Lamento

~ Release by Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel (see all versions of this release, 2 available)

Tracklist

1▼CD
#	Title	Artist	Length
1	Ach, dass ich Wassers g'nug hätte recording engineer: Jürgen Bulgrin executive producer: Marita Prohmann producer: Christopher Alder mezzo-soprano vocals: Magdalena Kožená (in 2003) orchestra: Musica Antiqua Köln (in 2003-02) conductor: Reinhard Goebel (in 2003) balance engineer: Hans‐Ulrich Bastin recorded at: Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02) recording of: Ach, dass ich Wassers g’nug hätte (attribution doubtful) (in 2003-02) composer: Johann Christoph Bach previously attributed to: Heinrich Bach part of: Bachs Notenbibliothek (number: BNB I/B/9) and Bach-Werke-Verzeichnis (number: BWV Suppl 2, S. 642)	Johann Christoph Bach	7:30
2	Languet anima mea: I. Recitativo: Languet anima mea amore tuo recording engineer: Jürgen Bulgrin executive producer: Marita Prohmann producer: Christopher Alder mezzo-soprano vocals: Magdalena Kožená (in 2003-02) orchestra: Musica Antiqua Köln (in 2003-02) conductor: Reinhard Goebel (in 2003-02) balance engineer: Hans‐Ulrich Bastin recorded at: Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02) recording of: Languet anima mea: I. Recitativo: Languet anima mea amore tuo (in 2003-02) composer: Francesco Bartolomeo Conti part of: Languet anima mea	Francesco Bartolomeo Conti	0:54
3	Languet anima mea: II. Aria: O vulnera, vita coelestis recording engineer: Jürgen Bulgrin executive producer: Marita Prohmann producer: Christopher Alder mezzo-soprano vocals: Magdalena Kožená (in 2003-02) orchestra: Musica Antiqua Köln (in 2003-02) conductor: Reinhard Goebel (in 2003-02) balance engineer: Hans‐Ulrich Bastin recorded at: Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02) recording of: Languet anima mea: II. Aria: O vulnera, vita coelestis (in 2003-02) composer: Francesco Bartolomeo Conti part of: Languet anima mea	Francesco Bartolomeo Conti	3:20
4	Languet anima mea: III. Recitativo: Amoris tui jaculo recording engineer: Jürgen Bulgrin executive producer: Marita Prohmann producer: Christopher Alder mezzo-soprano vocals: Magdalena Kožená (in 2003-02) orchestra: Musica Antiqua Köln (in 2003-02) conductor: Reinhard Goebel (in 2003-02) balance engineer: Hans‐Ulrich Bastin recorded at: Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02) recording of: Languet anima mea: III. Recitativo: Amoris tui jaculo (in 2003-02) composer: Francesco Bartolomeo Conti part of: Languet anima mea	Francesco Bartolomeo Conti	0:39
5	Languet anima mea: IV. Aria: Tu lumen mentis es recording engineer: Jürgen Bulgrin executive producer: Marita Prohmann producer: Christopher Alder mezzo-soprano vocals: Magdalena Kožená (in 2003-02) orchestra: Musica Antiqua Köln (in 2003-02) conductor: Reinhard Goebel (in 2003-02) balance engineer: Hans‐Ulrich Bastin recorded at: Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02) recording of: Languet anima mea: IV. Aria: Tu lumen mentis es (in 2003-02) composer: Francesco Bartolomeo Conti part of: Languet anima mea	Francesco Bartolomeo Conti	7:03
6	Languet anima mea: V. Alleluja recording engineer: Jürgen Bulgrin executive producer: Marita Prohmann producer: Christopher Alder mezzo-soprano vocals: Magdalena Kožená (in 2003-02) orchestra: Musica Antiqua Köln (in 2003-02) conductor: Reinhard Goebel (in 2003-02) balance engineer: Hans‐Ulrich Bastin recorded at: Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02) recording of: Languet anima mea: V. Alleluja (in 2003-02) composer: Francesco Bartolomeo Conti part of: Languet anima mea	Francesco Bartolomeo Conti	1:37
