| # | Title | Length |
|---|
| 1 | Good Lovin’- assistant engineer:
- Betty Cantor-Jackson, Jeffrey Boden, Bill Candelario, Brett Cohen, John Hagen, Steve Parish, Harry Popick, Ram Rod, Sue Stephens and Robbie Taylor
- engineer:
- Bob Matthews
- co-producer:
- Dan Healy
- executive producer:
- John Kahn
- producer:
- Lowell George
- recorded at:
- Club Le Front in San Rafael, California, United States (from 1978-07-31 until 1978-08-18)
- mixed at:
- Club Le Front in San Rafael, California, United States
- cover recording of:
- Good Lovin’ (from 1978-07-31 until 1978-08-18)
- writer:
- Rudy Clark and Arthur Resnick
- publisher:
- Alley Music Corp., Carlin Music Corporation, Hudson Bay Music and Trio Music Company
| 4:51 |
| 2 | France- assistant engineer:
- Betty Cantor-Jackson, Jeffrey Boden, Bill Candelario, Brett Cohen, John Hagen, Steve Parish, Harry Popick, Ram Rod, Sue Stephens and Robbie Taylor
- engineer:
- Bob Matthews
- associate producer and executive producer:
- John Kahn
- co-producer:
- Dan Healy
- producer:
- Lowell George
- phonographic copyright (℗) by:
- Arista Records, Inc. (in 1978)
- recorded at:
- Club Le Front in San Rafael, California, United States (from 1978-07-31 until 1978-08-18)
- mixed at:
- Club Le Front in San Rafael, California, United States
- recording of:
- France (from 1978-07-31 until 1978-08-18)
- lyricist:
- Robert Hunter
- composer:
- Mickey Hart and Bob Weir
- publisher:
- Ice Nine Publishing Company, Inc.
| 4:03 |
| 3 | Shakedown Street- assistant engineer:
- Betty Cantor-Jackson, Jeffrey Boden, Bill Candelario, Brett Cohen, John Hagen, Steve Parish, Harry Popick, Ram Rod, Sue Stephens and Robbie Taylor
- engineer:
- Bob Matthews
- associate producer and executive producer:
- John Kahn
- co-producer:
- Dan Healy
- producer:
- Lowell George
- harp:
- Matt Kelly
- percussion:
- Jordan Amarantha
- phonographic copyright (℗) by:
- Grateful Dead Productions (in 1978)
- recorded at:
- Club Le Front in San Rafael, California, United States (from 1978-07-31 until 1978-08-18)
- mixed at:
- Club Le Front in San Rafael, California, United States
- recording of:
- Shakedown Street (from 1978-07-31 until 1978-08-18)
- lyricist:
- Robert Hunter
- composer:
- Jerry Garcia
- publisher:
- Ice Nine Publishing Company, Inc.
| 4:59 |
| 4 | Serengetti- assistant engineer:
- Betty Cantor-Jackson, Jeffrey Boden, Bill Candelario, Brett Cohen, John Hagen, Steve Parish, Harry Popick, Ram Rod, Sue Stephens and Robbie Taylor
- engineer:
- Brett Cohen
- co-producer:
- Dan Healy
- executive producer:
- John Kahn
- producer:
- Lowell George
- recorded at:
- Club Le Front in Carlin, Nevada, United States (in 1978-08)
- mixed at:
- Club Le Front in San Rafael, California, United States
- recording of:
- Serengetti (from 1978-07-31 until 1978-08-18)
- composer:
- Mickey Hart and Bill Kreutzmann
- publisher:
- Ice Nine Publishing Company, Inc.
| 1:59 |
| 5 | Fire on the Mountain- assistant engineer:
- Betty Cantor-Jackson, Jeffrey Boden, Bill Candelario, Brett Cohen, John Hagen, Steve Parish, Harry Popick, Ram Rod, Sue Stephens and Robbie Taylor
- engineer:
- Bob Matthews
- associate producer and executive producer:
- John Kahn
- co-producer:
- Dan Healy
- producer:
- Lowell George
- guest harp:
- Matthew Kelly
- guest percussion and percussion:
- Jordan Amarantha
- harp:
- Matt Kelly
- horn arranger:
- John Kahn
- recorded at:
- Club Le Front in San Rafael, California, United States (from 1978-07-31 until 1978-08-18)
- mixed at:
- Club Le Front in San Rafael, California, United States
- recording of:
- Fire on the Mountain (from 1978-07-31 until 1978-08-18)
- lyricist:
- Robert Hunter
- composer:
- Mickey Hart
- publisher:
- Ice Nine Publishing Company, Inc.
