| # | Title | Artist | Length |
|---|
| 1 | Three Times a Lady- producer:
- James Anthony Carmichael and Commodores
- lead vocals:
- Lionel Richie
- arranger:
- James Anthony Carmichael and Commodores
- phonographic copyright (℗) by:
- Motown Record Company, L.P. (in 1978), Motown Record Corporation (in 1978) and UMG Recordings, Inc. (in 1978)
- part of:
- Billboard Year-End Hot 100 singles of 1978 (number: 10)
- recording of:
- Three Times a Lady
- lyricist and composer:
- Lionel Richie
- publisher:
- Brenda Richie Publishing, Brockman Enterprises, Inc., EMI Music Publishing Ltd., Jobete Music, Jobete Music (UK) Ltd., Jobete Music Co., Inc. and Libren Music
| Commodores | 3:37 |
| 2 | If You Leave Me Now- recording engineer:
- Armin Steiner (from 1976-03 until 1976-04: strings)
- assistant engineer:
- Tom Likes
- engineer:
- Wayne Tarnowski
- producer:
- James William Guercio
- acoustic guitar and bass:
- James William Guercio (from 1976-03 until 1976-04)
- lead vocals:
- Peter Cetera (from 1976-03 until 1976-04)
- French horn arranger and strings arranger:
- Jimmie Haskell
- phonographic copyright (℗) by:
- CBS, Inc. (in 1976), Rhino Entertainment Company (in 1976, in 2002), Warner Strategic Marketing Inc. (in 1976) and WEA International Inc. (in 1976)
- recorded at:
- Sound Labs, Inc. in Hollywood, Los Angeles, California, United States, Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (strings) and Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1976-03 until 1976-04)
- mixed at:
- Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1976-03 until 1976-04)
- recording of:
- If You Leave Me Now (from 1976-03 until 1976-04)
- lyricist:
- Peter Cetera
- composer:
- Peter Cetera (in 1976)
- publisher:
- Big Elk Music, BMG Music Publishing Ltd., Copyright Control, Fairwood Music Ltd., Island Music Ltd., Polish Prince Music and Spirit Music Publishing Ltd.
| Chicago | 3:53 |
| 3 | Words | F.R. David | 2:50 |
| 4 | Spanish Eyes | Al Martino | 2:31 |
| 5 | Chain of Fools- recorded in:
- New York, New York, United States
- recording engineer and mixer:
- Tom Dowd
- producer:
- Jerry Wexler
- bass guitar:
- Tommy Cogbill (on 1967-06-23)
- drums (drum set):
- Roger Hawkins (on 1967-06-23)
- electric piano:
- Spooner Oldham (on 1967-06-23)
- guitar:
- Jimmy Johnson (on 1967-06-23) and Joe South (on 1967-06-23)
- piano:
- Aretha Franklin (on 1967-06-23)
- choir vocals:
- Carolyn Franklin (on 1967-06-23), Erma Franklin (on 1967-06-23), Ellie Greenwich (on 1967-06-23) and The Sweet Inspirations (on 1967-06-23)
- vocals:
- Aretha Franklin (on 1967-06-23)
- arranger:
- Tom Dowd and Arif Mardin
- phonographic copyright (℗) by:
- WEA International Inc. (in 1967) and Atlantic Recording Corporation (in 1968)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1967-06-23)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 249) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 306)
- recording of:
- Chain of Fools (on 1967-06-23)
- lyricist and composer:
- Don Covay
- publisher:
- 14th Hour Music, Fourteenth Hour Music, Inc., Pronto Music, Springtime Music, Inc., Warner Chappell, Warner Chappell Music Ltd. and Warner-Tamerlane Publishing Co.
