The Complete Reprise Studio Recordings

~ Release by Frank Sinatra & Count Basie (see all versions of this release, 4 available)

Tracklist

1CD
#TitleLength
1Pennies From Heaven
recorded in:
Los Angeles, California, United States (on 1962-10-03)
bass:
Buddy Catlett (on 1962-10-03)
drums (drum set):
Sonny Payne (on 1962-10-03)
guitar:
Freddie Green (on 1962-10-03)
piano:
Count Basie (on 1962-10-03)
saxophone:
Eric Dixon (on 1962-10-03), Frank Foster (on 1962-10-03), Charlie Fowlkes (on 1962-10-03), Marshall Royal (on 1962-10-03) and Frank Wess (on 1962-10-03)
trombone:
Henry Coker (on 1962-10-03) and Benny Powell (on 1962-10-03)
trumpet:
Al Aarons (on 1962-10-03), Sonny Cohn (on 1962-10-03), Thad Jones (on 1962-10-03) and Al Porcino (on 1962-10-03)
vocals:
Frank Sinatra (on 1962-10-03)
orchestra:
Count Basie and His Orchestra (on 1962-10-03)
arranger:
Neal Hefti
cover recording of:
Pennies From Heaven (on 1962-10-03)
lyricist:
Johnny Burke (in 1936)
composer:
Arthur Johnston (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music and Joy Music Inc.
part of:
The 9th Academy Award for Best Original Song (number: 2)
recording of:
Pennies From Heaven
lyricist:
Johnny Burke (in 1936)
composer:
Arthur Johnston (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music and Joy Music Inc.
part of:
The 9th Academy Award for Best Original Song (number: 2)
3:29
2Please Be Kind
recorded in:
Los Angeles, California, United States (on 1962-10-02)
bass:
Buddy Catlett (on 1962-10-02)
drums (drum set):
Sonny Payne (on 1962-10-02)
guitar:
Freddie Green (on 1962-10-02)
piano:
Count Basie (on 1962-10-02)
saxophone:
Eric Dixon (on 1962-10-02), Frank Foster (on 1962-10-02), Charlie Fowlkes (on 1962-10-02), Marshall Royal (on 1962-10-02) and Frank Wess (on 1962-10-02)
trombone:
Henry Coker (on 1962-10-02) and Benny Powell (on 1962-10-02)
trumpet:
Al Aarons (on 1962-10-02), Sonny Cohn (on 1962-10-02), Thad Jones (on 1962-10-02) and Al Porcino (on 1962-10-02)
vocals:
Frank Sinatra (on 1962-10-02)
orchestra:
Count Basie and His Orchestra (on 1962-10-02)
arranger:
Neal Hefti
cover recording of:
Please Be Kind (on 1962-10-02)
lyricist:
Sammy Cahn (in 1938)
composer:
Saul Chaplin (in 1938)
publisher:
Harms, Inc.
recording of:
Please Be Kind
lyricist:
Sammy Cahn (in 1938)
composer:
Saul Chaplin (in 1938)
publisher:
Harms, Inc.
2:42
3(Love Is) The Tender Trap
recorded in:
Los Angeles, California, United States (on 1962-10-03)
bass:
Buddy Catlett (on 1962-10-03)
drums (drum set):
Sonny Payne (on 1962-10-03)
guitar:
Freddie Green (on 1962-10-03)
piano:
Count Basie (on 1962-10-03)
saxophone:
Eric Dixon (on 1962-10-03), Frank Foster (on 1962-10-03), Charlie Fowlkes (on 1962-10-03), Marshall Royal (on 1962-10-03) and Frank Wess (on 1962-10-03)
trombone:
Henry Coker (on 1962-10-03) and Benny Powell (on 1962-10-03)
trumpet:
Al Aarons (on 1962-10-03), Sonny Cohn (on 1962-10-03), Thad Jones (on 1962-10-03) and Al Porcino (on 1962-10-03)
vocals:
Frank Sinatra (on 1962-10-03)
orchestra:
Count Basie and His Orchestra (on 1962-10-03)
arranger:
Neal Hefti
cover recording of:
(Love Is) The Tender Trap (on 1962-10-03)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Barton Music Corp. and Maraville Music Corp.
