The Way to Play

~ Release by Bill Evans (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleLength
1I Love You
instrumental recording of:
I Love You (Mexican Hayride musical)
lyricist and composer:
Cole Porter (in 1944)
publisher:
Chappell & Co., Inc., Chappell Music, EMI Feist Catalog Inc. and Warner/Chappell North America Limited
3:56
2Five
recording of:
Five
composer:
Bill Evans
publisher:
Folkways Music Publishers Inc., TRO-Acorn Music and TRO-Folkways Music Publishers, Inc.
4:02
3Conception
recording of:
Conception
composer:
George Shearing
4:47
4Easy Living
instrumental recording of:
Easy Living
lyricist:
Leo Robin
writer:
Ralph Rainger (in 1937) and Leo Robin (in 1937)
composer:
Ralph Rainger and Leo Robin
publisher:
Famous Music Corporation (in 1937, in 1964)
3:53
5Displacement
recording of:
Displacement
writer:
Bill Evans
2:36
6Speak Low
instrumental recording of:
Speak Low (One Touch of Venus)
lyricist:
Ogden Nash
composer:
Kurt Weill
publisher:
Chappell & Co.
part of:
One Touch of Venus (1943 musical)
5:10
7Our Delight
recording of:
Our Delight
composer:
Tadd Dameron
4:44
8No Cover, No Minimum (take 2)
recording of:
No Cover, No Minimum
composer:
Bill Evans
7:36
9I Got It Bad and That Ain't Good
instrumental recording of:
I Got It Bad (and That Ain’t Good)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (in 1941)
publisher:
EMI Robbins Catalog Inc., Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, Volume I)
1:39
10Waltz for Debby
recording of:
Waltz for Debby (instrumental)
composer:
Bill Evans
publisher:
Acorn Music Corp., Folkways Music Publishers Inc. and Kensington Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
1:20
11My Romance
instrumental recording of:
My Romance
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (in 1935)
publisher:
Chappell & Co., Inc., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc., Warner Chappell Music Ltd., Williamson Music Company, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
Jumbo
2:00
12Minority
recorded in:
New York, New York, United States (on 1958-12-15)
recording engineer:
Jack Higgins (on 1958-12-15)
producer:
Orrin Keepnews
bass and double bass:
Sam Jones (on 1958-12-15)
drums (drum set):
Philly Joe Jones (on 1958-12-15)
piano:
Bill Evans (on 1958-12-15)
phonographic copyright (℗) by:
Milestone Records (in 1975)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-12-15)
cover recording of:
Minority (on 1958-12-15)
composer:
Gigi Gryce
publisher:
Jacogg Publications and Twenty-Eighth Street Music
5:23
13Young and Foolish
recording engineer:
Jack Higgins (on 1958-12-15)
engineer:
Jack Higgins
producer:
Orrin Keepnews
bass and double bass:
Sam Jones (on 1958-12-15)
drums (drum set):
Philly Joe Jones (on 1958-12-15)
piano:
Bill Evans (on 1958-12-15)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-12-15)
instrumental cover recording of:
Young and Foolish (on 1958-12-15)
lyricist:
Arnold Horwitt
composer:
Albert Hague
publisher:
Chappell & Co. and Chappell Music
5:54
14Night and Day
recording engineer:
Jack Higgins (on 1958-12-15)
producer:
Orrin Keepnews
double bass:
Sam Jones (on 1958-12-15)
drums (drum set):
Philly Joe Jones (on 1958-12-15)
piano:
Bill Evans (on 1958-12-15)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-12-15)
instrumental cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1958-12-15)
lyricist and composer:
Cole Porter (in 1932)
publisher:
Chappell & Co., Inc., Chappell Music Ltd., Warner Bros., Warner Bros. Music, Warner Bros., Inc., Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
7:36
15Oleo
recording engineer:
Jack Higgins (on 1958-12-15)
producer:
Orrin Keepnews
double bass:
Sam Jones (on 1958-12-15)
drums (drum set):
Philly Joe Jones (on 1958-12-15)
piano:
Bill Evans (on 1958-12-15)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-12-15)
cover recording of:
Oleo (on 1958-12-15)
composer:
Sonny Rollins
publisher:
Jazz Horn Music Corporation, Prestige Music and Sony/ATV Songs
4:09
16Tenderly
recording engineer:
Jack Higgins (on 1958-12-15)
producer:
Orrin Keepnews
double bass:
Sam Jones (on 1958-12-15)
drums (drum set):
Philly Joe Jones (on 1958-12-15)
piano:
Bill Evans (on 1958-12-15)
phonographic copyright (℗) by:
Milestone Records (in 1975)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-12-15)
instrumental cover recording of:
Tenderly (on 1958-12-15)
lyricist:
Jack Lawrence (in 1946)
composer:
Walter Gross (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
3:34
17What Is There to Say
recording engineer:
Jack Higgins (on 1958-12-15)
producer:
Orrin Keepnews
double bass:
Sam Jones (on 1958-12-15)
drums (drum set):
Philly Joe Jones (on 1958-12-15)
piano:
Bill Evans (on 1958-12-15)
phonographic copyright (℗) by:
Milestone Records (in 1975)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-12-15)
instrumental cover recording of:
What Is There to Say? (on 1958-12-15)
lyricist:
Yip Harburg
composer:
Vernon Duke
publisher:
BMG Songs, Next Decade Entertainment and T.B. Harms Co.
4:55
18Peace Piece
recording engineer:
Jack Higgins (on 1958-12-15)
producer:
Orrin Keepnews
piano:
Bill Evans (on 1958-12-15)
phonographic copyright (℗) by:
Milestone Records (in 1975)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1956-12-15)
recording of:
Peace Piece (on 1958-12-15)
composer:
Bill Evans
publisher:
Acorn Music Corp., Folkways Music and TRO-Acorn Music
6:43
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Credits

Release

ASIN:US: B007W0YVDI [info]