The Complete Capitol Recordings of the Nat King Cole Trio

~ Release by The Nat King Cole Trio (see all versions of this release, 2 available)

Tracklist

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#TitleLength
1Somebody Loves Me
bongos:
Jack Costanzo (on 1952-07-18)
double bass:
Charlie Harris (on 1952-07-18)
drums (drum set):
Norris "Bunny" Shawker (on 1952-07-18)
guitar:
John Collins (on 1952-07-18)
piano:
Nat King Cole (on 1952-07-18)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1952-07-18)
instrumental cover recording of:
Somebody Loves Me (on 1952-07-18)
lyricist:
Buddy DeSylva and Ballard MacDonald
composer:
George Gershwin (in 1924)
publisher:
Chappell Music Ltd., Redwood Music Ltd. and Stephen Ballentine Music Publishing Co.
part of:
Broadway Rhythm (film)
3:05
2Once in a Blue Moon
bongos:
Jack Costanzo (on 1952-07-18)
double bass:
Charlie Harris (on 1952-07-18)
drums (drum set):
Norris "Bunny" Shawker (on 1952-07-18)
guitar:
John Collins (on 1952-07-18)
piano:
Nat King Cole (on 1952-07-18)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1952-07-18)
instrumental recording of:
Once in a Blue Moon (on 1952-07-18)
lyricist:
Anne O’Dea
composer:
Jerome Kern
2:57
3If I Should Lose You
double bass:
Charlie Harris (on 1952-07-18)
drums (drum set):
Norris "Bunny" Shawker (on 1952-07-18)
guitar:
John Collins (on 1952-07-18)
piano:
Nat King Cole (on 1952-07-18)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1952-07-18)
instrumental recording of:
If I Should Lose You (on 1952-07-18)
lyricist:
Leo Robin
composer:
Ralph Rainger
publisher:
Famous Music Corporation
3:13
4Don’t Let Your Eyes Go Shopping (For Your Heart)
double bass:
Charlie Harris (on 1952-07-24)
drums (drum set):
Archie Freeman (on 1952-07-24)
guitar:
John Collins (on 1952-07-24)
piano:
Nat King Cole (on 1952-07-24)
reeds:
Leo Anthony (on 1952-07-24), Earl Bergman (on 1952-07-24), Jim Schneider (on 1952-07-24), Billy Usselton (on 1952-07-24) and Buddy Wise (on 1952-07-24)
trombone:
Keith Butterfield (on 1952-07-24), Dick Reynolds (on 1952-07-24), Walter Shields (on 1952-07-24) and Kenneth Trimble (on 1952-07-24)
trumpet:
Bruce Bruckert (on 1952-07-24), Chris Griffin (on 1952-07-24), Dean Henckle (on 1952-07-24), Jack H. Laubach (on 1952-07-24) and Martin White (on 1952-07-24)
vocals:
Nat King Cole (on 1952-07-24)
orchestra:
Ray Anthony Orchestra (on 1952-07-24)
conductor:
Nelson Riddle (on 1952-07-24)
arranger:
Nelson Riddle
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1952-07-24)
recording of:
Don’t Let Your Eyes Go Shopping (for Your Heart) (on 1952-07-24)
writer:
Billy Austin and Sheldon Smith
2:31
5Almost Like Being in Love
bongos:
Jack Costanzo (on 1953-01-28)
double bass:
Charlie Harris (on 1953-01-28)
drums (drum set):
Lee Young (on 1953-01-28)
guitar:
John Collins (on 1953-01-28)
piano:
Buddy Cole (on 1953-01-28) and Nat King Cole (on 1953-01-28)
saxophone:
Jack Dumont (on 1953-01-28), Skeets Herfurt (on 1953-01-28), Joe Koch (on 1953-01-28), Ted Nash (on 1953-01-28) and Buck Skalak (on 1953-01-28)
trombone:
Milt Bernhart (on 1953-01-28), Ed Kusby (on 1953-01-28), Jimmy Priddy (on 1953-01-28) and Si Zentner (on 1953-01-28)
trumpet:
Pete Candoli (on 1953-01-28), Manny Klein (on 1953-01-28), Shorty Sherock (on 1953-01-28) and Rubin "Zeke" Zarchy (on 1953-01-28)
vocals:
Nat King Cole (on 1953-01-28)
orchestra:
Nelson Riddle and His Orchestra (on 1953-01-28)
conductor:
Nelson Riddle (on 1953-01-28)
arranger:
Nelson Riddle
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1953-01-28)
recording of:
Almost Like Being in Love (from “Brigadoon”) (on 1953-01-28)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
EMI Music, EMI U Catalog Inc., EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company, WC Music Corp., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス
part of:
Brigadoon (complete musical)
1:53
6This Can’t Be Love
bongos:
Jack Costanzo (on 1953-01-28)
double bass:
Charlie Harris (on 1953-01-28)
