Œuvres complètes 1963-2013: L'Édition du 50e anniversaire

~ Release by Francis Poulenc (see all versions of this release, 1 available)

Tracklist

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#TitleLength
1Aubade, FP 51: I. Toccata (Lento e pesante - Molto animato)
producer:
René Challan
piano:
Gabriel Tacchino (from 1965-05-03 until 1965-10-13)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1965-05-03 until 1965-10-13)
conductor:
Georges Prêtre (from 1965-05-03 until 1965-10-13)
balance engineer:
Paul Vavasseur (from 1965-05-03 until 1965-10-13)
phonographic copyright (℗) by:
EMI Music France (in 1966)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1965-05-03 until 1965-10-13)
recording of:
Aubade, FP 51: I. Toccata (from 1965-05-03 until 1965-10-13)
composer:
Francis Poulenc (in 1929)
part of:
Aubade, FP 51
2:36
2Aubade, FP 51: II. Récitatif, “Les Compagnes de Diane” (Larghetto)
producer:
René Challan
piano:
Gabriel Tacchino
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1965-05-03 until 1965-10-13)
conductor:
Georges Prêtre (from 1965-05-03 until 1965-10-13)
balance engineer:
Paul Vavasseur (from 1965-05-03 until 1965-10-13)
phonographic copyright (℗) by:
EMI Music France (in 1966)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1965-05-03 until 1965-10-13)
recording of:
Aubade, FP 51: II. Recitatif: Les compagnes de Diane (from 1965-05-03 until 1965-10-13)
composer:
Francis Poulenc (in 1929)
part of:
Aubade, FP 51
1:53
3Aubade, FP 51: III. Rondeau, “Diane et compagnes” (Allegro)
producer:
René Challan
piano:
Gabriel Tacchino (from 1965-05-03 until 1965-10-13)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1965-05-03 until 1965-10-13)
conductor:
Georges Prêtre (from 1965-05-03 until 1965-10-13)
balance engineer:
Paul Vavasseur (from 1965-05-03 until 1965-10-13)
phonographic copyright (℗) by:
EMI Music France (in 1966)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1965-05-03 until 1965-10-13)
recording of:
Aubade, FP 51: III. Rondeau: Diane et compagnes (from 1965-05-03 until 1965-10-13)
composer:
Francis Poulenc (in 1929)
part of:
Aubade, FP 51
3:07
4Aubade, FP 51: IV. Toilette de Diane (Presto)
producer:
René Challan
piano:
Gabriel Tacchino (from 1965-05-03 until 1965-10-13)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1965-05-03 until 1965-10-13)
conductor:
Georges Prêtre (from 1965-05-03 until 1965-10-13)
balance engineer:
Paul Vavasseur (from 1965-05-03 until 1965-10-13)
phonographic copyright (℗) by:
EMI Music France (in 1966)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1965-05-03 until 1965-10-13)
recording of:
Aubade, FP 51: IV. Presto: Toilette de Diane (from 1965-05-03 until 1965-10-13)
composer:
Francis Poulenc (in 1929)
part of:
Aubade, FP 51
1:33
5Aubade, FP 51: V. Récitatif, “Introduction à la Variation de Diane” (Larghetto)
producer:
René Challan
piano:
Gabriel Tacchino (from 1965-05-03 until 1965-10-13)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1965-05-03 until 1965-10-13)
conductor:
Georges Prêtre (from 1965-05-03 until 1965-10-13)
balance engineer:
Paul Vavasseur (from 1965-05-03 until 1965-10-13)
phonographic copyright (℗) by:
EMI Music France (in 1966)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1965-05-03 until 1965-10-13)
recording of:
Aubade, FP 51: V. Recitatif: Introduction a la variation de Diane (from 1965-05-03 until 1965-10-13)
composer:
Francis Poulenc (in 1929)
part of:
Aubade, FP 51
2:02