part of:
The 28th Academy Award for Best Original Song (number: 2)
recording of:
(Love Is) The Tender Trap
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Barton Music Corp. and Maraville Music Corp.
part of:
The 28th Academy Award for Best Original Song (number: 2)
2:36
4Looking at the World Thru Rose Colored Glasses
recorded in:
Los Angeles, California, United States (on 1962-10-03)
bass:
Buddy Catlett (on 1962-10-03)
drums (drum set):
Sonny Payne (on 1962-10-03)
guitar:
Freddie Green (on 1962-10-03)
piano:
Count Basie (on 1962-10-03)
saxophone:
Eric Dixon (on 1962-10-03), Frank Foster (on 1962-10-03), Charlie Fowlkes (on 1962-10-03), Marshall Royal (on 1962-10-03) and Frank Wess (on 1962-10-03)
trombone:
Henry Coker (on 1962-10-03) and Benny Powell (on 1962-10-03)
trumpet:
Al Aarons (on 1962-10-03), Sonny Cohn (on 1962-10-03), Thad Jones (on 1962-10-03) and Al Porcino (on 1962-10-03)
vocals:
Frank Sinatra (on 1962-10-03)
orchestra:
Count Basie and His Orchestra (on 1962-10-03)
arranger:
Neal Hefti
recording of:
Looking at the World Thru Rose Colored Glasses (on 1962-10-03)
writer:
Jimmy Steiger and Tommy Mailie
publisher:
MCA, Inc. and Venus Music Corp.
2:30
5My Kind of Girl
recorded in:
Los Angeles, California, United States (on 1962-10-03)
bass:
Buddy Catlett (on 1962-10-03)
drums (drum set):
Sonny Payne (on 1962-10-03)
guitar:
Freddie Green (on 1962-10-03)
piano:
Count Basie (on 1962-10-03)
saxophone:
Eric Dixon (on 1962-10-03), Frank Foster (on 1962-10-03), Charlie Fowlkes (on 1962-10-03), Marshall Royal (on 1962-10-03) and Frank Wess (on 1962-10-03)
trombone:
Henry Coker (on 1962-10-03) and Benny Powell (on 1962-10-03)
trumpet:
Al Aarons (on 1962-10-03), Sonny Cohn (on 1962-10-03), Thad Jones (on 1962-10-03) and Al Porcino (on 1962-10-03)
vocals:
Frank Sinatra (on 1962-10-03)
orchestra:
Count Basie and His Orchestra (on 1962-10-03)
arranger:
Neal Hefti
cover recording of:
My Kind of Girl (on 1962-10-03)
lyricist and composer:
Leslie Bricusse
publisher:
Hollis Music, Inc.
recording of:
My Kind of Girl
lyricist and composer:
Leslie Bricusse
publisher:
Hollis Music, Inc.
