The Essential Recordings 1925 - 1940

~ Release by Louis Armstrong (see all versions of this release, 2 available)

Tracklist

1▶CD: Heebie Jeebies
2▶CD: West End Blues
3▼CD: Sweethearts on Parade
#TitleLength
1Knockin' a Jug
recording of:
Knockin’ a Jug (on 1929-03-05)
composer:
Louis Armstrong and Eddie Condon
3:27
2I Can't Give You Anything but Love
cover recording of:
I Can’t Give You Anything but Love, Baby (on 1929-03-05)
lyricist:
Dorothy Fields
composer:
Jimmy McHugh
publisher:
Aldi Music Company, Cotton Club Publishing and EMI Mills Music Inc.
sub-publisher:
EMI Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス, コンソーシアム音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (from 2021-07-01 to present)
3:35
3How Do You Do It That Way
3:21
4Ain't Misbehavin'
recorded in:
New York, New York, United States (on 1929-07-19)
alto saxophone:
Bert Curry (on 1929-07-19) and Crawford Wethington (on 1929-07-19)
banjo:
Mancy "Peck" Carr (on 1929-07-19)
drums (drum set):
Zutty Singleton (on 1929-07-19)
piano:
Gene Anderson (on 1929-07-19)
tenor saxophone:
Jimmy Strong (on 1929-07-19)
trombone:
Fred Robinson (on 1929-07-19)
trumpet:
Louis Armstrong (on 1929-07-19) and Homer Hobson (on 1929-07-19)
tuba:
Pete Briggs (on 1929-07-19)
violin:
Carroll Dickerson (on 1929-07-19)
vocals:
Louis Armstrong (on 1929-07-19)
conductor:
Carroll Dickerson (on 1929-07-19)
recording of:
Ain’t Misbehavin’ (on 1929-07-19)
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd., EMI Music, Redwood Music and Redwood Music Ltd.
3:25
5(What Did I Do to Be So) Black and Blue
alto saxophone:
Bert Curry (on 1929-07-22) and Crawford Wethington (on 1929-07-22)
banjo:
Mancy "Peck" Carr (on 1929-07-22)
celesta [celeste]:
Gene Anderson (on 1929-07-22)
drums (drum set):
Zutty Singleton (on 1929-07-22)
tenor saxophone:
Jimmy Strong (on 1929-07-22)
trombone:
Fred Robinson (on 1929-07-22)
trumpet:
Louis Armstrong (on 1929-07-22) and Homer Hobson (on 1929-07-22)
tuba:
Pete Briggs (on 1929-07-22)
violin:
Carroll Dickerson (on 1929-07-22)
vocals:
Louis Armstrong (on 1929-07-22)
conductor:
Carroll Dickerson (on 1929-07-22)
recording of:
Black and Blue (on 1929-07-22)
lyricist:
Harry Brooks and Andy Razaf
composer:
Fats Waller
publisher:
Memory Lane Music Ltd. and Redwood Music Ltd.
3:10
6That Rhythm Man
alto saxophone:
Bert Curry (on 1929-07-22) and Crawford Wethington (on 1929-07-22)
banjo:
Mancy "Peck" Carr (on 1929-07-22)
clarinet:
Jimmy Strong (on 1929-07-22)
drums (drum set):
Zutty Singleton (on 1929-07-22)
piano:
Gene Anderson (on 1929-07-22)
trombone:
Fred Robinson (on 1929-07-22)
trumpet:
Louis Armstrong (on 1929-07-22) and Homer Hobson (on 1929-07-22)
tuba:
Pete Briggs (on 1929-07-22)
violin:
Carroll Dickerson (on 1929-07-22)
vocals:
Louis Armstrong (on 1929-07-22)
orchestra:
Louis Armstrong and His Orchestra (in 1929)
conductor:
Carroll Dickerson (on 1929-07-22)
recording of:
That Rhythm Man (on 1929-07-22)
writer:
Harry Brooks, Andy Razaf and Thomas Waller
3:11
7I Ain't Got Nobody
recorded in:
New York, New York, United States (on 1929-12-10)
alto saxophone:
Charlie Holmes (on 1929-12-10) and Albert Nicholas (on 1929-12-10)
double bass:
George "Pops" Foster (on 1929-12-10)
drums (drum set):
Paul Barbarin (on 1929-12-10)
guitar:
Will Johnson (on 1929-12-10)
piano:
Luis Russell (on 1929-12-10)
tenor saxophone:
Teddy Hill (on 1929-12-10)
trombone:
J.C. Higginbotham (on 1929-12-10)
trumpet:
Henry “Red” Allen (on 1929-12-10), Louis Armstrong (on 1929-12-10) and Otis Johnson (on 1929-12-10)
vocals:
Louis Armstrong (on 1929-12-10)
orchestra:
Louis Armstrong and His Orchestra (in 1929)
recording of:
I Ain’t Got Nobody (on 1929-12-10)
lyricist:
Roger Graham
composer:
Spencer Williams
2:46
8Dallas Blues
recorded in:
New York, New York, United States (on 1929-12-10)
clarinet:
Teddy Hill (on 1929-12-10), Charlie Holmes (on 1929-12-10) and Albert Nicholas (on 1929-12-10)
double bass:
George "Pops" Foster (on 1929-12-10)
drums (drum set):
Paul Barbarin (on 1929-12-10)
guitar:
Will Johnson (on 1929-12-10)
piano:
Luis Russell (on 1929-12-10)
trombone:
J.C. Higginbotham (on 1929-12-10)
trumpet:
Henry “Red” Allen (on 1929-12-10), Louis Armstrong (on 1929-12-10) and Otis Johnson (on 1929-12-10)
vocals:
Louis Armstrong (on 1929-12-10)
recording of:
Dallas Blues (on 1929-12-10)
lyricist and composer:
Lloyd Garrett and Hart Wand
3:17
9St. Louis Blues
recording of:
St. Louis Blues (on 1929-12-13)
lyricist and composer:
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
3:03
10Rockin' Chair
recording of:
Rockin’ Chair (1929 Hoagy Carmichael song) (on 1929-12-13)
lyricist:
Hoagy Carmichael
composer:
Hoagy Carmichael (in 1929)
publisher:
Songs of Peer, Ltd.
