Un ballo in maschera

~ Release by Giuseppe Verdi; Giuseppe di Stefano, Tito Gobbi, Maria Meneghini Callas, Fedora Barbieri, Eugenia Ratti, Ezio Giordano, Silvio Maionica, Nicola Zaccaria, Renato Ercolani, Antonino Votto, Norberto Mola, L'Ente Autonomo del Teatro alla Scala (see all versions of this release, 3 available)

Tracklist

1▶CD: Act 1 · Act 2 beginning
2▼CD: Act 2 conclusion · Act 3
#TitleArtistLength
1Un ballo in maschera: Atto II. “Ahimè! s’appressa alcun”
producer:
Walter Jellinek
baritone vocals [Renato]:
Tito Gobbi (from 1956-09-04 until 1956-09-09)
soprano vocals [Amelia]:
Maria Callas (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto II. Nº 14a. Scena "Ahimè! S'appressa alcun!" (Amelia, Riccardo, Renato) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi2:13
2Un ballo in maschera: Atto II. “Amico, gelosa t’affido una cura”
producer:
Walter Jellinek
baritone vocals [Renato]:
Tito Gobbi (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto II. Nº 14c. "Amico, gelosa t'affido una cura" (Riccardo, Renato) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi0:55
3Un ballo in maschera: Atto II. “Odi tu come fremono cupi”
producer:
Walter Jellinek
baritone vocals [Renato]:
Tito Gobbi (from 1956-09-04 until 1956-09-09)
soprano vocals [Amelia]:
Maria Callas (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto II. Nº 14d. Cabaletta "Odi tu come fremono cupi" (Amelia, Renato, Riccardo) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi1:57
4Un ballo in maschera: Atto II. “Seguitemi”
producer:
Walter Jellinek
baritone vocals [Renato]:
Tito Gobbi (from 1956-09-04 until 1956-09-09)
bass vocals [Samuel]:
Silvio Maionica (from 1956-09-04 until 1956-09-09)
bass vocals [Tom]:
Nicola Zaccaria (from 1956-09-04 until 1956-09-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
soprano vocals [Amelia]:
Maria Callas (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (from 1956-09-04 until 1956-09-09)
chorus master:
Norberto Mola (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto II. Nº 15a. Scena "Seguitemi - Mio Dio!" (Renato, Amelia) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi2:39
5Un ballo in maschera: Atto II. “Ve’, se di notte qui colla sposa”
producer:
Walter Jellinek
baritone vocals [Renato]:
Tito Gobbi (from 1956-09-04 until 1956-09-09)
bass vocals [Samuel]:
Silvio Maionica (from 1956-09-04 until 1956-09-09)
bass vocals [Tom]:
Nicola Zaccaria (from 1956-09-04 until 1956-09-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
soprano vocals [Amelia]:
Maria Callas (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (from 1956-09-04 until 1956-09-09)
chorus master:
Norberto Mola (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto II. Nº 15c. Quartetto "Ve', se di notte qui colla sposa" (Samuel, Tom, Renato, Amelia, Coro) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi5:07
6Un ballo in maschera: Atto III, scena 1. “A tal colpa è nulla il pianto”
producer:
Walter Jellinek
baritone vocals [Renato]:
Tito Gobbi (from 1956-09-04 until 1956-09-09)
soprano vocals [Amelia]:
Maria Callas (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 16a. Scena "A tal colpa è nulla il pianto" (Renato, Amelia) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi2:19
7Un ballo in maschera: Atto III, scena 1. “Morró, ma prima in grazia”
producer:
Walter Jellinek
soprano vocals [Amelia]:
Maria Callas (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 16b. Aria "Morrò, ma prima in grazia" (Amelia) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi4:32
8Un ballo in maschera: Atto III, scena 1. “Alzati! là tuo figlio”
producer:
Walter Jellinek
baritone vocals [Renato]:
Tito Gobbi (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 17a. Scena “Alzati! Là, tuo figlio” (Renato) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi1:53
9Un ballo in maschera: Atto III, scena 1. “Eri tu che macchiavi quell’anima… O dolcezze perdute! O memorie”
producer:
Walter Jellinek
baritone vocals [Renato]:
Tito Gobbi (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 17b. Aria “Eri tu che macchiavi quell'anima” (Renato) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi4:18
10Un ballo in maschera: Atto III, scena 1. “Siam soli. Udite”
producer:
Walter Jellinek
baritone vocals [Renato]:
Tito Gobbi (from 1956-09-04 until 1956-09-09)
bass vocals [Samuel]:
Silvio Maionica (from 1956-09-04 until 1956-09-09)
bass vocals [Tom]:
Nicola Zaccaria (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 18a Scena “Siam soli. Udite” (Renato, Tom, Samuel) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi2:37
11Un ballo in maschera: Atto III, scena 1. “Dunque l’onta di tutti sol una”
producer:
Walter Jellinek
baritone vocals [Renato]:
Tito Gobbi (from 1956-09-04 until 1956-09-09)
bass vocals [Samuel]:
Silvio Maionica (from 1956-09-04 until 1956-09-09)
bass vocals [Tom]:
Nicola Zaccaria (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 18b. Terzetto “Dunque l'onta di tutti sol una” (Renato, Tom, Samuel) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi0:55
12Un ballo in maschera: Atto III, scena 1. “D’una grazia vi supplico”
producer:
Walter Jellinek
baritone vocals [Renato]:
Tito Gobbi (from 1956-09-04 until 1956-09-09)
bass vocals [Samuel]:
Silvio Maionica (from 1956-09-04 until 1956-09-09)
bass vocals [Tom]:
Nicola Zaccaria (from 1956-09-04 until 1956-09-09)
soprano vocals [Amelia]:
Maria Callas (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 19a. “D'una grazia vi supplico” (Renato, Tom, Samuel, Amelia) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi3:58
13Un ballo in maschera: Atto III, scena 1. “Qual è dunque l’eletto?” / “Ah! del Conte la morte si vuole!”
producer:
Walter Jellinek
baritone vocals [Renato]:
Tito Gobbi (from 1956-09-04 until 1956-09-09)
bass vocals [Samuel]:
Silvio Maionica (from 1956-09-04 until 1956-09-09)
bass vocals [Tom]:
Nicola Zaccaria (from 1956-09-04 until 1956-09-09)
soprano vocals [Amelia]:
Maria Callas (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 19b. “Qual e dunque l'eletto … Ah! Del Conte la morte si vuole!” (Renato, Samuel, Tom, Amelia) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi1:21
14Un ballo in maschera: Atto III, scena 1. “Il messaggio entri”
producer:
Walter Jellinek
baritone vocals [Renato]:
Tito Gobbi (from 1956-09-04 until 1956-09-09)
bass vocals [Samuel]:
Silvio Maionica (from 1956-09-04 until 1956-09-09)
bass vocals [Tom]:
Nicola Zaccaria (from 1956-09-04 until 1956-09-09)
soprano vocals [Amelia]:
Maria Callas (from 1956-09-04 until 1956-09-09)
soprano vocals [Oscar]:
Eugenia Ratti (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 20a. Scena “Il messaggio entri” (Renato, Oscar, Amelia, Samuel, Tom) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi1:06
15Un ballo in maschera: Atto III, scena 1. “Ah! Di che fulgor, che musiche”
producer:
Walter Jellinek
baritone vocals [Renato]:
Tito Gobbi (from 1956-09-04 until 1956-09-09)
bass vocals [Samuel]:
Silvio Maionica (from 1956-09-04 until 1956-09-09)
bass vocals [Tom]:
Nicola Zaccaria (from 1956-09-04 until 1956-09-09)
soprano vocals [Amelia]:
Maria Callas (from 1956-09-04 until 1956-09-09)
soprano vocals [Oscar]:
Eugenia Ratti (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 20b. Quintetto "Ah! Di che fulgor, che musiche" (Oscar, Amelia, Renato, Samuel, Tom) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi2:44
16Un ballo in maschera: Atto III, scena 2. “Forse la soglia attinse”
producer:
Walter Jellinek
tenor vocals [Riccardo]:
Giuseppe Di Stefano (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 21a. Scena “Forse la soglia attinse” (Riccardo) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi2:38
17Un ballo in maschera: Atto III, scena 2. “Ma se m’è forza perderti”
producer:
Walter Jellinek
tenor vocals [Riccardo]:
Giuseppe Di Stefano (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 21b. Romanza “Ma se m'è forza perderti” (Riccardo) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi2:45