4:35
6I Only Have Eyes for You
recorded in:
Los Angeles, California, United States (on 1962-10-03)
bass:
Buddy Catlett (on 1962-10-03)
drums (drum set):
Sonny Payne (on 1962-10-03)
guitar:
Freddie Green (on 1962-10-03)
piano:
Count Basie (on 1962-10-03)
saxophone:
Eric Dixon (on 1962-10-03), Frank Foster (on 1962-10-03), Charlie Fowlkes (on 1962-10-03), Marshall Royal (on 1962-10-03) and Frank Wess (on 1962-10-03)
trombone:
Henry Coker (on 1962-10-03) and Benny Powell (on 1962-10-03)
trumpet:
Al Aarons (on 1962-10-03), Sonny Cohn (on 1962-10-03), Thad Jones (on 1962-10-03) and Al Porcino (on 1962-10-03)
vocals:
Frank Sinatra (on 1962-10-03)
orchestra:
Count Basie and His Orchestra (on 1962-10-03)
arranger:
Neal Hefti
cover recording of:
I Only Have Eyes for You (on 1962-10-03)
lyricist:
Al Dubin
composer:
Harry Warren
publisher:
B. Feldman & Co., B. Feldman & Co. Ltd., B. Feldman Ltd., EMI Music Publishing, Remick Music Corp., Warner Bros. Inc., ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
42nd Street (full musical)
part of:
Dames (film)
part of:
Twins (1988)
recording of:
I Only Have Eyes for You
lyricist:
Al Dubin
composer:
Harry Warren
publisher:
B. Feldman & Co., B. Feldman & Co. Ltd., B. Feldman Ltd., EMI Music Publishing, Remick Music Corp., Warner Bros. Inc., ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
42nd Street (full musical)
part of:
Dames (film)
part of:
Twins (1988)
3:29
7Nice Work If You Can Get It
recording of:
Nice Work If You Can Get It
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (in 1937)
publisher:
Chappell & Co., Inc. and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
2:36
8Learnin’ The Blues
recorded in:
Los Angeles, California, United States (on 1962-10-02)
bass:
Buddy Catlett (on 1962-10-02)
drums (drum set):
Sonny Payne (on 1962-10-02)
guitar:
Freddie Green (on 1962-10-02)
piano:
Count Basie (on 1962-10-02)
saxophone:
Eric Dixon (on 1962-10-02), Frank Foster (on 1962-10-02), Charlie Fowlkes (on 1962-10-02), Marshall Royal (on 1962-10-02) and Frank Wess (on 1962-10-02)
trombone:
Henry Coker (on 1962-10-02) and Benny Powell (on 1962-10-02)
trumpet:
Al Aarons (on 1962-10-02), Sonny Cohn (on 1962-10-02), Thad Jones (on 1962-10-02) and Al Porcino (on 1962-10-02)
vocals:
Frank Sinatra (on 1962-10-02)
orchestra:
Count Basie and His Orchestra (on 1962-10-02)
arranger:
Neal Hefti
cover recording of:
Learnin’ the Blues (on 1962-10-02)
lyricist and composer:
Dolores Vicki Silvers
publisher:
Barton Music Corp.
recording of:
Learnin’ the Blues
lyricist and composer:
Dolores Vicki Silvers
publisher:
Barton Music Corp.
4:25
9I’m Gonna Sit Right Down and Write Myself a Letter
recorded in:
Los Angeles, California, United States (on 1962-10-03)
bass:
Buddy Catlett (on 1962-10-03)
drums (drum set):
Sonny Payne (on 1962-10-03)
guitar:
Freddie Green (on 1962-10-03)
piano:
Count Basie (on 1962-10-03)
saxophone:
Eric Dixon (on 1962-10-03), Frank Foster (on 1962-10-03), Charlie Fowlkes (on 1962-10-03), Marshall Royal (on 1962-10-03) and Frank Wess (on 1962-10-03)
trombone:
Henry Coker (on 1962-10-03) and Benny Powell (on 1962-10-03)
trumpet:
Al Aarons (on 1962-10-03), Sonny Cohn (on 1962-10-03), Thad Jones (on 1962-10-03) and Al Porcino (on 1962-10-03)
vocals:
Frank Sinatra (on 1962-10-03)
orchestra:
Count Basie and His Orchestra (on 1962-10-03)
arranger:
Neal Hefti
cover recording of:
I’m Gonna Sit Right Down and Write Myself a Letter (on 1962-10-03)
lyricist:
Joe Young
composer:
Fred Ahlert and Joe Young
publisher:
Anglo-Pic Music Co. Ltd., Azure Pearl Music, Beeping Good Music Publishing, Bluewater Music UK, David Ahlert Music, DeSylva, Brown and Henderson, Inc., Downtown Music Publishing LLC, Fred Ahlert Mus. Corp., MCA Music Ltd., Memory Lane Music Ltd., MPL UK Publishing, Pencil Mark Music and Rytvoc, Inc.
