The Complete Columbia, CBS and Sony Recordings

~ Release by Michael Tilson Thomas (see all versions of this release, 1 available)

Tracklist

1CD: McLaughlin: Apocalypse
2CD: Silverman: Elephant Steps
3CD: Orff: Carmina Burana
#TitleArtistLength
1Carmina Burana: Fortuna Imperatrix Mundi: no. 1 “O Fortuna”
engineer:
Bud Graham and Raymond Moore
producer:
Andrew Kazdin
choir vocals:
The Cleveland Orchestra Chorus (from 1974-08-05 until 1974-08-06)
orchestra:
The Cleveland Orchestra (from 1974-08-05 until 1974-08-06)
conductor:
Michael Tilson Thomas (from 1974-08-05 until 1974-08-06)
chorus master:
Robert Page (from 1974-08-05 until 1974-08-06)
phonographic copyright (℗) by:
Sony Music Entertainment (in 1975)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1974-08-05 until 1974-08-06) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1974-09-04)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:24
2Carmina Burana: Fortuna Imperatrix Mundi: no. 2 “Fortune plango vulnera”
engineer:
Bud Graham and Raymond Moore
producer:
Andrew Kazdin
choir vocals:
The Cleveland Orchestra Chorus (from 1974-08-05 until 1974-08-06)
orchestra:
The Cleveland Orchestra (from 1974-08-05 until 1974-08-06)
conductor:
Michael Tilson Thomas (from 1974-08-05 until 1974-08-06)
chorus master:
Robert Page (from 1974-08-05 until 1974-08-06)
phonographic copyright (℗) by:
Sony Music Entertainment (in 1975)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1974-08-05 until 1974-08-06) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1974-09-04)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
version of:
Fortune plango vulnera (Poem, CB 16)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:44
3Carmina Burana: I. Primo vere: no. 3 “Veris leta facies”
engineer:
Bud Graham and Raymond Moore
producer:
Andrew Kazdin
choir vocals:
The Cleveland Orchestra Chorus (from 1974-08-05 until 1974-08-06)
orchestra:
The Cleveland Orchestra (from 1974-08-05 until 1974-08-06)
conductor:
Michael Tilson Thomas (from 1974-08-05 until 1974-08-06)
chorus master:
Robert Page (from 1974-08-05 until 1974-08-06)
phonographic copyright (℗) by:
Sony Music Entertainment (in 1975)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1974-08-05 until 1974-08-06) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1974-09-04)
recording of:
Carmina Burana: I. Primo vere: III. Veris leta facies (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: I. Primo Vere
Carl Orff4:32
4Carmina Burana: I. Primo vere: no. 4 “Omnia Sol temperat”
engineer:
Bud Graham and Raymond Moore
producer:
Andrew Kazdin
baritone vocals:
Peter Binder (from 1974-08-05 until 1974-08-06)
orchestra:
The Cleveland Orchestra (from 1974-08-05 until 1974-08-06)
conductor:
Michael Tilson Thomas (from 1974-08-05 until 1974-08-06)
phonographic copyright (℗) by:
Sony Music Entertainment (in 1975)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1974-08-05 until 1974-08-06) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1974-09-04)
recording of:
Carmina Burana: I. Primo vere: IV. Omnia Sol temperat (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: I. Primo Vere
Carl Orff2:15
5Carmina Burana: I. Primo vere: no. 5. “Ecce gratum”
engineer:
Bud Graham and Raymond Moore
producer:
Andrew Kazdin
choir vocals:
The Cleveland Orchestra Chorus (from 1974-08-05 until 1974-08-06)
orchestra:
The Cleveland Orchestra (from 1974-08-05 until 1974-08-06)
conductor:
Michael Tilson Thomas (from 1974-08-05 until 1974-08-06)
chorus master:
Robert Page (from 1974-08-05 until 1974-08-06)
phonographic copyright (℗) by:
Sony Music Entertainment (in 1975)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1974-08-05 until 1974-08-06) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1974-09-04)
recording of:
Carmina Burana: I. Primo vere: V. Ecce gratum (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: I. Primo Vere
Carl Orff2:29
6Carmina Burana: Uf dem anger: no. 6 Dance
engineer:
Bud Graham and Raymond Moore
producer:
Andrew Kazdin
orchestra:
The Cleveland Orchestra (from 1974-08-05 until 1974-08-06)
conductor:
Michael Tilson Thomas (from 1974-08-05 until 1974-08-06)
phonographic copyright (℗) by:
Sony Music Entertainment (in 1975)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1974-08-05 until 1974-08-06) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1974-09-04)
recording of:
Carmina Burana: Uf dem Anger: VI. Tanz (Carmina Burana: On the Green: 6. Dance) (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: Uf dem Anger
Carl Orff1:41
7Carmina Burana: Uf dem anger: no. 7 “Floret silva nobilis”
engineer:
Bud Graham and Raymond Moore
producer:
Andrew Kazdin
choir vocals:
The Cleveland Orchestra Chorus (from 1974-08-05 until 1974-08-06)
orchestra:
The Cleveland Orchestra (from 1974-08-05 until 1974-08-06)
conductor:
Michael Tilson Thomas (from 1974-08-05 until 1974-08-06)
chorus master:
Robert Page (from 1974-08-05 until 1974-08-06)
phonographic copyright (℗) by:
Sony Music Entertainment (in 1975)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1974-08-05 until 1974-08-06) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1974-09-04)
recording of:
Carmina Burana: Uf dem Anger: VII. Floret silva nobilis (Carmina Burana: Uf dem Anger: 7. Floret silva) (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: Uf dem Anger
Carl Orff3:03
8Carmina Burana: Uf dem anger: no. 8 “Chramer, gip die varwe mir”
engineer:
Bud Graham and Raymond Moore
producer:
Andrew Kazdin
choir vocals:
The Cleveland Orchestra Chorus (from 1974-08-05 until 1974-08-06)
orchestra:
The Cleveland Orchestra (from 1974-08-05 until 1974-08-06)
conductor:
Michael Tilson Thomas (from 1974-08-05 until 1974-08-06)
chorus master:
Robert Page (from 1974-08-05 until 1974-08-06)
phonographic copyright (℗) by:
Sony Music Entertainment (in 1975)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1974-08-05 until 1974-08-06) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1974-09-04)
recording of:
Carmina Burana: Uf dem Anger: VIII. Chramer, gip die varwe mir (Carmina Burana: Uf dem anger: 8. Chramer, gip die varwe mir) (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: Uf dem Anger
Carl Orff3:25
9Carmina Burana: Uf dem anger: no. 9a Reie
engineer:
Bud Graham and Raymond Moore
producer:
Andrew Kazdin
orchestra:
The Cleveland Orchestra (from 1974-08-05 until 1974-08-06)
conductor:
Michael Tilson Thomas (from 1974-08-05 until 1974-08-06)
phonographic copyright (℗) by:
Sony Music Entertainment (in 1975)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1974-08-05 until 1974-08-06) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1974-09-04)
recording of:
Carmina Burana: Uf dem Anger: IX. (a) Reie (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (in 1936)
part of:
Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe
Carl Orff2:19
10Carmina Burana: Uf dem anger: no. 9b “Swaz hie gat umbe” – “Chume, chum geselle min” – “Swaz hie gat umbe”
engineer:
Bud Graham and Raymond Moore
producer:
Andrew Kazdin
choir vocals:
The Cleveland Orchestra Chorus (from 1974-08-05 until 1974-08-06)
orchestra:
The Cleveland Orchestra (from 1974-08-05 until 1974-08-06)
conductor:
Michael Tilson Thomas (from 1974-08-05 until 1974-08-06)
chorus master:
Robert Page (from 1974-08-05 until 1974-08-06)
phonographic copyright (℗) by:
Sony Music Entertainment (in 1975)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1974-08-05 until 1974-08-06) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1974-09-04)
recording of:
Carmina Burana: Uf dem Anger: IX. (b) Swaz hie gat umbe (Carmina Burana: Uf dem Anger: 9. (b) Swaz hie gat umbe) (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (in 1936)
part of:
Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe
recording of:
Carmina Burana: Uf dem Anger: IX. (c) Chume, chum, geselle min (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (in 1936)
part of:
Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe
recording of:
Carmina Burana: Uf dem Anger: IX. (d) Swaz hie gat umbe (reprise) (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (in 1936)
part of:
Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe
Carl Orff3:04
11Carmina Burana: Uf dem anger: no. 10 “Were diu werlt alle min”
engineer:
Bud Graham and Raymond Moore
producer:
Andrew Kazdin
choir vocals:
The Cleveland Orchestra Chorus (from 1974-08-05 until 1974-08-06)
orchestra:
The Cleveland Orchestra (from 1974-08-05 until 1974-08-06)
conductor:
Michael Tilson Thomas (from 1974-08-05 until 1974-08-06)
chorus master:
Robert Page (from 1974-08-05 until 1974-08-06)
phonographic copyright (℗) by:
Sony Music Entertainment (in 1975)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1974-08-05 until 1974-08-06) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1974-09-04)
recording of:
Carmina Burana: Uf dem Anger: X. Were diu werlt alle min (Carmina Burana: Uf dem Anger: 10. Were diu werlt alle min) (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: Uf dem Anger
Carl Orff0:49
12Carmina Burana: II. In taberna: no. 11 “Estuans interius”
engineer:
Bud Graham and Raymond Moore
producer:
Andrew Kazdin
baritone vocals:
Peter Binder (from 1974-08-05 until 1974-08-06)
orchestra:
The Cleveland Orchestra (from 1974-08-05 until 1974-08-06)
conductor:
Michael Tilson Thomas (from 1974-08-05 until 1974-08-06)
phonographic copyright (℗) by:
Sony Music Entertainment (in 1975)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1974-08-05 until 1974-08-06) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1974-09-04)
recording of:
Carmina Burana: II. In Taberna: XI. Estuans interius (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: II. In Taberna
Carl Orff2:21
13Carmina Burana: II. In taberna: no. 12 “Olim lacus colueram”
engineer:
Bud Graham and Raymond Moore
producer:
Andrew Kazdin
choir vocals:
The Cleveland Orchestra Chorus (from 1974-08-05 until 1974-08-06)
tenor vocals:
Kenneth Riegel (from 1974-08-05 until 1974-08-06)
orchestra:
The Cleveland Orchestra (from 1974-08-05 until 1974-08-06)
conductor:
Michael Tilson Thomas (from 1974-08-05 until 1974-08-06)
chorus master:
Robert Page (from 1974-08-05 until 1974-08-06)
phonographic copyright (℗) by:
Sony Music Entertainment (in 1975)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1974-08-05 until 1974-08-06) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1974-09-04)
recording of:
Carmina Burana: II. In Taberna: XII. Olim lacus colueram (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: II. In Taberna
Carl Orff3:30
14Carmina Burana: II. In taberna: no. 13 “Ego sum abbas”
engineer:
Bud Graham and Raymond Moore
producer:
Andrew Kazdin
baritone vocals:
Peter Binder (from 1974-08-05 until 1974-08-06)
choir vocals:
The Cleveland Orchestra Chorus (from 1974-08-05 until 1974-08-06)
orchestra:
The Cleveland Orchestra (from 1974-08-05 until 1974-08-06)
conductor:
Michael Tilson Thomas (from 1974-08-05 until 1974-08-06)
chorus master:
Robert Page (from 1974-08-05 until 1974-08-06)
phonographic copyright (℗) by:
Sony Music Entertainment (in 1975)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1974-08-05 until 1974-08-06) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1974-09-04)
recording of:
Carmina Burana: II. In Taberna: XIII. Ego sum abbas (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: II. In Taberna
Carl Orff1:46
15Carmina Burana: II. In taberna: no. 14 “In taberna quando sumus”
engineer:
Bud Graham and Raymond Moore
producer:
Andrew Kazdin
choir vocals:
The Cleveland Orchestra Chorus (from 1974-08-05 until 1974-08-06)
orchestra:
The Cleveland Orchestra (from 1974-08-05 until 1974-08-06)
conductor:
Michael Tilson Thomas (from 1974-08-05 until 1974-08-06)
chorus master:
Robert Page (from 1974-08-05 until 1974-08-06)
phonographic copyright (℗) by:
Sony Music Entertainment (in 1975)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1974-08-05 until 1974-08-06) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1974-09-04)
recording of:
Carmina Burana: II. In Taberna: XIV. In taberna quando sumus (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: II. In Taberna
Carl Orff2:58
16Carmina Burana: III. Cour d’amours: no. 15 “Amor volat undique”
engineer:
Bud Graham and Raymond Moore
producer:
Andrew Kazdin
choir vocals:
Cleveland Orchestra Boys Choir (from 1974-08-05 until 1974-08-06)
soprano vocals:
Judith Blegen (from 1974-08-05 until 1974-08-06)
orchestra:
The Cleveland Orchestra (from 1974-08-05 until 1974-08-06)
conductor:
Michael Tilson Thomas (from 1974-08-05 until 1974-08-06)
