| # | Title | Length |
|---|
| A1 | Peggy Sue- producer:
- Norman Petty
- bass:
- Joe B. Mauldin (on 1957-07-01)
- drums (drum set):
- Jerry Allison (on 1957-07-01)
- guitar:
- Buddy Holly (on 1957-07-01) and Niki Sullivan (on 1957-07-01)
- vocals:
- Buddy Holly (on 1957-07-01)
- phonographic copyright (℗) by:
- Geffen Records (in 1957) and MCA Records, Inc. (in 1957)
- recorded at:
- Norman Petty Studios in Clovis, New Mexico, United States (on 1957-07-01)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 5), Rolling Stone: 500 Greatest Songs of All Time (number: 194) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 370)
- recording of:
- Peggy Sue (from 1957-06-29 until 1957-07-01)
- writer:
- Jerry Allison, Buddy Holly and Norman Petty
- publisher:
- Copyright Control, McCartney Music, Melody Lane Publications Inc., MPL Communications Inc., Peermusic (UK) Limited, Southern Music and Wren Music Co.
| 2:32 |
| A2 | Everyday | 2:07 |
| A3 | That’ll Be the Day- producer:
- Norman Petty
- double bass:
- Larry Welborn (on 1957-02-25)
- drums (drum set):
- Jerry Allison (on 1957-02-25)
- guitar [lead guitar] and lead vocals:
- Buddy Holly (on 1957-02-25)
- guitar [rhythm guitar]:
- Buddy Holly (on 1957-02-25) and Niki Sullivan (on 1957-02-25)
- background vocals:
- June Clark (on 1957-02-25), Niki Sullivan (on 1957-02-25), Gary Tollett (on 1957-02-25) and Ramona Tollett (on 1957-02-25)
- spoken vocals [dialogue]:
- Wolfman Jack
- phonographic copyright (℗) by:
- Geffen Records (in 1957) and MCA Records, Inc. (in 1957)
- recorded at:
- Norman Petty Studios in Clovis, New Mexico, United States (on 1957-02-25)
- recording of:
- That’ll Be the Day (on 1957-02-25)
- writer:
- Jerry Allison, Buddy Holly and Norman Petty
- publisher:
- MPL Communications Inc., Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music, Wren Music Co. and MPL Communications (in 1976)
| 2:17 |
| A4 | Heartbeat | 2:14 |
| A5 | Oh Boy- producer:
- Norman Petty
- bass:
- Joe B. Mauldin (on 1957-07-01)
- drums (drum set):
- Jerry Allison (on 1957-07-01)
- guitar:
- Buddy Holly (on 1957-07-01)
- background vocals:
- Bob Lapham (on 1957-08-18), Bill Pickering (on 1957-08-18) and John Pickering (on 1957-08-18)
- lead vocals:
- Buddy Holly (from 1957-06-29 until 1957-07)
- vocals:
- Buddy Holly (on 1957-07-01)
- phonographic copyright (℗) by:
- Geffen Records (in 1957) and MCA Records, Inc. (in 1957)
- recorded at:
- Norman Petty Studios in Clovis, New Mexico, United States (on 1957-07-01, on 1957-08-18)
- recording of:
- Oh, Boy! (from 1957-07-01 until 1957-08-18)
- writer:
- Norman Petty, Bill Tilghman and Sonny West
- publisher:
- Melody Lane Publications Inc., Southern Music, Southern Music Publishing Co., Inc. and Wren Music Co.
| 2:10 |
| A6 | Tell Me How | 1:58 |
| A7 | True Love Ways- producer:
- Dick Jacobs
- bass guitar:
- Sanford Bloch (on 1958-10-21)
- drums (drum set):
- Cliff Leeman (on 1958-10-21)
- guitar:
- Al Caiola (on 1958-10-21)
- harp:
- Doris Johnson (on 1958-10-21)
- piano:
- Ernest Hayes (on 1958-10-21)
- tenor saxophone:
- Abraham “Boomie” Richman (on 1958-10-21)
- violin:
- Herbert Bourne (on 1958-10-21), Ray Free (on 1958-10-21), Julius Held (on 1958-10-21), Leo Kruczek (on 1958-10-21), Leonard Posner (on 1958-10-21), Sylvia Shulman (on 1958-10-21), Irving Spice (on 1958-10-21) and Paul Winter (on 1958-10-21)
- vocals:
- Buddy Holly (on 1958-10-21)
- orchestra:
- Dick Jacobs & His Orchestra (on 1958-10-21)
- conductor:
- Dick Jacobs (on 1958-10-21)
- phonographic copyright (℗) by:
- Geffen Records (in 1960) and MCA Records, Inc. (in 1960)
- recorded at:
- Pythian Temple in Lincoln Square, New York, New York, United States (on 1958-10-21)
- recording of:
- True Love Ways (on 1958-10-21)
- writer:
- Buddy Holly and Norman Petty
- publisher:
- McCartney Music, Melody Lane Publications Inc., Peermusic (UK) Ltd. and Southern Music Publishing Co., Inc.