recording of:
I’m Gonna Sit Right Down and Write Myself a Letter
lyricist:
Joe Young
composer:
Fred Ahlert and Joe Young
publisher:
Anglo-Pic Music Co. Ltd., Azure Pearl Music, Beeping Good Music Publishing, Bluewater Music UK, David Ahlert Music, DeSylva, Brown and Henderson, Inc., Downtown Music Publishing LLC, Fred Ahlert Mus. Corp., MCA Music Ltd., Memory Lane Music Ltd., MPL UK Publishing, Pencil Mark Music and Rytvoc, Inc.
2:34
10I Won’t Dance
recorded in:
Los Angeles, California, United States (on 1962-10-02)
bass:
Buddy Catlett (on 1962-10-02)
drums (drum set):
Sonny Payne (on 1962-10-02)
guitar:
Freddie Green (on 1962-10-02)
piano:
Count Basie (on 1962-10-02)
saxophone:
Eric Dixon (on 1962-10-02), Frank Foster (on 1962-10-02), Charlie Fowlkes (on 1962-10-02), Marshall Royal (on 1962-10-02) and Frank Wess (on 1962-10-02)
trombone:
Henry Coker (on 1962-10-02) and Benny Powell (on 1962-10-02)
trumpet:
Al Aarons (on 1962-10-02), Sonny Cohn (on 1962-10-02), Thad Jones (on 1962-10-02) and Al Porcino (on 1962-10-02)
vocals:
Frank Sinatra (on 1962-10-02)
orchestra:
Count Basie and His Orchestra (on 1962-10-02)
arranger:
Neal Hefti
cover recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”) (on 1962-10-02)
lyricist:
Jimmy McHugh and Dorothy Fields (in 1935)
composer:
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd., Memory Lane Music Ltd., T.B. Harms Co. and Universal Music Publishing Ltd.
is based on:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”)
lyricist:
Jimmy McHugh and Dorothy Fields (in 1935)
composer:
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd., Memory Lane Music Ltd., T.B. Harms Co. and Universal Music Publishing Ltd.
is based on:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
4:08
11Fly Me to the Moon (In Other Words)
recorded in:
Hollywood, Los Angeles, California, United States (on 1964-06-09)
engineer:
Lowell Frank
producer:
Sonny Burke
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-09)
drums (drum set):
Sonny Payne (on 1964-06-09)
guitar:
Freddie Green (on 1964-06-09)
percussion:
Emil Richards
piano:
Count Basie (on 1964-06-09)
reeds:
Marshall Royal, Eric Dixon (on 1964-06-09), Frank Foster (on 1964-06-09), Charlie Fowlkes (on 1964-06-09) and Frank Wess (on 1964-06-09)
trombone:
Henderson Chambers, Henry Coker (on 1964-06-09), Bill Hughes (on 1964-06-09), Grover Mitchell (on 1964-06-09) and Ken Shroyer (on 1964-06-09)
trumpet:
George Cohn, Don Rader, Al Aarons (on 1964-06-09), Wallace Davenport (on 1964-06-09), Harry “Sweets” Edison (on 1964-06-09) and Al Porcino (on 1964-06-09)
vibraphone:
Emil Richards (on 1964-06-09)
viola:
Alvin Dinkin, Stanley Harris, Virginia Majewski and Paul Robyn
violin:
Israel Baker, Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff, Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci
lead vocals:
Frank Sinatra (on 1964-06-09)
vocals:
Frank Sinatra (on 1964-06-09)
orchestra:
Count Basie and His Orchestra (on 1964-06-09)
conductor:
Quincy Jones (, on 1964-06-09)
arranger:
Quincy Jones
part of:
Helsingin Sanomat: 100 maailman parasta laulua (number: 75)
recording of:
Fly Me to the Moon (Quincy Jones arr.) (on 1964-06-09)
lyricist and composer:
Bart Howard
arranger:
Quincy Jones
publisher:
Almanac Music Inc. and Hampshire House Publishing Corp.