3:24
11Bessie Couldn't Help It
recorded in:
New York, New York, United States (on 1930-02-01)
alto saxophone:
Charlie Holmes (on 1930-02-01) and William Thornton Blue (on 1930-02-01)
double bass:
George "Pops" Foster (on 1930-02-01)
drums (drum set):
Paul Barbarin (on 1930-02-01)
guitar:
Will Johnson (on 1930-02-01)
piano:
Luis Russell (on 1930-02-01)
tenor saxophone:
Teddy Hill (on 1930-02-01)
trombone:
J.C. Higginbotham (on 1930-02-01)
trumpet:
Henry “Red” Allen (on 1930-02-01), Louis Armstrong (on 1930-02-01) and Otis Johnson (on 1930-02-01)
vocals:
Louis Armstrong (on 1930-02-01)
orchestra:
Louis Armstrong and His Orchestra (in 1930)
recording of:
Bessie Couldn’t Help It (on 1930-02-01)
writer:
Charles A. Bayha, Jacques Richmond and Byron Warner
3:24
12Dear Old Southland
orchestra:
Louis Armstrong and His Orchestra (on 1930-04-05)
recording of:
Dear Old Southland (jazz standard) (on 1930-04-05)
lyricist:
Henry Creamer (in 1921)
composer:
Turner Layton (in 1921)
publisher:
Mills Music
3:20
13My Sweet
recorded in:
New York, New York, United States (on 1930-04-05)
alto saxophone:
Bobby Holmes (on 1930-04-05) and Ted McCord (on 1930-04-05)
drums (drum set):
Willie Lynch (on 1930-04-05)
guitar:
Bernard Addison (on 1930-04-05)
piano:
Joe Turner (on 1930-04-05) and Buck Washington (on 1930-04-05)
tenor saxophone:
Castor McCord (on 1930-04-05)
trombone:
Henry Hicks (on 1930-04-05)
trumpet:
Ed Anderson (on 1930-04-05) and Louis Armstrong (on 1930-04-05)
tuba:
Lavert Hutchinson (on 1930-04-05)
vibraphone:
Unknown, probably Joe Turner (on 1930-04-05)
vocals:
Louis Armstrong (on 1930-04-05)
recording of:
My Sweet (on 1930-04-05)
lyricist:
Stuart Gorrell
composer:
Hoagy Carmichael
3:23
14I Can't Believe, That You're in Love With Me
recorded in:
New York, New York, United States (on 1930-04-05)
alto saxophone:
Bobby Holmes (on 1930-04-05) and Ted McCord (on 1930-04-05)
drums (drum set):
Willie Lynch (on 1930-04-05)
guitar:
Bernard Addison (on 1930-04-05)
piano:
Joe Turner (on 1930-04-05)
tenor saxophone:
Castor McCord (on 1930-04-05)
trombone:
Henry Hicks (on 1930-04-05)
trumpet:
Ed Anderson (on 1930-04-05) and Louis Armstrong (on 1930-04-05)
tuba:
Lavert Hutchinson (on 1930-04-05)
vocals:
Louis Armstrong (on 1930-04-05)
recording of:
I Can’t Believe That You’re in Love With Me (on 1930-04-05)
lyricist:
Clarence Gaskill
composer:
Jimmy McHugh
publisher:
Mills Music, Inc.