- written at:
- Mickey Hart’s Ranch in Novato, California, United States
| 3:46 |
| 6 | I Need a Miracle- assistant engineer:
- Betty Cantor-Jackson, Jeffrey Boden, Bill Candelario, Brett Cohen, John Hagen, Steve Parish, Harry Popick, Ram Rod, Sue Stephens and Robbie Taylor
- engineer:
- Bob Matthews
- associate producer and executive producer:
- John Kahn
- co-producer:
- Dan Healy
- producer:
- Lowell George
- harp:
- Matt Kelly
- percussion:
- Jordan Amarantha
- recorded at:
- Club Le Front in San Rafael, California, United States (from 1978-07-31 until 1978-08-18)
- mixed at:
- Club Le Front in San Rafael, California, United States
- recording of:
- I Need a Miracle (from 1978-07-31 until 1978-08-18)
- lyricist:
- John Perry Barlow
- composer:
- Bob Weir
- publisher:
- Ice Nine Publishing Company, Inc.
| 3:36 |
| 7 | From the Heart of Me- assistant engineer:
- Betty Cantor-Jackson, Jeffrey Boden, Bill Candelario, Brett Cohen, John Hagen, Steve Parish, Harry Popick, Ram Rod, Sue Stephens and Robbie Taylor
- engineer:
- Bob Matthews
- co-producer:
- Dan Healy
- executive producer:
- John Kahn
- producer:
- Lowell George
- additional horn:
- Steve Schuster
- recorded at:
- Club Le Front in San Rafael, California, United States (from 1978-07-31 until 1978-08-18)
- mixed at:
- Club Le Front in San Rafael, California, United States
- recording of:
- From the Heart of Me (from 1978-07-31 until 1978-08-18)
- lyricist and composer:
- Donna Jean Godchaux
- publisher:
- Ice Nine Publishing Company, Inc.
| 3:23 |
| 8 | Stagger Lee- assistant engineer:
- Betty Cantor-Jackson, Jeffrey Boden, Bill Candelario, Brett Cohen, John Hagen, Steve Parish, Harry Popick, Ram Rod, Sue Stephens and Robbie Taylor
- engineer:
- Bob Matthews
- co-producer:
- Dan Healy
- executive producer:
- John Kahn
- producer:
- Lowell George
- recorded at:
- Club Le Front in San Rafael, California, United States (from 1978-07-31 until 1978-08-18)
- mixed at:
- Club Le Front in San Rafael, California, United States
- recording of:
- Stagger Lee (from 1978-07-31 until 1978-08-18)
- lyricist:
- Robert Hunter
- composer:
- Jerry Garcia
- publisher:
- Ice Nine Publishing Company, Inc.
| 3:25 |
| 9 | New Minglewood Blues- assistant engineer:
- Betty Cantor-Jackson, Jeffrey Boden, Bill Candelario, Brett Cohen, John Hagen, Steve Parish, Harry Popick, Ram Rod, Sue Stephens and Robbie Taylor
- engineer:
- Bob Matthews
- co-producer:
- Dan Healy
- executive producer:
- John Kahn
- producer:
- Lowell George
- recorded at:
- Club Le Front in San Rafael, California, United States (from 1978-07-31 until 1978-08-18)
- mixed at:
- Club Le Front in San Rafael, California, United States
- cover recording of:
- Minglewood Blues (from 1978-07-03 until 1978-08-18)
- writer:
- Noah Lewis
- publisher:
- APRS, Copyright Control and Peermusic (UK) Ltd.
| 4:14 |
| 10 | If I Had the World to Give- assistant engineer:
- Betty Cantor-Jackson, Jeffrey Boden, Bill Candelario, Brett Cohen, John Hagen, Steve Parish, Harry Popick, Ram Rod, Sue Stephens and Robbie Taylor
- engineer:
- Bob Matthews
- co-producer:
- Dan Healy
- executive producer:
- John Kahn
- producer:
- Lowell George
- recorded at:
- Club Le Front in San Rafael, California, United States (from 1978-07-31 until 1978-08-18)
- mixed at:
- Club Le Front in San Rafael, California, United States
- recording of:
- If I Had the World to Give (from 1978-07-03 until 1978-08-18)
- lyricist:
- Robert Hunter
- composer:
- Jerry Garcia
- publisher:
- Ice Nine Publishing Company, Inc.
| 4:50 |
| 11 | Good Lovin’ (studio outtake) | 4:54 |
| 12 | Ollin Arageed (live) | 6:30 |
| 13 | Fire on the Mountain (live) | 13:41 |
| 14 | Stagger Lee (live) | 6:36 |
| 15 | All New Minglewood Blues (live) | 4:34 |