arrangement of:
Fly Me to the Moon
recording of:
Fly Me to the Moon
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部
2:29
12I Wish You Love
recorded in:
Los Angeles, California, United States (on 1964-06-10)
engineer:
Lowell Frank
producer:
Sonny Burke
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-10)
drums (drum set):
Sonny Payne (on 1964-06-10)
guitar:
Freddie Green (on 1964-06-10)
percussion:
Emil Richards
piano:
Count Basie (on 1964-06-10)
reeds:
Marshall Royal, Eric Dixon (on 1964-06-10), Frank Foster (on 1964-06-10), Charlie Fowlkes (on 1964-06-10) and Frank Wess (on 1964-06-10)
trombone:
Henderson Chambers, Henry Coker (on 1964-06-10), Bill Hughes (on 1964-06-10), Grover Mitchell (on 1964-06-10) and Ken Shroyer (on 1964-06-10)
trumpet:
George Cohn, Don Rader, Al Aarons (on 1964-06-10), Wallace Davenport (on 1964-06-10), Harry “Sweets” Edison (on 1964-06-10) and Al Porcino (on 1964-06-10)
vibraphone:
Emil Richards (on 1964-06-10)
viola:
Alvin Dinkin, Stanley Harris, Virginia Majewski and Paul Robyn
violin:
Israel Baker, Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff, Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci
vocals:
Frank Sinatra (on 1964-06-10)
orchestra:
Count Basie and His Orchestra (on 1964-06-10)
conductor:
Quincy Jones
arranger:
Quincy Jones
cover recording of:
I Wish You Love (on 1964-06-10)
lyricist:
Charles Trenet
writer and translator:
Albert Beach
composer:
Léo Chauliac and Charles Trenet
publisher:
Éditions Salabert France, EMI Virgin Music Ltd., EMI Virgin Music, Inc., Leeds Music, MCA Music Ltd., MCA Music Publishing, On Backstreet Music Inc. and Universal Music Publishing Group
sub-publisher:
Universal Music Publishing MGB Hong Kong Ltd. Taiwan Branch and ユニバーサル・ミュージック・パブリッシング Synch事業部
translated version of:
Que reste-t-il de nos amours ?
2:54
13I Believe in You
recorded in:
Los Angeles, California, United States (on 1964-06-09)
engineer:
Lowell Frank
producer:
Sonny Burke
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-09)
drums (drum set):
Sonny Payne (on 1964-06-09)
guitar:
Freddie Green (on 1964-06-09)
percussion:
Emil Richards
piano:
Count Basie (on 1964-06-09)
reeds:
Marshall Royal, Eric Dixon (on 1964-06-09), Frank Foster (on 1964-06-09), Charlie Fowlkes (on 1964-06-09) and Frank Wess (on 1964-06-09)
trombone:
Henderson Chambers, Henry Coker (on 1964-06-09), Bill Hughes (on 1964-06-09), Grover Mitchell (on 1964-06-09) and Ken Shroyer (on 1964-06-09)
trumpet:
George Cohn, Don Rader, Al Aarons (on 1964-06-09), Wallace Davenport (on 1964-06-09), Harry “Sweets” Edison (on 1964-06-09) and Al Porcino (on 1964-06-09)
vibraphone:
Emil Richards (on 1964-06-09)
viola:
Alvin Dinkin, Stanley Harris, Virginia Majewski and Paul Robyn
violin:
Israel Baker, Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff, Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci
vocals:
Frank Sinatra (on 1964-06-09)
orchestra:
Count Basie and His Orchestra (on 1964-06-09)
conductor:
Quincy Jones
arranger:
Quincy Jones
cover recording of:
I Believe in You (How to Succeed in Business Without Really Trying) (on 1964-06-09)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp.
recording of:
I Believe in You (How to Succeed in Business Without Really Trying)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp.
