The Very Best of Anne-Sophie Mutter (BMG club edition)

~ Release by Johann Sebastian Bach, Wolfgang Amadeus Mozart, Antonio Vivaldi; Anne‐Sophie Mutter (see all versions of this release, 1 available)

Tracklist

1▶CD

2▼CD
#	Title	Artist	Length
1	Concerto no. 3 in F major, RV 293 "Autumn": I. Allegro producer: Peter Alward harpsichord: Herbert von Karajan and William Tim Read organ: Rudolf Scholz violin: Anne‐Sophie Mutter (from 1984-06-18 until 1984-06-19) orchestra: Wiener Philharmoniker (from 1984-06-18 until 1984-06-19) conductor: Herbert von Karajan (from 1984-06-18 until 1984-06-19) balance engineer: Wolfgang Gülich phonographic copyright (℗) by: EMI Records Ltd. (in 1984) recorded at: Zeremoniensaal in Innere Stadt, Wien, Austria (in 1984-06, from 1984-06-18 until 1984-06-19) recording of: Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: I. Allegro (from 1984-06-18 until 1984-06-19) composer: Antonio Vivaldi (in 1723) part of: Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)	Antonio Vivaldi	4:54
2	Concerto no. 3 in F major, RV 293 "Autumn": II. Adagio molto producer: Peter Alward harpsichord: Herbert von Karajan and William Tim Read organ: Rudolf Scholz violin: Anne‐Sophie Mutter (from 1984-06-18 until 1984-06-19) orchestra: Wiener Philharmoniker (from 1984-06-18 until 1984-06-19) conductor: Herbert von Karajan (from 1984-06-18 until 1984-06-19) balance engineer: Wolfgang Gülich phonographic copyright (℗) by: EMI Records Ltd. (in 1984) recorded at: Zeremoniensaal in Innere Stadt, Wien, Austria (in 1984-06, from 1984-06-18 until 1984-06-19) recording of: Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: II. Adagio molto (from 1984-06-18 until 1984-06-19) composer: Antonio Vivaldi (in 1723) part of: Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)	Antonio Vivaldi	2:48
3	Concerto no. 3 in F major, RV 293 "Autumn": III. Allegro producer: Peter Alward harpsichord: Herbert von Karajan and William Tim Read organ: Rudolf Scholz violin: Anne‐Sophie Mutter (from 1984-06-18 until 1984-06-19) orchestra: Wiener Philharmoniker (from 1984-06-18 until 1984-06-19) conductor: Herbert von Karajan (from 1984-06-18 until 1984-06-19) balance engineer: Wolfgang Gülich phonographic copyright (℗) by: EMI Records Ltd. (in 1984) recorded at: Zeremoniensaal in Innere Stadt, Wien, Austria (in 1984-06, from 1984-06-18 until 1984-06-19) recording of: Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: III. Allegro (from 1984-06-18 until 1984-06-19) composer: Antonio Vivaldi (in 1723) part of: Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)	Antonio Vivaldi	3:25
4	Violin Concerto no. 4 in D major, K. 218: I. Allegro producer: John Mordler violin: Anne‐Sophie Mutter (from 1981-11-25 until 1981-11-26) orchestra: Philharmonia Orchestra (from 1981-11-25 until 1981-11-26) conductor: Riccardo Muti (from 1981-11-25 until 1981-11-26) balance engineer: Neville Boyling recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1981-11-25 until 1981-11-26) recording of: Concerto for Violin and Orchestra no. 4 in D major, K. 218: I. Allegro aperto (from 1981-11-25 until 1981-11-26) composer: Wolfgang Amadeus Mozart (from 1775-04 until 1775-12) part of: Concerto for Violin and Orchestra no. 4 in D major, K. 218 recording of: Cadenza for Mozart's Concerto for Violin no. 4 in D major, K. 218: I. Allegro (Joachim) composer: Joseph Joachim is based on: Concerto for Violin and Orchestra no. 4 in D major, K. 218: I. Allegro aperto	Wolfgang Amadeus Mozart	9:27
5	Violin Concerto no. 4 in D major, K. 218: II. Andante cantabile producer: John Mordler violin: Anne‐Sophie Mutter (from 1981-11-25 until 1981-11-26) orchestra: Philharmonia Orchestra (from 1981-11-25 until 1981-11-26) conductor: Riccardo Muti (from 1981-11-25 until 1981-11-26) balance engineer: Neville Boyling recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1981-11-25 until 1981-11-26) recording of: Concerto for Violin and Orchestra no. 4 in D major, K. 218: II. Andante cantabile (from 1981-11-25 until 1981-11-26) composer: Wolfgang Amadeus Mozart (from 1775-04 until 1775-12) part of: Concerto for Violin and Orchestra no. 4 in D major, K. 218 recording of: Cadenza for Mozart's Concerto for Violin and Orchestra no. 4 in D major, K. 218: II. Andante cantabile (Joachim) composer: Joseph Joachim is based on: Concerto for Violin and Orchestra no. 4 in D major, K. 218: II. Andante cantabile	Wolfgang Amadeus Mozart	7:34
6	Violin Concerto no. 4 in D major, K. 218: III. Rondeau. Andante grazioso - Allegro ma non troppo producer: John Mordler violin: Anne‐Sophie Mutter (from 1981-11-25 until 1981-11-26) orchestra: Philharmonia Orchestra (from 1981-11-25 until 1981-11-26) conductor: Riccardo Muti (from 1981-11-25 until 1981-11-26) balance engineer: Neville Boyling recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1981-11-25 until 1981-11-26) recording of: Concerto for Violin and Orchestra no. 4 in D major, K. 218: III. Rondeau. Allegro grazioso - Allegro ma non troppo - Andante grazioso (from 1981-11-25 until 1981-11-26) composer: Wolfgang Amadeus Mozart (from 1775-04 until 1775-12) part of: Concerto for Violin and Orchestra no. 4 in D major, K. 218 recording of: Cadenza for Mozart's Concerto for Violin and Orchestra no. 4 in D major, K. 218: III. Rondeau (Joachim) composer: Joseph Joachim is based on: Concerto for Violin and Orchestra no. 4 in D major, K. 218: III. Rondeau. Allegro grazioso - Allegro ma non troppo - Andante grazioso	Wolfgang Amadeus Mozart	7:25
7	Thaïs: Méditation producer: Michel Glotz solo violin: Anne‐Sophie Mutter violin: Anne‐Sophie Mutter (from 1980-11-16 until 1980-11-17) orchestra: Berliner Philharmoniker (from 1980-11-16 until 1980-11-17) conductor: Herbert von Karajan (from 1980-11-16 until 1980-11-17) balance engineer: Wolfgang Gülich recorded at: Berliner Philharmonie in Mitte, Berlin, Germany (from 1980-11-16 until 1980-11-17) recording of: Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) (from 1980-11-16 until 1980-11-17) composer: Jules Massenet (in 1894) part of: Classic 100: Music of France (number: 14) part of: Thaïs: Acte II	Jules Massenet	6:50
8	Zigeunerweisen, op. 20 violin: Anne‐Sophie Mutter (in 1985) orchestra: Orchestre national de France conductor: Seiji Ozawa recorded at: Salle Wagram in Paris, Île-de-France, France (from 1984-05-29 until 1984-05-30) recording of: Zigeunerweisen, op. 20 (Gypsy Airs, op. 20, for violin and orchestra) composer: Pablo de Sarasate (in 1878) part of: Works of Pablo de Sarasate by opus number (number: op. 20) arrangement of: Zigeunerweisen, op. 20 (for violin and piano)	Pablo de Sarasate	7:46