Verdi Edition: The Complete Operas

~ Release by Giuseppe Verdi (see all versions of this release, 1 available)

Tracklist

1CD: Disc 01 - Oberto (Marriner, 1997)
2CD: Disc 02 - Oberto (Marriner, 1997)
3CD: Disc 03 - Un giorno di regno (Gardelli, 1973)
4CD: Disc 04 - Un giorno di regno (Gardelli, 1973)
5CD: Disc 05 - Nabucco (Gardelli, 1965)
6CD: Disc 06 - Nabucco (Gardelli, 1965)
7CD: Disc 07 – I Lombardi (Gardelli, 1972)
8CD: Disc 08 – I Lombardi (Gardelli, 1972)
9CD: Disc 09 – Ernani (Bonynge, 1987/1998)
10CD: Disc 10 – Ernani (Bonynge, 1987/1998)
11CD: Disc 11 - I due Foscari (Gardelli, 1977)
12CD: Disc 11 - I due Foscari (Gardelli, 1977)
13CD: Disc 13 – Giovanna d’Arco (live broadcast, Simonetto, 1951)
14CD: Disc 14 – Giovanna d’Arco (live broadcast, Simonetto, 1951)
15CD: Disc 15 - Alzira (Luisi, 2001)
16CD: Disc 16 - Alzira (Luisi, 2001)
17CD: Disc 17 - Attila (Gardelli, 1972)
18CD: Disc 18 - Attila (Gardelli, 1972)
19CD: Disc 19 - Macbeth (Abbado, 1976)
20CD: Disc 20 - Macbeth (Abbado, 1976)
21CD: Disc 21 – I masnadieri (Bonynge, 1982)
22CD: Disc 22 – I masnadieri (Bonynge, 1982)
23CD: Disc 23 - Jérusalem (Luisi, 1998)
24CD: Disc 24 - Jérusalem (Luisi, 1998)
25CD: Disc 25 - Jérusalem (Luisi, 1998)
26CD: Disc 26 - Il corsaro (Gardelli, 1975)
27CD: Disc 27 - Il corsaro (Gardelli, 1975)
28CD: Disc 28 - La battaglia di Legnano (Gardelli, 1977)
29CD: Disc 29 - La battaglia di Legnano (Gardelli, 1977)
30CD: Disc 30 - Luisa Miller (Maazel, 1979)
31CD: Disc 31 - Luisa Miller (Maazel, 1979)
32CD: Disc 32 - Stiffelio (1979)
33CD: Disc 33 - Stiffelio (1980)
34CD: Disc 34 - Rigoletto (Chailly, 1989)
35CD: Disc 35 - Rigoletto (Chailly, 1989)
36CD: Disc 36 – Il trovatore (Mehta, 1990)
37CD: Disc 37 – Il trovatore (Mehta, 1990)
38CD: Disc 38 – La traviata (Pritchard, 1962)
39CD: Disc 39 – La traviata (Pritchard, 1962)
40CD: Disc 40 – I vespri siciliani (Levine, 1973)
41CD: Disc 41 – I vespri siciliani (Levine, 1973)
42CD: Disc 42 – I vespri siciliani (Levine, 1973)
43CD: Disc 43 - Simon Boccanegra (Solti, 1989)
44CD: Disc 44 - Simon Boccanegra (Solti, 1989)
45CD: Disc 45 - Aroldo (Luisi, 2001)
46CD: Disc 46 - Aroldo (Luisi, 2001)
47CD: Disc 47 - Un ballo in maschera (Bartoletti, 1970)
#TitleLength
1Un ballo in maschera: Preludio
recording engineer:
James Lock (in 1970-06) and Kenneth Wilkinson (in 1970-06)
engineer:
James Lock and Kenneth Wilkinson
producer:
John Mordler (in 1970-06) and Michael Woolcock (in 1970-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Nº 1. Preludio (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi
librettist:
Antonio Somma
part of:
Un ballo in maschera
4:07
2Un ballo in maschera: Atto I, scena 1. “Posa in pace” (Diputados y Caballeros)
recording engineer:
James Lock (in 1970-06) and Kenneth Wilkinson (in 1970-06)
engineer:
James Lock and Kenneth Wilkinson
producer:
John Mordler (in 1970-06) and Michael Woolcock (in 1970-06)
bass vocals [Samuel]:
Leonardo Monreale (from 1970-06-16 until 1970-06-27)
bass vocals [Tom]:
Nicolas Christou (from 1970-06-16 until 1970-06-27)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
soprano vocals [Oscar]:
Helen Donath (from 1970-06-16 until 1970-06-27)
tenor vocals [Riccardo]:
Luciano Pavarotti (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (from 1970-06-16 until 1970-06-27)
chorus master:
Giorgio Kirschner (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 2 “Posa in pace, a' bei sogni ristora” (Samuel, Tom, Coro) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
3:13
3Un ballo in maschera: Atto I, scena 1. “La rivedrà nell'estasi” (Riccardo)
recording engineer:
James Lock (in 1970-06) and Kenneth Wilkinson (in 1970-06)
engineer:
James Lock and Kenneth Wilkinson
producer:
