| # | Title | Artist | Length |
|---|
| 1 | Let the Good Times Roll- producer:
- Esmond Edwards
- baritone saxophone:
- Jerome Richardson (in 1976-03)
- bass:
- Rudy Aikels (in 1976-03) and Louis Villery (in 1976-03)
- drums (drum set):
- Harold Potier (in 1976-03) and John Starks (in 1976-03)
- guitar:
- Milton Hopkins (in 1976-03), Johnny Jones (in 1976-03), B.B. King (in 1976-03) and Ray Parker Jr. (in 1976-03)
- organ:
- James Toney (in 1976-03)
- piano:
- Robert Anderson (in 1976-03)
- tenor saxophone:
- Red Holloway (in 1976-03)
- trombone:
- Garnett Brown (in 1976-03) and Benny Powell (in 1976-03)
- trumpet:
- Albert Aarons (in 1976-03), Oscar Brashear (in 1976-03) and Snooky Young (in 1976-03)
- vocals:
- Bobby Bland (in 1976-03) and B.B. King (in 1976-03)
- performer:
- Bobby “Blue” Bland
- arranger:
- Johnny Pate
- phonographic copyright (℗) by:
- Geffen Records (in 1976) and MCA Records, Inc. (in 1976)
- recorded at:
- Cocoanut Grove in Los Angeles, California, United States (in 1976-03)
- mixed at:
- ABC Recording Studios in Los Angeles, California, United States
- live cover recording of:
- Let the Good Times Roll (in 1976-03)
- writer:
- Fleecie Moore (in 1946) and Sam Theard (in 1946)
- publisher:
- Rytvoc, Inc., Theard Swanson Publishing and Warock Corp.
- sub-publisher:
- Sony Music Publishing (Japan) Inc. and ヤマハミュージックEH(CM)
- cover recording of:
- Let the Good Times Roll
- writer:
- Fleecie Moore (in 1946) and Sam Theard (in 1946)
- publisher:
- Rytvoc, Inc., Theard Swanson Publishing and Warock Corp.
- sub-publisher:
- Sony Music Publishing (Japan) Inc. and ヤマハミュージックEH(CM)
- live recording of:
- Let the Good Times Roll
- writer:
- Fleecie Moore (in 1946) and Sam Theard (in 1946)
- publisher:
- Rytvoc, Inc., Theard Swanson Publishing and Warock Corp.
- sub-publisher:
- Sony Music Publishing (Japan) Inc. and ヤマハミュージックEH(CM)
- recording of:
- Let the Good Times Roll
- writer:
- Fleecie Moore (in 1946) and Sam Theard (in 1946)
- publisher:
- Rytvoc, Inc., Theard Swanson Publishing and Warock Corp.
- sub-publisher:
- Sony Music Publishing (Japan) Inc. and ヤマハミュージックEH(CM)
| B.B. King feat. Bobby Bland | 5:34 |
| 2 | Don’t You Lie to Me | B.B. King | 6:09 |
| 3 | Mother Fuyer | B.B. King | 3:06 |
| 4 | Never Make a Move Too Soon- recorded in:
- Hollywood, Los Angeles, California, United States (in 1977)
- producer:
- Wilton Felder, Stix Hooper, Stewart Levine and Joe Sample
- bass:
- Robert Popwell (in 1977)
- drums (drum set):
- James Gadson (in 1977)
- guitar:
- Roland Bautista (in 1977), B.B. King (in 1977) and Dean Parks (in 1977)
- keyboard:
- Joe Sample (in 1977)
- solo tenor saxophone:
- Wilton Felder (in 1977)
- vocals:
- B.B. King (in 1977)
- performer:
- Stix Hooper (in 1977) and Will Jennings (in 1977)
- cover recording of:
- Never Make a Move Too Soon (in 1977)
- writer:
- Will Jennings and Nesbert Hooper, Jr.
- publisher:
- Four Knights Music, Four Knights Music Co., Irving Music, Inc. and Status Cymbal Music
| B.B. King feat. The Crusaders | 5:30 |
| 5 | When It All Comes Down (I’ll Still Be Around) | B.B. King | 4:13 |
| 6 | Better Not Look Down- recorded in:
- Hollywood, Los Angeles, California, United States (from 1978-12 until 1979-01)
- engineer and mixer:
- Rik Pekkonen
- producer:
- Wilton Felder, Stix Hooper, Stewart Levine, Johnny Pate and Joe Sample
- baritone saxophone:
- Kim Hutchcroft (from 1978-12 until 1979-01)
- bass and tenor saxophone:
- Wilton Felder (from 1978-12 until 1979-01)
- drums (drum set):
- James Gadson (from 1978-12 until 1979-01) and Stix Hooper (from 1978-12 until 1979-01)
- guitar:
- Paul Jackson (from 1978-12 until 1979-01), B.B. King (from 1978-12 until 1979-01) and Dean Parks (from 1978-12 until 1979-01)
- keyboard:
- Joe Sample (from 1978-12 until 1979-01)
- percussion:
- Paulinho da Costa (from 1978-12 until 1979-01) and Stix Hooper (from 1978-12 until 1979-01)
- saxophone:
- Dennis Quitman (from 1978-12 until 1979-01) and Larry Williams (from 1978-12 until 1979-01)
- trombone:
- Charles Fendley (from 1978-12 until 1979-01), Chuck Findley (from 1978-12 until 1979-01) and Jack Redmond (from 1978-12 until 1979-01)
- trumpet:
- Gary Grant (from 1978-12 until 1979-01) and Steve Madaio (from 1978-12 until 1979-01)
- background vocals:
- Luther Waters (from 1978-12 until 1979-01), Maxine Waters (from 1978-12 until 1979-01) and Oren Waters (from 1978-12 until 1979-01)
- vocals:
- Julia Tillman (from 1978-12 until 1979-01) and B.B. King (from 1978-12 until 1979-01)
- performer:
- The Crusaders
- phonographic copyright (℗) by:
- Geffen Records (in 1979) and MCA Records, Inc. (in 1979)
- recorded at:
- Hollywood Sound Recorders in Los Angeles, California, United States (from 1978-12 until 1979-01)
- recording of:
- Better Not Look Down (from 1978-12 until 1979-01)
- writer:
- Will Jennings and Joe Sample
- publisher:
- Four Knights Music, Four Knights Music Co., Irving Music, Inc., Music Corporation of America, Inc., Rondor Music (London) Ltd. and Warner Chappell Music Ltd.
| B.B. King | 3:23 |
| 7 | Caldonia | B.B. King | 2:49 |
| 8 | There Must Be a Better World Somewhere | B.B. King feat. Dr. John | 3:46 |
| 9 | Play With Your Poodle (solo) | B.B. King | 0:55 |
| 10 | Darlin’ You Know I Love You | B.B. King | 4:47 |
| 11 | Inflation Blues | B.B. King | 4:16 |
| 12 | Make Love to Me | B.B. King | 1:47 |
| 13 | Into the Night | B.B. King | 4:13 |
| 14 | Six Silver Strings | B.B. King | 4:19 |
| 15 | When Love Comes to Town (7″ mix) | B.B. King feat. U2 | 3:30 |
| 16 | Right Time, Wrong Place | B.B. King feat. Bonnie Raitt | 4:03 |
| 17 | Many Miles Travelled | B.B. King | 4:01 |
| 18 | I’m Moving On | B.B. King | 4:11 |
| 19 | Since I Met You Baby | B.B. King feat. Gary Moore | 2:52 |