| Aretha Franklin | 2:47 |
| 6 | That's What Friends Are For | Dionne Warwick | 4:14 |
| 7 | Good Vibrations- recording engineer:
- Bruce Botnick (from 1966-02 until 1966-06), Chuck Britz (from 1966-02 until 1966-06) and Larry Levine (from 1966-02 until 1966-06)
- engineer:
- Chuck Britz and Jim Lockert
- producer:
- The Beach Boys and Brian Wilson
- mixer:
- Derry FitzGerald
- lead vocals:
- Mike Love (from 1966-02 until 1966-06) and Carl Wilson (from 1966-02 until 1966-06)
- vocals:
- Mike Love (from 1966-02 until 1966-06)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1966)
- recorded at:
- Gold Star Studios in Hollywood, Los Angeles, California, United States (from 1966-02 until 1966-06), Sunset Sound in Hollywood, Los Angeles, California, United States (from 1966-02 until 1966-06) and Western Recorders in Los Angeles, California, United States (from 1966-02 until 1966-06)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 6), Billboard: The 500 Best Pop Songs (number: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 53)
- recording of:
- Good Vibrations (from 1966-02 until 1966-06)
- lyricist:
- Mike Love and Brian Wilson
- composer:
- Brian Wilson
- publisher:
- Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. and Universal Music Publishing
- version of:
- Good Vibrations
| The Beach Boys | 3:37 |
| 8 | Eleanor Rigby- cover recording of:
- Eleanor Rigby
- written in:
- London, England, United Kingdom (in 1965) and Weybridge, Surrey, England, United Kingdom (from 1965 until 1966)
- writer:
- John Lennon and Paul McCartney
- publisher:
- Blackwood Music Inc., EMI Music Publishing, Maclen Publishing Co., MPL Communications Ltd., Music Corporation of America, Inc., Northern Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC, Sony/ATV Songs LLC and Sony/ATV Tunes LLC
- written at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1966)
| Ray Charles | 2:58 |
| 9 | Wonderful World | Sam Cooke | 2:07 |
| 10 | Carry Me | Crosby & Nash | 3:34 |
| 11 | If You Don't Know Me by Now | Harold Melvin | 3:23 |
| 12 | December '63 (Oh What a Night) | The Four Seasons | 3:27 |
| 13 | Don't Worry Be Happy | Bobby McFerrin | 3:55 |
| 14 | Summerwine | Nancy Sinatra & Lee Hazlewood | 3:40 |
| 15 | Crimson & Clover | Tommy James & the Shondells | 3:28 |
| 16 | You're the First, the Last, My Everything- engineer:
- Frank Kejmar
- producer:
- Barry White
- arranger:
- Gene Page and Barry White
- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1974)
- recording of:
- You’re the First, the Last, My Everything
- writer:
- Peter Sterling Radcliffe, Tony Sepe and Barry White
- publisher:
- Chappell & Co., Inc., January Music Corp., Little A Music, My Baby’s Music Company, Sa‐Vette Music, Sa‐Vette Music Inc., Unichappell Music, Inc. and World Song Publishing Inc.
| Barry White | 3:25 |
| 17 | I Got You Babe | Sonny & Cher | 3:06 |
| 18 | Blue Bayou | Lynn Anderson | 3:47 |
| 19 | Rag Doll | The Four Seasons | 3:00 |
| 20 | Sister Golden Hair | America | 3:20 |
| 21 | Love Letters in the Sand | Pat Boone | 2:15 |
| 22 | Blueberry Hill | Fats Domino | 2:25 |
| 23 | All I Have to Do Is Dream | The Everly Brothers | 2:23 |
| 24 | Put Your Head on My Shoulder | Paul Anka | 2:38 |
| 25 | The Wind Cries Mary- engineer:
- Dave Siddle (DeLane Lea) (in 1967-02) and Eddie Kramer (Olympic) (in 1967-02)
- producer:
- Chas Chandler
- drums (drum set):
- Mitch Mitchell (in 1967-02)
- electric bass guitar:
- Noel Redding (in 1967-02)
- electric guitar:
- Jimi Hendrix (in 1967-02)
- vocals:
- Jimi Hendrix (in 1967-02)
- phonographic copyright (℗) by:
- PolyGram International Music B.V. (in 1967) and Experience Hendrix, L.L.C. (in 2010)
- recorded at:
- De Lane Lea Studios in Soho, Westminster, London, England, United Kingdom (in 1967-02) and Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom (on 1967-02-08)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 371)
- recording of:
- The Wind Cries Mary (in 1967-02)
- lyricist and composer:
- Jimi Hendrix
- publisher:
- Bella Godiva Music, Experience Hendrix, L.L.C. and Sea-Lark Enterprises, Inc.
| Jimi Hendrix | 3:15 |