2:21
14More (Theme From ’Mondo Cane’)
recorded in:
Los Angeles, California, United States (on 1964-06-12)
engineer:
Lowell Frank (on 1964-06-12)
producer:
Sonny Burke (on 1964-06-12)
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-12)
drums (drum set):
Sonny Payne (on 1964-06-12)
guitar:
Freddie Green (on 1964-06-12)
percussion:
Emil Richards
piano:
Count Basie (on 1964-06-12)
reeds:
Marshall Royal, Eric Dixon (on 1964-06-12), Frank Foster (on 1964-06-12), Charlie Fowlkes (on 1964-06-12) and Frank Wess (on 1964-06-12)
trombone:
Henderson Chambers, Henry Coker (on 1964-06-12), Bill Hughes (on 1964-06-12), Grover Mitchell (on 1964-06-12) and Ken Shroyer (on 1964-06-12)
trumpet:
George Cohn, Don Rader, Al Aarons (on 1964-06-12), Wallace Davenport (on 1964-06-12), Harry “Sweets” Edison (on 1964-06-12) and Al Porcino (on 1964-06-12)
vibraphone:
Emil Richards (on 1964-06-12)
viola:
Alvin Dinkin, Stanley Harris, Virginia Majewski and Paul Robyn
violin:
Israel Baker, Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff, Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci
vocals:
Frank Sinatra (on 1964-06-12)
orchestra:
Count Basie and His Orchestra (on 1964-06-12)
conductor:
Quincy Jones
arranger:
Quincy Jones (on 1964-06-12)
cover recording of:
More (English translation) (on 1964-06-12)
lyricist:
Marcello Ciorciolini
composer:
Nino Oliviero and Riz Ortolani
translator:
Norman Newell
publisher:
C.A.M. Creazioni Artistiche Musicali, Ortolani Creative Team Inc. and Sugar Song Publications, Inc.
part of:
The 36th Academy Award for Best Original Song (number: 2)
translated version of:
Ti guarderò nel cuore
3:03
15I Can’t Stop Loving You
recorded in:
Los Angeles, California, United States (on 1964-06-12)
engineer:
Lowell Frank (on 1964-06-12)
producer:
Sonny Burke (on 1964-06-12)
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-12)
drums (drum set):
Sonny Payne (on 1964-06-12)
guitar:
Freddie Green (on 1964-06-12)
percussion:
Emil Richards
piano:
Count Basie (on 1964-06-12)
reeds:
Marshall Royal, Eric Dixon (on 1964-06-12), Frank Foster (on 1964-06-12), Charlie Fowlkes (on 1964-06-12) and Frank Wess (on 1964-06-12)
trombone:
Henderson Chambers, Henry Coker (on 1964-06-12), Bill Hughes (on 1964-06-12), Grover Mitchell (on 1964-06-12) and Ken Shroyer (on 1964-06-12)
trumpet:
George Cohn, Don Rader, Al Aarons (on 1964-06-12), Wallace Davenport (on 1964-06-12), Harry “Sweets” Edison (on 1964-06-12) and Al Porcino (on 1964-06-12)
vibraphone:
Emil Richards (on 1964-06-12)
viola:
Alvin Dinkin, Stanley Harris, Virginia Majewski and Paul Robyn
violin:
Israel Baker, Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff, Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci
vocals:
Frank Sinatra (on 1964-06-12)
orchestra:
Count Basie and His Orchestra (on 1964-06-12)
conductor:
Quincy Jones
arranger:
Quincy Jones (on 1964-06-12)
cover recording of:
I Can’t Stop Lovin’ You (on 1964-06-12)
lyricist and composer:
Don Gibson
publisher:
Acuff-Rose-Opryland Music Limited, Sony/ATV Songs LLC and Acuff-Rose Publications, Inc. (on 1958-02-07)
recording of:
I Can’t Stop Lovin’ You
lyricist and composer:
Don Gibson
publisher:
Acuff-Rose-Opryland Music Limited, Sony/ATV Songs LLC and Acuff-Rose Publications, Inc. (on 1958-02-07)
3:00
16Hello, Dolly!