drums (drum set):
Lee Young (on 1953-01-28)
guitar:
John Collins (on 1953-01-28)
piano:
Buddy Cole (on 1953-01-28) and Nat King Cole (on 1953-01-28)
saxophone:
Jack Dumont (on 1953-01-28), Skeets Herfurt (on 1953-01-28), Joe Koch (on 1953-01-28), Ted Nash (on 1953-01-28) and Buck Skalak (on 1953-01-28)
trombone:
Milt Bernhart (on 1953-01-28), Ed Kusby (on 1953-01-28), Jimmy Priddy (on 1953-01-28) and Si Zentner (on 1953-01-28)
trumpet:
Pete Candoli (on 1953-01-28), Manny Klein (on 1953-01-28), Shorty Sherock (on 1953-01-28) and Rubin "Zeke" Zarchy (on 1953-01-28)
vocals:
Nat King Cole (on 1953-01-28)
orchestra:
Nelson Riddle and His Orchestra (on 1953-01-28)
conductor:
Nelson Riddle (on 1953-01-28)
arranger:
Nelson Riddle
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1953-01-28)
recording of:
This Can’t Be Love (on 1953-01-28)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (in 1938)
publisher:
Warner/Chappell
2:31
7Don’t Hurt the Girl
double bass:
Charlie Harris (on 1953-01-28)
guitar:
John Collins (on 1953-01-28)
piano:
Nat King Cole (on 1953-01-28)
vocals:
Nat King Cole (on 1953-01-28)
conductor:
Nelson Riddle (on 1953-01-28)
arranger:
Nelson Riddle
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1953-01-28)
recording of:
Don’t Hurt the Girl (on 1953-01-28)
lyricist and composer:
Corky Robbins
3:21
8The Christmas Song
bass trombone:
George Roberts (on 1953-08-24)
cello:
Cy Bernard (on 1953-08-24), Armand Kaproff (on 1953-08-24) and Eleanor Slatkin (on 1953-08-24)
double bass:
Charlie Harris (on 1953-08-24)
drums (drum set):
Lee Young (on 1953-08-24)
flute:
Jules Kinsler (on 1953-08-24), Ted Nash (on 1953-08-24) and Harry Steinfeld (on 1953-08-24)
French horn:
Vincent DeRosa (on 1953-08-24) and John Graas (on 1953-08-24)
guitar:
John Collins (on 1953-08-24)
harp:
Ann Mason Stockton (on 1953-08-24)
piano:
Buddy Cole (on 1953-08-24) and Nat King Cole (on 1953-08-24)
trombone:
Milt Bernhart (on 1953-08-24) and Joe Howard (on 1953-08-24)
viola:
Lou Kievman (on 1953-08-24), Stanley Spiegelman (on 1953-08-24) and Dave Sterkin (on 1953-08-24)
violin:
Victor Bay (on 1953-08-24), Alex Beller (on 1953-08-24), Harry Bluestone (on 1953-08-24), Walter Edelstein (on 1953-08-24), Henry Hill (on 1953-08-24), Paul Nero (on 1953-08-24), Mischa Russell (on 1953-08-24), Paul Shure (on 1953-08-24), Felix Slatkin (on 1953-08-24) and Gerald Vinci (on 1953-08-24)
vocals:
Nat King Cole (on 1953-08-24)
orchestra:
Nelson Riddle and His Orchestra (on 1953-08-24)
conductor:
Nelson Riddle (on 1953-08-24)
arranger:
Nelson Riddle
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1953-08-24)
cover recording of:
The Christmas Song (Chestnuts Roasting on an Open Fire) (on 1953-08-24)
lyricist:
Mel Tormé and Robert Wells (from 1944 until 1945)
composer:
Mel Tormé (from 1944 until 1945)
publisher:
Chappell/Morris Ltd., MPL Music Publishing Inc., Sony/ATV Music Publishing Australia Pty Ltd., Sony/ATV Tunes LLC, Warner Chappell, Warner Chappell Ltd., Warner Chappell Music, Warner/Chappell Music Australia Pty. Ltd. and Edwin H. Morris & Co., Inc. (from 1946 to present)
3:15
9Don’t Blame Me
double bass:
Charlie Harris (on 1955-07-14)
drums (drum set):
Lee Young (on 1955-07-14)
guitar:
John Collins (on 1955-07-14)
piano:
Nat King Cole (on 1955-07-14)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1955-07-14)
instrumental cover recording of:
Don’t Blame Me (on 1955-07-14)
lyricist:
Dorothy Fields
composer:
Jimmy McHugh
publisher:
EMI Robbins Catalog Inc. and Ireneadele Publishing
3:05
10It Could Happen to You2:48
11I Surrender Dear (alternate take)
double bass:
Charlie Harris (on 1955-07-14)
drums (drum set):
Lee Young (on 1955-07-14)
guitar:
John Collins (on 1955-07-14)
piano:
Nat King Cole (on 1955-07-14)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1955-07-14)
instrumental cover recording of:
I Surrender Dear (on 1955-07-14)
lyricist:
Gordon Clifford (in 1931)
composer:
Harry Barris (in 1931)
publisher:
Mills Music, Inc.
