King Arthur / Music for Queen Mary / Hail! Bright Cecilia / Timon of Athens / Dioclesian / The Indian Queen / The Tempest

~ Release by Purcell; John Eliot Gardiner (see all versions of this release, 1 available)

Tracklist

1▶CD: King Arthur: Act I–III
2▶CD: King Arthur: Act IV–V
3▼CD: Come, ye Sons of Art (Ode for the Birthday of Queen Mary, 1694) (1–9) / Music for the Funeral of Queen Mary (1695) (10–16)
#TitleArtistLength
1Birthday Ode for Queen Mary “Come Ye Sons of Art Away”, Z. 323: Ouverture
sound engineer:
Peter Willemoës
producer:
Michel Garcin
editor:
Françoise Garcin
bass vocals:
Sir Thomas Allen (in 1976-02)
choir vocals:
Monteverdi Choir (in 1976-02)
countertenor vocals:
Charles Brett (in 1976-02) and John Williams (in 1976-02)
soprano vocals:
Felicity Lott (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden, London, England, United Kingdom (in 1976-02)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: I. Ouverture (in 1976-02)
composer:
Henry Purcell (in 1694)
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell4:11
2Birthday Ode for Queen Mary “Come Ye Sons of Art Away”, Z. 323: Come, ye sons of Art, come away
sound engineer:
Peter Willemoës
producer:
Michel Garcin
editor:
Françoise Garcin
brass:
Equale Brass Ensemble (in 1976-02)
choir vocals:
Monteverdi Choir (in 1976-02)
orchestra:
Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden, London, England, United Kingdom (in 1976-02)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: II. Come, ye sons of Art, come away (in 1976-02)
composer:
Henry Purcell (in 1694)
librettist:
Nahum Tate
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell2:00
3Birthday Ode for Queen Mary “Come Ye Sons of Art Away”, Z. 323: Sound the trumpet
sound engineer:
Peter Willemoës
producer:
Michel Garcin
editor:
Françoise Garcin
brass:
Equale Brass Ensemble (in 1976-02)
choir vocals:
Monteverdi Choir (in 1976-02)
orchestra:
Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden, London, England, United Kingdom (in 1976-02)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: III. Sound the Trumpet (in 1976-02)
composer:
Henry Purcell (in 1694)
librettist:
Nahum Tate
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell2:28
4Birthday Ode for Queen Mary “Come Ye Sons of Art Away”, Z. 323: Come, ye sons of Art, come away
sound engineer:
Peter Willemoës
producer:
Michel Garcin
editor:
Françoise Garcin
brass:
Equale Brass Ensemble (in 1976-02)
choir vocals:
Monteverdi Choir (in 1976-02)
orchestra:
Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden, London, England, United Kingdom (in 1976-02)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: IV. Come, ye sons of Art, come away (in 1976-02)
composer:
Henry Purcell (in 1694)
librettist:
Nahum Tate
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell1:23
5Birthday Ode for Queen Mary “Come Ye Sons of Art Away”, Z. 323: Strike the viol
sound engineer:
Peter Willemoës
producer:
Michel Garcin
editor:
Françoise Garcin
bass vocals:
Sir Thomas Allen (in 1976-02)
choir vocals:
Monteverdi Choir (in 1976-02)
countertenor vocals:
Charles Brett (in 1976-02) and John Williams (in 1976-02)
soprano vocals:
Felicity Lott (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden, London, England, United Kingdom (in 1976-02)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: V. Strike the viol (in 1976-02)
lyricist and librettist:
Nahum Tate
composer:
Henry Purcell (in 1694)
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell4:46
6Birthday Ode for Queen Mary “Come Ye Sons of Art Away”, Z. 323: The day that such a blessing
sound engineer:
Peter Willemoës
producer:
Michel Garcin
editor:
Françoise Garcin
bass vocals:
Sir Thomas Allen (in 1976-02)
choir vocals:
Monteverdi Choir (in 1976-02)
countertenor vocals:
Charles Brett (in 1976-02) and John Williams (in 1976-02)
soprano vocals:
Felicity Lott (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden, London, England, United Kingdom (in 1976-02)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: VI. The day that such a blessing (in 1976-02)
composer:
Henry Purcell (in 1694)
librettist:
Nahum Tate
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell2:36
7Birthday Ode for Queen Mary “Come Ye Sons of Art Away”, Z. 323: Bid the Virtues
sound engineer:
Peter Willemoës
producer:
Michel Garcin
editor:
Françoise Garcin
bass vocals:
Sir Thomas Allen (in 1976-02)
choir vocals:
Monteverdi Choir (in 1976-02)
countertenor vocals:
Charles Brett (in 1976-02) and John Williams (in 1976-02)
soprano vocals:
Felicity Lott (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden, London, England, United Kingdom (in 1976-02)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: VII. Bid the Virtues (in 1976-02)
composer:
Henry Purcell (in 1694)
librettist:
Nahum Tate
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell3:32
8Birthday Ode for Queen Mary “Come Ye Sons of Art Away”, Z. 323: These, are the sacred charms
sound engineer:
Peter Willemoës
producer:
Michel Garcin
editor:
Françoise Garcin
bass vocals:
Sir Thomas Allen (in 1976-02)
choir vocals:
Monteverdi Choir (in 1976-02)
countertenor vocals:
Charles Brett (in 1976-02) and John Williams (in 1976-02)
soprano vocals:
Felicity Lott (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden, London, England, United Kingdom (in 1976-02)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: VIII. These, are the sacred charms (in 1976-02)
composer:
Henry Purcell (in 1694)
librettist:
Nahum Tate