chorus master:
Robert Page (from 1974-08-05 until 1974-08-06)
phonographic copyright (℗) by:
Sony Music Entertainment (in 1975)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1974-08-05 until 1974-08-06) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1974-09-04)
recording of:
Carmina Burana: III. Cour d’amours: XV. Amor volat undique (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: III. Cour d’amours
Carl Orff4:08
17Carmina Burana: III. Cour d’amours: no. 16 “Dies, nox et omnia”
engineer:
Bud Graham and Raymond Moore
producer:
Andrew Kazdin
baritone vocals:
Peter Binder (from 1974-08-05 until 1974-08-06)
orchestra:
The Cleveland Orchestra (from 1974-08-05 until 1974-08-06)
conductor:
Michael Tilson Thomas (from 1974-08-05 until 1974-08-06)
phonographic copyright (℗) by:
Sony Music Entertainment (in 1975)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1974-08-05 until 1974-08-06) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1974-09-04)
recording of:
Carmina Burana: III. Cour d’amours: XVI. Dies, nox et omnia (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:50
18Carmina Burana: III. Cour d’amours: no. 17 “Stetit puella”
engineer:
Bud Graham and Raymond Moore
producer:
Andrew Kazdin
soprano vocals:
Judith Blegen (from 1974-08-05 until 1974-08-06)
orchestra:
The Cleveland Orchestra (from 1974-08-05 until 1974-08-06)
conductor:
Michael Tilson Thomas (from 1974-08-05 until 1974-08-06)
phonographic copyright (℗) by:
Sony Music Entertainment (in 1975)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1974-08-05 until 1974-08-06) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1974-09-04)
recording of:
Carmina Burana: III. Cour d’amours: XVII. Stetit puella (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: III. Cour d’amours
Carl Orff1:51
19Carmina Burana: III. Cour d’amours: no. 18 “Circa mea pectora”
engineer:
Bud Graham and Raymond Moore
producer:
Andrew Kazdin
baritone vocals:
Peter Binder (from 1974-08-05 until 1974-08-06)
choir vocals:
The Cleveland Orchestra Chorus (from 1974-08-05 until 1974-08-06)
orchestra:
The Cleveland Orchestra (from 1974-08-05 until 1974-08-06)
conductor:
Michael Tilson Thomas (from 1974-08-05 until 1974-08-06)
chorus master:
Robert Page (from 1974-08-05 until 1974-08-06)
phonographic copyright (℗) by:
Sony Music Entertainment (in 1975)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1974-08-05 until 1974-08-06) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1974-09-04)
recording of:
Carmina Burana: III. Cour d’amours: XVIII. Circa mea pectora (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: III. Cour d’amours
Carl Orff1:57
20Carmina Burana: III. Cour d’amours: no. 19 “Si puer cum puellula”
engineer:
Bud Graham and Raymond Moore
producer:
Andrew Kazdin
vocals:
The Cleveland Orchestra Chorus
conductor:
Michael Tilson Thomas (from 1974-08-05 until 1974-08-06)
chorus master:
Robert Page (from 1974-08-05 until 1974-08-06)
phonographic copyright (℗) by:
Sony Music Entertainment (in 1975)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1974-08-05 until 1974-08-06) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1974-09-04)
recording of:
Carmina Burana: III. Cour d’amours: XIX. Si puer cum puellula (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:53
21Carmina Burana: III. Cour d’amours: no. 20 “Veni, veni, venias”
engineer:
Bud Graham and Raymond Moore
producer:
Andrew Kazdin
choir vocals:
The Cleveland Orchestra Chorus (from 1974-08-05 until 1974-08-06)
orchestra:
The Cleveland Orchestra (from 1974-08-05 until 1974-08-06)
conductor:
Michael Tilson Thomas (from 1974-08-05 until 1974-08-06)
chorus master:
Robert Page (from 1974-08-05 until 1974-08-06)
phonographic copyright (℗) by:
Sony Music Entertainment (in 1975)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1974-08-05 until 1974-08-06) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1974-09-04)
recording of:
Carmina Burana: III. Cour d’amours: XX. Veni, veni, venias (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:52
22Carmina Burana: III. Cour d’amours: no. 21 “In trutina”
engineer:
Bud Graham and Raymond Moore
producer:
Andrew Kazdin
