| # | Title | Length |
|---|
| 1 | Himmelskönig, sei willkommen, BWV 182: 1. Sinfonia- sound engineer:
- Jens Braun (in 1996-04)
- producer:
- Robert von Bahr
- conductor:
- Masaaki Suzuki (in 1996-04)
- performer:
- Bach Collegium Japan (in 1996-04)
- recorded at:
- 神戸松蔭女子学院大学チャペル in Kobe, Hyogo, Japan (in 1996-04)
- recording of:
- Kantate, BWV 182 "Himmelskönig, sei willkommen": I. Sonata (in 1996-04)
- premiered in:
- Weimar, Thüringen, Germany (on 1714-03-25)
- composer:
- Johann Sebastian Bach (in 1714)
- librettist:
- [anonymous]
- version of:
- Kantate, BWV 182 "Himmelskönig, sei willkommen" Appendix: I. Sonata
- part of:
- Kantate, BWV 182 "Himmelskönig, sei willkommen"
| 1:57 |
| 2 | Himmelskönig, sei willkommen, BWV 182: 2. Chorus: Himmelskönig, sei willkommen | 3:25 |
| 3 | Himmelskönig, sei willkommen, BWV 182: 3. Recitative: Siehe, ich komme | 0:35 |
| 4 | Himmelskönig, sei willkommen, BWV 182: 4. Aria: Starkes Lieben | 2:38 |
| 5 | Himmelskönig, sei willkommen, BWV 182: 5. Aria: Leget euch dem Heiland unter | 8:58 |
| 6 | Himmelskönig, sei willkommen, BWV 182: 6. Aria: Jesu, lass durch Wohl und Weh | 3:56 |
| 7 | Himmelskönig, sei willkommen, BWV 182: 7. Chorale: Jesu, deine Passion ist mir lauter Freude- sound engineer:
- Jens Braun (in 1996-04)
- producer:
- Robert von Bahr
- conductor:
- Masaaki Suzuki (in 1996-04)
- performer:
- Bach Collegium Japan (in 1996-04)
- recorded at:
- 神戸松蔭女子学院大学チャペル in Kobe, Hyogo, Japan (in 1996-04)
- recording of:
- Kantate, BWV 182 "Himmelskönig, sei willkommen": VII. Choral "Jesu, deine Passion" (in 1996-04)
- premiered in:
- Weimar, Thüringen, Germany (on 1714-03-25)
- composer:
- Johann Sebastian Bach (in 1714)
- librettist:
- Paul Stockmann (in 1633)
- version of:
- Kantate, BWV 182 "Himmelskönig, sei willkommen" Appendix: VII. Choral "Jesu, deine Passion"
- part of:
- Kantate, BWV 182 "Himmelskönig, sei willkommen"
| 3:10 |
| 8 | Himmelskönig, sei willkommen, BWV 182: 8. Chorus: So lasset uns gehen in Salem der Freuden | 3:49 |
| 9 | Weinen, Klagen, Sorgen, Zagen, BWV 12: 1. Sinfonia- sound engineer:
- Jens Braun (in 1996-04)
- producer:
- Robert von Bahr
- conductor:
- Masaaki Suzuki (in 1996-04)
- performer:
- Bach Collegium Japan (in 1996-04)
- recorded at:
- 神戸松蔭女子学院大学チャペル in Kobe, Hyogo, Japan (in 1996-04)
- recording of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": I. Sinfonia (in 1996-04)
- composer:
- Johann Sebastian Bach (in 1714)
- part of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
| 2:31 |
| 10 | Weinen, Klagen, Sorgen, Zagen, BWV 12: 2. [Chorus:] Weinen, Klagen, Sorgen, Zagen- sound engineer:
- Jens Braun (in 1996-04)
- producer:
- Robert von Bahr
- conductor:
- Masaaki Suzuki (in 1996-04)
- performer:
- Bach Collegium Japan (in 1996-04)
- recorded at:
- 神戸松蔭女子学院大学チャペル in Kobe, Hyogo, Japan (in 1996-04)
- recording of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen" (in 1996-04)
- composer:
- Johann Sebastian Bach (in 1714)
- part of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
| 6:57 |
| 11 | Weinen, Klagen, Sorgen, Zagen, BWV 12: 3. Recitative: Wir müssen durch viel Trübsal- sound engineer:
- Jens Braun (in 1996-04)
- producer:
- Robert von Bahr
- countertenor vocals:
- Yoshikazu Mera (in 1996-04)
- conductor:
- Masaaki Suzuki (in 1996-04)
- performer:
- Bach Collegium Japan (in 1996-04)
- recorded at:
- 神戸松蔭女子学院大学チャペル in Kobe, Hyogo, Japan (in 1996-04)
- recording of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": III. Recitativo (Alto) "Wir müssen durch viel Trübsal" (in 1996-04)
- composer:
- Johann Sebastian Bach (in 1714)
- part of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
| 0:47 |
| 12 | Weinen, Klagen, Sorgen, Zagen, BWV 12: 4. Aria: Kreuz und Kronen sind verbunden- sound engineer:
- Jens Braun (in 1996-04)
- producer:
- Robert von Bahr
