Annotation

Packaging: Cardboard box that folds open with booklet and nine individual paper sleeves inside

Sub-optimal credits

Transfer from 78s done by (as specified for individual tracks, for discs 1–3):

  • Symphony no. 1 (disc 1, tracks 1–4): Michael J. Dutton
  • Falstaff (disc 1, tracks 5–10): Anthony C. Griffith
  • Symphony no. 2 (disc 2, tracks 1–5): Michael J. Dutton
  • Symphony no. 2 rehearsal (disc 2, track 6): Jerrold Northrop Moore
  • Dream of Gerontius (disc 3, tracks 1–8): Anthony C. Griffith
  • Civic Fanfare (disc 3, track 9): Anthony C. Griffith
  • Dream of Gerontius (disc 3, tracks 10–13): Anthony C. Griffith, Michael J. Dutton
  • Music Makers (disc 3, tracks 14–17): Michael J. Dutton

Transfer and remastering, by disc:

  • CDs 1–3: Mastered by Paul Baily, Michael J. Dutton, and Peter Mew; digitally remastered by Michael J. Dutton and John Holland
  • CDs 4 and 7–9: Transferred from 78s and digitally remastered by Andrew Walter
  • CDs 5 and 6: Digitally remastered by Andrew Walter, Paul Baily, and John Holland. Transferred from 78s by:
    • CD 5, track 14–26: Anthony C. Griffith
    • CD 6, track 4: Anthony C. Griffith
    • The rest: Andrew Walter

Edward Elgar "supervised…via telephone" Lawrance Collingwood conducting Caractacus (disc 9, tracks 10–11).

Source Matrix/Catalogue Numbers

Source matrix no.s/catalogue nos. (HMV unless stated otherwise) of first publication:

  • Symphony no. 1 (disc 1, tracks 1–4): Cc 20675-7 & 20682-9/D 1944-9
  • Falstaff (disc 1, tracks 5–10): 2B 2011-14 & 2017-20/DB 1621-4
  • Symphony no. 2 (disc 2): CR 1268-79/D 1230-35 (no matrix number assigned to track 6/rehearsal, part ℗ 1971 on World Record Club SH 163, part EMI Classics CDS 7 54560 2)
  • Dream of Gerontius (disc 2, tracks 1–8): CR 997–9/Pearl Opal 810; CR 1201/RLS 713; CR 1202/RLS 713; CR 1203/D 1243; CR 1205/D 1242; CR 1206–7/D 1242 & RLS 713; CR 1208/RLS 713; CR 1209–10/RLS 713 & D 1243
  • Civic Fanfare (disc 2, track 9): BR 1137/RLS 708
  • Dream of Gerontius (disc 2, tracks 10–13): BR 1137/RLS 708 and CR 1143, 1145, & 1148–9/D 1350 & 1348
  • Music Makers (disc 2, tracks 14–17): CR 1157, 1159, & 1161/D 1349 & 1347
  • Enigma Variations (disc 4, tracks 1–15): CR 339–45/D 1154–7
  • Violin Concerto in B minor (disc 4, tracks 16–19): 2B 2968–79/DB 1751–6
  • The Wand of Youth (disc 5, tracks 1–7): Cc 15062–6/D 1636–8
  • The Wand of Youth (disc 5, tracks 8–13): Cc 15062–6 & 15067–70/D 1636–8 & 1649–50
  • Nursery Suite (disc 5, tracks 14–21): 2B 558–61/D 1998–9
  • Severn Suite (disc 5, tracks 22–26): 2B 2848–52/DB 1908–10
  • Land of Hope and Glory, It comes from the misty ages, National Anthem, Croft: O God, our help in ages past (disc 6, tracks 1–4): CR 1658/RLS 713; CR 1661/RLS 713; CR 1659/C 1467; CR 1660/C 1467
  • Meditation from the Light of Life (disc 6, track 5): CR 649/D 1157
  • Three Characteristic Pieces (disc 6, tracks 6–8): Bb 18152/Japanese Victor JF 38; Cc 18153/EMI Classics CDS 7 54564 2; 2B 4152/DB 1910
  • Chanson de nuit, Canson de matin (disc 6, tracks 9–10): CR 338 & CR 1280/D 1236
  • Three Bavarian Dances (disc 6, tracks 11–13): CR 1455–6/D 1367 and 2B 576/DB 1667
  • The Crown of India (disc 6, tracks 14–18): Cc 19727–8 & Cc 19741/D 1899–1900
  • Fantasia and Fugue in C minor (disc 6, tracks 19–20): CR 346–7/W 749
  • Froissart (disc 7, track 1): 2B 4149–51/DB 1938–9
  • Cockaigne (disc 7, track 2): CR 332–5/D 1110–11
  • In the South (disc 7, tracks 3–6): Cc 19729–30 & 19742–4/DB 1665–7
  • Interludes from Falstaff (disc 7, tracks 7–8): Cc 18151/D 1863
  • Cello Concerto in E minor (disc 7, tracks 9–12) CR 1754–9/D 1507–9
  • Minuet from Beau Brummel, Rosemary, Salut d’amour, Minuet op. 21, Sérénade lyrique, May Song, Carissima (disc 8, tracks 1–7): Cc 18139/RLS 713, Cc 18138/D 1778, Bb 18150/E 547, Cc 18149/D 1863, Cc 18137/D 1778, Cc 18140/D 1949, and Bb 18141/E 547
  • Minuet from Beau Brummel (disc 8, track 8): Cc 15072/D 1638
  • Five Piano Improvisations (disc 8, tracks 9–13): Bb 18129 and Cc 18130–33/RLS 713
  • Pomp and Circumstance (disc 8, tracks 14–18): CR 336/D 1102, CR 337/D 1102, CD 1454/D 1301, CR 1453/D 1301, and Cc 19740/D 1900
  • Land of Hope and Glory (disc 8, track 19): 2B 2016 (transferred from film soundtrack)/RLS 713
  • Prelude to The Kingdom (disc 9, track 1); Pomp and Circumstance (disc 9, tracks 3–4); and Cockaigne (disc 9, track 5): 2B 4178–9/DB 1934, 2B 3456/DB 1801, 2B 3455/DB 1801, 2B 4177/DB 1936, and 2B 4174–6/DB 1935–6
  • Serenade in E minor (disc 9, tracks 6–8); Elegy (disc 9, track 9): 2B 3553–5/DB 2132–3 and (Elegy only) 2B 3556/DB 1939
  • Caractacus (disc 9, tracks 10–11): 2B 4757/DB 2147 and 2B 4759–60/DB 2142
  • Mina (disc 9, track 12–13): OB 5886/EMI Classics CDS 7 54568 2 and (track 13 only) OEA 957/B 8282
  • Coronation March (disc 9, track 14): 2EA 1019–20/DB 2437