John Mordler (in 1970-06) and Michael Woolcock (in 1970-06)
baritone vocals [Renato]:
Sherrill Milnes (from 1970-06-16 until 1970-06-27)
bass vocals [Samuel]:
Leonardo Monreale (from 1970-06-16 until 1970-06-27)
bass vocals [Tom]:
Nicolas Christou (from 1970-06-16 until 1970-06-27)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
soprano vocals [Oscar]:
Helen Donath (from 1970-06-16 until 1970-06-27)
tenor vocals [Riccardo]:
Luciano Pavarotti (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (from 1970-06-16 until 1970-06-27)
chorus master:
Giorgio Kirschner (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 3b Sortita di Riccardo “La rivedrà nell'estasi” (Riccardo, Samuel, Tom, Coro) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 4a Scena “Il cenno mio di là con essi attendi” (Riccardo, Oscar, Renato) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
4:30
4Un ballo in maschera: Atto I, scena 1. “Alla vita che t'arride” (Renato)
recording engineer:
James Lock (in 1970-06) and Kenneth Wilkinson (in 1970-06)
engineer:
James Lock and Kenneth Wilkinson
producer:
John Mordler (in 1970-06) and Michael Woolcock (in 1970-06)
baritone vocals [Renato]:
Sherrill Milnes (from 1970-06-16 until 1970-06-27)
soprano vocals [Oscar]:
Helen Donath (from 1970-06-16 until 1970-06-27)
tenor vocals [Un giudice]:
Pier Francesco Poli (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 4b Cantabile “Alla vita che t'arride” (Renato) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
4:28
5Un ballo in maschera: Atto I, scena 1. “Volta la terrea fronte” (Oscar)
recording engineer:
James Lock (in 1970-06) and Kenneth Wilkinson (in 1970-06)
engineer:
James Lock and Kenneth Wilkinson
producer:
John Mordler (in 1970-06) and Michael Woolcock (in 1970-06)
baritone vocals [Renato]:
Sherrill Milnes (from 1970-06-16 until 1970-06-27)
bass vocals [Samuel]:
Leonardo Monreale (from 1970-06-16 until 1970-06-27)
bass vocals [Tom]:
Nicolas Christou (from 1970-06-16 until 1970-06-27)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
soprano vocals [Oscar]:
Helen Donath (from 1970-06-16 until 1970-06-27)
tenor vocals [Riccardo]:
Luciano Pavarotti (from 1970-06-16 until 1970-06-27)
tenor vocals [Un giudice]:
Pier Francesco Poli (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 5b Ballata “Volta la terrea fronte alle stelle” (Oscar, Riccardo) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
2:46
6Un ballo in maschera: Atto I, scena 1. “Ogni cura si doni al diletto” (Riccardo)
recording engineer:
James Lock (in 1970-06) and Kenneth Wilkinson (in 1970-06)
engineer:
James Lock and Kenneth Wilkinson
producer:
John Mordler (in 1970-06) and Michael Woolcock (in 1970-06)
baritone vocals [Renato]:
Sherrill Milnes (from 1970-06-16 until 1970-06-27)
bass vocals [Samuel]:
Leonardo Monreale (from 1970-06-16 until 1970-06-27)
bass vocals [Tom]:
Nicolas Christou (from 1970-06-16 until 1970-06-27)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
soprano vocals [Oscar]:
Helen Donath (from 1970-06-16 until 1970-06-27)
tenor vocals [Riccardo]:
Luciano Pavarotti (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (from 1970-06-16 until 1970-06-27)
chorus master:
Giorgio Kirschner (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 6b “Ogni cura si doni al diletto” (Riccardo, Renato, Oscar, Samuel, Tom, Coro) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
2:16
7Un ballo in maschera: Atto I, scena 2. “Zitti! L'incanto non dêssi turbare” (Coro)
recording engineer:
James Lock (in 1970-06) and Kenneth Wilkinson (in 1970-06)
engineer:
James Lock and Kenneth Wilkinson
producer:
John Mordler (in 1970-06) and Michael Woolcock (in 1970-06)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
contralto vocals:
Regina Resnik