6Aubade, FP 51: VI. Variation de Diane (Andante con moto)
producer:
René Challan
piano:
Gabriel Tacchino (from 1965-05-03 until 1965-10-13)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1965-05-03 until 1965-10-13)
conductor:
Georges Prêtre (from 1965-05-03 until 1965-10-13)
balance engineer:
Paul Vavasseur (from 1965-05-03 until 1965-10-13)
phonographic copyright (℗) by:
EMI Music France (in 1966)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1965-05-03 until 1965-10-13)
recording of:
Aubade, FP 51: VI. Andante: Variation de Diane (from 1965-05-03 until 1965-10-13)
composer:
Francis Poulenc (in 1929)
part of:
Aubade, FP 51
3:21
7Aubade, FP 51: VII. Désespoir de Diane (Allegro feroce)
producer:
René Challan
piano:
Gabriel Tacchino (from 1965-05-03 until 1965-10-13)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1965-05-03 until 1965-10-13)
conductor:
Georges Prêtre (from 1965-05-03 until 1965-10-13)
balance engineer:
Paul Vavasseur (from 1965-05-03 until 1965-10-13)
phonographic copyright (℗) by:
EMI Music France (in 1966)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1965-05-03 until 1965-10-13)
recording of:
Aubade, FP 51: VII. Allegro feroce: Désespoir de Diane (from 1965-05-03 until 1965-10-13)
composer:
Francis Poulenc (in 1929)
part of:
Aubade, FP 51
0:39
8Aubade, FP 51: VIII. Conclusion, “Adieux et départ de Diane” (Adagio)
producer:
René Challan
piano:
Gabriel Tacchino (from 1965-05-03 until 1965-10-13)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1965-05-03 until 1965-10-13)
conductor:
Georges Prêtre (from 1965-05-03 until 1965-10-13)
balance engineer:
Paul Vavasseur (from 1965-05-03 until 1965-10-13)
phonographic copyright (℗) by:
EMI Music France (in 1966)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1965-05-03 until 1965-10-13)
recording of:
Aubade, FP 51: VIII. Conclusion: Adieux et départ de Diane (from 1965-05-03 until 1965-10-13)
composer:
Francis Poulenc (in 1929)
part of:
Aubade, FP 51
5:09
9Les Biches, Ballet, FP 36a: I. Ouverture (Tranquillo)
producer:
Eric Macleod
choir vocals:
Ambrosian Singers (in 1980-11)
orchestra:
Philharmonia Orchestra (in 1980-11, from 1980-11-24 until 1980-11-25)
conductor:
Georges Prêtre (in 1980-11, from 1980-11-24 until 1980-11-25)
chorus master:
John McCarthy (in 1980-11)
balance engineer:
Christopher Parker (from 1980-11-24 until 1980-11-25)
phonographic copyright (℗) by:
EMI Music France (in 1981)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1980-11) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1980-11-24 until 1980-11-25)
recording of:
Les Biches, FP 36: Ouverture (from 1980-11-24 until 1980-11-25)
composer:
Francis Poulenc
part of:
Les Biches, FP 36
recording of:
Les Biches, FP 36: Ouverture (in 1980-11)
composer:
Francis Poulenc
part of:
Les Biches, FP 36
3:29
10Les Biches, Ballet, FP 36a: II. Rondeau (Très lent - Subito allegro molto - Très calme - Tempo primo)
producer:
Eric Macleod
orchestra:
Philharmonia Orchestra (from 1980-11-24 until 1980-11-25)
conductor:
Georges Prêtre (from 1980-11-24 until 1980-11-25)
balance engineer:
Christopher Parker (from 1980-11-24 until 1980-11-25)
phonographic copyright (℗) by:
EMI Music France (in 1981)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1980-11-24 until 1980-11-25)
recording of:
Les Biches, FP 36: Rondeau (from 1980-11-24 until 1980-11-25)
composer:
Francis Poulenc
part of:
Les Biches, FP 36
3:32
11Les Biches, Ballet, FP 36a: III. Chanson dansée, “Qu’est‐ce qu’Amour?”
