The Complete Reprise Studio Recordings

~ Release by Frank Sinatra (see all versions of this release, 3 available)

Annotation

A 20-CD collection of the Reprise recordings of Frank Sinatra with hardcover book with several essays and track credits. From the included book: "The Complete Reprise Studio Recordings contains every master recorded by Frank Sinatra for Reprise Records between December 19, 1960 and June 6, 1988. A few songs, attempted but never satisfactorily completed, have been omitted."

Identifiers

CD 1

  • Disc ID: ZV.Ey3mF9WU4z..7NAT8aAwDGRU-
  • Matrix Code: 936247045-2/1 09/98
  • Mastering SID Code: IFPI L011
  • Mould SID Code: IFPI 05N2

CD 2

  • Disc ID: SjkK1nZt4JBH6THnRJI01qRd1u0-
  • Matrix Code: 936247045-2/2 09/98
  • Mastering SID Code: IFPI L011
  • Mould SID Code: IFPI 05A8

CD 3

  • Disc ID: __n9gUeu1.I0EYQy5uVcywFiYzw-
  • Matrix Code: 936247045-2/3 09/98
  • Mastering SID Code: IFPI L011
  • Mould SID Code: IFPI 05N8

CD 4

  • Disc ID: .BWURU4faxB15DYfu7ezAd20Gfg-
  • Matrix Code: 936247045-2/4 09/98
  • Mastering SID Code: IFPI L012
  • Mould SID Code: IFPI 05A5

CD 5

  • Disc ID: QDLSbVFKk8vcAJvx96SY6S2iktY-
  • Matrix Code: 936247045-2/5 09/98
  • Mastering SID Code: IFPI L012
  • Mould SID Code: IFPI 05A5

CD 6

  • Disc ID: lCHq_9QxW7MLxdmKN7IDt60il_k-
  • Matrix Code: 936247045-2/6 09/98
  • Mastering SID Code: IFPI L012
  • Mould SID Code: IFPI 05A0

CD 7

  • Disc ID: Uq7sE9dEvkaNjF4necoidfgCnLc-
  • Matrix Code: 936247045-2/7 09/98
  • Mastering SID Code: IFPI L011
  • Mould SID Code: IFPI 0504

CD 8

  • Disc ID: Df3w8F_03DUIzmgHxFkwOZ__LK4-
  • Matrix Code: 936247045-2/8 09/98
  • Mastering SID Code: IFPI L011
  • Mould SID Code: IFPI 0582

CD 9

  • Disc ID: zLrn6X4Ck.0TEx6x1M6MR19mKxo-
  • Matrix Code: 936247045-2/9 09/98
  • Mastering SID Code: IFPI L011
  • Mould SID Code: IFPI 05D1

CD 10

  • Disc ID: OAXJXpnx2fbjD_Un8cub1QD8dJE-
  • Matrix Code: 936247045-2/10 09/98
  • Mastering SID Code: IFPI L012
  • Mould SID Code: IFPI 0590

CD 11

  • Disc ID: l2p63tWJ6gTC9gTsIRHpVRZpweE-
  • Matrix Code: 936247045-2/11 09/98
  • Mastering SID Code: IFPI L012
  • Mould SID Code: IFPI 05N2

CD 12

  • Disc ID: nY6YJMHzVQLShEEjt0_uCYNphn0-
  • Matrix Code: 936247045-2/12 09/98
  • Mastering SID Code: IFPI L011
  • Mould SID Code: IFPI 0567

CD 13

  • Disc ID: QyEG4PurwHVZYER_thQnKFRpzz0-
  • Matrix Code: 936247045-2/13 09/98
  • Mastering SID Code: IFPI L011
  • Mould SID Code: IFPI 0564

CD 14

  • Disc ID: VtMov4JP8jYP1RLj92gggMHeRsM-
  • Matrix Code: 936247045-2/14 09/98
  • Mastering SID Code: IFPI L011
  • Mould SID Code: IFPI 05F1

CD 15

  • Disc ID: Lzl8O3YtRhPSRXWwnVsi5hEzdsM-
  • Matrix Code: 936247045-2/15 09/98
  • Mastering SID Code: IFPI L012
  • Mould SID Code: IFPI 05F1