3:03
12I Surrender Dear
double bass:
Charlie Harris (on 1955-07-14)
drums (drum set):
Lee Young (on 1955-07-14)
guitar:
John Collins (on 1955-07-14)
piano:
Nat King Cole (on 1955-07-14)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1955-07-14)
instrumental cover recording of:
I Surrender Dear (on 1955-07-14)
lyricist:
Gordon Clifford (in 1931)
composer:
Harry Barris (in 1931)
publisher:
Mills Music, Inc.
2:59
13Little Girl
double bass:
Charlie Harris (on 1955-07-14)
drums (drum set):
Lee Young (on 1955-07-14)
guitar:
John Collins (on 1955-07-14)
piano:
Nat King Cole (on 1955-07-14)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1955-07-14)
instrumental cover recording of:
Little Girl (1931 song) (on 1955-07-14)
writer:
Francis Henry (in 1931) and Madeline Hyde (in 1931)
1:50
14You Can Depend on Me
double bass:
Charlie Harris (on 1956-08-15)
drums (drum set):
Lee Young (on 1956-08-15)
guitar:
John Collins (on 1956-08-15)
piano:
Nat King Cole (on 1956-08-15)
trumpet:
Harry “Sweets” Edison (on 1956-08-15)
vocals:
Nat King Cole (on 1956-08-15)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-08-15)
recording of:
You Can Depend on Me (on 1956-08-15)
composer:
Charles Carpenter, Louis Dunlap and Earl Hines
publisher:
APRS
3:54
15Candy3:55
16Sweet Lorraine
double bass:
Charlie Harris (on 1956-08-15)
drums (drum set):
Lee Young (on 1956-08-15)
guitar:
John Collins (on 1956-08-15)
piano:
Nat King Cole (on 1956-08-15)
trumpet:
Harry Edison (on 1956-08-15)
vocals:
Nat King Cole (on 1956-08-15)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-08-15) and Capitol Studios in Hollywood, Los Angeles, California, United States (from 1956-08 until 1956-09)
recording of:
Sweet Lorraine (on 1956-08-15)
lyricist:
Mitchell Parish (in 1928)
composer:
Cliff Burwell (in 1928)
publisher:
EMI Mills Music Inc., Everbright Music Co. and Mills Music, Inc.
4:36
17It’s Only a Paper Moon3:07
18(Get Your Kicks On) Route 663:43
19Don’t Let It Go to Your Head
alto saxophone:
Willie Smith (on 1956-09-14)
double bass:
Charlie Harris (on 1956-09-14)
drums (drum set):
Lee Young (on 1956-09-14)
guitar:
John Collins (on 1956-09-14)
piano:
Nat King Cole (on 1956-09-14)
vocals:
Nat King Cole (on 1956-09-14)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-09-14)
3:13
20You’re Lookin’ at Me
alto saxophone:
Willie Smith (on 1956-09-14)
double bass:
Charlie Harris (on 1956-09-14)
drums (drum set):
Lee Young (on 1956-09-14)
guitar:
John Collins (on 1956-09-14)
piano:
Nat King Cole (on 1956-09-14)
vocals:
Nat King Cole (on 1956-09-14)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-09-14)
recording of:
You’re Looking at Me (on 1956-09-14)
lyricist and composer:
Bobby Troup
4:12
18CD