producer:
Eric Macleod
choir vocals:
Ambrosian Singers London (in 1980-11, from 1980-11-24 until 1980-11-25)
orchestra:
Philharmonia Orchestra (in 1980-11, from 1980-11-24 until 1980-11-25)
conductor:
Georges Prêtre (in 1980-11, from 1980-11-24 until 1980-11-25)
chorus master:
John McCarthy (in 1980-11, from 1980-11-24 until 1980-11-25)
balance engineer:
Christopher Parker (from 1980-11-24 until 1980-11-25)
phonographic copyright (℗) by:
EMI Music France (in 1981)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1980-11) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1980-11-24 until 1980-11-25)
recording of:
Les Biches, FP 36: Chanson dansée (from 1980-11-24 until 1980-11-25)
composer:
Francis Poulenc
part of:
Les Biches, FP 36
recording of:
Les Biches, FP 36: Chanson dansée (in 1980-11)
composer:
Francis Poulenc
part of:
Les Biches, FP 36
4:08
12Les Biches, Ballet, FP 36a: IV. Adagietto (battre à un temps). Très calme
producer:
Eric Macleod
orchestra:
Philharmonia Orchestra (in 1980-11, from 1980-11-24 until 1980-11-25)
conductor:
Georges Prêtre (in 1980-11, from 1980-11-24 until 1980-11-25)
balance engineer:
Christopher Parker (from 1980-11-24 until 1980-11-25)
phonographic copyright (℗) by:
EMI Music France (in 1981)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1980-11) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1980-11-24 until 1980-11-25)
recording of:
Les Biches, FP 36: Adagietto (from 1980-11-24 until 1980-11-25)
composer:
Francis Poulenc
part of:
Les Biches, FP 36
recording of:
Les Biches, FP 36: Adagietto (in 1980-11)
composer:
Francis Poulenc
part of:
Les Biches, FP 36
3:44
13Les Biches, Ballet, FP 36a: V. Jeu, “J’ai quatre filles à marier!”
producer:
Eric Macleod
choir vocals:
Ambrosian Singers London (in 1980-11, from 1980-11-24 until 1980-11-25)
orchestra:
Philharmonia Orchestra (in 1980-11, from 1980-11-24 until 1980-11-25)
conductor:
Georges Prêtre (in 1980-11, from 1980-11-24 until 1980-11-25)
chorus master:
John McCarthy (in 1980-11, from 1980-11-24 until 1980-11-25)
balance engineer:
Christopher Parker (from 1980-11-24 until 1980-11-25)
phonographic copyright (℗) by:
EMI Music France (in 1981)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1980-11) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1980-11-24 until 1980-11-25)
recording of:
Les Biches, FP 36: Jeu (from 1980-11-24 until 1980-11-25)
composer:
Francis Poulenc
part of:
Les Biches, FP 36
recording of:
Les Biches, FP 36: Jeu (in 1980-11)
composer:
Francis Poulenc
part of:
Les Biches, FP 36
3:53
14Les Biches, Ballet, FP 36a: VI. Rag‐Mazurka (Presto)
producer:
Eric Macleod
orchestra:
Philharmonia Orchestra (from 1980-11-24 until 1980-11-25)
conductor:
Georges Prêtre (from 1980-11-24 until 1980-11-25)
balance engineer:
Christopher Parker (from 1980-11-24 until 1980-11-25)
phonographic copyright (℗) by:
EMI Music France (in 1981)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1980-11-24 until 1980-11-25)
recording of:
Les Biches, FP 36: Rag-Mazurka (from 1980-11-24 until 1980-11-25)
composer:
Francis Poulenc
part of:
Les Biches, FP 36
6:17
15Les Biches, Ballet, FP 36a: VII. Andantino
producer:
Eric Macleod
choir vocals:
Ambrosian Singers (in 1980-11)
orchestra:
Philharmonia Orchestra (in 1980-11, from 1980-11-24 until 1980-11-25)
conductor:
Georges Prêtre (in 1980-11, from 1980-11-24 until 1980-11-25)
chorus master:
John McCarthy (in 1980-11)
balance engineer:
Christopher Parker (from 1980-11-24 until 1980-11-25)
phonographic copyright (℗) by:
EMI Music France (in 1981)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1980-11) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1980-11-24 until 1980-11-25)
