Contemporary Records Vol.2

~ Release by Sonny Rollins, Barney Kessel, Shelly Manne, Art Pepper & Victor Feldman (see all versions of this release, 1 available)

Annotation

This is a box set of five albums, each on a hybrid SACD. Each disc has it's own jewel case and individual catalog number.

Tracklist

1▶Hybrid SACD (SACD layer): Way Out West
2▶Hybrid SACD (SACD layer): Barney Kessel Plays "Carmen"
3▶Hybrid SACD (SACD layer): My Fair Lady
4▶Hybrid SACD (SACD layer): Art Pepper + Eleven
5▶Hybrid SACD (SACD layer): The Arrival Of Victor Feldman
6▶Hybrid SACD (CD layer): Way Out West
7▼Hybrid SACD (CD layer): Barney Kessel Plays "Carmen"
#TitleArtistLength
1Swingin' the Toreador
sound engineer:
Roy DuNann
producer:
Lester Koenig
double bass [bass]:
Joe Mondragon (from 1958-12-19 until 1958-12-22)
drums (drum set):
Shelly Manne (from 1958-12-19 until 1958-12-22)
guitar:
Barney Kessel (from 1958-12-19 until 1958-12-22)
piano:
André Previn (from 1958-12-19 until 1958-12-22)
reeds:
Bill Smith (from 1958-12-19 until 1958-12-22)
wind instruments:
Pete Terry (from 1958-12-19 until 1958-12-22)
woodwind:
Buddy Collette (from 1958-12-19 until 1958-12-22), Justin Gordon (from 1958-12-19 until 1958-12-22) and Jules Jacob (from 1958-12-19 until 1958-12-22)
arranger:
Barney Kessel
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (from 1958-12-19 until 1958-12-22)
Barney Kessel5:52
2A Pad on the Edge of Town
sound engineer:
Roy DuNann
producer:
Lester Koenig
double bass [bass]:
Joe Mondragon (from 1958-12-19 until 1958-12-22)
drums (drum set):
Shelly Manne (from 1958-12-19 until 1958-12-22)
guitar:
Barney Kessel (from 1958-12-19 until 1958-12-22)
piano:
André Previn (from 1958-12-19 until 1958-12-22)
reeds:
Bill Smith (from 1958-12-19 until 1958-12-22)
wind instruments:
Pete Terry (from 1958-12-19 until 1958-12-22)
woodwind:
Buddy Collette (from 1958-12-19 until 1958-12-22), Justin Gordon (from 1958-12-19 until 1958-12-22) and Jules Jacob (from 1958-12-19 until 1958-12-22)
arranger:
Barney Kessel
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (from 1958-12-19 until 1958-12-22)
Barney Kessel6:46
3If You Dig Me
sound engineer:
Roy DuNann
producer:
Lester Koenig
double bass [bass]:
Joe Mondragon (from 1958-12-19 until 1958-12-22)
drums (drum set):
Shelly Manne (from 1958-12-19 until 1958-12-22)
guitar:
Barney Kessel (from 1958-12-19 until 1958-12-22)
piano:
André Previn (from 1958-12-19 until 1958-12-22)
vibraphone:
Victor Feldman (from 1958-12-19 until 1958-12-22)
woodwind:
Buddy Collette (from 1958-12-19 until 1958-12-22)
arranger:
Barney Kessel
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (from 1958-12-19 until 1958-12-22)
Barney Kessel4:04
4Free as a Bird
sound engineer:
Roy DuNann
producer:
Lester Koenig
double bass [bass]:
Joe Mondragon (from 1958-12-19 until 1958-12-22)
drums (drum set):
Shelly Manne (from 1958-12-19 until 1958-12-22)
guitar:
Barney Kessel (from 1958-12-19 until 1958-12-22)
piano:
André Previn (from 1958-12-19 until 1958-12-22)
reeds:
Bill Smith (from 1958-12-19 until 1958-12-22)
wind instruments:
Pete Terry (from 1958-12-19 until 1958-12-22)
woodwind:
Buddy Collette (from 1958-12-19 until 1958-12-22), Justin Gordon (from 1958-12-19 until 1958-12-22) and Jules Jacob (from 1958-12-19 until 1958-12-22)
arranger:
Barney Kessel
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (from 1958-12-19 until 1958-12-22)
Barney Kessel5:01
5Viva El Toro
sound engineer:
Roy DuNann
producer:
Lester Koenig