7	Vergnügte Ruh, beliebte Seelenlust, BWV 170: I. Aria: Vergnügte Ruh, beliebte Seelenlust recording engineer: Jürgen Bulgrin executive producer: Marita Prohmann producer: Christopher Alder mezzo-soprano vocals: Magdalena Kožená (in 2003-02) orchestra: Musica Antiqua Köln (in 2003-02) conductor: Reinhard Goebel (in 2003-02) balance engineer: Hans‐Ulrich Bastin recorded at: Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02) recording of: Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": I. Aria (Alt) "Vergnügte Ruh! beliebte Seelenlust!" (in 2003-02) premiered in: Leipzig, Sachsen, Germany (on 1726-07-28) composer: Johann Sebastian Bach (in 1726) librettist: Georg Christian Lehms (in 1711) part of: Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“	Johann Sebastian Bach	4:24
8	Vergnügte Ruh, beliebte Seelenlust, BWV 170: II. Recitative: Die welt, das Sündenhaus recording engineer: Jürgen Bulgrin executive producer: Marita Prohmann producer: Christopher Alder mezzo-soprano vocals: Magdalena Kožená (in 2003-02) orchestra: Musica Antiqua Köln (in 2003-02) conductor: Reinhard Goebel (in 2003-02) balance engineer: Hans‐Ulrich Bastin recorded at: Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02) recording of: Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": II. Recitativo (Alt) "Die Welt, das Sündenhaus" (in 2003-02) premiered in: Leipzig, Sachsen, Germany (on 1726-07-28) composer: Johann Sebastian Bach (in 1726) librettist: Georg Christian Lehms (in 1711) part of: Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“	Johann Sebastian Bach	1:21
9	Vergnügte Ruh, beliebte Seelenlust, BWV 170: III. Aria: Wie jammern mich doch die verkehrten Herzen recording engineer: Jürgen Bulgrin executive producer: Marita Prohmann producer: Christopher Alder mezzo-soprano vocals: Magdalena Kožená (in 2003-02) orchestra: Musica Antiqua Köln (in 2003-02) conductor: Reinhard Goebel (in 2003-02) balance engineer: Hans‐Ulrich Bastin recorded at: Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02) recording of: Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": III. Aria (Alt) "Wie jammern mich doch die verkehrten Herzen" (in 2003-02) premiered in: Leipzig, Sachsen, Germany (on 1726-07-28) composer: Johann Sebastian Bach (in 1726) librettist: Georg Christian Lehms (in 1711) part of: Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“	Johann Sebastian Bach	6:09
10	Vergnügte Ruh, beliebte Seelenlust, BWV 170: IV. Recitative: Wer sollte sich demnach recording engineer: Jürgen Bulgrin executive producer: Marita Prohmann producer: Christopher Alder mezzo-soprano vocals: Magdalena Kožená (in 2003-02) orchestra: Musica Antiqua Köln (in 2003-02) conductor: Reinhard Goebel (in 2003-02) balance engineer: Hans‐Ulrich Bastin recorded at: Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02) recording of: Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": IV. Recitativo (Alt) "Wer sollte sich demnach" (in 2003-02) premiered in: Leipzig, Sachsen, Germany (on 1726-07-28) composer: Johann Sebastian Bach (in 1726) librettist: Georg Christian Lehms (in 1711) part of: Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“	Johann Sebastian Bach	1:06
11	Vergnügte Ruh, beliebte Seelenlust, BWV 170: V. Aria: Mir ekelt mehr zu leben recording engineer: Jürgen Bulgrin executive producer: Marita Prohmann producer: Christopher Alder mezzo-soprano vocals: Magdalena Kožená (in 2003-02) orchestra: Musica Antiqua Köln (in 2003-02) conductor: Reinhard Goebel (in 2003-02) balance engineer: Hans‐Ulrich Bastin recorded at: Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02) recording of: Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": V. Aria (Alt) "Mir ekelt mehr zu leben" (in 2003-02) premiered in: Leipzig, Sachsen, Germany (on 1726-07-28) composer: Johann Sebastian Bach (in 1726) librettist: Georg Christian Lehms (in 1711) part of: Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“	Johann Sebastian Bach	4:58
12	Bekennen will ich seinen Namen, BWV 200 recording engineer: Jürgen Bulgrin executive producer: Marita Prohmann producer: Christopher Alder mezzo-soprano vocals: Magdalena Kožená (in 2003-02) orchestra: Musica Antiqua Köln (in 2003-02) conductor: Reinhard Goebel (in 2003-02) balance engineer: Hans‐Ulrich Bastin recorded at: Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02) recording of: Kantate (Aria), BWV 200 "Bekennen will ich seinen Namen" (in 2003-02) premiered in: Leipzig, Sachsen, Germany composer: Gottfried Heinrich Stölzel librettist: [anonymous] arranger: Johann Sebastian Bach (from 1742 until 1743) part of: Bach-Werke-Verzeichnis (number: BWV 200)	Johann Sebastian Bach	3:30
