1991-05-04: Somerville Theatre, Somerville, MA, USA

~ Release by Phish (see all versions of this release, 1 available)

Annotation

Phish
Somerville Theater
Somerville, MA
5/4/91

TAPER: John Redmond
SOURCE Nak 300s > D5

AUD MCass (Maxell MX 90 min)> Sony TC-WE805S >
Art DI/O (48Khz, Input gain +~10dB, No "Tube Warmth")>
Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC > Mastering > SHNv3.

transfer>24bit FLAC files by Weave - Weave@furthurnet.org on 12/13/2003
Mastering , editing and WAV > SHN were performed on Doomtooth by shakedown@furthurnet.org (01/09/2003)

**24/48 Masters do exist at the unedited/pre-processed level**

Mastering info:
24bit/48kHz FLAC's > Wavelab 4.01b on Doomtooth (patch/edits/crossfades) > Waves C4 > BBE > Waves L2 > 48kHz>44.1 via 192kHz Stereo Resampler and 24bit > 16bit dither UV22HR > Tracking in CD-WAV > SHNv3 appended

DISC ONE
set I:
01. //Oh Kee Pa Ceremony >
02. Suzy Greenberg
03. Cavern
04. Reba
05. My Sweet One
06. Split Open and Melt
07. Guelah Papyrus
08. /Fluffhead
09. Mike's Song >
10. I Am Hydrogen >
11. Weekapaug Groove

DISC TWO
set II:
01. Dog Log
02. Llama
03. Colonel Forbin's Ascent > Famous Mockingbird
04. Buried Alive
05. Harry Hood
06. Horn
07. Rocky Top
08. //Possum
encore:
09. Stage Banter, Thanks & Dedications
10. Terrapin
11. Runaway Jim
second encore:
12. Golgi Apparatus

Show Notes: Forbin featured a guest horn player dressed in a leopardskin toga and a
huge orange Mohawk. Hood was played in support of the Vermont Dairy Farmers.

Notes
Things seem a little distorted/over-modulated in the bottom end, it's worst in the first few songs. The second set sounds much nicer.

There is a level adjustment in Split Open & Melt which I covered with a volume curve.

A short crossfade covers a dropout in Fluffhead.

Terrapin is NOT dedicated to Cam Neely, but instead is dedicated to Marnie. Trey makes note that without Marnie "you wouldn't recieve the newsletter"... Marnie Davis worked for John Paluska until sometime in 91 or early 92.

NO tracking/editing/alterations performed before archiving to 24-bit FLAC
(except to trim silence from the ends).

Seeded to FurthurNet (www.furthurnet.org)

Tracklist

1▶DAT: Set 1
2▼DAT: Set 2
#TitleLength
1Dog Log
recorded at:
Phish at Somerville Theatre
live recording of:
Dog Log (on 1991-05-04)
lyricist and composer:
Trey Anastasio
publisher:
Who Is She Music Inc.
4:02
2Llama
recorded at:
Phish at Somerville Theatre
live recording of:
Llama (on 1991-05-04)
lyricist and composer:
Trey Anastasio
publisher:
Who Is She Music Inc.
4:33
3Colonel Forbin's Ascent > Fly Famous Mockingbird
recorded at:
Phish at Somerville Theatre
live recording of:
Colonel Forbin’s Ascent (on 1991-05-04)
lyricist and composer:
Trey Anastasio
publisher:
Who Is She Music Inc.
live recording of:
Fly Famous Mockingbird (on 1991-05-04)
lyricist and composer:
Trey Anastasio
publisher:
Who Is She Music Inc.
13:18
4Buried Alive
recorded at:
Phish at Somerville Theatre
live recording of:
Buried Alive (on 1991-05-04)
composer:
Trey Anastasio
publisher:
Who Is She Music Inc.
2:45
5Harry Hood
recorded at:
Phish at Somerville Theatre
live recording of:
Harry Hood (on 1991-05-04)
writer:
Trey Anastasio, Brian “Miles” Long, Jon Fishman, Mike Gordon and Page McConnell
publisher:
Who Is She Music Inc.
10:54
6Horn
recorded at:
Phish at Somerville Theatre
live recording of:
Horn (on 1991-05-04)
writer:
Trey Anastasio and Tom Marshall
publisher:
Who Is She Music Inc.
3:42
7Rocky Top
recorded at:
Phish at Somerville Theatre
live cover recording of:
Rocky Top (on 1991-05-04)
composer:
Boudleaux Bryant and Felice Bryant
publisher:
House of Bryant Publications
2:30
8Possum
recorded at:
Phish at Somerville Theatre
live recording of:
Possum (on 1991-05-04)
writer:
Jeff Holdsworth
publisher:
Who Is She Music Inc.
9:13
3▶DAT: Encore 1
4▶DAT: Encore 2