry Elliott, Michael Stone and Artie Ripp
producer:
Artie Ripp
mixer and editor:
Larry Elliott and Artie Ripp
drums (drum set):
Mike McGee (from 1983-07 until 1983-09)
arranger:
Jimmie Haskell and Artie Ripp
phonographic copyright (℗) by:
CBS, Inc. (in 1983)
recorded at:
The Record Plant West in Hollywood, Los Angeles, California, United States (in 1971-07) and Fidelity Studios in North Hollywood, Los Angeles, California, United States (from 1983-07 until 1983-09)
mixed at and edited at:
Fidelity Studios in North Hollywood, Los Angeles, California, United States (from 1983-07 until 1983-09)
recording of:
Everybody Loves You Now (from 1971-07 until 1983-09)
lyricist and composer:
Billy Joel
publisher:
April Music Inc., Joelsongs and Impulsive Music (in 1971)
2:50
4Why Judy Why
recording engineer:
Bob Hughes (in 1971-07)
assistant engineer:
Gordon Watanabe
engineer:
Larry Elliott, Michael Stone and Artie Ripp
producer:
Artie Ripp
mixer and editor:
Larry Elliott and Artie Ripp
arranger:
Jimmie Haskell and Artie Ripp
phonographic copyright (℗) by:
CBS, Inc. (in 1983)
recorded at:
Ultrasonic Recording Studios in Hempstead, New York, United States (in 1971-07)
mixed at and edited at:
Fidelity Studios in North Hollywood, Los Angeles, California, United States (from 1983-07 until 1983-09)
recording of:
Why Judy Why (in 1971-07)
writer:
Billy Joel
publisher:
April Music Inc.
2:57
5Falling of the Rain
recording engineer:
Bob Hughes (in 1971-07)
assistant engineer:
Gordon Watanabe
engineer:
Larry Elliott, Michael Stone and Artie Ripp
producer:
Artie Ripp
mixer and editor:
Larry Elliott and Artie Ripp
arranger:
Jimmie Haskell and Artie Ripp
phonographic copyright (℗) by:
CBS, Inc. (in 1983)
recorded at:
The Record Plant West in Hollywood, Los Angeles, California, United States (in 1971-07)
mixed at and edited at:
Fidelity Studios in North Hollywood, Los Angeles, California, United States (from 1983-07 until 1983-09)
recording of:
Falling of the Rain (in 1971-07)
writer:
Billy Joel
publisher:
April Music Inc. and Impulsive Music
2:40
6Turn Around
recording engineer:
Bob Hughes (in 1971-07), Larry Elliott (from 1983-07 until 1983-09) and Artie Ripp (from 1983-07 until 1983-09)
assistant engineer:
Gordon Watanabe
engineer:
Larry Elliott, Michael Stone and Artie Ripp
producer:
Artie Ripp
mixer and editor:
Larry Elliott and Artie Ripp
drums (drum set):
Mike McGee (from 1983-07 until 1983-09)
keyboard:
Al Campbell (from 1983-07 until 1983-09)
Rhodes piano [Fender Rhodes Piano]:
L.D. Dixon (from 1983-07 until 1983-09)
arranger:
Jimmie Haskell and Artie Ripp
phonographic copyright (℗) by:
CBS, Inc. (in 1983)
recorded at:
The Record Plant West in Hollywood, Los Angeles, California, United States (in 1971-07) and Fidelity Studios in North Hollywood, Los Angeles, California, United States (from 1983-07 until 1983-09)
mixed at and edited at:
Fidelity Studios in North Hollywood, Los Angeles, California, United States (from 1983-07 until 1983-09)
recording of:
Turn Around (from 1971-07 until 1983-09)
writer:
Billy Joel
publisher:
April Music Inc.
3:07
7You Look So Good to Me
recording engineer:
Bob Hughes (in 1971-07)
assistant engineer:
Gordon Watanabe
engineer:
Larry Elliott, Michael Stone and Artie Ripp
producer:
Artie Ripp
mixer and editor:
Larry Elliott and Artie Ripp
arranger:
Jimmie Haskell and Artie Ripp
phonographic copyright (℗) by:
CBS, Inc. (in 1983)
recorded at:
Ultrasonic Recording Studios in Hempstead, New York, United States (in 1971-07)
mixed at and edited at:
Fidelity Studios in North Hollywood, Los Angeles, California, United States (from 1983-07 until 1983-09)
recording of:
You Look So Good to Me (in 1971-07)
writer:
Billy Joel
publisher:
April Music Inc.
2:28
8Tomorrow Is Today
recording engineer:
Bob Hughes (in 1971-07)
assistant engineer:
Gordon Watanabe
engineer:
Larry Elliott, Michael Stone and Artie Ripp
producer:
Artie Ripp
mixer and editor:
Larry Elliott and Artie Ripp
arranger:
Jimmie Haskell and Artie Ripp
phonographic copyright (℗) by:
CBS, Inc. (in 1983)
recorded at:
The Record Plant West in Hollywood, Los Angeles, California, United States (in 1971-07)
mixed at and edited at:
Fidelity Studios in North Hollywood, Los Angeles, California, United States (from 1983-07 until 1983-09)
recording of:
Tomorrow Is Today (in 1971-07)
lyricist and composer:
Billy Joel
publisher:
April Music Inc. and Impulsive Music
4:42
9Nocturne
recording engineer:
Bob Hughes (in 1971-07)
assistant engineer:
Gordon Watanabe
engineer:
Larry Elliott, Michael Stone and Artie Ripp
producer:
Artie Ripp
mixer and editor:
Larry Elliott and Artie Ripp
arranger:
Jimmie Haskell and Artie Ripp
phonographic copyright (℗) by:
CBS, Inc. (in 1983)
recorded at:
The Record Plant West in Hollywood, Los Angeles, California, United States (in 1971-07)
mixed at and edited at:
Fidelity Studios in North Hollywood, Los Angeles, California, United States (from 1983-07 until 1983-09)
recording of:
Nocturne (in 1971-07)
composer:
Billy Joel
publisher:
April Music Inc.
2:49
10Got to Begin Again
recording engineer:
Bob Hughes (in 1971-07)
assistant engineer:
Gordon Watanabe
engineer:
Larry Elliott, Michael Stone and Artie Ripp
producer:
Artie Ripp
mixer and editor:
Larry Elliott and Artie Ripp
arranger:
Jimmie Haskell and Artie Ripp
phonographic copyright (℗) by:
CBS, Inc. (in 1983)
recorded at:
The Record Plant West in Hollywood, Los Angeles, California, United States (in 1971-07)
mixed at and edited at:
Fidelity Studios in North Hollywood, Los Angeles, California, United States (from 1983-07 until 1983-09)
recording of:
Got to Begin Again (in 1971-07)
writer:
Billy Joel
publisher:
April Music Inc. and Impulsive Music
2:50
2Digital Media: Piano Man
3Digital Media: Streetlife Serenade
4Digital Media: Turnstiles
5Digital Media: The Stranger
6Digital Media: 52nd Street
7Digital Media: Glass Houses
8Digital Media: Songs in the Attic
9Digital Media: The Nylon Curtain
10Digital Media: An Innocent Man
11Digital Media: The Bridge
12Digital Media: Storm Front
13Digital Media: River of Dreams
14Digital Media: Fantasies & Delusions
15Digital Media: Collected Additional Masters