soprano vocals:
Judith Blegen (from 1974-08-05 until 1974-08-06)
orchestra:
The Cleveland Orchestra (from 1974-08-05 until 1974-08-06)
conductor:
Michael Tilson Thomas (from 1974-08-05 until 1974-08-06)
phonographic copyright (℗) by:
Sony Music Entertainment (in 1975)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1974-08-05 until 1974-08-06) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1974-09-04)
recording of:
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:36
23Carmina Burana: III. Cour d’amours: no. 22 “Tempus est iocundum”
engineer:
Bud Graham and Raymond Moore
producer:
Andrew Kazdin
baritone vocals:
Peter Binder (from 1974-08-05 until 1974-08-06)
choir vocals:
Cleveland Orchestra Boys Choir (from 1974-08-05 until 1974-08-06) and The Cleveland Orchestra Chorus (from 1974-08-05 until 1974-08-06)
soprano vocals:
Judith Blegen (from 1974-08-05 until 1974-08-06)
orchestra:
The Cleveland Orchestra (from 1974-08-05 until 1974-08-06)
conductor:
Michael Tilson Thomas (from 1974-08-05 until 1974-08-06)
chorus master:
Robert Page (from 1974-08-05 until 1974-08-06)
phonographic copyright (℗) by:
Sony Music Entertainment (in 1975)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1974-08-05 until 1974-08-06) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1974-09-04)
recording of:
Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:19
24Carmina Burana: III. Cour d’amours: no. 23 “Dulcissime”
engineer:
Bud Graham and Raymond Moore
producer:
Andrew Kazdin
soprano vocals:
Judith Blegen (from 1974-08-05 until 1974-08-06)
orchestra:
The Cleveland Orchestra (from 1974-08-05 until 1974-08-06)
conductor:
Michael Tilson Thomas (from 1974-08-05 until 1974-08-06)
phonographic copyright (℗) by:
Sony Music Entertainment (in 1975)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1974-08-05 until 1974-08-06) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1974-09-04)
recording of:
Carmina Burana: III. Cour d’amours: XXIII. Dulcissime (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:45
25Carmina Burana: Blanziflor et Helena: no. 24 “Ave, formosissima”
engineer:
Bud Graham and Raymond Moore
producer:
Andrew Kazdin
choir vocals:
The Cleveland Orchestra Chorus (from 1974-08-05 until 1974-08-06)
orchestra:
The Cleveland Orchestra (from 1974-08-05 until 1974-08-06)
conductor:
Michael Tilson Thomas (from 1974-08-05 until 1974-08-06)
chorus master:
Robert Page (from 1974-08-05 until 1974-08-06)
phonographic copyright (℗) by:
Sony Music Entertainment (in 1975)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1974-08-05 until 1974-08-06) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1974-09-04)
recording of:
Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
Carl Orff2:00
26Carmina Burana: Fortuna Imperatrix Mundi: no. 25 “O Fortuna”
engineer:
Bud Graham and Raymond Moore
producer:
Andrew Kazdin
choir vocals:
The Cleveland Orchestra Chorus (from 1974-08-05 until 1974-08-06)
orchestra:
The Cleveland Orchestra (from 1974-08-05 until 1974-08-06)
conductor:
Michael Tilson Thomas (from 1974-08-05 until 1974-08-06)
chorus master:
Robert Page (from 1974-08-05 until 1974-08-06)
phonographic copyright (℗) by:
Sony Music Entertainment (in 1975)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1974-08-05 until 1974-08-06) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1974-09-04)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna (reprise) (from 1974-08-05 until 1974-08-06)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
Carl Orff2:30
4CD: Beethoven: König Stephan / Elegischer Gesang / Opferlied / Bundeslied / Meeresstille und glückliche Fahrt
5CD: Gershwin: Rhapsody in Blue / An American in Paris
6CD: Dvořák: The American Flag / Suite in A major “American”
7CD: Gershwin: Broadway Overtures
8CD: The Complete Music of Carl Ruggles (1)
9CD: The Complete Music of Carl Ruggles (2)
10CD: Tchaikovsky: Orchestral Suite no. 3
11CD: Beethoven: Symphony no. 6
12CD: Respighi: Feste romane / Fontane di Roma
13CD: Tchaikovsky: Manfred Symphony
14CD: Tchaikovsky: Orchestral Suites nos. 2 & 4
15CD: Stravinsky: Petrouchka
16CD: Gershwin Live!
17CD: Beethoven: Symphony no. 4 / “Ah! perfido!”
