| # | Title | Length |
|---|
| 1 | Mass in B minor BWV 232 - I Chorus- Credo in unum Deum | 1:58 |
| 2 | Mass in B minor BWV 232 - II Chorus- Patrem omnipotentem- engineer:
- Mike Hatch
- producer:
- Mark Brown
- choir vocals:
- The Sixteen
- orchestra:
- Orchestra of The Sixteen
- conductor:
- Harry Christophers
- recorded at:
- St. Augustine’s Church in London, England, United Kingdom
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (in 1994-04)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
- part of:
- h-Moll-Messe, BWV 232
| 2:00 |
| 3 | Mass in B minor BWV 232 - III Duet (soprano I, alto)- Et in unum Dominum | 4:21 |
| 4 | Mass in B minor BWV 232 - IV Chorus- Et incarnatus est | 3:19 |
| 5 | Mass in B minor BWV 232 - V Chorus- Crucifixus- engineer:
- Mike Hatch
- producer:
- Mark Brown
- choir vocals:
- The Sixteen
- orchestra:
- Orchestra of The Sixteen
- conductor:
- Harry Christophers
- recorded at:
- St. Augustine’s Church in London, England, United Kingdom
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (in 1994-04)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
- part of:
- h-Moll-Messe, BWV 232
| 3:11 |
| 6 | Mass in B minor BWV 232 - VI Chorus- Et resurrexit | 4:01 |
| 7 | Mass in B minor BWV 232 - VII Aria (bass)- Et in Spiritum Sanctum | 5:17 |
| 8 | Mass in B minor BWV 232 - VIII Chorus- Confiteor unum baptisma | 4:54 |
| 9 | Mass in B minor BWV 232 - IX Chorus- Et expecto | 2:15 |
| 10 | Mass in B minor BWV 232 - X Chorus- Sanctus | 4:49 |
| 11 | Mass in B minor BWV 232 - XI Chorus- Osamna- engineer:
- Mike Hatch
- producer:
- Mark Brown
- choir vocals:
- The Sixteen
- orchestra:
- Orchestra of The Sixteen
- conductor:
- Harry Christophers
- recorded at:
- St. Augustine’s Church in London, England, United Kingdom
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (in 1994-04)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
- part of:
- h-Moll-Messe, BWV 232
| 3:02 |
| 12 | Mass in B minor BWV 232 - XII Aria (tenor)- Benedictus | 4:24 |
| 13 | Mass in B minor BWV 232 - XIII Chorus- Osamna- engineer:
- Mike Hatch
- producer:
- Mark Brown
- choir vocals:
- The Sixteen
- orchestra:
- Orchestra of The Sixteen
- conductor:
- Harry Christophers
- recorded at:
- St. Augustine’s Church in London, England, United Kingdom
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (in 1994-04)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
- part of:
- h-Moll-Messe, BWV 232
| 3:03 |
| 14 | Mass in B minor BWV 232 - XIV Aria (alto)- Agnus Dei | 5:37 |
| 15 | Mass in B minor BWV 232 - XV Chorus- Dona nobis pacem | 2:42 |