CD 16

  • Disc ID: 35gVETcgQbbi1fjrslkef5v5nVQ-
  • Matrix Code: 936247045-2/16 09/98
  • Mastering SID Code: IFPI L011
  • Mould SID Code: IFPI 05A2

CD 17

  • Disc ID: 9pKH.zkQXJxH0.rvv7_NZMIgb2U-
  • Matrix Code: 936247045-2/17 09/98
  • Mastering SID Code: IFPI L012
  • Mould SID Code: IFPI 05D2

CD 18

  • Disc ID: 55XIAArIeOJaExITROyWnGBueMA-
  • Matrix Code: 936247045-2/18 09/98
  • Mastering SID Code: IFPI L012
  • Mould SID Code: IFPI 05E1

CD 19

  • Disc ID: suOPzatm3DfG58ysjj9OkgZMFHU-
  • Matrix Code: 936247045-2/19 09/98
  • Mastering SID Code: IFPI L011
  • Mould SID Code: IFPI 05E1

CD 20

  • Disc ID: ZHITGsll45p.vYVzBrzFUN4Vs3I-
  • Matrix Code: 936247045-2/20 09/98
  • Mastering SID Code: IFPI L011
  • Mould SID Code: IFPI 05A8

Tracklist

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#TitleLength
1I Can’t Believe I’m Losing You
recorded in:
Los Angeles, California, United States (on 1964-04-08)
vocals:
Frank Sinatra (on 1964-04-08)
arranger:
Don Costa
recording of:
I Can't Believe I'm Losing You (on 1964-04-08)
writer:
Don Costa and Phil Zeller
2:47
2My Kind of Town
recorded in:
Los Angeles, California, United States (on 1964-04-08)
producer:
Sonny Burke
vocals:
Frank Sinatra (on 1964-04-08)
orchestra:
Nelson Riddle and His Orchestra (on 1964-04-08)
conductor:
Nelson Riddle (on 1964-04-08)
arranger:
Nelson Riddle
recorded at:
United Recorders in Los Angeles, California, United States (on 1964-04-08)
recording of:
My Kind of Town (on 1964-04-08)
dedicated to:
Chicago, Illinois, United States
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Cahn Music Company, PW Arrangements, Sony Music Publishing (Japan) Inc., The Songwriters Guild, Universal Music Corp., WB Music Corp., WC Music Corp., ヤマハミュージックエンタテインメントホールディングス, ユニバーサル・ミュージック・パブリッシング Synch事業部, ワーナー・チャペル音楽出版 Synch事業部, Glorste, Inc. (in 1964), Sergeant Music Co. (in 1964) and Van Heusen Music Corp. (in 1964)
part of:
The 37th Academy Award for Best Original Song (number: 2)
3:09
3I Like to Lead When I Dance
recorded in:
Los Angeles, California, United States (on 1964-04-08)
producer:
Sonny Burke
vocals:
Frank Sinatra (on 1964-04-08)
orchestra:
Nelson Riddle and His Orchestra (on 1964-04-08)
conductor:
Nelson Riddle (on 1964-04-08)
arranger:
Nelson Riddle
recorded at:
United Recorders in Los Angeles, California, United States (on 1964-04-08)
recording of:
I Like to Lead When I Dance (on 1964-04-08)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
The Songwriters Guild, WB Music Corp., Glorste, Inc. (in 1964), Sergeant Music Co. (in 1964) and Van Heusen Music Corp. (in 1964)
4:08
4Style
recorded in:
Los Angeles, California, United States (on 1964-04-10)
vocals:
Bing Crosby (on 1964-04-10), Dean Martin (on 1964-04-10) and Frank Sinatra (on 1964-04-10)
arranger:
Nelson Riddle
recording of:
Style (on 1964-04-10)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
The Songwriters Guild and WB Music Corp.
4:29
5Mister Booze
recorded in:
Los Angeles, California, United States (on 1964-04-10)
vocals:
Bing Crosby (on 1964-04-10), Sammy Davis Jr. (on 1964-04-10), Dean Martin (on 1964-04-10) and Frank Sinatra (on 1964-04-10)
arranger:
Nelson Riddle
recording of:
Mister Booze (on 1964-04-10)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
The Songwriters Guild and WB Music Corp.
5:02
6Don’t Be a Do‐Badder (Finale)
recorded in:
Los Angeles, California, United States (on 1964-04-10)
