Now That’s What I Call Rock ’n’ Roll

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistLength
1Hound DogElvis Presley2:16
2That’ll Be the DayBuddy Holly2:18
3(We’re Gonna) Rock Around the Clock
double bass:
Marshall Lytle (on 1954-04-12)
drums (drum set):
Billy Gussak (on 1954-04-12)
electric guitar [lead guitar]:
Danny Cedrone (on 1954-04-12)
electric guitar [rhythm guitar] and lead vocals:
Bill Haley (on 1954-04-12)
piano:
Johnny Grande (on 1954-04-12)
steel guitar:
William F. ‘Billy’ Williamson (on 1954-04-12)
tenor saxophone:
Joey D'Ambrosio (on 1954-04-12)
phonographic copyright (℗) by:
Sonet Music AB (in 1954) and MCA Records Inc. (in 1955)
recorded at:
Pythian Temple in Lincoln Square, New York, New York, United States (on 1954-04-12)
recording of:
Rock Around the Clock (Bill Haley’s version) (on 1954-04-12)
lyricist and composer:
Jimmy De Knight (in 1952) and Max C. Freedman (in 1952)
arranger:
Harry Filler
publisher:
Edward Kassner Music Co. Ltd. and Myers Music, Inc.
version of:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley & His Comets2:10
4Johnny B. GoodeChuck Berry2:39
5Tutti FruttiLittle Richard2:24
6Great Balls of Fire
lead vocals:
Jerry Lee Lewis (from 1963-09-22 until 1963-09-24)
recording of:
Great Balls of Fire (from 1963-09-22 until 1963-09-24)
writer:
Otis Blackwell and Jack Hammer
publisher:
Carlin Music Corporation, Hill & Range Songs, Inc. and Warner Chappell Music
Jerry Lee Lewis1:51
7Wake Up Little SusieThe Everly Brothers2:02
8Be-Bop-a-LulaGene Vincent2:35
9Move It
recording of:
Move It
composer:
Ian Samwell
publisher:
Multimood Music Ltd.
Cliff Richard & The Shadows2:50
10Blueberry HillFats Domino2:19
11The WandererDion2:49
12Folsom Prison Blues
producer:
Sam Phillips
acoustic guitar and lead vocals:
Johnny Cash (on 1955-07-30)
double bass:
Marshall Grant (on 1955-07-30)
electric guitar:
Luther Perkins (on 1955-07-30)
vocals:
Johnny Cash
phonographic copyright (℗) by:
Mercury Records (in 1988)
recorded at:
Sun Studio in Memphis, Tennessee, United States (on 1955-07-30)
recording of:
Folsom Prison Blues (on 1955-07-30)
lyricist and composer:
Johnny Cash
publisher:
Aberbach (London), Carlin Music Corporation and Hi Lo Music
is based on:
Crescent City Blues
Johnny Cash2:49
13Shakin’ All Over
recording of:
Shakin’ All Over
lyricist and composer:
Johnny Kidd
publisher:
Belwin Mills Music Ltd.
Johnny Kidd & the Pirates2:20
14Apache
phonographic copyright (℗) by:
EMI Records Ltd. (in 1960)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom
recording of:
Apache
composer:
Jerry Lordan
publisher:
Francis, Day & Hunter Ltd.
The Shadows2:54
15Chantilly Lace
recording of:
Chantilly Lace
lyricist and composer:
J.P. Richardson
publisher:
Glad Music Co.
The Big Bopper2:21
16At the HopDanny and the Juniors2:31
17The LocomotionLittle Eva2:17
18Let’s DanceChris Montez2:27
19La bamba
recording engineer:
Larry Levine and Stan Ross
producer:
Bob Keane
phonographic copyright (℗) by:
Del-Fi Records Inc. (in 1958)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (number: 19), Billboard: The 500 Best Pop Songs (number: 142) and Rolling Stone: 500 Greatest Songs of All Time (number: 346)
recording of:
La bamba (additional lyrics by Ritchie Valens) (on 1958-11-17)
additional lyricist:
Ritchie Valens
lyricist and composer:
[traditional]
arranger:
Ritchie Valens
publisher:
Carlin Music Corporation, EMI Longitude Music and M.P.A.
version of:
La bamba
Ritchie Valens2:07
20Rubber Ball
recording of:
Rubber Ball
lyricist and composer:
Gene Pitney and Aaron Schroeder
publisher:
J. Albert & Son Pty. Ltd.
Bobby Vee2:30
21Ain’t Got No Home
recording engineer:
Cosimo Matassa (in 1956-09)
producer:
Paul Gayten
double bass [bass]:
Frank Fields (in 1956-09)
drums (drum set) [drums]:
Eugene Jones (in 1956-09)
guitar:
Walter “Papoose” Nelson (in 1956-09)
piano:
Paul Gayten (in 1956-09)
tenor saxophone:
Lee Allen (in 1956-09) and Eddie Smith (in 1956-09)
trombone:
Edgar Myles (in 1956-09)
vocals:
Clarence “Frogman” Henry (in 1956-09)
phonographic copyright (℗) by:
UMG Recordings, Inc. (from 1956 to present) and MCA Records, Inc. (in 1957)
recorded at:
J&M Studio in New Orleans, Louisiana, United States (in 1956-09)
recording of:
Ain’t Got No Home (in 1956-09)
lyricist and composer:
Clarence “Frogman” Henry
publisher:
Arc Music Corp.
Clarence “Frogman” Henry2:21
22Hey! BabyBruce Channel2:23
23Little Bitty Pretty OneThurston Harris & The Sharps2:22
24Bony Moronie
baritone saxophone:
Jewell Grant (on 1957-09-11)
bass:
Ted Brinson (on 1957-09-11)
guitar:
Rene Hall (on 1957-09-11)
membranophone:
Earl Palmer (on 1957-09-11)
piano:
Larry Williams (on 1957-09-11)
saxophone:
John E. Oliveri (on 1957-09-11)
tenor saxophone:
Plas Johnson (on 1957-09-11)
vocals:
Larry Williams (on 1957-09-11)
recorded at:
Master Recorders in Hollywood, Los Angeles, California, United States (on 1957-09-11)
recording of:
Boney Maroney (on 1957-09-11)
lyricist and composer:
Lawrence E. Williams
publisher:
ATV Music Ltd., EMI Music, Sony/ATV Music Publishing (UK) Ltd. and Venice Music
Larry Williams3:08
25What Do You Want to Make Those Eyes at Me ForEmile Ford & the Checkmates2:06
2CD
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part of:Now That’s What I Call…... (order: 84)