| 2:51 |
| A8 | Love’s Made a Fool of You | 2:02 |
| B1 | Rave On- recorded in:
- New York, New York, United States (on 1958-01-25)
- producer:
- Milton DeLugg, Norman Petty and Bob Thiele
- bass:
- Joe B. Mauldin (on 1958-01-25, on 1958-01-26)
- drums (drum set):
- Jerry Allison (on 1958-01-25, on 1958-01-26)
- guitar:
- Donald Amone (on 1958-01-25), Al Caiola (on 1958-01-25) and Buddy Holly (on 1958-01-26)
- piano:
- Norman Petty (on 1958-01-25, on 1958-01-26)
- background vocals:
- Robert Bollinger (on 1958-01-25), Robert Harter (on 1958-01-25), Abby Hoffer (on 1958-01-25), William Marine (on 1958-01-25) and Merril Ostrus (on 1958-01-25)
- vocals:
- Buddy Holly (on 1958-01-25, on 1958-01-26)
- phonographic copyright (℗) by:
- Geffen Records (in 1958) and MCA Records, Inc. (in 1958)
- recorded at:
- Bell Sound Studios in New York, New York, United States (on 1958-01-26)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 154)
- cover recording of:
- Rave On (on 1958-01-26)
- writer:
- Norman Petty, Bill Tilghman and Sonny West
- publisher:
- Melody Lane Publications Inc., Nor-Va-Jak Music, Southern Music and Wren Music Co.
| 1:51 |
| B2 | It’s So Easy | 2:12 |
| B3 | I’m Gonna Love You Too | 2:15 |
| B4 | Not Fade Away- producer:
- Norman Petty
- bass:
- Joe B. Mauldin (on 1957-05-27)
- double bass:
- Joe B. Mauldin (on 1957-05-29)
- drums (drum set):
- Jerry Allison (on 1957-05-27, on 1957-05-29)
- guitar:
- Buddy Holly (on 1957-05-27)
- guitar [lead guitar], guitar [rhythm guitar] and lead vocals:
- Buddy Holly (on 1957-05-29)
- background vocals:
- Jerry Allison (on 1957-05-29), Buddy Holly (on 1957-05-29) and Niki Sullivan (on 1957-05-29)
- vocals:
- Buddy Holly (on 1957-05-27)
- phonographic copyright (℗) by:
- Geffen Records (in 1957)
- recorded at:
- Norman Petty Studios in Clovis, New Mexico, United States (on 1957-05-27)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 107)
- recording of:
- Not Fade Away (on 1957-05-27)
- writer:
- Charles Hardin Holley, Charles Hardin and Norman Petty
- publisher:
- McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications, MPL Communications Inc., Peermusic (Germany) GmbH, Peermusic (UK) Limited and Wren Music
- recording of:
- Not Fade Away (on 1957-05-29)
- writer:
- Charles Hardin Holley, Charles Hardin and Norman Petty
- publisher:
- McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications, MPL Communications Inc., Peermusic (Germany) GmbH, Peermusic (UK) Limited and Wren Music
| 2:23 |
| B5 | Well…All Right | 2:15 |
| B6 | Listen to Me | 2:22 |
| B7 | It Doesn’t Matter Anymore- producer:
- Dick Jacobs and Norman Petty
- bass guitar:
- Sanford Bloch (on 1958-10-21)
- cello:
- Maurice Bialkin (on 1958-10-21) and Maurice Brown (on 1958-10-21)
- drums (drum set):
- Cliff Leeman (on 1958-10-21)
- guitar:
- Al Caiola (on 1958-10-21)
- harp:
- Doris Johnson (on 1958-10-21)
- piano:
- Ernest Hayes (on 1958-10-21)
- tenor saxophone:
- Abraham “Boomie” Richman (on 1958-10-21)
- viola:
- Howard Kay (on 1958-10-21) and David Schwartz (on 1958-10-21)
- violin:
- Herbert Bourne (on 1958-10-21), Ray Free (on 1958-10-21), Julius Held (on 1958-10-21), Leo Kruczek (on 1958-10-21), Leonard Posner (on 1958-10-21), Sylvia Shulman (on 1958-10-21), Irving Spice (on 1958-10-21) and Paul Winter (on 1958-10-21)
- vocals:
- Buddy Holly (on 1958-10-21)
- orchestra:
- Dick Jacobs & His Orchestra (on 1958-10-21)
- conductor:
- Dick Jacobs (on 1958-10-21)
- phonographic copyright (℗) by:
- Geffen Records (in 1959) and MCA Records, Inc. (in 1959)
- recorded at:
- Pythian Temple in Lincoln Square, New York, New York, United States (on 1958-10-21)
- recording of:
- It Doesn’t Matter Anymore (on 1958-10-21)
- lyricist and composer:
- Paul Anka
- publisher:
- Copyright Control, EMI Music Publishing Ltd. and Robert Mellin Ltd.
| 2:06 |
| B8 | Brown Eyed Handsome Man | 2:06 |