vocals:
Bing Crosby (on 1964-04-10), Sammy Davis Jr. (on 1964-04-10), Dean Martin (on 1964-04-10) and Frank Sinatra (on 1964-04-10)
arranger:
Nelson Riddle
recording of:
Don’t Be a Do‐Badder (on 1964-04-10)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
The Songwriters Guild and WB Music Corp.
1:16
7The Best Is Yet to Come
recorded in:
Los Angeles, California, United States (on 1964-06-09)
engineer:
Lowell Frank (on 1964-06-09)
producer:
Sonny Burke (on 1964-06-09)
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-09)
drums (drum set):
Sonny Payne (on 1964-06-09)
guitar:
Freddie Green (on 1964-06-09)
percussion:
Emil Richards
piano:
Count Basie (on 1964-06-09)
reeds:
Marshall Royal, Eric Dixon (on 1964-06-09), Frank Foster (on 1964-06-09), Charlie Fowlkes (on 1964-06-09) and Frank Wess (on 1964-06-09)
trombone:
Henderson Chambers, Henry Coker (on 1964-06-09), Bill Hughes (on 1964-06-09), Grover Mitchell (on 1964-06-09) and Ken Shroyer (on 1964-06-09)
trumpet:
George Cohn, Don Rader, Al Aarons (on 1964-06-09), Wallace Davenport (on 1964-06-09), Harry “Sweets” Edison (on 1964-06-09) and Al Porcino (on 1964-06-09)
vibraphone:
Emil Richards (on 1964-06-09)
viola:
Alvin Dinkin, Stanley Harris, Virginia Majewski and Paul Robyn
violin:
Israel Baker, Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff, Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci
vocals:
Frank Sinatra (on 1964-06-09)
orchestra:
Count Basie and His Orchestra (on 1964-06-09)
conductor:
Quincy Jones
arranger:
Quincy Jones (on 1964-06-09)
cover recording of:
The Best Is Yet to Come (on 1964-06-09)
lyricist:
Carolyn Leigh (in 1959)
composer:
Cy Coleman (in 1959)
publisher:
Carwin Music, Inc., EMI U Catalog Inc., Notable Music, Notable Music Co., Inc. and WB Music Corp.
recording of:
The Best Is Yet to Come (on 1964-06-09)
lyricist:
Carolyn Leigh (in 1959)
composer:
Cy Coleman (in 1959)
publisher:
Carwin Music, Inc., EMI U Catalog Inc., Notable Music, Notable Music Co., Inc. and WB Music Corp.
2:54
8I Wanna Be Around
recorded in:
Los Angeles, California, United States (on 1964-06-09)
engineer:
Lowell Frank
producer:
Sonny Burke
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-09)
drums (drum set):
Sonny Payne (on 1964-06-09)
guitar:
Freddie Green (on 1964-06-09)
percussion:
Emil Richards
piano:
Count Basie (on 1964-06-09)
reeds:
Marshall Royal, Eric Dixon (on 1964-06-09), Frank Foster (on 1964-06-09), Charlie Fowlkes (on 1964-06-09) and Frank Wess (on 1964-06-09)
trombone:
Henderson Chambers, Henry Coker (on 1964-06-09), Bill Hughes (on 1964-06-09), Grover Mitchell (on 1964-06-09) and Ken Shroyer (on 1964-06-09)
trumpet:
George Cohn, Don Rader, Al Aarons (on 1964-06-09), Wallace Davenport (on 1964-06-09), Harry “Sweets” Edison (on 1964-06-09) and Al Porcino (on 1964-06-09)
vibraphone:
Emil Richards (on 1964-06-09)
viola:
Alvin Dinkin, Stanley Harris, Virginia Majewski and Paul Robyn
violin:
Israel Baker, Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff, Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci
vocals:
Frank Sinatra (on 1964-06-09)
orchestra:
Count Basie and His Orchestra (on 1964-06-09)
conductor:
Quincy Jones
arranger:
Quincy Jones
cover recording of:
I Wanna Be Around (on 1964-06-09)
lyricist:
Johnny Mercer and Sadie Vimmerstedt
composer:
Johnny Mercer
publisher:
Commander Publications
2:21
9I Believe in You
recorded in:
Los Angeles, California, United States (on 1964-06-09)
engineer:
Lowell Frank
producer:
Sonny Burke
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-09)
drums (drum set):
Sonny Payne (on 1964-06-09)
guitar:
Freddie Green (on 1964-06-09)
percussion:
Emil Richards
piano:
Count Basie (on 1964-06-09)
reeds:
Marshall Royal, Eric Dixon (on 1964-06-09), Frank Foster (on 1964-06-09), Charlie Fowlkes (on 1964-06-09) and Frank Wess (on 1964-06-09)
trombone:
Henderson Chambers, Henry Coker (on 1964-06-09), Bill Hughes (on 1964-06-09), Grover Mitchell (on 1964-06-09) and Ken Shroyer (on 1964-06-09)
trumpet:
George Cohn, Don Rader, Al Aarons (on 1964-06-09), Wallace Davenport (on 1964-06-09), Harry “Sweets” Edison (on 1964-06-09) and Al Porcino (on 1964-06-09)
vibraphone:
Emil Richards (on 1964-06-09)
viola:
Alvin Dinkin, Stanley Harris, Virginia Majewski and Paul Robyn
violin:
Israel Baker, Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff, Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci
vocals:
Frank Sinatra (on 1964-06-09)
orchestra:
Count Basie and His Orchestra (on 1964-06-09)
conductor:
Quincy Jones
arranger:
Quincy Jones
cover recording of:
I Believe in You (How to Succeed in Business Without Really Trying) (on 1964-06-09)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp.
recording of:
I Believe in You (How to Succeed in Business Without Really Trying)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp.
2:21
10Fly Me to the Moon (In Other Words)
recorded in:
Hollywood, Los Angeles, California, United States (on 1964-06-09)
engineer:
Lowell Frank
producer:
Sonny Burke
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-09)
drums (drum set):
Sonny Payne (on 1964-06-09)
guitar:
Freddie Green (on 1964-06-09)
percussion:
Emil Richards
piano:
Count Basie (on 1964-06-09)
reeds:
Marshall Royal, Eric Dixon (on 1964-06-09), Frank Foster (on 1964-06-09), Charlie Fowlkes (on 1964-06-09) and Frank Wess (on 1964-06-09)
trombone:
Henderson Chambers, Henry Coker (on 1964-06-09), Bill Hughes (on 1964-06-09), Grover Mitchell (on 1964-06-09) and Ken Shroyer (on 1964-06-09)
trumpet:
George Cohn, Don Rader, Al Aarons (on 1964-06-09), Wallace Davenport (on 1964-06-09), Harry “Sweets” Edison (on 1964-06-09) and Al Porcino (on 1964-06-09)
vibraphone:
Emil Richards (on 1964-06-09)
viola:
Alvin Dinkin, Stanley Harris, Virginia Majewski and Paul Robyn
violin:
Israel Baker, Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff, Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci
lead vocals:
Frank Sinatra (on 1964-06-09)
vocals:
Frank Sinatra (on 1964-06-09)
orchestra:
Count Basie and His Orchestra (on 1964-06-09)
conductor:
Quincy Jones (, on 1964-06-09)
arranger:
Quincy Jones
part of:
Helsingin Sanomat: 100 maailman parasta laulua (number: 75)
recording of:
Fly Me to the Moon (Quincy Jones arr.) (on 1964-06-09)
lyricist and composer:
Bart Howard
arranger:
Quincy Jones
publisher:
Almanac Music Inc. and Hampshire House Publishing Corp.
arrangement of:
Fly Me to the Moon
recording of:
Fly Me to the Moon
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部
2:30
11Hello, Dolly!
recorded in:
Hollywood, Los Angeles, California, United States (on 1964-06-10) and Los Angeles, California, United States (on 1964-06-10)
engineer:
Lowell Frank
producer:
Sonny Burke
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-10)
drums (drum set):
Sonny Payne (on 1964-06-10)
guitar:
Freddie Green (on 1964-06-10)
percussion:
Emil Richards
piano:
Count Basie (on 1964-06-10)
reeds:
Marshall Royal, Eric Dixon (on 1964-06-10), Frank Foster (on 1964-06-10), Charlie Fowlkes (on 1964-06-10) and Frank Wess (on 1964-06-10)
trombone:
Henderson Chambers, Henry Coker (on 1964-06-10), Bill Hughes (on 1964-06-10), Grover Mitchell (on 1964-06-10) and Ken Shroyer (on 1964-06-10)
trumpet:
George Cohn, Don Rader, Al Aarons (on 1964-06-10), Wallace Davenport (on 1964-06-10), Harry “Sweets” Edison (on 1964-06-10) and Al Porcino (on 1964-06-10)
vibraphone:
Emil Richards (on 1964-06-10)
viola:
Alvin Dinkin, Stanley Harris, Virginia Majewski and Paul Robyn
violin:
Israel Baker, Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff, Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci
vocals:
Frank Sinatra (on 1964-06-10)
orchestra:
Count Basie and His Orchestra (on 1964-06-10)
conductor:
Quincy Jones
arranger:
Quincy Jones
cover recording of:
Hello, Dolly! (on 1964-06-10)
lyricist and composer:
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. and Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
part of:
Hello, Dolly!
recording of:
Hello, Dolly!
lyricist and composer:
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. and Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
part of:
Hello, Dolly!
2:46
12The Good Life
recorded in:
Los Angeles, California, United States (on 1964-06-10)
engineer:
Lowell Frank
producer:
Sonny Burke
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-10)
drums (drum set):
Sonny Payne (on 1964-06-10)
guitar:
Freddie Green (on 1964-06-10)
percussion:
Emil Richards
piano:
Count Basie (on 1964-06-10)
reeds:
Marshall Royal, Eric Dixon (on 1964-06-10), Frank Foster (on 1964-06-10), Charlie Fowlkes (on 1964-06-10) and Frank Wess (on 1964-06-10)
trombone:
Henderson Chambers, Henry Coker (on 1964-06-10), Bill Hughes (on 1964-06-10), Grover Mitchell (on 1964-06-10) and Ken Shroyer (on 1964-06-10)
trumpet:
George Cohn, Don Rader, Al Aarons (on 1964-06-10), Wallace Davenport (on 1964-06-10), Harry “Sweets” Edison (on 1964-06-10) and Al Porcino (on 1964-06-10)
vibraphone:
Emil Richards (on 1964-06-10)
viola:
Alvin Dinkin, Stanley Harris, Virginia Majewski and Paul Robyn
violin:
Israel Baker, Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff, Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci
vocals:
Frank Sinatra (on 1964-06-10)
orchestra:
Count Basie and His Orchestra (on 1964-06-10)
conductor:
Quincy Jones
arranger:
Quincy Jones
cover recording of:
The Good Life (on 1964-06-10)
lyricist:
Jack Reardon
composer:
Sacha Distel (in 1962)
publisher:
Intersong USA, Inc. and Prosadis
version of:
Marina
2:27
13I Wish You Love
recorded in:
Los Angeles, California, United States (on 1964-06-10)
engineer:
Lowell Frank
producer:
Sonny Burke
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-10)
drums (drum set):
Sonny Payne (on 1964-06-10)
guitar:
Freddie Green (on 1964-06-10)
percussion:
Emil Richards
piano:
Count Basie (on 1964-06-10)
reeds:
Marshall Royal, Eric Dixon (on 1964-06-10), Frank Foster (on 1964-06-10), Charlie Fowlkes (on 1964-06-10) and Frank Wess (on 1964-06-10)
trombone:
Henderson Chambers, Henry Coker (on 1964-06-10), Bill Hughes (on 1964-06-10), Grover Mitchell (on 1964-06-10) and Ken Shroyer (on 1964-06-10)
trumpet:
George Cohn, Don Rader, Al Aarons (on 1964-06-10), Wallace Davenport (on 1964-06-10), Harry “Sweets” Edison (on 1964-06-10) and Al Porcino (on 1964-06-10)