3:11
15Dinah
recorded in:
New York, New York, United States (on 1930-05-04)
alto saxophone:
Bobby Holmes (on 1930-05-04) and Ted McCord (on 1930-05-04)
drums (drum set):
Willie Lynch (on 1930-05-04)
guitar:
Bernard Addison (on 1930-05-04)
piano:
Joe Turner (on 1930-05-04)
tenor saxophone:
Castor McCord (on 1930-05-04)
trombone:
Henry Hicks (on 1930-05-04)
trumpet:
Ed Anderson (on 1930-05-04) and Louis Armstrong (on 1930-05-04)
tuba:
Lavert Hutchinson (on 1930-05-04)
vocals:
Louis Armstrong (on 1930-05-04)
recording of:
Dinah (on 1930-05-04)
lyricist:
Sam M. Lewis and Joe Young
composer:
Harry Akst
publisher:
B & G Akst Publishing Co., EMI Mills Music Inc. and Morley Music Corp.
part of:
The Girl’s Suite
3:20
16I'm a Ding Dong Daddy
recording of:
I'm a Ding Dong Daddy (on 1930-07-21)
writer:
Phil Baxter
3:09
17I'm in the Market for You
recording of:
I’m in the Market for You (on 1930-07-21)
lyricist:
Joseph McCarthy
composer:
James F. Hanley
3:15
18I'm Confessin' (That I Love You)
recorded in:
Los Angeles, California, United States (on 1930-08-19)
alto saxophone:
Leon Herriford (on 1930-08-19) and Willie Stark (on 1930-08-19)
drums (drum set):
Lionel Hampton (on 1930-08-19)
piano:
Harvey Brooks (on 1930-08-19)
steel guitar:
Ceele Burke (on 1930-08-19)
tenor saxophone:
William Franz (on 1930-08-19)
trombone:
Lawrence Brown (on 1930-08-19)
trumpet:
Louis Armstrong (on 1930-08-19) and Leon Elkins (on 1930-08-19)
tuba:
Reggie Jones (on 1930-08-19)
recording of:
I’m Confessin’ (That I Love You) (on 1930-08-19)
lyricist:
Al J. Neiburg (in 1930)
composer:
Doc Daugherty (in 1930) and Ellis Reynolds (in 1930)
publisher:
Bourne Music Ltd.
version of:
Lookin’ for Another Sweetie
3:24
19If I Could Be With You One Hour Tonight
recorded in:
Los Angeles, California, United States (on 1930-08-19)
alto saxophone:
Leon Herriford (on 1930-08-19) and Willie Stark (on 1930-08-19)
banjo:
Ceele Burke (on 1930-08-19)
drums (drum set):
Lionel Hampton (on 1930-08-19)
piano:
Harvey Brooks (on 1930-08-19)
tenor saxophone:
William Franz (on 1930-08-19)
trombone:
Lawrence Brown (on 1930-08-19)
trumpet:
Louis Armstrong (on 1930-08-19) and Leon Elkins (on 1930-08-19)
tuba:
Reggie Jones (on 1930-08-19)
recording of:
If I Could Be With You (One Hour Tonight) (on 1930-08-19)
lyricist:
Henry Creamer (in 1926)
composer:
James P. Johnson (in 1926)
3:38
20Body and Soul
recording of:
Body and Soul (on 1930-10-09)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc., WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
3:20
21Memories of You
recorded in:
Los Angeles, California, United States (on 1930-10-16)
alto saxophone:
Les Hite (on 1930-10-16) and Marvin Johnson (on 1930-10-16)
clarinet and tenor saxophone:
Charlie Jones (on 1930-10-16)
double bass:
Joe Bailey (on 1930-10-16)
drums (drum set) and vibraphone:
Lionel Hampton (on 1930-10-16)
guitar:
Bill Perkins (on 1930-10-16)
piano:
Harvey Brooks (on 1930-10-16) and Henry Prince (on 1930-10-16)
trombone:
Luther Craven (on 1930-10-16)
trumpet:
Louis Armstrong (on 1930-10-16), George Orendorff (on 1930-10-16) and Harold Scott (on 1930-10-16)
vocals:
Louis Armstrong (on 1930-10-16)
conductor:
Les Hite (on 1930-10-16)
recording of:
Memories of You (on 1930-10-16)
lyricist:
Andy Razaf (in 1930)
composer:
Eubie Blake (in 1930)
publisher:
Shapiro, Bernstein & Co., Inc.
3:12
22Your Lucky to Me
recorded in:
Los Angeles, California, United States (on 1930-10-16)
alto saxophone:
Marvin Johnson (on 1930-10-16)
baritone saxophone:
Les Hite (on 1930-10-16)
clarinet and tenor saxophone:
Charlie Jones (on 1930-10-16)
double bass:
Joe Bailey (on 1930-10-16)
drums (drum set):
Lionel Hampton (on 1930-10-16)
guitar:
Bill Perkins (on 1930-10-16)
piano:
Harvey Brooks (on 1930-10-16) and Henry Prince (on 1930-10-16)
trombone:
Luther Craven (on 1930-10-16)
trumpet:
Louis Armstrong (on 1930-10-16), George Orendorff (on 1930-10-16) and Harold Scott (on 1930-10-16)
vocals:
Louis Armstrong (on 1930-10-16)
conductor:
Les Hite (on 1930-10-16)
recording of:
You’re Lucky to Me (on 1930-10-16)
lyricist:
Andy Razaf
composer:
Eubie Blake
3:26
23Sweethearts on Parade
recording of:
Sweethearts on Parade (on 1930-12-23)
lyricist:
Charles Newman (in 1928)
composer:
Carmen Lombardo (in 1928)
3:15
4▶CD: Swing That Music