double bass [bass]:
Joe Mondragon (from 1958-12-19 until 1958-12-22)
drums (drum set):
Shelly Manne (from 1958-12-19 until 1958-12-22)
guitar:
Barney Kessel (from 1958-12-19 until 1958-12-22)
piano:
André Previn (from 1958-12-19 until 1958-12-22)
reeds:
Bill Smith (from 1958-12-19 until 1958-12-22)
wind instruments:
Pete Terry (from 1958-12-19 until 1958-12-22)
woodwind:
Buddy Collette (from 1958-12-19 until 1958-12-22), Justin Gordon (from 1958-12-19 until 1958-12-22) and Jules Jacob (from 1958-12-19 until 1958-12-22)
arranger:
Barney Kessel
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (from 1958-12-19 until 1958-12-22)
Barney Kessel3:15
6Flowersville
sound engineer:
Roy DuNann
producer:
Lester Koenig
double bass [bass]:
Joe Mondragon (from 1958-12-19 until 1958-12-22)
drums (drum set):
Shelly Manne (from 1958-12-19 until 1958-12-22)
guitar:
Barney Kessel (from 1958-12-19 until 1958-12-22)
piano:
André Previn (from 1958-12-19 until 1958-12-22)
reeds:
Bill Smith (from 1958-12-19 until 1958-12-22)
wind instruments:
Pete Terry (from 1958-12-19 until 1958-12-22)
woodwind:
Buddy Collette (from 1958-12-19 until 1958-12-22), Justin Gordon (from 1958-12-19 until 1958-12-22) and Jules Jacob (from 1958-12-19 until 1958-12-22)
arranger:
Barney Kessel
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (from 1958-12-19 until 1958-12-22)
Barney Kessel6:00
7Carmen's Cool
sound engineer:
Roy DuNann
producer:
Lester Koenig
double bass [bass]:
Joe Mondragon (from 1958-12-19 until 1958-12-22)
drums (drum set):
Shelly Manne (from 1958-12-19 until 1958-12-22)
guitar:
Barney Kessel (from 1958-12-19 until 1958-12-22)
piano:
André Previn (from 1958-12-19 until 1958-12-22)
vibraphone:
Victor Feldman (from 1958-12-19 until 1958-12-22)
woodwind:
Buddy Collette (from 1958-12-19 until 1958-12-22)
arranger:
Barney Kessel
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (from 1958-12-19 until 1958-12-22)
Barney Kessel4:43
8Like, There's No Place Like...
sound engineer:
Roy DuNann
producer:
Lester Koenig
double bass [bass]:
Joe Mondragon (from 1958-12-19 until 1958-12-22)
drums (drum set):
Shelly Manne (from 1958-12-19 until 1958-12-22)
guitar:
Barney Kessel (from 1958-12-19 until 1958-12-22)
piano:
André Previn (from 1958-12-19 until 1958-12-22)
reeds:
Bill Smith (from 1958-12-19 until 1958-12-22)
wind instruments:
Pete Terry (from 1958-12-19 until 1958-12-22)
woodwind:
Buddy Collette (from 1958-12-19 until 1958-12-22), Justin Gordon (from 1958-12-19 until 1958-12-22) and Jules Jacob (from 1958-12-19 until 1958-12-22)
arranger:
Barney Kessel
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (from 1958-12-19 until 1958-12-22)
Barney Kessel4:00
9The Gypsy's Hip
sound engineer:
Roy DuNann
producer:
Lester Koenig
alto saxophone:
Herb Geller (from 1958-12-19 until 1958-12-22)
double bass [bass]:
Joe Mondragon (from 1958-12-19 until 1958-12-22)
drums (drum set):
Shelly Manne (from 1958-12-19 until 1958-12-22)
guitar:
Barney Kessel (from 1958-12-19 until 1958-12-22)
piano:
André Previn (from 1958-12-19 until 1958-12-22)
trombone:
Harry Betts (from 1958-12-19 until 1958-12-22)
trumpet:
Ray Linn (from 1958-12-19 until 1958-12-22)
woodwind:
Justin Gordon (from 1958-12-19 until 1958-12-22)
arranger:
Barney Kessel
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (from 1958-12-19 until 1958-12-22)
Barney Kessel3:58
8▶Hybrid SACD (CD layer): My Fair Lady
9▶Hybrid SACD (CD layer): Art Pepper + Eleven
10▶Hybrid SACD (CD layer): The Arrival Of Victor Feldman