vibraphone:
Emil Richards (on 1964-06-10)
viola:
Alvin Dinkin, Stanley Harris, Virginia Majewski and Paul Robyn
violin:
Israel Baker, Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff, Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci
vocals:
Frank Sinatra (on 1964-06-10)
orchestra:
Count Basie and His Orchestra (on 1964-06-10)
conductor:
Quincy Jones
arranger:
Quincy Jones
cover recording of:
I Wish You Love (on 1964-06-10)
lyricist:
Charles Trenet
writer and translator:
Albert Beach
composer:
Léo Chauliac and Charles Trenet
publisher:
Éditions Salabert France, EMI Virgin Music Ltd., EMI Virgin Music, Inc., Leeds Music, MCA Music Ltd., MCA Music Publishing, On Backstreet Music Inc. and Universal Music Publishing Group
sub-publisher:
Universal Music Publishing MGB Hong Kong Ltd. Taiwan Branch and ユニバーサル・ミュージック・パブリッシング Synch事業部
translated version of:
Que reste-t-il de nos amours ?
2:56
14I Can’t Stop Loving You
recorded in:
Los Angeles, California, United States (on 1964-06-12)
engineer:
Lowell Frank (on 1964-06-12)
producer:
Sonny Burke (on 1964-06-12)
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-12)
drums (drum set):
Sonny Payne (on 1964-06-12)
guitar:
Freddie Green (on 1964-06-12)
percussion:
Emil Richards
piano:
Count Basie (on 1964-06-12)
reeds:
Marshall Royal, Eric Dixon (on 1964-06-12), Frank Foster (on 1964-06-12), Charlie Fowlkes (on 1964-06-12) and Frank Wess (on 1964-06-12)
trombone:
Henderson Chambers, Henry Coker (on 1964-06-12), Bill Hughes (on 1964-06-12), Grover Mitchell (on 1964-06-12) and Ken Shroyer (on 1964-06-12)
trumpet:
George Cohn, Don Rader, Al Aarons (on 1964-06-12), Wallace Davenport (on 1964-06-12), Harry “Sweets” Edison (on 1964-06-12) and Al Porcino (on 1964-06-12)
vibraphone:
Emil Richards (on 1964-06-12)
viola:
Alvin Dinkin, Stanley Harris, Virginia Majewski and Paul Robyn
violin:
Israel Baker, Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff, Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci
vocals:
Frank Sinatra (on 1964-06-12)
orchestra:
Count Basie and His Orchestra (on 1964-06-12)
conductor:
Quincy Jones
arranger:
Quincy Jones (on 1964-06-12)
cover recording of:
I Can’t Stop Lovin’ You (on 1964-06-12)
lyricist and composer:
Don Gibson
publisher:
Acuff-Rose-Opryland Music Limited, Sony/ATV Songs LLC and Acuff-Rose Publications, Inc. (on 1958-02-07)
recording of:
I Can’t Stop Lovin’ You
lyricist and composer:
Don Gibson
publisher:
Acuff-Rose-Opryland Music Limited, Sony/ATV Songs LLC and Acuff-Rose Publications, Inc. (on 1958-02-07)
2:59
15More (Theme From Mondo Cane)
recorded in:
Los Angeles, California, United States (on 1964-06-12)
engineer:
Lowell Frank (on 1964-06-12)
producer:
Sonny Burke (on 1964-06-12)
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-12)
drums (drum set):
Sonny Payne (on 1964-06-12)
guitar:
Freddie Green (on 1964-06-12)
percussion:
Emil Richards
piano:
Count Basie (on 1964-06-12)
reeds:
Marshall Royal, Eric Dixon (on 1964-06-12), Frank Foster (on 1964-06-12), Charlie Fowlkes (on 1964-06-12) and Frank Wess (on 1964-06-12)
trombone:
Henderson Chambers, Henry Coker (on 1964-06-12), Bill Hughes (on 1964-06-12), Grover Mitchell (on 1964-06-12) and Ken Shroyer (on 1964-06-12)
trumpet:
George Cohn, Don Rader, Al Aarons (on 1964-06-12), Wallace Davenport (on 1964-06-12), Harry “Sweets” Edison (on 1964-06-12) and Al Porcino (on 1964-06-12)