recorded in:
Hollywood, Los Angeles, California, United States (on 1964-06-10) and Los Angeles, California, United States (on 1964-06-10)
engineer:
Lowell Frank
producer:
Sonny Burke
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-10)
drums (drum set):
Sonny Payne (on 1964-06-10)
guitar:
Freddie Green (on 1964-06-10)
percussion:
Emil Richards
piano:
Count Basie (on 1964-06-10)
reeds:
Marshall Royal, Eric Dixon (on 1964-06-10), Frank Foster (on 1964-06-10), Charlie Fowlkes (on 1964-06-10) and Frank Wess (on 1964-06-10)
trombone:
Henderson Chambers, Henry Coker (on 1964-06-10), Bill Hughes (on 1964-06-10), Grover Mitchell (on 1964-06-10) and Ken Shroyer (on 1964-06-10)
trumpet:
George Cohn, Don Rader, Al Aarons (on 1964-06-10), Wallace Davenport (on 1964-06-10), Harry “Sweets” Edison (on 1964-06-10) and Al Porcino (on 1964-06-10)
vibraphone:
Emil Richards (on 1964-06-10)
viola:
Alvin Dinkin, Stanley Harris, Virginia Majewski and Paul Robyn
violin:
Israel Baker, Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff, Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci
vocals:
Frank Sinatra (on 1964-06-10)
orchestra:
Count Basie and His Orchestra (on 1964-06-10)
conductor:
Quincy Jones
arranger:
Quincy Jones
cover recording of:
Hello, Dolly! (on 1964-06-10)
lyricist and composer:
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. and Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
part of:
Hello, Dolly!
recording of:
Hello, Dolly!
lyricist and composer:
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. and Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
part of:
Hello, Dolly!
2:44
17I Wanna Be Around
recorded in:
Los Angeles, California, United States (on 1964-06-09)
engineer:
Lowell Frank
producer:
Sonny Burke
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-09)
drums (drum set):
Sonny Payne (on 1964-06-09)
guitar:
Freddie Green (on 1964-06-09)
percussion:
Emil Richards
piano:
Count Basie (on 1964-06-09)
reeds:
Marshall Royal, Eric Dixon (on 1964-06-09), Frank Foster (on 1964-06-09), Charlie Fowlkes (on 1964-06-09) and Frank Wess (on 1964-06-09)
trombone:
Henderson Chambers, Henry Coker (on 1964-06-09), Bill Hughes (on 1964-06-09), Grover Mitchell (on 1964-06-09) and Ken Shroyer (on 1964-06-09)
trumpet:
George Cohn, Don Rader, Al Aarons (on 1964-06-09), Wallace Davenport (on 1964-06-09), Harry “Sweets” Edison (on 1964-06-09) and Al Porcino (on 1964-06-09)
vibraphone:
Emil Richards (on 1964-06-09)
viola:
Alvin Dinkin, Stanley Harris, Virginia Majewski and Paul Robyn
violin:
Israel Baker, Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff, Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci
vocals:
Frank Sinatra (on 1964-06-09)
orchestra:
Count Basie and His Orchestra (on 1964-06-09)
conductor:
Quincy Jones
arranger:
Quincy Jones
cover recording of:
I Wanna Be Around (on 1964-06-09)
lyricist:
Johnny Mercer and Sadie Vimmerstedt
composer:
Johnny Mercer
publisher:
Commander Publications
2:20
18The Best Is Yet to Come
recorded in:
Los Angeles, California, United States (on 1964-06-09)
engineer:
Lowell Frank (on 1964-06-09)
producer:
Sonny Burke (on 1964-06-09)
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-09)
drums (drum set):
Sonny Payne (on 1964-06-09)
guitar:
Freddie Green (on 1964-06-09)
percussion:
Emil Richards
piano:
Count Basie (on 1964-06-09)
reeds:
Marshall Royal, Eric Dixon (on 1964-06-09), Frank Foster (on 1964-06-09), Charlie Fowlkes (on 1964-06-09) and Frank Wess (on 1964-06-09)
trombone:
Henderson Chambers, Henry Coker (on 1964-06-09), Bill Hughes (on 1964-06-09), Grover Mitchell (on 1964-06-09) and Ken Shroyer (on 1964-06-09)
trumpet:
George Cohn, Don Rader, Al Aarons (on 1964-06-09), Wallace Davenport (on 1964-06-09), Harry “Sweets” Edison (on 1964-06-09) and Al Porcino (on 1964-06-09)
vibraphone:
Emil Richards (on 1964-06-09)
viola:
Alvin Dinkin, Stanley Harris, Virginia Majewski and Paul Robyn
violin:
Israel Baker, Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff, Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci
vocals:
Frank Sinatra (on 1964-06-09)
orchestra:
Count Basie and His Orchestra (on 1964-06-09)
conductor:
Quincy Jones
arranger:
Quincy Jones (on 1964-06-09)
cover recording of:
The Best Is Yet to Come (on 1964-06-09)
lyricist:
Carolyn Leigh (in 1959)
composer:
Cy Coleman (in 1959)
publisher:
Carwin Music, Inc., EMI U Catalog Inc., Notable Music, Notable Music Co., Inc. and WB Music Corp.
recording of:
The Best Is Yet to Come (on 1964-06-09)
lyricist:
Carolyn Leigh (in 1959)
composer:
Cy Coleman (in 1959)
publisher:
Carwin Music, Inc., EMI U Catalog Inc., Notable Music, Notable Music Co., Inc. and WB Music Corp.
2:55
19The Good Life
recorded in:
Los Angeles, California, United States (on 1964-06-10)
engineer:
Lowell Frank
producer:
Sonny Burke
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-10)
drums (drum set):
Sonny Payne (on 1964-06-10)
guitar:
Freddie Green (on 1964-06-10)
percussion:
Emil Richards
piano:
Count Basie (on 1964-06-10)
reeds:
Marshall Royal, Eric Dixon (on 1964-06-10), Frank Foster (on 1964-06-10), Charlie Fowlkes (on 1964-06-10) and Frank Wess (on 1964-06-10)
trombone:
Henderson Chambers, Henry Coker (on 1964-06-10), Bill Hughes (on 1964-06-10), Grover Mitchell (on 1964-06-10) and Ken Shroyer (on 1964-06-10)
trumpet:
George Cohn, Don Rader, Al Aarons (on 1964-06-10), Wallace Davenport (on 1964-06-10), Harry “Sweets” Edison (on 1964-06-10) and Al Porcino (on 1964-06-10)
vibraphone:
Emil Richards (on 1964-06-10)
viola:
Alvin Dinkin, Stanley Harris, Virginia Majewski and Paul Robyn
violin:
Israel Baker, Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff, Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci
vocals:
Frank Sinatra (on 1964-06-10)
orchestra:
Count Basie and His Orchestra (on 1964-06-10)
conductor:
Quincy Jones
arranger:
Quincy Jones
cover recording of:
The Good Life (on 1964-06-10)
lyricist:
Jack Reardon
composer:
Sacha Distel (in 1962)
publisher:
Intersong USA, Inc. and Prosadis
version of:
Marina
2:27
20Wives and Lovers2:46