- countertenor vocals:
- Yoshikazu Mera (in 1996-04)
- conductor:
- Masaaki Suzuki (in 1996-04)
- performer:
- Bach Collegium Japan (in 1996-04)
- recorded at:
- 神戸松蔭女子学院大学チャペル in Kobe, Hyogo, Japan (in 1996-04)
- recording of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": IV. Aria (Alto) "Kreuz und Krone sind verbunden" (in 1996-04)
- composer:
- Johann Sebastian Bach (in 1714)
- part of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
| 6:04 |
| 13 | Weinen, Klagen, Sorgen, Zagen, BWV 12: 5. Aria: Ich folge Christo nach- sound engineer:
- Jens Braun (in 1996-04)
- producer:
- Robert von Bahr
- bass vocals:
- Peter Kooij (in 1996-04)
- conductor:
- Masaaki Suzuki (in 1996-04)
- performer:
- Bach Collegium Japan (in 1996-04)
- recorded at:
- 神戸松蔭女子学院大学チャペル in Kobe, Hyogo, Japan (in 1996-04)
- recording of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": V. Aria (Basso) "Ich folge Christo nach" (in 1996-04)
- composer:
- Johann Sebastian Bach (in 1714)
- part of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
| 2:19 |
| 14 | Weinen, Klagen, Sorgen, Zagen, BWV 12: 6. Aria: Sei getreu, alle Pein- sound engineer:
- Jens Braun (in 1996-04)
- producer:
- Robert von Bahr
- tenor vocals:
- Makoto Sakurada (in 1996-04)
- conductor:
- Masaaki Suzuki (in 1996-04)
- performer:
- Bach Collegium Japan (in 1996-04)
- recorded at:
- 神戸松蔭女子学院大学チャペル in Kobe, Hyogo, Japan (in 1996-04)
- recording of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VI. Aria (Tenore) "Sei getreu, alle Pein wird doch nur ein Kleines sein" (in 1996-04)
- composer:
- Johann Sebastian Bach (in 1714)
- part of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
| 3:59 |
| 15 | Weinen, Klagen, Sorgen, Zagen, BWV 12: 7. Chorale: Was Gott tut, das ist wohlgetan- sound engineer:
- Jens Braun (in 1996-04)
- producer:
- Robert von Bahr
- conductor:
- Masaaki Suzuki (in 1996-04)
- performer:
- Bach Collegium Japan (in 1996-04)
- recorded at:
- 神戸松蔭女子学院大学チャペル in Kobe, Hyogo, Japan (in 1996-04)
- recording of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VII. Choral "Was Gott tut, das ist wohlgetan" (in 1996-04)
- lyricist:
- Samuel Rodigast
- composer:
- Johann Sebastian Bach (in 1714)
- part of:
- Breitkopf 389 Choralgesänge (number: 340)
- part of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
| 0:58 |
| 16 | Widerstehe doch der Sünde, BWV 54: 1. Aria: Widerstehe doch der Sünde | 6:58 |
| 17 | Widerstehe doch der Sünde, BWV 54: 2. Recitative: Die Art verruchter Sünden | 1:09 |
| 18 | Widerstehe doch der Sünde, BWV 54: 3. [Aria:] Wer Sünde tut, der ist vom Teufel | 3:06 |
| 19 | Erschallet, ihr Lieder, BWV 172: 1. Chorus: Erschallet, ihr Lieder, erklinget, ihr Saiten!- recording engineer:
- Wolf‐Dieter Karwatky, Everett Porter and Andrew Wedman
- executive producer:
- David R. Murray
- producer:
- Mark Howells
- choir vocals:
- Monteverdi Choir (in 1999-04)
- orchestra:
- English Baroque Soloists (in 1999-04)
- conductor:
- Sir John Eliot Gardiner (in 1999-04)
- balance engineer:
- Erdo Groot
- recorded at:
- St John’s, Smith Square in London, England, United Kingdom (in 1999-04)
- recording of:
- Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": I. Coro "Erschallet, ihr Lieder, erklinget, ihr Saiten" (in 1999-04)
- premiered in:
- Weimar, Thüringen, Germany (on 1714-05-20)
- composer:
- Johann Sebastian Bach (in 1714)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
| 3:51 |
| 20 | Erschallet, ihr Lieder, BWV 172: 2. Recitative: Wer mich liebet, der wird mein Wort halten- recording engineer:
- Wolf‐Dieter Karwatky, Everett Porter and Andrew Wedman
- executive producer:
- David R. Murray
- producer:
- Mark Howells
- bass vocals:
- Reinhard Hagen (in 1999-04)
- orchestra:
- English Baroque Soloists (in 1999-04)
- conductor:
- Sir John Eliot Gardiner (in 1999-04)