Tracklist

1CD
2CD
3CD
#TitleLength
1The Dream of Gerontius, op. 38 (excerpts): Part I: Prelude
engineer:
Anthony C. Griffith
bass vocals [bass (The Priest/The Angel of the Agony)]:
Herbert Heyner (on 1927-02-26)
choir vocals:
Royal Choral Society (on 1927-02-26)
mezzo-soprano vocals [mezzo-soprano (The Angel)]:
Margaret Balfour (on 1927-02-26)
tenor vocals [tenor (Gerontius/The Soul of Gerontius)]:
Steuart Wilson (on 1927-02-26)
orchestra:
Royal Albert Hall Orchestra (on 1927-02-26)
conductor:
Sir Edward Elgar (on 1927-02-26)
balance engineer:
A. S. Clarke and Edward Fowler
recorded at:
Royal Albert Hall in Kensington and Chelsea, London, England, United Kingdom (on 1927-02-26)
live recording of:
The Dream of Gerontius, op. 38: Part I, I. Prelude (cues 1–21) (on 1927-02-26)
composer:
Edward Elgar (in 1900)
part of:
The Dream of Gerontius, op. 38
10:38
2The Dream of Gerontius, op. 38 (excerpts): Part I: Kyrie Eleison (cue 29)
engineer:
Anthony C. Griffith
bass vocals [bass (The Priest/The Angel of the Agony)]:
Herbert Heyner (on 1927-02-26)
choir vocals:
Royal Choral Society (on 1927-02-26)
mezzo-soprano vocals [mezzo-soprano (The Angel)]:
Margaret Balfour (on 1927-02-26)
tenor vocals [tenor (Gerontius/The Soul of Gerontius)]:
Steuart Wilson (on 1927-02-26)
orchestra:
Royal Albert Hall Orchestra (on 1927-02-26)
conductor:
Sir Edward Elgar (on 1927-02-26)
balance engineer:
A. S. Clarke and Edward Fowler
recorded at:
Royal Albert Hall in Kensington and Chelsea, London, England, United Kingdom (on 1927-02-26)
live partial recording of:
The Dream of Gerontius, op. 38: Part I, II. Jesu, Maria – I am near to death (cues 22–32) (on 1927-02-26)
composer:
Edward Elgar (in 1900)
part of:
The Dream of Gerontius, op. 38
2:24
3The Dream of Gerontius, op. 38 (excerpts): Part I: Rescue Him, O Lord (cue 63)
engineer:
Anthony C. Griffith
bass vocals [bass (The Priest/The Angel of the Agony)]:
Herbert Heyner (on 1927-02-26)
choir vocals:
Royal Choral Society (on 1927-02-26)
mezzo-soprano vocals [mezzo-soprano (The Angel)]:
Margaret Balfour (on 1927-02-26)
tenor vocals [tenor (Gerontius/The Soul of Gerontius)]:
Steuart Wilson (on 1927-02-26)
orchestra:
Royal Albert Hall Orchestra (on 1927-02-26)
conductor:
Sir Edward Elgar (on 1927-02-26)
balance engineer:
A. S. Clarke and Edward Fowler
recorded at:
Royal Albert Hall in Kensington and Chelsea, London, England, United Kingdom (on 1927-02-26)
live partial recording of:
The Dream of Gerontius, op. 38: Part I, IV. Sanctus fortis, sanctus Deus (cues 40–67) (on 1927-02-26)
composer:
Edward Elgar (in 1900)
part of:
The Dream of Gerontius, op. 38
3:24
4The Dream of Gerontius, op. 38 (excerpts): Part I: Go, in the Name of Angels and Archangels (cue 72)
engineer:
Anthony C. Griffith
bass vocals [bass (The Priest/The Angel of the Agony)]:
Herbert Heyner (on 1927-02-26)
choir vocals:
Royal Choral Society (on 1927-02-26)
mezzo-soprano vocals [mezzo-soprano (The Angel)]:
Margaret Balfour (on 1927-02-26)
tenor vocals [tenor (Gerontius/The Soul of Gerontius)]:
Steuart Wilson (on 1927-02-26)
orchestra:
Royal Albert Hall Orchestra (on 1927-02-26)
conductor:
Sir Edward Elgar (on 1927-02-26)
balance engineer:
A. S. Clarke and Edward Fowler
recorded at:
Royal Albert Hall in Kensington and Chelsea, London, England, United Kingdom (on 1927-02-26)
live partial recording of:
The Dream of Gerontius, op. 38: Part I, V. Proficiscere, anima Christiana (cues 68–78) (on 1927-02-26)
composer:
Edward Elgar (in 1900)
part of:
The Dream of Gerontius, op. 38
4:27
5The Dream of Gerontius, op. 38 (excerpts): Part II: Praise to the Holiest (cue 60)
engineer:
Anthony C. Griffith
bass vocals [bass (The Priest/The Angel of the Agony)]:
Herbert Heyner (on 1927-02-26)
choir vocals:
Royal Choral Society (on 1927-02-26)
mezzo-soprano vocals [mezzo-soprano (The Angel)]:
Margaret Balfour (on 1927-02-26)
tenor vocals [tenor (Gerontius/The Soul of Gerontius)]:
Steuart Wilson (on 1927-02-26)
orchestra:
Royal Albert Hall Orchestra (on 1927-02-26)
conductor:
Sir Edward Elgar (on 1927-02-26)
balance engineer:
A. S. Clarke and Edward Fowler
recorded at:
Royal Albert Hall in Kensington and Chelsea, London, England, United Kingdom (on 1927-02-26)
live partial recording of:
The Dream of Gerontius, op. 38: Part II, IV. I see not those false spirits (cues 55–70) (on 1927-02-26)
composer:
Edward Elgar (in 1900)
part of:
The Dream of Gerontius, op. 38
4:48
6The Dream of Gerontius, op. 38 (excerpts): Part II: And Now the Threshold… Praise to the Holiest (four before cue 73)
engineer:
Anthony C. Griffith
bass vocals [bass (The Priest/The Angel of the Agony)]:
Herbert Heyner (on 1927-02-26)
choir vocals:
Royal Choral Society (on 1927-02-26)
mezzo-soprano vocals [mezzo-soprano (The Angel)]:
Margaret Balfour (on 1927-02-26)
tenor vocals [tenor (Gerontius/The Soul of Gerontius)]:
Steuart Wilson (on 1927-02-26)
orchestra:
Royal Albert Hall Orchestra (on 1927-02-26)
conductor:
Sir Edward Elgar (on 1927-02-26)
balance engineer:
A. S. Clarke and Edward Fowler
recorded at:
Royal Albert Hall in Kensington and Chelsea, London, England, United Kingdom (on 1927-02-26)
live partial recording of:
The Dream of Gerontius, op. 38: Part II, V. But hark! a grand mysterious harmony (cues 71–101) (on 1927-02-26)
composer:
Edward Elgar (in 1900)
part of:
The Dream of Gerontius, op. 38
6:54
7The Dream of Gerontius, op. 38 (excerpts): Part II: Jesu! By That Shuddering Dread (cue 106)
engineer:
Anthony C. Griffith
bass vocals [bass (The Priest/The Angel of the Agony)]:
Herbert Heyner (on 1927-02-26)
choir vocals:
Royal Choral Society (on 1927-02-26)
mezzo-soprano vocals [mezzo-soprano (The Angel)]:
Margaret Balfour (on 1927-02-26)
tenor vocals [tenor (Gerontius/The Soul of Gerontius)]:
Steuart Wilson (on 1927-02-26)
orchestra:
Royal Albert Hall Orchestra (on 1927-02-26)
conductor:
Sir Edward Elgar (on 1927-02-26)
balance engineer:
A. S. Clarke and Edward Fowler
recorded at:
Royal Albert Hall in Kensington and Chelsea, London, England, United Kingdom (on 1927-02-26)
live partial recording of:
The Dream of Gerontius, op. 38: Part II, VI. Thy judgment now is near (cues 102–113) (on 1927-02-26)
composer:
Edward Elgar (in 1900)
part of:
The Dream of Gerontius, op. 38
4:22
8The Dream of Gerontius, op. 38 (excerpts): Part II: Take Me Away (three before cue 125)
engineer:
Anthony C. Griffith
bass vocals [bass (The Priest/The Angel of the Agony)]:
Herbert Heyner (on 1927-02-26)
choir vocals:
Royal Choral Society (on 1927-02-26)
mezzo-soprano vocals [mezzo-soprano (The Angel)]:
Margaret Balfour (on 1927-02-26)
tenor vocals [tenor (Gerontius/The Soul of Gerontius)]:
Steuart Wilson (on 1927-02-26)
orchestra:
Royal Albert Hall Orchestra (on 1927-02-26)
conductor:
Sir Edward Elgar (on 1927-02-26)
balance engineer:
A. S. Clarke and Edward Fowler
recorded at:
Royal Albert Hall in Kensington and Chelsea, London, England, United Kingdom (on 1927-02-26)
live partial recording of:
The Dream of Gerontius, op. 38: Part II, VII. I go before my judge (cues 114–126) (on 1927-02-26)
composer:
Edward Elgar (in 1900)
part of:
The Dream of Gerontius, op. 38
8:08
9Civic Fanfare and National Anthem
engineer:
Anthony C. Griffith
orchestra:
London Symphony Orchestra (on 1927-09-04)
conductor:
Sir Edward Elgar (on 1927-09-04)
recorded at:
Hereford Cathedral in Hereford, Herefordshire, England, United Kingdom (on 1927-09-04)
live recording of:
Civic Fanfare and National Anthem (on 1927-09-04)
arranger:
Edward Elgar
2:36
10The Dream of Gerontius, op. 38 (excerpts): Part I: So Pray for Me, My Friends (cue 28)
engineer:
Anthony C. Griffith and Michael J. Dutton
bass vocals [bass (The Angel of the Agony)]:
Horace Stevens (from 1927-09-04 until 1927-09-06)
choir vocals:
Three Choirs Festival Chorus (from 1927-09-04 until 1927-09-06)
mezzo-soprano vocals [mezzo-soprano (The Angel)]:
Margaret Balfour (from 1927-09-04 until 1927-09-06)
tenor vocals [tenor (Gerontius/The Soul of Gerontius)]:
Tudor Davies (from 1927-09-04 until 1927-09-06)
orchestra:
London Symphony Orchestra (from 1927-09-04 until 1927-09-06)
conductor:
Sir Edward Elgar (from 1927-09-04 until 1927-09-06)
recorded at:
Hereford Cathedral in Hereford, Herefordshire, England, United Kingdom (from 1927-09-04 until 1927-09-06)
live partial recording of:
The Dream of Gerontius, op. 38: Part I, II. Jesu, Maria – I am near to death (cues 22–32) (from 1927-09-04 until 1927-09-06)
composer:
Edward Elgar (in 1900)
part of:
The Dream of Gerontius, op. 38
3:49
11The Dream of Gerontius, op. 38 (excerpts): Part I: O Jesu, Help! (cue 61)
engineer:
Anthony C. Griffith and Michael J. Dutton
bass vocals [bass (The Angel of the Agony)]:
Horace Stevens (from 1927-09-04 until 1927-09-06)
choir vocals:
Three Choirs Festival Chorus (from 1927-09-04 until 1927-09-06)
mezzo-soprano vocals [mezzo-soprano (The Angel)]:
Margaret Balfour (from 1927-09-04 until 1927-09-06)
tenor vocals [tenor (Gerontius/The Soul of Gerontius)]:
Tudor Davies (from 1927-09-04 until 1927-09-06)
orchestra:
London Symphony Orchestra (from 1927-09-04 until 1927-09-06)
conductor:
Sir Edward Elgar (from 1927-09-04 until 1927-09-06)
recorded at:
Hereford Cathedral in Hereford, Herefordshire, England, United Kingdom (from 1927-09-04 until 1927-09-06)
live partial recording of:
The Dream of Gerontius, op. 38: Part I, IV. Sanctus fortis, sanctus Deus (cues 40–67) (from 1927-09-04 until 1927-09-06)
composer:
Edward Elgar (in 1900)
part of:
The Dream of Gerontius, op. 38
4:15
12The Dream of Gerontius, op. 38 (excerpts): Part II: Jesu! By That Shuddering Dread (cue 106)
engineer:
Anthony C. Griffith and Michael J. Dutton
bass vocals [bass (The Angel of the Agony)]:
Horace Stevens (from 1927-09-04 until 1927-09-06)
choir vocals:
Three Choirs Festival Chorus (from 1927-09-04 until 1927-09-06)
mezzo-soprano vocals [mezzo-soprano (The Angel)]:
Margaret Balfour (from 1927-09-04 until 1927-09-06)
tenor vocals [tenor (Gerontius/The Soul of Gerontius)]:
Tudor Davies (from 1927-09-04 until 1927-09-06)
orchestra:
London Symphony Orchestra (from 1927-09-04 until 1927-09-06)
conductor:
Sir Edward Elgar (from 1927-09-04 until 1927-09-06)
recorded at:
Hereford Cathedral in Hereford, Herefordshire, England, United Kingdom (from 1927-09-04 until 1927-09-06)
live partial recording of:
The Dream of Gerontius, op. 38: Part II, VI. Thy judgment now is near (cues 102–113) (from 1927-09-04 until 1927-09-06)
composer:
Edward Elgar (in 1900)
part of:
The Dream of Gerontius, op. 38
4:41
13The Dream of Gerontius, op. 38 (excerpts): Part II: Take Me Away (three before cue 125)
engineer:
Anthony C. Griffith and Michael J. Dutton
bass vocals [bass (The Angel of the Agony)]:
Horace Stevens (from 1927-09-04 until 1927-09-06)
choir vocals:
Three Choirs Festival Chorus (from 1927-09-04 until 1927-09-06)
mezzo-soprano vocals [mezzo-soprano (The Angel)]:
Margaret Balfour (from 1927-09-04 until 1927-09-06)
tenor vocals [tenor (Gerontius/The Soul of Gerontius)]:
Tudor Davies (from 1927-09-04 until 1927-09-06)
orchestra:
London Symphony Orchestra (from 1927-09-04 until 1927-09-06)
conductor:
Sir Edward Elgar (from 1927-09-04 until 1927-09-06)
recorded at:
Hereford Cathedral in Hereford, Herefordshire, England, United Kingdom (from 1927-09-04 until 1927-09-06)
live partial recording of:
The Dream of Gerontius, op. 38: Part II, VII. I go before my judge (cues 114–126) (from 1927-09-04 until 1927-09-06)
composer:
Edward Elgar (in 1900)
part of:
The Dream of Gerontius, op. 38
4:18
14The Music Makers, op. 69 (excerpts): We Are the Music Makers (cue 10)
engineer:
Michael J. Dutton
choir vocals:
Three Choirs Festival Chorus (on 1927-09-08)
orchestra:
London Symphony Orchestra (on 1927-09-08)
conductor:
Sir Edward Elgar (on 1927-09-08)
recorded at:
Hereford Cathedral in Hereford, Herefordshire, England, United Kingdom (on 1927-09-08)
live recording of:
The Music Makers, op. 69: Larghetto. "We are the music makers" (on 1927-09-08)
lyricist:
Arthur William Edgar O'Shaughnessy
composer:
Edward Elgar
part of:
The Music Makers, op. 69
2:16
15The Music Makers, op. 69 (excerpts): With Wonderful Deathless Ditties (three before cue 16)1:35
16The Music Makers, op. 69 (excerpts): A Breath of Our Inspiration (cue 38)3:41
17The Music Makers, op. 69 (Excerpts): For We Are Afar With the Dawning (cue 78)2:14
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