recording of:
Les Biches, FP 36: Andantino (from 1980-11-24 until 1980-11-25)
composer:
Francis Poulenc
part of:
Les Biches, FP 36
recording of:
Les Biches, FP 36: Andantino (in 1980-11)
composer:
Francis Poulenc
part of:
Les Biches, FP 36
3:30
16Les Biches, Ballet, FP 36a: VIII. Petite chanson dansée, “J’ai un joli laurier”
producer:
Eric Macleod
choir vocals:
Ambrosian Singers London (in 1980-11, from 1980-11-24 until 1980-11-25)
orchestra:
Philharmonia Orchestra (in 1980-11, from 1980-11-24 until 1980-11-25)
conductor:
Georges Prêtre (in 1980-11, from 1980-11-24 until 1980-11-25)
chorus master:
John McCarthy (in 1980-11, from 1980-11-24 until 1980-11-25)
balance engineer:
Christopher Parker (from 1980-11-24 until 1980-11-25)
phonographic copyright (℗) by:
EMI Music France (in 1981)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1980-11) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1980-11-24 until 1980-11-25)
recording of:
Les Biches, FP 36: Petite chanson dansée (from 1980-11-24 until 1980-11-25)
composer:
Francis Poulenc
part of:
Les Biches, FP 36
recording of:
Les Biches, FP 36: Petite chanson dansée (in 1980-11)
composer:
Francis Poulenc
part of:
Les Biches, FP 36
1:49
17Les Biches, Ballet, FP 36a: IX. Final (Presto)
producer:
Eric Macleod
choir vocals:
Ambrosian Singers (in 1980-11)
orchestra:
Philharmonia Orchestra (in 1980-11, from 1980-11-24 until 1980-11-25)
conductor:
Georges Prêtre (in 1980-11, from 1980-11-24 until 1980-11-25)
chorus master:
John McCarthy (in 1980-11)
balance engineer:
Christopher Parker (from 1980-11-24 until 1980-11-25)
phonographic copyright (℗) by:
EMI Music France (in 1981)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1980-11) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1980-11-24 until 1980-11-25)
recording of:
Les Biches, FP 36: Final (from 1980-11-24 until 1980-11-25)
composer:
Francis Poulenc
part of:
Les Biches, FP 36
recording of:
Les Biches, FP 36: Final (in 1980-11)
composer:
Francis Poulenc
part of:
Les Biches, FP 36
3:34
18Les animaux modèles, Suite, FP 111b: I. Le petit jour (Très calme)
producer:
René Challan
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1965-05, from 1965-05-04 until 1965-05-06)
conductor:
Georges Prêtre (in 1965-05, from 1965-05-04 until 1965-05-06)
balance engineer:
Paul Vavasseur (from 1965-05-04 until 1965-05-06)
phonographic copyright (℗) by:
EMI Music France (in 1966)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1965-05, from 1965-05-04 until 1965-05-06)
recording of:
Les Animaux modèles: I. Petit Jour (from 1965-05-04 until 1965-05-06)
composer:
Francis Poulenc
part of:
Les Animaux modèles (orchestral suite)
recording of:
Les Animaux modèles: I. Petit Jour (in 1965-05)
composer:
Francis Poulenc
part of:
Les Animaux modèles (orchestral suite)
3:59
19Les animaux modèles, Suite, FP 111b: II. Le lion amoureux (Passionément animé)
producer:
René Challan
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1965-05, from 1965-05-04 until 1965-05-06)
conductor:
Georges Prêtre (in 1965-05, from 1965-05-04 until 1965-05-06)
balance engineer:
Paul Vavasseur (from 1965-05-04 until 1965-05-06)
phonographic copyright (℗) by:
EMI Music France (in 1966)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1965-05, from 1965-05-04 until 1965-05-06)
recording of:
Les Animaux modèles: II. Le Lion amoureux (from 1965-05-04 until 1965-05-06)
composer:
Francis Poulenc
part of:
Les Animaux modèles (orchestral suite)
recording of:
Les Animaux modèles: II. Le Lion amoureux (in 1965-05)
composer:
Francis Poulenc
part of:
Les Animaux modèles (orchestral suite)
1:41
20Les animaux modèles, Suite, FP 111b: III. L’homme entre deux âges et ses deux maîtresses (Prestissimo)
