Quintet Sextet Complete Recordings

~ Release by Hank Jones & Tyree Glenn (see all versions of this release, 1 available)

Annotation

Personnel:
CD 1
1 - 4: Tyree Glenn, TB, Vib; Hank Jones, piano; Mary Osborne,G;
Tommy Potter, bass; Jo Jones, drums - New York, March 28-29, 1957
5-11: As above, plus Harold 'Shorty' Baker, trumpet; - New York, March 28-29, 1957
12-17: Same as 1-4, Roundtable, New York, 1958

CD2
1-6: Tyree Glenn, TB, Vib; Hank Jones, piano; Mary Osborne, G; Tommy Potter, bass; Jo Jones, drums - Roundtable, New York, 1958
7-8 - Same as 1-6 except Milt Hinton, bass - London House, Chicago, 1961
9-18 - Same as 7-8 except add Harold 'Shorty' Baker, trumpet - London House, Chicago, 1961

Tracklist

1▶CD
2▼CD
#TitleLength
1Wonder Why
double bass:
Tommy Potter (in 1958)
drums (drum set):
Jo Jones (in 1958)
guitar:
Mary Osborne (in 1958)
piano:
Hank Jones (in 1958)
instrumental recording of:
Wonder Why (Rich, Young and Pretty) (in 1958)
lyricist:
Sammy Cahn
composer:
Nicholas Brodzsky
publisher:
Primary Wave Songs and Robbins Music Corp.
part of:
The 24th Academy Award for Best Original Song (number: 2)
2:34
2Dear Old Southland
double bass:
Tommy Potter (in 1958)
drums (drum set):
Jo Jones (in 1958)
guitar:
Mary Osborne (in 1958)
piano:
Hank Jones (in 1958)
instrumental recording of:
Dear Old Southland (jazz standard) (in 1958)
lyricist:
Henry Creamer (in 1921)
composer:
Turner Layton (in 1921)
publisher:
Mills Music
2:25
3Them There Eyes
double bass:
Tommy Potter (in 1958)
drums (drum set):
Jo Jones (in 1958)
guitar:
Mary Osborne (in 1958)
piano:
Hank Jones (in 1958)
instrumental recording of:
Them There Eyes (in 1958)
lyricist:
William Tracey (in 1930)
composer:
Maceo Pinkard (in 1930) and Doris Tauber (in 1930)
publisher:
Bourne Co., Redwood Music Ltd. and Warner Chappell Music Limited
2:27
4Sweet and Lovely
double bass:
Tommy Potter (in 1958)
drums (drum set):
Jo Jones (in 1958)
guitar:
Mary Osborne (in 1958)
piano:
Hank Jones (in 1958)
instrumental recording of:
Sweet and Lovely (in 1958)
lyricist:
Harry Tobias
composer:
Gus Arnheim and Charles N. Daniels
publisher:
Harry Tobias Music, Keith Prowse Music, Redwood Music, Sony/ATV Tunes LLC, Anne-Rachel Music Corp. (in 1931), Chappell & Co. (in 1931), Quartet Music Inc. (in 1931) and Range Road Music Inc. (in 1931)
2:59
5Marcheta
double bass:
Tommy Potter (in 1958)
drums (drum set):
Jo Jones (in 1958)
guitar:
Mary Osborne (in 1958)
piano:
Hank Jones (in 1958)
instrumental recording of:
Marcheta (in 1958)
lyricist and composer:
Victor Schertzinger
3:47
6Limehouse Blues
double bass:
Tommy Potter (in 1958)
drums (drum set):
Jo Jones (in 1958)
guitar:
Mary Osborne (in 1958)
piano:
Hank Jones (in 1958)
instrumental recording of:
Limehouse Blues (in 1958)
lyricist:
Douglas Furber
composer:
Philip Braham
publisher:
Harms, Inc. and Warner Bros. Mus. (ASCAP)
3:24
7By and by When Morning Comes
double bass:
Milt Hinton (in 1961)
drums (drum set):
Jo Jones (in 1961)
guitar:
Mary Osborne (in 1961)
piano:
Hank Jones (in 1961)
instrumental recording of:
By and By When the Morning Comes (in 1961)
writer:
[traditional]
arranger:
Lead Belly
2:38
8Stomping at the Savoy
double bass:
Milt Hinton (in 1961)
drums (drum set):
Jo Jones (in 1961)
guitar:
Mary Osborne (in 1961)
piano:
Hank Jones (in 1961)
instrumental recording of:
Stompin’ at the Savoy (in 1961)
lyricist:
Andy Razaf
composer:
Benny Goodman, Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog, Ragbag Music, Razaf Music, Rytvoc, フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス
2:48
9On the Alamo
double bass:
Milt Hinton (in 1961)
drums (drum set):
Jo Jones (in 1961)
guitar:
Mary Osborne (in 1961)
piano:
Hank Jones (in 1961)
trumpet:
Harold “Shorty” Baker (in 1961)
instrumental recording of:
On the Alamo (in 1961)
lyricist:
Gilbert Keyes and Joe Lyons
composer:
Isham Jones
publisher:
Forster Music Publisher, Inc. (from 1922-08-02 to present) and Tell Taylor, Inc. (from 1922-03-17 until 1922-08-02)
2:59
10Lonesome Road
double bass:
Milt Hinton (in 1961)
drums (drum set):
Jo Jones (in 1961)
guitar:
Mary Osborne (in 1961)
piano:
Hank Jones (in 1961)
trumpet:
Harold “Shorty” Baker (in 1961)
instrumental recording of:
Lonesome Road (in 1961)
lyricist:
Gene Austin
composer:
Nathaniel Shilkret
publisher:
Campbell Connelly & Co. Ltd., Chappell’s • Sydney, Nathaniel Shilkret Music Corp., Paramount Music Corporation and Spier & Coslow Inc.
4:32
11Some Other Spring
double bass:
Milt Hinton (in 1961)
drums (drum set):
Jo Jones (in 1961)
guitar:
Mary Osborne (in 1961)
piano:
Hank Jones (in 1961)
trumpet:
Harold “Shorty” Baker (in 1961)
instrumental recording of:
Some Other Spring (in 1961)
composer:
Arthur Herzog, Jr. and Irene Kitchings
3:06
12Waycross Walk
double bass:
Milt Hinton (in 1961)
drums (drum set):
Jo Jones (in 1961)
guitar:
Mary Osborne (in 1961)
piano:
Hank Jones (in 1961)
trumpet:
Harold “Shorty” Baker (in 1961)
3:18
13Mack the Knife
double bass:
Milt Hinton (in 1961)
drums (drum set):
Jo Jones (in 1961)
guitar:
Mary Osborne (in 1961)
piano:
Hank Jones (in 1961)
trumpet:
Harold “Shorty” Baker (in 1961)
instrumental recording of:
Mack the Knife (1954 Blitzstein translation) (in 1961)
lyricist:
Bertolt Brecht
composer:
Kurt Weill
translator:
Marc Blitzstein (in 1954)
publisher:
Universal Edition
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
3:12
14'til There Was You
double bass:
Milt Hinton (in 1961)
drums (drum set):
Jo Jones (in 1961)
guitar:
Mary Osborne (in 1961)
piano:
Hank Jones (in 1961)
trumpet:
Harold “Shorty” Baker (in 1961)
instrumental recording of:
Till There Was You (The Music Man) (in 1961)
lyricist and composer:
Meredith Willson (in 1950)
publisher:
Chappell Music Ltd., Frank Music Corp., Meredith Willson Music, Meredith Willson Music LLC, MPL Communications Ltd., MPL UK Publishing and Rinimer Corp.
part of:
The Music Man
2:43
15Avalon
double bass:
Milt Hinton (in 1961)
drums (drum set):
Jo Jones (in 1961)
guitar:
Mary Osborne (in 1961)
piano:
Hank Jones (in 1961)
trumpet:
Harold “Shorty” Baker (in 1961)
instrumental recording of:
Avalon (in 1961)
writer:
B. G. DeSylva, Al Jolson and Vincent Rose
publisher:
Chappell & Co., Inc., Stephen Ballentine Music, Warner Bros. Music and Jerome H. Remick & Co. (on 1920-09-04)
3:07
16Learn to Croon
double bass:
Milt Hinton (in 1961)
drums (drum set):
Jo Jones (in 1961)
guitar:
Mary Osborne (in 1961)
piano:
Hank Jones (in 1961)
trumpet:
Harold “Shorty” Baker (in 1961)
2:15
17Blue You
double bass:
Milt Hinton (in 1961)
drums (drum set):
Jo Jones (in 1961)
guitar:
Mary Osborne (in 1961)
piano:
Hank Jones (in 1961)
trumpet:
Harold “Shorty” Baker (in 1961)
recording of:
Blue Lou
composer:
Irving Mills and Edgar Sampson
4:09
18Indiana
double bass:
Milt Hinton (in 1961)
drums (drum set):
Jo Jones (in 1961)
guitar:
Mary Osborne (in 1961)
piano:
Hank Jones (in 1961)
trumpet:
Harold “Shorty” Baker (in 1961)
instrumental recording of:
Indiana (Back Home Again in Indiana) (in 1961)
lyricist:
Ballard MacDonald (in 1917)
composer:
James F. Hanley (in 1917)
publisher:
B. Feldman & Co. Ltd.
2:56