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell1:41
9Birthday Ode for Queen Mary “Come Ye Sons of Art Away”, Z. 323: See Nature, rejoicing
sound engineer:
Peter Willemoës
producer:
Michel Garcin
editor:
Françoise Garcin
bass vocals:
Sir Thomas Allen (in 1976-02)
choir vocals:
Monteverdi Choir (in 1976-02)
countertenor vocals:
Charles Brett (in 1976-02) and John Williams (in 1976-02)
soprano vocals:
Felicity Lott (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden, London, England, United Kingdom (in 1976-02)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: IX. See Nature, rejoicing (in 1976-02)
composer:
Henry Purcell (in 1694)
librettist:
Nahum Tate
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell3:00
10Music for the Funeral of Queen Mary, Z.860: March
sound engineer:
Peter Willemoës
producer:
Michel Garcin
editor:
Françoise Garcin
bass vocals:
Sir Thomas Allen (in 1976-02)
choir vocals:
Monteverdi Choir (in 1976-02)
countertenor vocals:
Charles Brett (in 1976-02) and John Williams (in 1976-02)
soprano vocals:
Felicity Lott (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden, London, England, United Kingdom (in 1976-02)
recording of:
Funeral Music on the Death of Queen Mary: I. March, Z. 860 (in 1976-02)
composer:
Henry Purcell
part of:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell2:17
11Funeral Sentences for the Funeral of Queen Mary, Z.27 no. 1: Man that is born
sound engineer:
Peter Willemoës
producer:
Michel Garcin
editor:
Françoise Garcin
bass vocals:
Sir Thomas Allen (in 1976-02)
choir vocals:
Monteverdi Choir (in 1976-02)
countertenor vocals:
Charles Brett (in 1976-02) and John Williams (in 1976-02)
soprano vocals:
Felicity Lott (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden, London, England, United Kingdom (in 1976-02)
recording of:
Funeral Music on the Death of Queen Mary: II. Anthem, Z. 27 “Man that is born of a woman" (in 1976-02)
composer:
Henry Purcell
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 27)
part of:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell3:49
12Music for the Funeral of Queen Mary, Z.860: Canzona
sound engineer:
Peter Willemoës
producer:
Michel Garcin
editor:
Françoise Garcin
bass vocals:
Sir Thomas Allen (in 1976-02)
choir vocals:
Monteverdi Choir (in 1976-02)
countertenor vocals:
Charles Brett (in 1976-02) and John Williams (in 1976-02)
soprano vocals:
Felicity Lott (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden, London, England, United Kingdom (in 1976-02)
recording of:
Funeral Music on the Death of Queen Mary: III. Canzona, Z. 860 (in 1976-02)
composer:
Henry Purcell
part of:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell1:44
13Funeral Sentences for the Funeral of Queen Mary, Z.27 no. 2: In the midst of life
sound engineer:
Peter Willemoës
producer:
Michel Garcin
editor:
Françoise Garcin
bass vocals:
Sir Thomas Allen (in 1976-02)
choir vocals:
Monteverdi Choir (in 1976-02)
countertenor vocals:
Charles Brett (in 1976-02) and John Williams (in 1976-02)
soprano vocals:
Felicity Lott (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden, London, England, United Kingdom (in 1976-02)
recording of:
Funeral Music on the Death of Queen Mary: IV. In the midst of life, Z. 17 (in 1976-02)
composer:
Henry Purcell
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 17)
part of:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell5:56
14Music for the Funeral of Queen Mary, Z.860: Canzona
sound engineer:
Peter Willemoës
producer:
Michel Garcin
editor:
Françoise Garcin
bass vocals:
Sir Thomas Allen (in 1976-02)
choir vocals:
Monteverdi Choir (in 1976-02)
countertenor vocals:
Charles Brett (in 1976-02) and John Williams (in 1976-02)
soprano vocals:
Felicity Lott (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden, London, England, United Kingdom (in 1976-02)
recording of:
Funeral Music on the Death of Queen Mary: V. Canzona, Z. 860 (in 1976-02)
composer:
Henry Purcell
part of:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell0:53
15Funeral Sentences for the Funeral of Queen Mary, Z.27 no. 3: Thou knowest, Lord, the secrets of our Hearts
sound engineer:
Peter Willemoës
producer:
Michel Garcin
editor:
Françoise Garcin
bass vocals:
Sir Thomas Allen (in 1976-02)
choir vocals:
Monteverdi Choir (in 1976-02)
countertenor vocals:
Charles Brett (in 1976-02) and John Williams (in 1976-02)
soprano vocals:
Felicity Lott (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden, London, England, United Kingdom (in 1976-02)
recording of:
Funeral Music on the Death of Queen Mary: VI. Anthem, Z. 58b "Thou knowest, Lord" (in 1976-02)
composer:
Henry Purcell
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 58b)
part of:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell2:22
16Music for the Funeral of Queen Mary, Z.860: March
sound engineer:
Peter Willemoës
producer:
Michel Garcin
editor:
Françoise Garcin
bass vocals:
Sir Thomas Allen (in 1976-02)
choir vocals:
Monteverdi Choir (in 1976-02)
countertenor vocals:
Charles Brett (in 1976-02) and John Williams (in 1976-02)
soprano vocals:
Felicity Lott (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden, London, England, United Kingdom (in 1976-02)
recording of:
Funeral Music on the Death of Queen Mary: VII. March, Z. 860 (in 1976-02)
composer:
Henry Purcell
part of:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell2:20
4▶CD: Hail! Bright Cecilia
5▶CD: Timon of Athens (1–12) / Dioclesian (13–24)
6▶CD: Dioclesian
7▶CD: The Indian Queen
8▶CD: The Tempest