| # | Title | Artist | Length |
|---|
| 1 | What a Wonderful World- recorded in:
- New York, United States (on 1967-08-16)
- engineer:
- Eddie Brackett and Bob Simpson
- producer:
- Bob Thiele
- alto saxophone:
- Sam Marowitz (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
- baritone saxophone:
- Raymond Stanfield (on 1967-08-16)
- clarinet:
- Sam Marowitz (on 1967-08-16) and Jerome Richardson (on 1967-08-16)
- double bass:
- Russ Savakus (on 1967-08-16)
- drums (drum set):
- Grady Tate (on 1967-08-16)
- flute:
- Sam Marowitz (on 1967-08-16), Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
- guitar:
- Allen Hanlon (on 1967-08-16), Art Ryerson (on 1967-08-16) and Willard Suyker (on 1967-08-16)
- percussion:
- Warren Hard (on 1967-08-16)
- piano:
- Hank Jones (on 1967-08-16)
- tenor saxophone:
- Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
- trombone:
- Urbie Green (on 1967-08-16) and J.J. Johnson (on 1967-08-16)
- trumpet:
- Louis Armstrong (on 1967-08-16), Clark Terry (on 1967-08-16) and Joe Wilder (on 1967-08-16)
- lead vocals:
- Louis Armstrong (on 1967-08-16)
- orchestra:
- Louis Armstrong’s Orchestra and Chorus (on 1967-08-16)
- conductor and chorus master:
- Tommy Goodman (on 1967-08-16)
- phonographic copyright (℗) by:
- MCA Records, Inc. (in 1968)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 171) and Billboard: The 500 Best Pop Songs (number: 283)
- recording of:
- What a Wonderful World (on 1967-08-16)
- writer:
- George Douglas and George David Weiss
- publisher:
- Abilene Music Inc., Carlin Music Corp., Copyright Control, Memory Lane Music, Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
- sub-publisher:
- BMC Publishing NV, Sony Music Publishing (Japan) Inc., ヤマハミュージックエンタテインメントホールディングス, ワーナー・チャペル音楽出版 Synch事業部, フジパシフィック音楽出版 (until 2014-12-31) and フジパシフィックミュージック (from 2015-01-01 to present)
- part of:
- 12 Monkeys Soundtrack
- part of:
- Freaky Friday
| Louis Armstrong | 2:19 |
| 2 | Unchained Melody- engineer:
- Larry Levine
- producer:
- Phil Spector
- solo lead vocals:
- Bobby Hatfield (in 1965-03)
- arranger:
- Jack Nitzsche
- phonographic copyright (℗) by:
- Spectrum Music, PolyGram Records, Inc. (in 1965, in 1968) and Universal Records (in 1966)
- recorded at:
- Radio Recorders Studios in West Hollywood, California, United States (in 1965-03)
- part of:
- The Co-Op: Top 10 British Funeral Songs (number: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 269) and Rolling Stone: 500 Greatest Songs of All Time (number: 366)
- cover recording of:
- Unchained Melody (in 1965-03)
- publisher:
- Hy Zaret
- lyricist:
- Hy Zaret
- composer:
- Alex North
- publisher:
- Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd., MPL Communications Australia, MPL Musik Verlags GmbH, North Melody Publishing and Unchained Melody Publishing, LLC
- sub-publisher:
- 日音 Synch事業部
- part of:
- The 28th Academy Award for Best Original Song (number: 2)
| The Righteous Brothers | 3:39 |
| 3 | Don’t It Make My Brown Eyes Blue | Crystal Gayle | 2:39 |
| 4 | Candle in the Wind | Elton John | 3:51 |
| 5 | Green Green Grass of Home | Tom Jones | 3:06 |
| 6 | Crazy | Patsy Cline | 2:44 |
| 7 | Morning Has Broken- producer:
- Paul Samwell-Smith
- bass and congas:
- Larry Steele (in 1971-03)
- bouzouki:
- Angelos Hatzipavli (in 1971-03) and Ανδρέας Τουμαζής (in 1971-03)
- drums (drum set):
- Harvey Burns (in 1971-03) and Gerry Conway (in 1971-03)
- guitar:
- Alun Davies (in 1971-03) and Cat Stevens (in 1971-03)
- keyboard and lead vocals:
- Cat Stevens (in 1971-03)
- piano:
- Rick Wakeman (in 1971-03)
- strings:
- Del Newman (in 1971-03)
- phonographic copyright (℗) by:
- Universal Island Records Ltd. (in 1970) and Island Records Ltd. (in 1971)
- recorded at:
- Morgan Studios in Willesden, Brent, London, England, United Kingdom (in 1971-03)
- recording of:
- Morning Has Broken (in 1971-03)
- lyricist:
- Eleanor Farjeon
- composer:
- [traditional]
- publisher:
- Cat Music Ltd., EMI Music, Freshwater Music Ltd., Irving Music, Inc., Island Music Ltd. and Island Music, Inc.
- is based on:
- Bunessan
| Cat Stevens | 3:20 |
| 8 | I Will Always Love You | Dolly Parton | 2:56 |
| 9 | Being With You | Smokey Robinson | 4:02 |
| 10 | Blue Bayou | Linda Ronstadt | 3:54 |
| 11 | Lady | Kenny Rogers | 3:54 |
| 12 | Got to Be There | Michael Jackson | 3:25 |
| 13 | Breakin’ Up Is Hard to Do | Neil Sedaka | 3:02 |
| 14 | Time in a Bottle- producer:
- Terry Cashman and Tommy West
- vocals:
- Jim Croce (on 1971-10-11)
- phonographic copyright (℗) by:
- R2M Music (in 1972), BMG Rights Management (US) LLC (in 1973), Lastrada Entertainment Co., Ltd. (in 1973) and LeFrak-Moelis Records (in 1973)
- recorded at:
- The Hit Factory in Manhattan, New York, New York, United States (on 1971-10-11)
- recording of:
- Time in a Bottle (on 1971-10-11)
- lyricist and composer:
- Jim Croce
- publisher:
- American Broadcasting Music, Inc., Blendingwell Music, Inc., DenJac Music Company and MCA Music
| Jim Croce | 2:27 |
| 15 | Roses Are Red (My Love) | Bobby Vinton | 2:41 |
| 16 | Everything Is Beautiful | Ray Stevens | 3:32 |
| 17 | Love Letters in the Sand | Pat Boone | 2:15 |
| 18 | Memories | Mac Davis | 3:50 |
| 19 | December 1963 (Oh What a Night) | The Four Seasons | 3:35 |
| 20 | Send in the Clown | Judy Collins | 3:59 |