producer:
René Challan
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1965-05, from 1965-05-04 until 1965-05-06)
conductor:
Georges Prêtre (in 1965-05, from 1965-05-04 until 1965-05-06)
balance engineer:
Paul Vavasseur (from 1965-05-04 until 1965-05-06)
phonographic copyright (℗) by:
EMI Music France (in 1966)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1965-05, from 1965-05-04 until 1965-05-06)
recording of:
Les Animaux modèles: III. L'Homme entre deux âges et ses deux maîtresses (from 1965-05-04 until 1965-05-06)
composer:
Francis Poulenc
part of:
Les Animaux modèles (orchestral suite)
recording of:
Les Animaux modèles: III. L'Homme entre deux âges et ses deux maîtresses (in 1965-05)
composer:
Francis Poulenc
part of:
Les Animaux modèles (orchestral suite)
2:01
21Les animaux modèles, Suite, FP 111b: IV. La mort et le bûcheron (Très lent - Andantino et très allant)
producer:
René Challan
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1965-05, from 1965-05-04 until 1965-05-06)
conductor:
Georges Prêtre (in 1965-05, from 1965-05-04 until 1965-05-06)
balance engineer:
Paul Vavasseur (from 1965-05-04 until 1965-05-06)
phonographic copyright (℗) by:
EMI Music France (in 1966)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1965-05, from 1965-05-04 until 1965-05-06)
recording of:
Les Animaux modèles: IV. La Mort et le bûcheron (from 1965-05-04 until 1965-05-06)
composer:
Francis Poulenc
part of:
Les Animaux modèles (orchestral suite)
recording of:
Les Animaux modèles: IV. La Mort et le bûcheron (in 1965-05)
composer:
Francis Poulenc
part of:
Les Animaux modèles (orchestral suite)
6:02
22Les animaux modèles, Suite, FP 111b: V. Les deux coqs (Modéré)
producer:
René Challan
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1965-05, from 1965-05-04 until 1965-05-06)
conductor:
Georges Prêtre (in 1965-05, from 1965-05-04 until 1965-05-06)
balance engineer:
Paul Vavasseur (from 1965-05-04 until 1965-05-06)
phonographic copyright (℗) by:
EMI Music France (in 1966)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1965-05, from 1965-05-04 until 1965-05-06)
recording of:
Les Animaux modèles: V. Le Combat des deux coqs (from 1965-05-04 until 1965-05-06)
composer:
Francis Poulenc
part of:
Les Animaux modèles (orchestral suite)
recording of:
Les Animaux modèles: V. Le Combat des deux coqs (in 1965-05)
composer:
Francis Poulenc
part of:
Les Animaux modèles (orchestral suite)
3:40
23Les animaux modèles, Suite, FP 111b: VI. Le repas de midi
producer:
René Challan
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1965-05, from 1965-05-04 until 1965-05-06)
conductor:
Georges Prêtre (in 1965-05, from 1965-05-04 until 1965-05-06)
balance engineer:
Paul Vavasseur (from 1965-05-04 until 1965-05-06)
phonographic copyright (℗) by:
EMI Music France (in 1966)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1965-05, from 1965-05-04 until 1965-05-06)
recording of:
Les Animaux modèles: VI. Le Repas de midi (from 1965-05-04 until 1965-05-06)
composer:
Francis Poulenc
part of:
Les Animaux modèles (orchestral suite)
recording of:
Les Animaux modèles: VI. Le Repas de midi (in 1965-05)
composer:
Francis Poulenc
part of:
Les Animaux modèles (orchestral suite)
3:47
24Bucolique from “Variations sur le nom de Marguerite Long”, FP 160
orchestra:
Philharmonia Orchestra (in 1980-11)
conductor:
Georges Prêtre (in 1980-11)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1980-11)
recording of:
Bucolique, FP 160 (in 1980-11)
composer:
Francis Poulenc
part of:
Francis Poulenc’s works (FP) (number: FP 160)
part of:
Variations sur le nom de Marguerite Long
3:15
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