- balance engineer:
- Erdo Groot
- recorded at:
- St John’s, Smith Square in London, England, United Kingdom (in 1999-04)
- recording of:
- Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": II. Recitativo (Bass) "Wer mich liebet, der wird mein Wort halten" (in 1999-04)
- premiered in:
- Weimar, Thüringen, Germany (on 1714-05-20)
- composer:
- Johann Sebastian Bach (in 1714)
- part of:
- Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
| 0:51 |
| 21 | Erschallet, ihr Lieder, BWV 172: 3. Aria: Heiligste Dreieinigkeit- recording engineer:
- Wolf‐Dieter Karwatky, Everett Porter and Andrew Wedman
- executive producer:
- David R. Murray
- producer:
- Mark Howells
- bass vocals:
- Reinhard Hagen (in 1999-04)
- orchestra:
- English Baroque Soloists (in 1999-04)
- conductor:
- Sir John Eliot Gardiner (in 1999-04)
- balance engineer:
- Erdo Groot
- recorded at:
- St John’s, Smith Square in London, England, United Kingdom (in 1999-04)
- recording of:
- Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": III. Aria (Bass) "Heiligste Dreieinigkeit" (in 1999-04)
- premiered in:
- Weimar, Thüringen, Germany (on 1714-05-20)
- composer:
- Johann Sebastian Bach (in 1714)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
| 1:59 |
| 22 | Erschallet, ihr Lieder, BWV 172: 4. Aria: O Seelenparadies- recording engineer:
- Wolf‐Dieter Karwatky, Everett Porter and Andrew Wedman
- executive producer:
- David R. Murray
- producer:
- Mark Howells
- tenor vocals:
- Christoph Genz (in 1999-04)
- orchestra:
- English Baroque Soloists (in 1999-04)
- conductor:
- Sir John Eliot Gardiner (in 1999-04)
- balance engineer:
- Erdo Groot
- recorded at:
- St John’s, Smith Square in London, England, United Kingdom (in 1999-04)
- recording of:
- Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": IV. Aria (Tenor) "O Seelenparadies" (in 1999-04)
- premiered in:
- Weimar, Thüringen, Germany (on 1714-05-20)
- composer:
- Johann Sebastian Bach (in 1714)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
| 5:12 |
| 23 | Erschallet, ihr Lieder, BWV 172: 5. Aria: Komm, lass mich nicht länger warten- recording engineer:
- Wolf‐Dieter Karwatky, Everett Porter and Andrew Wedman
- executive producer:
- David R. Murray
- producer:
- Mark Howells
- countertenor vocals [alto]:
- Robin Blaze (in 1999-04)
- soprano vocals:
- Martina Janková (in 1999-04)
- orchestra:
- English Baroque Soloists (in 1999-04)
- conductor:
- Sir John Eliot Gardiner (in 1999-04)
- balance engineer:
- Erdo Groot
- recorded at:
- St John’s, Smith Square in London, England, United Kingdom (in 1999-04)
- recording of:
- Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": V. Aria (Duetto Sopran, Alt) "Komm, laß mich nicht länger warten" (in 1999-04)
- premiered in:
- Weimar, Thüringen, Germany (on 1714-05-20)
- composer:
- Johann Sebastian Bach (in 1714)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
| 4:20 |
| 24 | Erschallet, ihr Lieder, BWV 172: 6. Chorale: Von Gott kömmt mir ein Freudenschein- recording engineer:
- Wolf‐Dieter Karwatky, Everett Porter and Andrew Wedman
- executive producer:
- David R. Murray
- producer:
- Mark Howells
- choir vocals:
- Monteverdi Choir (in 1999-04)
- orchestra:
- English Baroque Soloists (in 1999-04)
- conductor:
- Sir John Eliot Gardiner (in 1999-04)
- balance engineer:
- Erdo Groot
- recorded at:
- St John’s, Smith Square in London, England, United Kingdom (in 1999-04)
- recording of:
- Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": VI. Choral "Von Gott kömmt mir ein Freudenschein" (in 1999-04)
- premiered in:
- Weimar, Thüringen, Germany (on 1714-05-20)
- composer:
- Johann Sebastian Bach (in 1714)
- librettist:
- Philipp Nicolai (in 1599)
- part of:
- Breitkopf 389 Choralgesänge (number: 376)
- part of:
- Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
| 1:18 |