vibraphone:
Emil Richards (on 1964-06-12)
viola:
Alvin Dinkin, Stanley Harris, Virginia Majewski and Paul Robyn
violin:
Israel Baker, Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff, Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci
vocals:
Frank Sinatra (on 1964-06-12)
orchestra:
Count Basie and His Orchestra (on 1964-06-12)
conductor:
Quincy Jones
arranger:
Quincy Jones (on 1964-06-12)
cover recording of:
More (English translation) (on 1964-06-12)
lyricist:
Marcello Ciorciolini
composer:
Nino Oliviero and Riz Ortolani
translator:
Norman Newell
publisher:
C.A.M. Creazioni Artistiche Musicali, Ortolani Creative Team Inc. and Sugar Song Publications, Inc.
part of:
The 36th Academy Award for Best Original Song (number: 2)
translated version of:
Ti guarderò nel cuore
3:04
16Wives and Lovers
recorded in:
Los Angeles, California, United States (on 1964-06-12)
engineer:
Lowell Frank
producer:
Sonny Burke
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-12)
drums (drum set):
Sonny Payne (on 1964-06-12)
guitar:
Freddie Green (on 1964-06-12)
percussion:
Emil Richards
piano:
Count Basie (on 1964-06-12)
reeds:
Marshall Royal, Eric Dixon (on 1964-06-12), Frank Foster (on 1964-06-12), Charlie Fowlkes (on 1964-06-12) and Frank Wess (on 1964-06-12)
trombone:
Henderson Chambers, Henry Coker (on 1964-06-12), Bill Hughes (on 1964-06-12), Grover Mitchell (on 1964-06-12) and Ken Shroyer (on 1964-06-12)
trumpet:
George Cohn, Don Rader, Al Aarons (on 1964-06-12), Wallace Davenport (on 1964-06-12), Harry “Sweets” Edison (on 1964-06-12) and Al Porcino (on 1964-06-12)
vibraphone:
Emil Richards (on 1964-06-12)
viola:
Alvin Dinkin, Stanley Harris, Virginia Majewski and Paul Robyn
violin:
Israel Baker, Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff, Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci
vocals:
Frank Sinatra (on 1964-06-12)
orchestra:
Count Basie and His Orchestra (on 1964-06-12)
conductor:
Quincy Jones
arranger:
Quincy Jones
cover recording of:
Wives and Lovers (on 1964-06-12)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
10 Music Ltd., Famous Chappell, Famous Music Corporation, MCA Music Publishing and Virgin Music (Publishers) Ltd.
2:49
17An Old‐Fashioned Christmas
recorded in:
Los Angeles, California, United States (on 1964-06-16)
producer:
Sonny Burke
instruments:
Fred Waring & His Pennsylvanians (on 1964-06-16)
vocals:
Frank Sinatra (on 1964-06-16)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Reprise Records (in 1975)
recording of:
An Old Fashioned Christmas (on 1964-06-16)
composer:
Sammy Cahn and Jimmy Van Heusen
publisher:
The Songwriters Guild and WB Music Corp.
3:46
18I Heard the Bells on Christmas Day
recorded in:
Los Angeles, California, United States (on 1964-06-16)
instruments:
Fred Waring & His Pennsylvanians (on 1964-06-16)
vocals:
Frank Sinatra (on 1964-06-16)
arranger:
Nelson Riddle
recording of:
I Heard the Bells on Christmas Day (on 1964-06-16)
lyricist:
Henry Wadsworth Longfellow
composer:
Johnny Marks
publisher:
Chappell Music Ltd. and St. Nicholas Music Inc.
is based on:
Christmas Bells
2:37
19The Little Drummer Boy
recorded in:
Los Angeles, California, United States (on 1964-06-16)
instruments:
Fred Waring & His Pennsylvanians (on 1964-06-16)
vocals:
Frank Sinatra (on 1964-06-16)
arranger:
Jack Halloran and Dick Reynolds
recording of:
Carol of the Drum (aka “The Little Drummer Boy”) (on 1964-06-16)
lyricist and composer:
Katherine K. Davis (in 1941)
additional composer:
Henry Onorati (in 1958) and Harry Simeone (in 1958)
publisher:
EMI Mills Music, International Korwin Corp., Warner Chappell, Warner Chappell Music, Belwin-Mills Publishing Corp. (in 1955) and Mills Music, Inc. (in 1964)
is based on:
Trad. (traditional Czech carol, became “Carol of the Drums”)
3:03
20Go Tell It on the Mountain
recorded in:
Los Angeles, California, United States (on 1964-06-19)
producer:
Sonny Burke
instruments:
Fred Waring & His Pennsylvanians (on 1964-06-19)
vocals:
Bing Crosby (on 1964-06-19) and Frank Sinatra (on 1964-06-19)
arranger:
Jack Halloran
cover recording of:
Go, Tell It on the Mountain (on 1964-06-19)
lyricist:
John Wesley Work
composer:
[traditional]
publisher:
Shawnee Press Inc.
3:23
21We Wish You the Merriest
instruments:
Fred Waring & His Pennsylvanians (on 1964-06-19)
vocals:
Bing Crosby (on 1964-06-19) and Frank Sinatra (on 1964-06-19)
arranger:
Harry Betts and Jack Halloran
cover recording of:
We Wish You the Merriest (on 1964-06-19)
composer:
Les Brown
2:14
22Softly, as I Leave You
recorded in:
Los Angeles, California, United States (on 1964-07-17)
vocals:
Frank Sinatra (on 1964-07-17)
arranger:
Ernie Freeman
cover recording of:
Softly, as I Leave You (on 1964-07-17)
lyricist:
Giorgio Calabrese
composer:
Antonio DeVita
translator:
Hal Shaper
publisher:
Curci USA Corp., EMI Miller Catalog, Inc. and Miller Music
translated version of:
Piano
recording of:
Softly, as I Leave You
lyricist:
Giorgio Calabrese
composer:
Antonio DeVita
translator:
Hal Shaper
publisher:
Curci USA Corp., EMI Miller Catalog, Inc. and Miller Music
translated version of:
Piano
2:52
23Then Suddenly Love
recorded in:
Los Angeles, California, United States (on 1964-07-17)
vocals:
Frank Sinatra (on 1964-07-17)
arranger:
Ernie Freeman
recording of:
Then Suddenly Love (on 1964-07-17)
writer:
Ray Alfred and Paul Vance
publisher:
Jonroy Music Co. and Music Sales Corporation
2:17
24Since Marie Has Left Paree
recorded in:
Los Angeles, California, United States (on 1964-07-17)
vocals:
Frank Sinatra (on 1964-07-17)
arranger:
Billy May
recording of:
Since Marie Has Left Paree (on 1964-07-17)
writer:
Hy Glaser and Jerry Solomon
publisher:
Bourne Co.
1:58
25Available
recorded in:
Los Angeles, California, United States (on 1964-07-17)
vocals:
Frank Sinatra (on 1964-07-17)
arranger:
Ernie Freeman
recording of:
Available (on 1964-07-17)
writer:
Sammy Cahn, L.B. Marks and Ned Wynn
publisher:
WB Music Corp.
2:48
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Credits

Release

manufactured in:Germany
art direction:Tom Recchion
JoDee Stringham
photography:Ed Thrasher
liner notes:Charles Pignone
Jonathan Schwartz
miscellaneous support:Jo Motta (task: Project coordinator)
additional engineer:Keith Blake
producer:Gregg Geller
Lee Herschberg
Joe McEwen
Ric Ross
mastering:Lee Herschberg
design:Arlene Grzeszak
Tom Recchion
JoDee Stringham
copyrighted (©) by:Reprise Records (in 1995, in 1998)
phonographic copyright (℗) by:Warner Bros. Records Inc. (from 1972 until 1977, from 1980 until 1983)
Bristol Productions (in 1984)
Qwest Records (in 1984)
Reprise Records (from 1991 until 1992, in 1995)
Discogs:https://www.discogs.com/release/16067396 [info]
ASIN:US: B00000DG1M [info]

Release group

Discogs:https://www.discogs.com/master/655651 [info]
Wikidata:Q7727180 [info]