| # | Title | Artist | Length |
|---|
| 1 | Can’t Help Falling in Love- recording of:
- Can’t Help Falling in Love
- writer:
- Luigi Creatore, Hugo Peretti and George David Weiss
- publisher:
- ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music, Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H., Luigi Creatore Music and The Manor Music Co. Ltd.
- sub-publisher:
- 日音 (ended), フジパシフィックミュージック, ヤマハミュージックEH(CM) and 日音 Synch事業部
- is based on:
- Plaisir d’amour
| Elvis Presley | 2:59 |
| 2 | I Left My Heart in San Francisco | Tony Bennett | 2:51 |
| 3 | Crying- recording of:
- Crying
- lyricist:
- Joe Melson (in 1961) and Roy Orbison (in 1961)
- composer:
- Joe Melson and Roy Orbison
- publisher:
- Acuff Rose Music Ltd., Acuff Rose Music, Inc., Barbara Orbison Music Company, Copyright Control, MCA Music, Orbi-Lee Music, R-Key Darkus Music, Rondor Music, Rondor Music (Australia) P/L, Universal/MCA Music Publishing Pty Ltd and Acuff-Rose Publications, Inc. (on 1961-08-16)
- part of:
- 50/50
| Roy Orbison | 2:47 |
| 4 | Whatever Will Be, Will Be (Que sera, sera) | Doris Day | 2:06 |
| 5 | Lovely Day- producer:
- Clarence McDonald and Bill Withers
- bass guitar:
- Jerry Knight (in 1977)
- drums (drum set) and shakers:
- Russell Kunkel (in 1977)
- guitar:
- Ray Parker (in 1977)
- keyboard:
- Clarence McDonald (in 1977)
- percussion:
- Ralph MacDonald (in 1977)
- lead vocals:
- Bill Withers (in 1977)
- arranger:
- Clarence McDonald
- concertmaster:
- Charles Veal (in 1977)
- phonographic copyright (℗) by:
- CBS Records Ltd. (in 1977), CBS, Inc. (in 1977) and Columbia Records (in 1977)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 402)
- recording of:
- Lovely Day (in 1977)
- writer:
- Skip Scarborough and Bill Withers
- publisher:
- Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp., フジパシフィックミュージック, ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| Bill Withers | 4:13 |
| 6 | Longer | Dan Fogelberg | 3:13 |
| 7 | Heartbreaker- recording of:
- Heartbreaker
- writer:
- Barry Gibb, Maurice Gibb and Robin Gibb
- publisher:
- BMG Music, BMG Music Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Unichappell Music, Inc. and Universal Music Publishing International MGB Ltd.
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Dionne Warwick | 4:13 |
| 8 | Sexual Healing | Marvin Gaye | 4:00 |
| 9 | Try a Little Tenderness | Aretha Franklin | 3:15 |
| 10 | After the Love Has Gone- recording of:
- After the Love Has Gone
- writer:
- Bill Champlin, David Foster and Jay Graydon
- publisher:
- Copyright Control, EMI Blackwood Music Inc., EMI Songs Ltd., Foster Frees Music, Fozbeats Music, Garden Rake Music, Inc., Irving Music, Irving Music, Inc., Music Sales Corporation, Ninth Music and Noted for the Record
- sub-publisher:
- Rondor Music (London) Ltd., Sony/ATV Music Publishing Ltd. and フジパシフィックミュージック SBK事業部
| Earth, Wind & Fire | 4:27 |
| 11 | I Will Always Love You | Dolly Parton | 2:54 |
| 12 | I Can See Clearly Now | Johnny Nash | 2:38 |
| 13 | I’m Kissing You | Des’ree | 4:51 |
| 14 | We Belong to the Night | Ellen Foley | 5:19 |
| 15 | How ’bout Us- assistant engineer:
- Michael Ferraro and Tom Miller
- engineer:
- Stu Walder
- associate producer:
- James Mack
- producer:
- Leo Graham
- bass guitar [bass]:
- Michael Reed and Paul Richmond
- drums (drum set):
- Morris Jennings, Jr.
- electronic drum set [syndrums]:
- Tommy Radtke
- guitar [guitars]:
- Michael Day and Howard Reeder
- keyboard [keyboards]:
- Michael Day and Dana Walden
- percussion:
- Rocky Maffit
- solo alto saxophone:
- Ken Soderbloom
- synthesizer [synthesizers]:
- Dana Walden
- lead vocals:
- Pauli Carman
- vocals:
- Michael Day, Rena Jones, Rocky Maffit and Howard Reeder
- brass [horns] arranger and strings arranger:
- James Mack
- arranger:
- Champaign, Leo Graham and James Mack
- phonographic copyright (℗) by:
- CBS, Inc. (in 1981) and Sony Music Entertainment Inc. (in 1981)
- produced for:
- B‐Line Productions
- recorded at:
- Universal Recording in Chicago, Illinois, United States
- cover recording of:
- How ’bout Us
- lyricist and composer:
- Dana Walden
- publisher:
- April Music, Irving Music and Irving Music, Inc.
- sub-publisher:
- Rondor Music (London) Ltd., ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
- recording of:
- How ’bout Us
- lyricist and composer:
- Dana Walden
- publisher:
- April Music, Irving Music and Irving Music, Inc.
- sub-publisher:
- Rondor Music (London) Ltd., ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Champaign | 4:34 |
| 16 | Slow Hand | The Pointer Sisters | 3:51 |
| 17 | You Raise Me Up | Mark Vincent | 4:02 |
| 18 | The Prayer | Anthony Callea | 4:15 |