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (from 1970-06-16 until 1970-06-27)
chorus master:
Giorgio Kirschner (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 7a Scena “Zitti … l'incanto non dèssi turbare” (Coro) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
1:48
8Un ballo in maschera: Atto I, scena 2. “Re dell´abisso, affrettari” (Ulrica)
recording engineer:
James Lock (in 1970-06) and Kenneth Wilkinson (in 1970-06)
engineer:
James Lock and Kenneth Wilkinson
producer:
John Mordler (in 1970-06) and Michael Woolcock (in 1970-06)
bass vocals [Silvano]:
José van Dam (from 1970-06-16 until 1970-06-27)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
mezzo-soprano vocals [Ulrica]:
Regina Resnik (from 1970-06-16 until 1970-06-27)
tenor vocals [Riccardo]:
Luciano Pavarotti (from 1970-06-16 until 1970-06-27)
tenor vocals [Un servo d'Amelia]:
Mario Alessandrini (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (from 1970-06-16 until 1970-06-27)
chorus master:
Giorgio Kirschner (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 7b Invocazione “Re dell'abisso, affrettati” (Ulrica) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 7c Scena “Arrivo il primo!” (Riccardo, Ulrica, Coro) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 7d Scena “Su, fatemi largo, saper vo' il mio fato” (Silvano, Ulrica, Riccardo, Servo, Coro) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
7:31
9Un ballo in maschera: Atto I, scena 2. “Che v'agita cosi?”
recording engineer:
James Lock (in 1970-06) and Kenneth Wilkinson (in 1970-06)
engineer:
James Lock and Kenneth Wilkinson
producer:
John Mordler (in 1970-06) and Michael Woolcock (in 1970-06)
contralto vocals:
Regina Resnik
mezzo-soprano vocals [Ulrica]:
Regina Resnik (from 1970-06-16 until 1970-06-27)
soprano vocals [Amelia]:
Renata Tebaldi (from 1970-06-16 until 1970-06-27)
tenor vocals [Riccardo]:
Luciano Pavarotti (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 8a Scena “Che v'agita così?” (Ulrica, Amelia, Riccardo) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
1:24
10Un ballo in maschera: Atto I, scena 2. “Della città all'occaso” (Ulrica)
recording engineer:
James Lock (in 1970-06) and Kenneth Wilkinson (in 1970-06)
engineer:
James Lock and Kenneth Wilkinson
producer:
John Mordler (in 1970-06) and Michael Woolcock (in 1970-06)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
mezzo-soprano vocals [Ulrica]:
Regina Resnik (from 1970-06-16 until 1970-06-27)
soprano vocals [Amelia]:
Renata Tebaldi (from 1970-06-16 until 1970-06-27)
tenor vocals [Riccardo]:
Luciano Pavarotti (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 8b Terzetto “Della città all'occaso” (Ulrica, Amelia, Riccardo) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
3:37
11Un ballo in maschera: Atto I, scena 2. “Su, profetessa, monta il treppiè” (Coro)
recording engineer:
James Lock (in 1970-06) and Kenneth Wilkinson (in 1970-06)
engineer:
James Lock and Kenneth Wilkinson
producer:
John Mordler (in 1970-06) and Michael Woolcock (in 1970-06)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
soprano vocals [Oscar]:
Helen Donath (from 1970-06-16 until 1970-06-27)
tenor vocals [Riccardo]:
Luciano Pavarotti (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (from 1970-06-16 until 1970-06-27)
chorus master:
Giorgio Kirschner (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 9a Scena “Su, profetessa, monta il treppiè” (Coro, Oscar, Riccardo) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
0:52
12Un ballo in maschera: Atto I, scena 2. “Di tu se fedele” (Riccardo)
recording engineer:
James Lock (in 1970-06) and Kenneth Wilkinson (in 1970-06)
engineer:
James Lock and Kenneth Wilkinson
producer:
John Mordler (in 1970-06) and Michael Woolcock (in 1970-06)
bass vocals [Samuel]:
Leonardo Monreale (from 1970-06-16 until 1970-06-27)
bass vocals [Tom]:
Nicolas Christou (from 1970-06-16 until 1970-06-27)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
mezzo-soprano vocals [Ulrica]:
Regina Resnik (from 1970-06-16 until 1970-06-27)
soprano vocals [Oscar]:
Helen Donath (from 1970-06-16 until 1970-06-27)
tenor vocals [Riccardo]:
Luciano Pavarotti (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (from 1970-06-16 until 1970-06-27)
chorus master:
Giorgio Kirschner (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 9b Canzone “Di’ tu se fedele il flutto m’aspetta” (Riccardo, Coro) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (in 1859)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
3:32
13Un ballo in maschera: Atto I, scena 2. “Orsù, amici!” (Riccardo)
recording engineer:
James Lock (in 1970-06) and Kenneth Wilkinson (in 1970-06)
engineer:
James Lock and Kenneth Wilkinson
producer:
John Mordler (in 1970-06) and Michael Woolcock (in 1970-06)
bass vocals [Samuel]:
Leonardo Monreale (from 1970-06-16 until 1970-06-27)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
mezzo-soprano vocals [Ulrica]:
Regina Resnik (from 1970-06-16 until 1970-06-27)
soprano vocals [Oscar]:
Helen Donath (from 1970-06-16 until 1970-06-27)
tenor vocals [Riccardo]:
Luciano Pavarotti (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (from 1970-06-16 until 1970-06-27)
chorus master:
Giorgio Kirschner (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 10a “Orsu, amici” (Riccardo, Samuel, Oscar, Ulrica, Coro) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
1:55
14Un ballo in maschera: Atto I, scena 2. “È scherzo od è follia” (Riccardo)
recording engineer:
James Lock (in 1970-06) and Kenneth Wilkinson (in 1970-06)
engineer:
James Lock and Kenneth Wilkinson
producer:
John Mordler (in 1970-06) and Michael Woolcock (in 1970-06)
bass vocals [Samuel]:
Leonardo Monreale (from 1970-06-16 until 1970-06-27)
bass vocals [Tom]:
Nicolas Christou (from 1970-06-16 until 1970-06-27)
bass-baritone vocals:
Nicolas Christou
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
mezzo-soprano vocals [Ulrica]:
Regina Resnik (from 1970-06-16 until 1970-06-27)
soprano vocals [Oscar]:
Helen Donath (from 1970-06-16 until 1970-06-27)
tenor vocals [Riccardo]:
Luciano Pavarotti (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (from 1970-06-16 until 1970-06-27)
chorus master:
Giorgio Kirschner (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 10b Quintetto “È scherzo od è follia” (Riccardo, Ulrica, Samuel, Tom, Oscar, Coro) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 10b Quintetto “È scherzo od è follia” (Riccardo, Ulrica, Samuel, Tom, Oscar, Coro) (in 1971)
composer:
Giuseppe Verdi
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
3:33
15Un ballo in maschera: Atto I, scena 2. “Finisci il vaticinio” (Riccardo)
recording engineer:
James Lock (in 1970-06) and Kenneth Wilkinson (in 1970-06)
engineer:
James Lock and Kenneth Wilkinson
producer:
John Mordler (in 1970-06) and Michael Woolcock (in 1970-06)
baritone vocals [Renato]:
Sherrill Milnes (from 1970-06-16 until 1970-06-27)
bass vocals [Samuel]:
Leonardo Monreale (from 1970-06-16 until 1970-06-27)
bass vocals [Silvano]:
José van Dam (from 1970-06-16 until 1970-06-27)
bass vocals [Tom]:
Nicolas Christou (from 1970-06-16 until 1970-06-27)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
mezzo-soprano vocals [Ulrica]:
Regina Resnik (from 1970-06-16 until 1970-06-27)
soprano vocals [Oscar]:
Helen Donath (from 1970-06-16 until 1970-06-27)
tenor vocals [Riccardo]:
Luciano Pavarotti (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 11a Scena “Finisci 'l vaticinio” (Riccardo, Ulrica, Samuel, Tom, Renato, Coro) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
4:15
16Un ballo in maschera: Atto II. Preludio
recording engineer:
James Lock (in 1970-06) and Kenneth Wilkinson (in 1970-06)
engineer:
James Lock and Kenneth Wilkinson
producer:
John Mordler (in 1970-06) and Michael Woolcock (in 1970-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto II. Nº 12a. Preludio (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
2:16
17Un ballo in maschera: Atto II, scena 1. “Ecco l'orrido campo” (Amelia)
recording engineer:
James Lock (in 1970-06) and Kenneth Wilkinson (in 1970-06)
engineer:
James Lock and Kenneth Wilkinson
producer:
John Mordler (in 1970-06) and Michael Woolcock (in 1970-06)
soprano vocals [Amelia]:
Renata Tebaldi (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto II. Nº 12b. Scena “Ecco l'orrido campo ove s'accoppia” (Amelia) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
1:26
18Un ballo in maschera: Atto II, scena 1. “Ma dall´arido stelo divulsa” (Amelia)
recording engineer:
James Lock (in 1970-06) and Kenneth Wilkinson (in 1970-06)
engineer:
James Lock and Kenneth Wilkinson
producer:
John Mordler (in 1970-06) and Michael Woolcock (in 1970-06)
soprano vocals [Amelia]:
Renata Tebaldi (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto II. Nº 12c. Aria “Ma dall'arido stelo divulsa” (Amelia) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
4:48
19Un ballo in maschera: Atto II, scena 1. “Teco io sto” (Riccardo)
recording engineer:
James Lock (in 1970-06) and Kenneth Wilkinson (in 1970-06)
engineer:
James Lock and Kenneth Wilkinson
producer:
John Mordler (in 1970-06) and Michael Woolcock (in 1970-06)
soprano vocals [Amelia]:
Renata Tebaldi (from 1970-06-16 until 1970-06-27)
tenor vocals [Riccardo]:
Luciano Pavarotti (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto II. Nº 13a. Scena "Teco io sto - Gran Dio!" (Riccardo, Amelia) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
recording of:
Un ballo in maschera: Atto II. Nº 13b. Duetto "Non sai tu che se l'anima mia" (Riccardo, Amelia) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
recording of:
Un ballo in maschera: Atto II. Nº 13c. "M'ami, m'ami!" (Riccardo) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
8:32
48CD: Disc 48 - Un ballo in maschera (Bartoletti, 1970)
49CD: Disc 49 - La forza del destino (Original St Petersburg Version, 1862) (Gergiev, 1995)
50CD: Disc 50 - La forza del destino (Original St Petersburg Version, 1862) (Gergiev, 1995)
51CD: Disc 51 - La forza del destino (Original St Petersburg Version, 1862) (Gergiev, 1995)
52CD: Disc 52 – Don Carlo (Solti, 1965)
53CD: Disc 53 – Don Carlo (Solti, 1965)
54CD: Disc 54 – Don Carlo (Solti, 1965)
55CD: Disc 55 - La forza del destino (Sinopoli, 1987)
56CD: Disc 56 - La forza del destino (Sinopoli, 1987)
57CD: Disc 57 - La forza del destino (Sinopoli, 1987)
58CD: Disc 58 – Aida (Karajan, 1959)
59CD: Disc 59 – Aida (Karajan, 1959)
60CD: Disc 60 - Requiem (1968)
61CD: Disc 61 - Requiem (1968)
62CD: Disc 62 – Don Carlos (Abbado, 1984)
63CD: Disc 63 – Don Carlos (Abbado, 1984)
64CD: Disc 64 – Don Carlos (Abbado, 1984)
65CD: Disc 65 – Don Carlos (Abbado, 1984)
66CD: Disc 66 - Otello (1954)
67CD: Disc 67 - Otello (1954)
68CD: Disc 68 - Falstaff (Solti, 1963)
69CD: Disc 69 - Falstaff (Solti, 1963)
70CD: Disc 70 - Opere sacre (Messa solenne) (2000)
71CD: Disc 71 – Canzoni (Margaret Price, Geoffrey Parsons, 1987)
72CD: Disc 72 - Quattro pezzi sacri, inno delle nazioni, musiche di scena (2009)
73CD: Disc 73 - Quartetto d'archi, Luisa Miller (Transkription for String Quartet) (1995)
74CD: Disc 74 - Rarita e inediti ("Discoveries", Chailly, 2003)

Credits

Release

ASIN:US: B0032CJ37E [info]