18CD: Ives: Symphony no. 2
19CD: Prokofiev: Lieutenant Kijé Suite / Suite from “The Love for Three Oranges”
20CD: Beethoven: Symphony no. 5 / Egmont Overture
21CD: Debussy: La Mer / Nocturnes
22CD: Mendelssohn: Violin Concerto / Saint‐Saëns: Violin Concerto no. 3
23CD: Beethoven: Symphony no. 7
24CD: Ives: Symphony no. 3 / Orchestral Set no. 2
25CD: Bernstein on Broadway
26CD: Gershwin: Rhapsody in Blue / 3 Preludes / Second Rhapsody
27CD: Beethoven: Symphonies nos. 1 & 2
28CD: Brahms: Piano Quartet / J.S. Bach: Chorale Preludes
29CD: Beethoven: Symphony no. 8
30CD: Beethoven: Symphony no. 9
31CD: Copland: Old American Songs / Canticle of Freedom / 4 Motets
32CD: Gershwin: Of Thee I Sing
33CD: Gershwin: Let ’Em Eat Cake
34CD: Ives: New England Holidays / The Unanswered Question / Central Park in the Dark / The Unanswered Question
35CD: Beethoven: Symphony no. 3 / 12 Contredanses
36CD: Mahler: Symphony no. 3 (Mvts. I‐III)
37CD: Mahler: Symphony no. 3 (Mvts. IV‐VI) / Rückert‐Lieder
38CD: Weill: Die Sieben Todsünden / Kleine Dreigroschenmusik
39CD: Ravel: Ma mère l’Oye / Rapsodie espagnole / Boléro
40CD: R. Strauss: Ein Heldenleben / Till Eulenspiegels lustige Streiche
41CD: Prokofiev: Piano Concertos nos. 1 & 2
42CD: McLaughlin: Guitar Concerto / Duos for Guitar and Piano
43CD: Puccini: Tosca (Act I)
44CD: Puccini: Tosca (Act II & III)
45CD: Brahms: Serenade no. 1 / Tragische Ouvertüre / Akademische Festouvertüre
46CD: Ives: Symphonies nos. 1 & 4 / Hymns
47CD: R. Strauss: Also sprach Zarathustra / Don Juan
48CD: Tchaikovsky: Swan Lake (1)
49CD: Tchaikovsky: Swan Lake (2)
50CD: Adam: Giselle ou Les Wilis
51CD: Brahms: Serenade no. 2 / Variations on a Theme by Joseph Haydn / Hungarian Dances
52CD: Janáček: Glagolitic Mass / Sinfonietta
53CD: Debussy: Prélude à l’après‐midi d’un faune / La boîte à joujoux / Jeux
54CD: Prokofiev: Symphonies nos. 1 & 5
55CD: Debussy: Le Martyre de saint Sébastien
56CD: Bartók: Violin Concerto no. 2 / Violin Rhapsodies nos. 1 & 2
57CD: Beethoven: Piano Concerto no. 1 / Mozart: Flute & Harp Concerto in C major
58CD: Rachmaninoff: Piano Concerto no. 2 / Saint‐Saëns: The Swan · Cello Concerto no. 1 / Copland: Clarinet Concerto / Jenkins: Goodbye
59CD: Stravinsky: Symphony of Psalms / Symphony in C / Symphony in 3 Movements
60CD: R. Strauss: Lieder
61CD: Prokofiev: Romeo and Juliet
62CD: Villa‐Lobos: Bachianas Brasileiras nos. 4, 5, 7 & 9 / Chôros no. 10
63CD: Copland: Piano Concerto / Orchestral Variations / Symphony no. 2 / Symphonic Ode
64CD: Stravinsky in America
65CD: Mahler: Das Klagende Lied
66CD: Berlioz: Symphonie fantastique / Lélio, ou Le Retour à la vie
67CD: Gershwin: Catfish Row Suite / Second Rhapsody
68CD: Gershwin: An American in Paris / Concerto in F
69CD: New World Jazz
70CD: Mahler: Symphony no. 7 (Mvts. I–III)
71CD: Mahler: Symphony no. 7 (Mvts. IV–V)
72CD: Stravinsky: L’Oiseau de feu
73CD: Stravinsky: Le Sacre du printemps
74CD: Stravinsky: Perséphone
75CD: Copland: Billy the Kid Suite / Appalachian Spring Suite / 4 Dance Episodes from “Rodeo” / Fanfare for the Common Man
76CD: Mackey: Tuck and Roll / Lost and Found / Eating Greens
77CD: Charles Ives – An American Journey
78CD: Tchaikovsky: Violin Concerto / Méditation / Dance russe
79CD: Rachmaninoff: Piano Concerto no. 2 / Liszt: Piano Concerto no. 1
80CD: Tchaikovsky: Piano Concerto no. 1 / Stravinsky: Pétrouchka