18Un ballo in maschera: Atto III, scena 2. “Ah! dessa è là”
producer:
Walter Jellinek
soprano vocals [Oscar]:
Eugenia Ratti (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 22a. Festa da ballo “Ah! dessa è là …” (Riccardo, Oscar) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi1:38
19Un ballo in maschera: Atto III, scena 2. “Fervono amori e danze”
producer:
Walter Jellinek
baritone vocals [Renato]:
Tito Gobbi (from 1956-09-04 until 1956-09-09)
bass vocals [Samuel]:
Silvio Maionica (from 1956-09-04 until 1956-09-09)
bass vocals [Tom]:
Nicola Zaccaria (from 1956-09-04 until 1956-09-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
soprano vocals [Oscar]:
Eugenia Ratti (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (from 1956-09-04 until 1956-09-09)
chorus master:
Norberto Mola (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 22b. Coro “Fervono amori e danze” (1) (Coro, Samuel, Tom, Renato) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi
part of:
Un ballo in maschera: Atto III
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 24a. Coro “Fervono amori e danze” (2) (Coro, Renato, Oscar) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi2:09
20Un ballo in maschera: Atto III, scena 2. “Saper vorreste di che si veste”
producer:
Walter Jellinek
soprano vocals [Oscar]:
Eugenia Ratti (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 23b. Canzone “Saper vorreste di che si veste” (Oscar) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi2:02
21Un ballo in maschera: Atto III, scena 2. “Fervono amori e danze”
producer:
Walter Jellinek
baritone vocals [Renato]:
Tito Gobbi (from 1956-09-04 until 1956-09-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
soprano vocals [Oscar]:
Eugenia Ratti (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (from 1956-09-04 until 1956-09-09)
chorus master:
Norberto Mola (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 24a. Coro “Fervono amori e danze” (2) (Coro, Renato, Oscar) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi1:29
22Un ballo in maschera: Atto III, scena 2. “Ah! perché qui! fuggite”
producer:
Walter Jellinek
choir vocals:
Coro del Teatro alla Scala di Milano (in 1956)
soprano vocals [Amelia]:
Maria Callas (in 1956)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (in 1956)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1956)
conductor:
Antonino Votto (in 1956)
chorus master:
Norberto Mola (in 1956)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 24c. Scena "Ah! Perché qui? Fuggite … ” (Amelia, Riccardo, Renato, Oscar, coro) (in 1956)
composer:
Giuseppe Verdi
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi4:39
23Un ballo in maschera: Atto III, scena 2. “E tu ricevi il mio!”
producer:
Walter Jellinek
baritone vocals [Renato]:
Tito Gobbi (from 1956-09-04 until 1956-09-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
soprano vocals [Amelia]:
Maria Callas (from 1956-09-04 until 1956-09-09)
soprano vocals [Oscar]:
Eugenia Ratti (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 24e “E tu ricevi il mio!” (Renato, Riccardo, Amelia, Oscar, coro) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi1:15
24Un ballo in maschera: Atto III, scena 2. “Ella è pura: in braccio a morte”
producer:
Walter Jellinek
baritone vocals [Renato]:
Tito Gobbi (from 1956-09-04 until 1956-09-09)
bass vocals [Samuel]:
Silvio Maionica (from 1956-09-04 until 1956-09-09)
bass vocals [Tom]:
Nicola Zaccaria (from 1956-09-04 until 1956-09-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
soprano vocals [Amelia]:
Maria Callas (from 1956-09-04 until 1956-09-09)
soprano vocals [Oscar]:
Eugenia Ratti (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (from 1956-09-04 until 1956-09-09)
chorus master:
Norberto Mola (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 24f. Finale “Ella è pura; in braccio a morte” (Riccardo, Amelia, Oscar, Renato, Samuel, Tom, coro) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi4:42