Essential Debussy: 26 of His Greatest Masterpieces

~ Release by Claude Debussy (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleLength
1Suite bergamasque, L. 75: Clair de lune
orchestra:
Boston Pops Orchestra
conductor:
Arthur Fiedler
arranger:
Henri Mouton and Walter Piston
phonographic copyright (℗) by:
Polydor International GmbH (in 1973, in 1976)
recording of:
Clair de lune from Suite bergamasque (orch. Mouton)
orchestrator:
Henri Mouton
composer:
Claude Debussy (from 1890 until 1905)
orchestration of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
4:44
2Nocturnes, L. 91: Nuages. Modéré
executive producer:
Karl Faust
producer:
Rainer Brock and Karl Faust
editor:
Joachim Niss
orchestra:
Boston Symphony Orchestra (on 1970-02-02)
conductor:
Claudio Abbado (on 1970-02-02)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Polydor International GmbH (in 1970)
recorded at:
Symphony Hall in Boston, Massachusetts, United States (on 1970-02-02)
recording of:
Nocturnes, L. 91, CD 98 : I. Nuages (on 1970-02-02)
composer:
Claude Debussy (from 1897-12 until 1899-12)
premiered at:
[concert]
part of:
Nocturnes, L. 91, CD 98 (for orchestra)
7:49
3Nocturnes, L. 91: Fêtes. Animé et très rythmé
executive producer:
Karl Faust
producer:
Rainer Brock and Karl Faust
editor:
Joachim Niss
orchestra:
Boston Symphony Orchestra (on 1970-02-02)
conductor:
Claudio Abbado (on 1970-02-02)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Polydor International GmbH (in 1970)
recorded at:
Symphony Hall in Boston, Massachusetts, United States (on 1970-02-02)
recording of:
Nocturnes, L. 91, CD 98 : II. Fêtes (on 1970-02-02)
composer:
Claude Debussy (from 1897-12 until 1899-12)
premiered at:
[concert]
part of:
Nocturnes, L. 91, CD 98 (for orchestra)
6:04
4Images for Orchestra, L. 122: 2. Ibéria: 1. Par les rues et par les chemins
producer:
Karl-August Naegler
orchestra:
The Cleveland Orchestra (in 1991-03)
conductor:
Pierre Boulez (in 1991-03)
balance engineer:
Helmut Burk (in 1991-03)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1991-03)
recording of:
Images pour orchestre, L 122: IIa. Ibéria - Par les rues et par les chemins (in 1991-03)
composer:
Claude Debussy (from 1905 until 1908)
part of:
Images pour orchestre, L. 122, CD 118: II. Ibéria
6:51
5Images for Orchestra, L. 122: 2. Ibéria: 2. Les parfums de la nuit
producer:
Karl-August Naegler
orchestra:
The Cleveland Orchestra (in 1991-03)
conductor:
Pierre Boulez (in 1991-03)
balance engineer:
Helmut Burk (in 1991-03)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1991-03)
recording of:
Images pour orchestre, L 122: IIb. Ibéria - Les Parfums de la nuit (in 1991-03)
composer:
Claude Debussy (from 1905 until 1908)
part of:
Images pour orchestre, L. 122, CD 118: II. Ibéria
7:29
6Images for Orchestra, L. 122: 2. Ibéria: 3. Le matin d'un jour de fête
producer:
Karl-August Naegler
orchestra:
The Cleveland Orchestra (in 1991-03)
conductor:
Pierre Boulez (in 1991-03)
balance engineer:
Helmut Burk (in 1991-03)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1991-03)
recording of:
Images pour orchestre, L 122: IIc. Ibéria - Le Matin d'un jour de fête (in 1991-03)
composer:
Claude Debussy (from 1905 until 1908)
part of:
Images pour orchestre, L. 122, CD 118: II. Ibéria
4:18
7Children's Corner, L. 113: Doctor Gradus ad Parnassum
producer:
Christopher Pope
editor:
Matthew Hutchinson
oboe:
Theodore Baskin
orchestra:
Orchestre symphonique de Montréal (in 1994-05)
conductor:
Charles Dutoit (in 1994-05)
balance engineer:
John Dunkerley (in 1994-05) and Philip Siney (in 1994-05)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (in 1994-05)
recording of:
Children's Corner: I. Doctor Gradus ad Parnassum (André Caplet orchestration) (in 1994-05)
orchestrator:
André Caplet (in 1910)
composer:
Claude Debussy (from 1906 until 1908-07)
orchestration of:
Children’s Corner, L. 113: I. Doctor Gradus ad Parnassum (original piano version)
part of:
Children’s Corner (André Caplet orchestration)
2:37
8Children's Corner, L. 113: Jimbo's Lullaby
producer:
Christopher Pope
editor:
Matthew Hutchinson
oboe:
Theodore Baskin
orchestra:
Orchestre symphonique de Montréal (in 1994-05)
conductor:
Charles Dutoit (in 1994-05)
balance engineer:
John Dunkerley (in 1994-05) and Philip Siney (in 1994-05)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (in 1994-05)
recording of:
Children's Corner: II. Jimbo's Lullaby (André Caplet orchestration) (in 1994-05)
orchestrator:
André Caplet (in 1910)
composer:
Claude Debussy (from 1906 until 1908-07)
orchestration of:
Children’s Corner, L. 113: II. Jimbo’s Lullaby (original piano version)
part of:
Children’s Corner (André Caplet orchestration)
3:54
9Children's Corner, L. 113: Serenade for the Doll
producer:
Christopher Pope
editor:
Matthew Hutchinson
oboe:
Theodore Baskin
orchestra:
Orchestre symphonique de Montréal (in 1994-05)
conductor:
Charles Dutoit (in 1994-05)
balance engineer:
John Dunkerley (in 1994-05) and Philip Siney (in 1994-05)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (in 1994-05)
recording of:
Children's Corner: III. Serenade for the Doll (André Caplet orchestration) (in 1994-05)
orchestrator:
André Caplet (in 1910)
composer:
Claude Debussy (from 1906 until 1908-07)
orchestration of:
Children’s Corner, L. 113: III. Serenade for the Doll (original piano version)
part of:
Children’s Corner (André Caplet orchestration)
2:40
10Children's Corner, L. 113: The Snow is Dancing
producer:
Christopher Pope
editor:
Matthew Hutchinson
oboe:
Theodore Baskin
orchestra:
Orchestre symphonique de Montréal (in 1994-05)
conductor:
Charles Dutoit (in 1994-05)
balance engineer:
John Dunkerley (in 1994-05) and Philip Siney (in 1994-05)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (in 1994-05)
recording of:
Children's Corner: IV. The Snow is Dancing (André Caplet orchestration) (in 1994-05)
orchestrator:
André Caplet (in 1910)
composer:
Claude Debussy (from 1906 until 1908-07)
orchestration of:
Children’s Corner, L. 113: IV. The Snow is Dancing (original piano version)
part of:
Children’s Corner (André Caplet orchestration)
2:42
11Children's Corner, L. 113: The Little Shepherd
producer:
Christopher Pope
editor:
Matthew Hutchinson
oboe:
Theodore Baskin (in 1994-05)
orchestra:
Orchestre symphonique de Montréal (in 1994-05)
conductor:
Charles Dutoit (in 1994-05)
balance engineer:
John Dunkerley (in 1994-05) and Philip Siney (in 1994-05)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (in 1994-05)
recording of:
Children's Corner: V. The Little Shepherd (André Caplet orchestration) (in 1994-05)
orchestrator:
André Caplet (in 1910)
composer:
Claude Debussy (from 1906 until 1908-07)
orchestration of:
Children’s Corner, L. 113: V. The Little Shepherd (original piano version)
part of:
Children’s Corner (André Caplet orchestration)
2:46
12Children's Corner, L. 113: Golliwogg's Cake-Walk
producer:
Christopher Pope
editor:
Matthew Hutchinson
oboe:
Theodore Baskin (in 1994-05)
orchestra:
Orchestre symphonique de Montréal (in 1994-05)
conductor:
Charles Dutoit (in 1994-05)
balance engineer:
John Dunkerley (in 1994-05) and Philip Siney (in 1994-05)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (in 1994-05)
recording of:
Children’s Corner: VI. Golliwogg’s Cake‐Walk (André Caplet orchestration) (in 1994-05)
orchestrator:
André Caplet (in 1910)
composer:
Claude Debussy (from 1906 until 1908-07)
orchestration of:
Children’s Corner, L. 113: VI. Golliwogg’s Cake‐Walk (original piano version)
part of:
Children’s Corner (André Caplet orchestration)
2:52
13La Mer, L. 109: 1. From Dawn Till Noon On The Sea
producer:
Otto Gerdes and Otto Ernst Wohlert
orchestra:
Berliner Philharmoniker (from 1964-03-09 until 1964-03-10)
conductor:
Herbert von Karajan (from 1964-03-09 until 1964-03-10)
balance engineer:
Günter Hermanns (from 1964-03-09 until 1964-03-10)
phonographic copyright (℗) by:
Polydor International GmbH (in 1965)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (from 1964-03-09 until 1964-03-10)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: I. “De l’aube à midi sur la mer” (from 1964-03-09 until 1964-03-10)
composer:
Claude Debussy (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
8:35
14La Mer, L. 109: 2. Play Of The Waves
producer:
Otto Gerdes and Otto Ernst Wohlert
orchestra:
Berliner Philharmoniker (from 1964-03-09 until 1964-03-10)
conductor:
Herbert von Karajan (from 1964-03-09 until 1964-03-10)
balance engineer:
Günter Hermanns (from 1964-03-09 until 1964-03-10)
phonographic copyright (℗) by:
Polydor International GmbH (in 1965)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (from 1964-03-09 until 1964-03-10)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: II. “Jeux de vagues” (from 1964-03-09 until 1964-03-10)
composer:
Claude Debussy (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
6:12
15La Mer, L. 109: 3. Dialogue Of The Wind And The Sea
producer:
Otto Gerdes and Otto Ernst Wohlert
orchestra:
Berliner Philharmoniker (from 1964-03-09 until 1964-03-10)
conductor:
Herbert von Karajan (from 1964-03-09 until 1964-03-10)
balance engineer:
Günter Hermanns (from 1964-03-09 until 1964-03-10)
phonographic copyright (℗) by:
Polydor International GmbH (in 1965)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (from 1964-03-09 until 1964-03-10)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: III. “Dialogue du vent et de la mer” (from 1964-03-09 until 1964-03-10)
composer:
Claude Debussy (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
7:52
2▶CD

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ASIN:US: B000069HME [info]