20th Century Masters: The Millennium Collection: The Best of B.B. King

~ Release by B.B. King (see all versions of this release, 2 available)

Tracklist

1CD
#TitleLength
1The Thrill Is Gone
recording engineer:
Joe “Ears” Zagarino (from 1969-06-24 until 1969-06-25) and Bill Szymczyk (from 1969-06-24 until 1969-06-25)
producer:
Bill Szymczyk
bass:
Gerald “Fingers” Jemmott (from 1969-06-24 until 1969-06-25)
drums (drum set):
Herbie Lovelle (from 1969-06-24 until 1969-06-25)
electric piano, organ and piano:
Paul Harris (from 1969-06-24 until 1969-06-25)
guitar:
B.B. King (from 1969-06-24 until 1969-06-25) and Hugh McCracken (from 1969-06-24 until 1969-06-25)
lead vocals:
B.B. King (from 1969-06-24 until 1969-06-25)
vocals:
B.B. King (from 1969-06-24 until 1969-06-25)
performer:
Ravon Darnell (from 1969-06-24 until 1969-06-25) and Roy Hawkins (from 1969-06-24 until 1969-06-25)
phonographic copyright (℗) by:
MCA Records, Inc. (in 1969)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (from 1969-06-24 until 1969-06-25)
remasters:
The Thrill Is Gone by B.B. King
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 1985)
recording of:
The Thrill Is Gone (1951 blues song) (from 1969-06-24 until 1969-06-25)
writer:
Roy Hawkins (in 1951) and Rick Darnell (in 1951)
publisher:
BMG Music Publishing, Inc., Carlin Music Corporation, Grosvenor House Music, Modern Music Publishing Co., Inc., Pamco Music Inc., Powerforce Music, Sounds Of Lucille, Inc. and Universal Music Careers
5:27
2Ain’t Nobody Home
producer:
Ed Michel and Joe Zagarino
drums (drum set):
Jim Keltner (from 1971-06-09 until 1971-06-16)
electric bass guitar:
Klaus Voormann (from 1971-06-09 until 1971-06-16)
guitar:
B.B. King (from 1971-06-09 until 1971-06-16), David Spinozza (from 1971-06-09 until 1971-06-16) and John Uribe (from 1971-06-09 until 1971-06-16)
organ:
Gary Wright (from 1971-06-09 until 1971-06-16)
piano:
Jerry Ragovoy (from 1971-06-09 until 1971-06-16)
saxophone:
Bobby Keys (from 1971-06-09 until 1971-06-16)
trombone and trumpet:
Jim Price (from 1971-06-09 until 1971-06-16)
vocals:
Jo Armstead (from 1971-06-09 until 1971-06-16), Carl Hall (from 1971-06-09 until 1971-06-16), B.B. King (from 1971-06-09 until 1971-06-16) and Tasha Thomas (from 1971-06-09 until 1971-06-16)
phonographic copyright (℗) by:
Geffen Records (in 1971) and MCA Records, Inc. (in 1971)
additionally recorded at:
The Hit Factory in Manhattan, New York, New York, United States, The Record Plant in Hollywood, Los Angeles, California, United States and The Village Recorder in Los Angeles, California, United States
recorded at:
Command Studios in London, England, United Kingdom (from 1971-06-09 until 1971-06-16) and Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom (from 1971-06-09 until 1971-06-16)
recording of:
Ain’t Nobody Home (from 1971-06-09 until 1971-06-16)
lyricist and composer:
Jerry Ragovoy
publisher:
Chappell & Co.
3:17
3Let the Good Times Roll
producer:
Esmond Edwards
baritone saxophone:
Jerome Richardson (in 1976-03)
bass:
Rudy Aikels (in 1976-03) and Louis Villery (in 1976-03)
drums (drum set):
Harold Potier (in 1976-03) and John Starks (in 1976-03)
guitar:
Milton Hopkins (in 1976-03), Johnny Jones (in 1976-03), B.B. King (in 1976-03) and Ray Parker Jr. (in 1976-03)
organ:
James Toney (in 1976-03)
piano:
Robert Anderson (in 1976-03)
tenor saxophone:
Red Holloway (in 1976-03)
trombone:
Garnett Brown (in 1976-03) and Benny Powell (in 1976-03)
trumpet:
Albert Aarons (in 1976-03), Oscar Brashear (in 1976-03) and Snooky Young (in 1976-03)
vocals:
Bobby Bland (in 1976-03) and B.B. King (in 1976-03)
performer:
Bobby “Blue” Bland
arranger:
Johnny Pate
phonographic copyright (℗) by:
Geffen Records (in 1976) and MCA Records, Inc. (in 1976)
recorded at:
Cocoanut Grove in Los Angeles, California, United States (in 1976-03)
mixed at:
ABC Recording Studios in Los Angeles, California, United States