13	Selma, H 739 (Wq. 236) recording engineer: Jürgen Bulgrin executive producer: Marita Prohmann producer: Christopher Alder mezzo-soprano vocals: Magdalena Kožená (in 2003-02) orchestra: Musica Antiqua Köln (in 2003-02) conductor: Reinhard Goebel (in 2003-02) balance engineer: Hans‐Ulrich Bastin recorded at: Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02) recording of: Selma, H 739 (Wq. 236) (chamber cantata) (in 2003-02) lyricist: Johann Heinrich Voß composer: Carl Philipp Emanuel Bach (in 1775) part of: Thematisches Verzeichnis der Werke von Carl Philipp Emanuel Bach (number: Wq. 236) and Thematic catalogue of the works of Carl Philipp Emanuel Bach (number: H. 739)	Carl Philipp Emanuel Bach	2:10
14	Die Amerikanerin, BR JCFB G 47: I. Saide, komm, mein Wunsch, mein Lied! recording engineer: Jürgen Bulgrin executive producer: Marita Prohmann producer: Christopher Alder mezzo-soprano vocals: Magdalena Kožená (in 2003-02) orchestra: Musica Antiqua Köln (in 2003-02) conductor: Reinhard Goebel (in 2003-02) balance engineer: Hans‐Ulrich Bastin recorded at: Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02) recording of: Die Amerikanerin, BR-JCFB G 47: I. Saide, komm, mein Wunsch, mein Lied! (in 2003-02) composer: Johann Christoph Friedrich Bach librettist: Heinrich Wilhelm von Gerstenberg part of: Die Amerikanerin, BR-JCFB G 47	Johann Christoph Friedrich Bach	2:46
15	Die Amerikanerin, BR JCFB G 47: II. Schön ist mein Mädchen, wie die Traube recording engineer: Jürgen Bulgrin executive producer: Marita Prohmann producer: Christopher Alder mezzo-soprano vocals: Magdalena Kožená (in 2003-02) orchestra: Musica Antiqua Köln (in 2003-02) conductor: Reinhard Goebel (in 2003-02) balance engineer: Hans‐Ulrich Bastin recorded at: Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02) recording of: Die Amerikanerin, BR-JCFB G 47: II. Schön ist mein Mädchen, wie die Traube (in 2003-02) composer: Johann Christoph Friedrich Bach librettist: Heinrich Wilhelm von Gerstenberg part of: Die Amerikanerin, BR-JCFB G 47	Johann Christoph Friedrich Bach	2:34
16	Die Amerikanerin, BR JCFB G 47: III. Du Quell, der sich durch Goldsand schlängelt recording engineer: Jürgen Bulgrin executive producer: Marita Prohmann producer: Christopher Alder mezzo-soprano vocals: Magdalena Kožená (in 2003-02) orchestra: Musica Antiqua Köln (in 2003-02) conductor: Reinhard Goebel (in 2003-02) balance engineer: Hans‐Ulrich Bastin recorded at: Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02) recording of: Die Amerikanerin, BR-JCFB G 47: III. Du Quell, der sich durch Goldsand schlängelt (in 2003-02) composer: Johann Christoph Friedrich Bach librettist: Heinrich Wilhelm von Gerstenberg part of: Die Amerikanerin, BR-JCFB G 47	Johann Christoph Friedrich Bach	1:43
17	Die Amerikanerin, BR JCFB G 47: IV. Mein Herz, mein Herz fleucht ihr entgegen recording engineer: Jürgen Bulgrin executive producer: Marita Prohmann producer: Christopher Alder mezzo-soprano vocals: Magdalena Kožená (in 2003-02) orchestra: Musica Antiqua Köln (in 2003-02) conductor: Reinhard Goebel (in 2003-02) balance engineer: Hans‐Ulrich Bastin recorded at: Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02) recording of: Die Amerikanerin, BR-JCFB G 47: IV. Mein Herz, mein Herz fleucht ihr entgegen (in 2003-02) composer: Johann Christoph Friedrich Bach librettist: Heinrich Wilhelm von Gerstenberg part of: Die Amerikanerin, BR-JCFB G 47	Johann Christoph Friedrich Bach	4:08

Credits

Release

Discogs:	https://www.discogs.com/release/5498028 [info]
ASIN:	DE: B0006M4RMY [info]

Release group

Allmusic:	https://www.allmusic.com/album/mw0001389164 [info]

AllMusic