| # | Title | Artist | Length |
|---|
| 1 | Feels Like the First Time | Foreigner | 3:52 |
| 2 | I Keep Forgettin’ (Every Time You’re Near) | Michael McDonald | 3:40 |
| 3 | Hard to Say I’m Sorry | Chicago | 3:52 |
| 4 | Waiting for a Girl Like You- assistant engineer:
- Edwin Hobgood and Michael Sauvage
- engineer:
- Tony Platt, Brad Samuelsohn and Dave Wittman
- producer:
- Mick Jones and Robert John “Mutt” Lange
- bass guitar:
- Rick Wills
- drums (drum set):
- Dennis Elliott
- electric guitar [lead guitar]:
- Mick Jones
- keyboard:
- Mick Jones and Bob Mayo
- synthesizer:
- Thomas Dolby
- background vocals:
- Dennis Elliott, Mick Jones, Robert John “Mutt” Lange, Ian Lloyd, Mark Rivera and Rick Wills
- lead vocals:
- Lou Gramm
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1981, in 2002), WEA International Inc. (in 1981) and Rhino Entertainment Company (in 2009)
- recorded at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- recording of:
- Waiting for a Girl Like You
- writer:
- Lou Gramm and Mick Jones
- publisher:
- Universal Music Publishing Pty Ltd., フジパシフィック音楽出版 (until 2014-12-31), Evansongs Ltd. (in 1981), Somerset Songs Publishing Inc. (in 1981) and フジパシフィックミュージック (from 2015-01-01 to present)
| Foreigner | 4:50 |
| 5 | I Need You | America | 3:07 |
| 6 | How Sweet It Is (To Be Loved by You) | James Taylor & The Rock Hall Jam Band | 3:36 |
| 7 | How Much I Feel | Ambrosia | 4:48 |
| 8 | Ready for Love | Bad Company | 5:00 |
| 9 | Blue Bayou | Linda Ronstadt | 3:57 |
| 10 | Baby I’m-A Want You | Bread | 2:23 |
| 11 | Steal Away- engineer:
- Gary Brandt
- congas:
- Miguel Rivera
- guitar:
- Bob Bordy, Dennis Herring, Bill LaBounty, Robert Palmer and Brian Ray
- harmonica:
- Robbie Dupree
- keyboard:
- Rick Chudacoff and Bill Elliott
- marimba:
- Alan Estes
- percussion:
- Peter Bunetta, Robbie Dupree, Alan Estes, Arno Lucas and Miguel Rivera
- saxophone:
- Jerry Peterson
- synthesizer:
- Michael Boddicker and Bill Elliott
- background vocals:
- Kal David, Bill LaBounty, Arno Lucas and Michael McDonald
- arranger:
- Bill Elliott
- phonographic copyright (℗) by:
- Elektra Entertainment (in 1980) and Elektra/Asylum Records (in 1980)
- part of:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 64)
- recording of:
- Steal Away
- lyricist:
- Rick Chudacoff
- composer:
- Robbie Dupree
- publisher:
- Big Ears Music, Inc., Chrome Willie Music, EMI April Music Inc., EMI Blackwood Music Inc., Gouda Music Co., Grandma Annie Music, Oozle Music, フジパシフィックミュージック, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| Robbie Dupree | 3:30 |
| 12 | I’d Really Love to See You Tonight | England Dan & John Ford Coley | 2:38 |
| 13 | More Than I Can Say | Leo Sayer | 3:38 |
| 14 | Baker Street- recording engineer:
- Barry Hammond
- producer:
- Hugh Murphy and Gerry Rafferty
- mixer:
- Declan O’Doherty
- bass:
- Gary Taylor
- drums (drum set):
- Henry Spinetti
- electric guitar:
- Hugh Burns and Nigel Jenkins
- Moog and keyboard:
- Tommy Eyre
- percussion:
- Glen LeFleur
- saxophone:
- Raphael Ravenscroft
- lead vocals:
- Gerry Rafferty
- strings arranger:
- Graham Preskett
- phonographic copyright (℗) by:
- EMI Records USA (in 1977), EMI (in 1978), EMI Records Ltd. (in 1978), Parlophone Records Ltd. (in 1978) and United Artists Music and Records Group, Inc. (in 1978)
- recorded at:
- Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom
- mixed at:
- Advision Studios in Fitzrovia, Camden, Westminster, London, England, United Kingdom
- part of:
- Billboard Year-End Hot 100 singles of 1978 (number: 26)
- recording of:
- Baker Street
- lyricist and composer:
- Gerry Rafferty
- publisher:
- B Music, Belfern Ltd., EMI Music Publishing, EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc., Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd., Universal Songs and Universal–Songs of PolyGram International, Inc.
| Gerry Rafferty | 6:00 |
| 15 | Just Remember I Love You | Firefall | 3:14 |
| 16 | That’s the Way I’ve Always Heard It Should Be- producer:
- Eddie Kramer
- mixer:
- Eddie Kramer and Dave Palmer
- acoustic guitar and piano:
- Carly Simon
- bass:
- Gerry Jemmott, David Givens, Tony Levin, Doug Rauch and Jim Wilkins
- cello:
- Harvey Shapiro
- drums (drum set):
- John Siomos
- guitar:
- David Bromberg, Jimmy Johnson and Jimmy Ryan
- keyboard:
- Paul Griffin, Mark “Moogy” Klingman and Billy Mernit
- pedal steel guitar:
- Jeff Baxter
- strings:
- Ed Freeman
- vocals:
- Carly Simon
- strings [string arrangement] arranger and strings arranger:
- Ed Freeman
- phonographic copyright (℗) by:
- Rhino Entertainment Company (in 2015)
- recorded at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- recording of:
- That’s the Way I’ve Always Heard It Should Be
- lyricist:
- Jacob Brackman
- composer:
- Carly Simon
- publisher:
- C’est Music, Kensho Music, Maya Productions Ltd., Quackenbush Music and Universal Music Corp.
| Carly Simon | 4:17 |
| 17 | You’re the Only Woman | Ambrosia | 4:19 |
