| # | Title | Artist | Length |
|---|
| 1 | Mass in B minor BWV 232: I. Kyrie: Kyrie eleison | Johann Sebastian Bach | 9:28 |
| 2 | Mass in B minor BWV 232: II. Kyrie: Christe eleison | Johann Sebastian Bach | 4:52 |
| 3 | Mass in B minor BWV 232: III. Kyrie: Kyrie eleison | Johann Sebastian Bach | 3:32 |
| 4 | Mass in B minor BWV 232: IV. Gloria: Gloria in excelsis (attacca) | Johann Sebastian Bach | 1:43 |
| 5 | Mass in B minor BWV 232: V. Gloria: Et in terra pax | Johann Sebastian Bach | 4:05 |
| 6 | Mass in B minor BWV 232: VI. Gloria: Laudamus te | Johann Sebastian Bach | 3:53 |
| 7 | Mass in B minor BWV 232: VII. Gloria: Gratias agimus tibi- recording engineer:
- Klaus Behrens
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer:
- Dr. Steven Paul
- editor:
- Klaus Behrens and Gregor Zielinsky
- choir vocals:
- Monteverdi Choir (in 1985-02)
- orchestra:
- English Baroque Soloists (in 1985-02)
- conductor:
- John Eliot Gardiner (in 1985-02)
- balance engineer:
- Karl-August Naegler
- phonographic copyright (℗) by:
- Polydor (in 1985)
- recorded at:
- All Saints Church in London, England, United Kingdom (in 1985-02)
- recording of:
- h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (in 1985-02)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | 3:03 |
| 8 | Mass in B minor BWV 232: VIII. Gloria: Domine Deus (attacca) | Johann Sebastian Bach | 5:18 |
| 9 | Mass in B minor BWV 232: IX. Gloria: Qui tollis peccata mundi | Johann Sebastian Bach | 3:19 |
| 10 | Mass in B minor BWV 232: X. Gloria: Qui sedes ad dextram Patris | Johann Sebastian Bach | 4:23 |
| 11 | Mass in B minor BWV 232: XI. Gloria: Quoniam tu solus sanctus (attacca) | Johann Sebastian Bach | 4:24 |
| 12 | Mass in B minor BWV 232: XII. Gloria: Cum Sancto Spiritu | Johann Sebastian Bach | 3:49 |