live cover recording of:
Let the Good Times Roll (in 1976-03)
writer:
Fleecie Moore (in 1946) and Sam Theard (in 1946)
publisher:
Rytvoc, Inc., Theard Swanson Publishing and Warock Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. and ヤマハミュージックEH(CM)
cover recording of:
Let the Good Times Roll
writer:
Fleecie Moore (in 1946) and Sam Theard (in 1946)
publisher:
Rytvoc, Inc., Theard Swanson Publishing and Warock Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. and ヤマハミュージックEH(CM)
live recording of:
Let the Good Times Roll
writer:
Fleecie Moore (in 1946) and Sam Theard (in 1946)
publisher:
Rytvoc, Inc., Theard Swanson Publishing and Warock Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. and ヤマハミュージックEH(CM)
recording of:
Let the Good Times Roll
writer:
Fleecie Moore (in 1946) and Sam Theard (in 1946)
publisher:
Rytvoc, Inc., Theard Swanson Publishing and Warock Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. and ヤマハミュージックEH(CM)
5:32
4Guess Who
recording of:
Guess Who
writer:
Jesse Belvin and JoAnne Belvin
publisher:
Michele Publ. Co.
4:09
5I Like to Live the Love
recorded in:
Philadelphia, Pennsylvania, United States (in 1973-06)
producer:
Dave Crawford
conductor:
Dave Crawford
arranger:
Dave Crawford
phonographic copyright (℗) by:
MCA Records, Inc. (in 1973)
recording of:
I Like to Live the Love (in 1973-06)
writer:
Dave Crawford and Charles Mann
publisher:
American Broadcasting Music, Inc.
3:32
6Don’t Answer the Door
recorded in:
Chicago, Illinois, United States (on 1966-07-14) and New York, New York, United States (on 1966-07-14)
producer:
Quincy Jones and Johnny Pate
bass:
Leo Lauchie (on 1966-07-14)
drums (drum set):
Sonny Freeman (on 1966-07-14)
guitar:
B.B. King (on 1966-07-14)
organ:
Duke Jethro (on 1966-07-14)
vocals:
B.B. King (on 1966-07-14)
phonographic copyright (℗) by:
Geffen Records (in 1966)
cover recording of:
Don’t Answer the Door (on 1966-07-14)
writer:
Jimmy Johnson
publisher:
Fordyce Publishing Co and Mercedes Music
recording of:
Don’t Answer the Door
writer:
Jimmy Johnson
publisher:
Fordyce Publishing Co and Mercedes Music
5:12
7Sweet Sixteen6:13
8Paying the Cost to Be the Boss
recorded in:
Chicago, Illinois, United States (on 1967-09-14)
producer:
Quincy Jones, Johnny Pate and Louis Zito
alto saxophone:
Lawrence Burdine (on 1967-09-14)
baritone saxophone:
Barney Hubert (on 1967-09-14)
bass:
Leo Lauchie (on 1967-09-14)
drums (drum set):
Sonny Freeman (on 1967-09-14)
guitar:
Billy Butler (on 1967-09-14) and B.B. King (on 1967-09-14)
keyboard and organ:
Duke Jethro (on 1967-09-14)
tenor saxophone:
Johnny Board (on 1967-09-14)
trombone:
Pluma Davis (on 1967-09-14)
trumpet:
Henry Boozier (on 1967-09-14), John Browning (on 1967-09-14) and Hobart Dotson (on 1967-09-14)
vocals:
B.B. King (on 1967-09-14)
arranger:
Johnny Pate
phonographic copyright (℗) by:
MCA Records, Inc. (in 1968)
recording of:
Paying the Cost to Be the Boss (on 1967-09-14)
lyricist and composer:
B.B. King
publisher:
Duchess Music Corporation, Songs of Universal, Inc. and Universal Music Careers
2:35
9I Got Some Help I Don’t Need3:26
10Into the Night
engineer:
Freddy Stonewall
producer:
John Landis and Ira Newborn
bass:
Neil Stubenhaus (in 1984-10)
bass synthesizer:
Randy Kerber (in 1984-10)
drums (drum set):
Ed Greene (in 1984-10)
guitar:
B.B. King (in 1984-10) and Steve Watson (in 1984-10)
piano:
John Hobbs (in 1984-10)
synthesizer:
Jim Cox (in 1984-10) and John Hobbs (in 1984-10)
vocals:
B.B. King (in 1984-10)
phonographic copyright (℗) by:
Geffen Records (in 1985) and MCA Records, Inc. (in 1985)
recorded at:
The Studio in Hialeah, Florida, United States (in 1984-10)
cover recording of:
Into the Night (in 1984-10)
lyricist and composer:
Ira Newborn
publisher:
MCA Music and MCA Music Ltd.
recording of:
Into the Night
lyricist and composer:
Ira Newborn
publisher:
MCA Music and MCA Music Ltd.
4:10

Credits

Release

ASIN:US: B00000I8LM [info]